[Footnote 1: George Psalmanazar, who never told his real name and
precise birthplace, was an impostor from Languedoc, and 31 years old in
1711. He had been educated in a Jesuit college, where he heard stories
of the Jesuit missions in Japan and Formosa, which suggested to him how
he might thrive abroad as an interesting native. He enlisted as a
soldier, and had in his character of Japanese only a small notoriety
until, at Sluys, a dishonest young chaplain of Brigadier Lauder's Scotch
regiment, saw through the trick and favoured it, that he might recommend
himself to the Bishop of London for promotion. He professed to have
converted Psalmanazar, baptized him, with the Brigadier for godfather,
got his discharge from the regiment, and launched him upon London under
the patronage of Bishop Compton. Here Psalmanazar, who on his arrival
was between nineteen and twenty years old, became famous in the
religious world. He supported his fraud by invention of a language and
letters, and of a Formosan religion. To oblige the Bishop he translated
the church catechism into 'Formosan,' and he published in 1704 'an
historical and geographical Description of Formosa,' of which a second
edition appeared in the following year. It contained numerous plates of
imaginary scenes and persons. His gross and puerile absurdities in print
and conversation--such as his statements that the Formosans sacrificed
eighteen thousand male infants every year, and that the Japanese studied
Greek as a learned tongue,--excited a distrust that would have been
fatal to the success of his fraud, even with the credulous, if he had
not forced himself to give colour to his story by acting the savage in
men's eyes. But he must really, it was thought, be a savage who fed upon
roots, herbs, and raw flesh. He made, however, so little by the
imposture, that he at last confessed himself a cheat, and got his living
as a well-conducted bookseller's hack for many years before his death,
in 1763, aged 84. In 1711, when this jest was penned, he had not yet
publicly eaten his own children, i.e. swallowed his words and declared
his writings forgeries. In 1716 there was a subscription of £20 or £30 a
year raised for him as a Formosan convert. It was in 1728 that he began
to write that formal confession of his fraud, which he left for
publication after his death, and whereby he made his great public
appearance as Thyestes.
This jest against Psalmanazar was expunged from the first reprint of the
_Spectator_ in 1712, and did not reappear in the lifetime of Steele
or Addison, or until long after it had been amply justified.]
* * * * *
No. 15. Saturday, March 17, 1711. Addison.
'Parva leves capiunt animos ...'
Ovid.
When I was in _France_, I used to gaze with great Astonishment at the
Splendid Equipages and Party-coloured Habits, of that Fantastick Nation.
I was one Day in particular contemplating a Lady that sate in a Coach
adorned with gilded _Cupids_, and finely painted with the Loves of
_Venus_ and _Adonis_. The Coach was drawn by six milk-white Horses, and
loaden behind with the same Number of powder'd Foot-men. Just before the
Lady were a Couple of beautiful Pages, that were stuck among the
Harness, and by their gay Dresses, and smiling Features, looked like the
elder Brothers of the little Boys that were carved and painted in every
Corner of the Coach.
The Lady was the unfortunate _Cleanthe_, who afterwards gave an Occasion
to a pretty melancholy Novel. She had, for several Years, received the
Addresses of a Gentleman, whom, after a long and intimate Acquaintance,
she forsook, upon the Account of this shining Equipage which had been
offered to her by one of great Riches, but a Crazy Constitution. The
Circumstances in which I saw her, were, it seems, the Disguises only of
a broken Heart, and a kind of Pageantry to cover Distress; for in two
Months after, she was carried to her Grave with the same Pomp and
Magnificence: being sent thither partly by the Loss of one Lover, and
partly by the Possession of another.
I have often reflected with my self on this unaccountable Humour in
Woman-kind, of being smitten with every thing that is showy and
superficial; and on the numberless Evils that befall the Sex, from this
light, fantastical Disposition. I my self remember a young Lady that was
very warmly sollicited by a Couple of importunate Rivals, who, for
several Months together, did all they could to recommend themselves, by
Complacency of Behaviour, and Agreeableness of Conversation. At length,
when the Competition was doubtful, and the Lady undetermined in her
Choice, one of the young Lovers very luckily bethought himself of adding
a supernumerary Lace to his Liveries, which had so good an Effect that
he married her the very Week after.
The usual Conversation of ordinary Women, very much cherishes this
Natural Weakness of being taken with Outside and Appearance. Talk of a
new-married Couple, and you immediately hear whether they keep their
Coach and six, or eat in Plate: Mention the Name of an absent Lady, and
it is ten to one but you learn something of her Gown and Petticoat. A
Ball is a great Help to Discourse, and a Birth-Day furnishes
Conversation for a Twelve-month after. A Furbelow of precious Stones, an
Hat buttoned with a Diamond, a Brocade Waistcoat or Petticoat, are
standing Topicks. In short, they consider only the Drapery of the
Species, and never cast away a Thought on those Ornaments of the Mind,
that make Persons Illustrious in themselves, and Useful to others. When
Women are thus perpetually dazling one anothers Imaginations, and
filling their Heads with nothing but Colours, it is no Wonder that they
are more attentive to the superficial Parts of Life, than the solid and
substantial Blessings of it. A Girl, who has been trained up in this
kind of Conversation, is in danger of every Embroidered Coat that comes
in her Way. A Pair of fringed Gloves may be her Ruin. In a word, Lace
and Ribbons, Silver and Gold Galloons, with the like glittering
Gew-Gaws, are so many Lures to Women of weak Minds or low Educations,
and, when artificially displayed, are able to fetch down the most airy
Coquet from the wildest of her Flights and Rambles.
True Happiness is of a retired Nature, and an Enemy to Pomp and Noise;
it arises, in the first place, from the Enjoyment of ones self; and, in
the next, from the Friendship and Conversation of a few select
Companions. It loves Shade and Solitude, and naturally haunts Groves and
Fountains, Fields and Meadows: In short, it feels every thing it wants
within itself, and receives no Addition from Multitudes of Witnesses and
Spectators. On the contrary, false Happiness loves to be in a Crowd, and
to draw the Eyes of the World upon her. She does not receive any
Satisfaction from the Applauses which she gives her self, but from the
Admiration which she raises in others. She flourishes in Courts and
Palaces, Theatres and Assemblies, and has no Existence but when she is
looked upon.
_Aurelia_, tho' a Woman of Great Quality, delights in the Privacy of a
Country Life, and passes away a great part of her Time in her own Walks
and Gardens. Her Husband, who is her Bosom Friend and Companion in her
Solitudes, has been in Love with her ever since he knew her. They both
abound with good Sense, consummate Virtue, and a mutual Esteem; and are
a perpetual Entertainment to one another. Their Family is under so
regular an Oeconomy, in its Hours of Devotion and Repast, Employment and
Diversion, that it looks like a little Common-Wealth within it self.
They often go into Company, that they may return with the greater
Delight to one another; and sometimes live in Town not to enjoy it so
properly as to grow weary of it, that they may renew in themselves the
Relish of a Country Life. By this means they are Happy in each other,
beloved by their Children, adored by their Servants, and are become the
Envy, or rather the Delight, of all that know them.
How different to this is the Life of _Fulvia_! she considers her Husband
as her Steward, and looks upon Discretion and good House-Wifery, as
little domestick Virtues, unbecoming a Woman of Quality. She thinks Life
lost in her own Family, and fancies herself out of the World, when she
is not in the Ring, the Play-House, or the Drawing-Room: She lives in a
perpetual Motion of Body and Restlessness of Thought, and is never easie
in any one Place, when she thinks there is more Company in another. The
missing of an Opera the first Night, would be more afflicting to her
than the Death of a Child. She pities all the valuable Part of her own
Sex, and calls every Woman of a prudent modest retired Life, a
poor-spirited, unpolished Creature. What a Mortification would it be to
_Fulvia_, if she knew that her setting her self to View, is but exposing
her self, and that she grows Contemptible by being Conspicuous.
I cannot conclude my Paper, without observing that _Virgil_ has very
finely touched upon this Female Passion for Dress and Show, in the
Character of _Camilla_; who, tho' she seems to have shaken off all the
other Weaknesses of her Sex, is still described as a Woman in this
Particular. The Poet tells us, that, after having made a great Slaughter
of the Enemy, she unfortunately cast her Eye on a _Trojan_ [who[1]] wore
an embroidered Tunick, a beautiful Coat of Mail, with a Mantle of the
finest Purple. _A Golden Bow_, says he, _Hung upon his Shoulder; his
Garment was buckled with a Golden Clasp, and his Head was covered with
an Helmet of the same shining Mettle_. The _Amazon_ immediately singled
out this well-dressed Warrior, being seized with a Woman's Longing for
the pretty Trappings that he was adorned with:
'... Totumque incauta per agmen
Fæmineo prædæ et spoliorum ardebat amore.'
This heedless Pursuit after these glittering Trifles, the Poet (by a
nice concealed Moral) represents to have been the Destruction of his
Female Hero.