[Footnote 1: The famous Neapolitan actor and singer, Cavalier Nicolino
Grimaldi, commonly called Nicolini, had made his first appearance in an
opera called 'Pyrrhus and Demetrius,' which was the last attempt to
combine English with Italian. His voice was a soprano, but afterwards
descended into a fine contralto, and he seems to have been the finest
actor of his day. Prices of seats at the opera were raised on his coming
from 7s. 6d. to 10s. for pit and boxes, and from 10s. 6d. to 15s. for
boxes on the stage. When this paper was written he had appeared also in
a new opera on 'Almahide,' and proceeded to those encounters with the
lion in the opera of _Hydaspes_, by a Roman composer, Francesco Mancini,
first produced May 23, 1710, which the _Spectator_ has made memorable.
It had been performed 21 times in 1710, and was now reproduced and
repeated four times. Nicolini, as Hydaspes in this opera, thrown naked
into an amphitheatre to be devoured by a lion, is so inspired with
courage by the presence of his mistress among the spectators that (says
Mr Sutherland Edwards in his 'History of the Opera')
'after appealing to the monster in a minor key, and telling him that
he may tear his bosom, but cannot touch his heart, he attacks him in
the relative major, and strangles him.']
[Footnote 2: that]
* * * * *
No. 14. Friday, March 16, 1711. Steele.
... Teque his, Infelix, exue monstris.
Ovid.
I was reflecting this Morning upon the Spirit and Humour of the publick
Diversions Five and twenty Years ago, and those of the present Time; and
lamented to my self, that though in those Days they neglected their
Morality, they kept up their Good Sense; but that the _beau Monde_, at
present, is only grown more childish, not more innocent, than the
former. While I was in this Train of Thought, an odd Fellow, whose Face
I have often seen at the Play-house, gave me the following Letter with
these words, Sir, _The Lyon presents his humble Service to you, and
desired me to give this into your own Hands._
From my Den in the Hay-market, March 15.