III

The making of an editor is a complex affair. Poets and painters are

said to be born. Editors and orators are made. Many essential elements

enter into the editorial fabrication; need to be concentrated upon and

embodied by a single individual, and even, with these, environment is

left to supply the opportunity and give the final touch.

Aptitude, as the first ingredient, goes without saying of every line of

human endeavor. We have the authority of the adage for the belief that

it is not possible to make a silk purse out of a sow’s ear. Yet have I

known some unpromising tyros mature into very capable workmen.

The modern newspaper, as we know it, may be fairly said to have been

the invention of James Gordon Bennett, the elder. Before him there were

journals, not newspapers. When he died he had developed the news scheme

in kind, though not in the degree that we see so elaborate and

resplendent in New York and other of the leading centers of population.

Mr. Bennett had led a vagrant and varied life when he started the

Herald. He had been many things by turns, including a writer of verses

and stories, but nothing very successful nor very long. At length he

struck a central idea—a really great, original idea—the idea of

printing the news of the day, comprising the History of Yesterday,

fully and fairly, without fear or favor. He was followed by Greeley and

Raymond—making a curious and very dissimilar triumvirate—and, at longer

range, by Prentice and Forney, by Bowles and Dana, Storey, Medill and

Halstead. All were marked men; Greeley a writer and propagandist;

Raymond a writer, declaimer and politician; Prentice a wit and

partisan; Dana a scholar and an organizer; Bowles a man both of letters

and affairs. The others were men of all work, writing and fighting

their way to the front, but possessing the “nose for news,” using the

Bennett formula and rescript as the basis of their serious efforts, and

never losing sight of it. Forney had been a printer. Medill and Storey

were caught young by the lure of printer’s ink. Bowles was born and

reared in the office of the Springfield Republican, founded by his

father, and Halstead, a cross betwixt a pack horse and a race horse,

was broken to harness before he was out of his teens.

Assuming journalism, equally with medicine and law, to be a profession,

it is the only profession in which versatility is not a disadvantage.

Specialism at the bar, or by the bedside, leads to perfection and

attains results. The great doctor is the great surgeon or the great

prescriptionist—he cannot be great in both—and the great lawyer is

rarely great, if ever, as counselor and orator.

[Illustration: Henry Watterson—From a painting by Louis Mark in the

Manhattan Club, New York]

The great editor is by no means the great writer. But he ought to be

able to write and must be a judge of writing. The newspaper office is a

little kingdom. The great editor needs to know and does know every

range of it between the editorial room, the composing room and the

pressroom. He must hold well in hand everybody and every function,

having risen, as it were, step-by-step from the ground floor to the

roof. He should be level-headed, yet impressionable; sympathetic, yet

self-possessed; able quickly to sift, detect and discriminate; of

various knowledge, experience and interest; the cackle of the adjacent

barnyard the noise of the world to his eager mind and pliant ear.

Nothing too small for him to tackle, nothing too great, he should keep

to the middle of the road and well in rear of the moving columns;

loving his art—for such it is—for art’s sake; getting his sufficiency,

along with its independence, in the public approval and patronage,

seeking never anything further for himself. Disinterestedness being the

soul of successful journalism, unselfish devotion to every noble

purpose in public and private life, he should say to preferment, as to

bribers, “get behind me, Satan.” Whitelaw Reid, to take a ready and

conspicuous example, was a great journalist, but rather early in life

he abandoned journalism for office and became a figure in politics and

diplomacy so that, as in the case of Franklin, whose example and

footsteps in the main he followed, he will be remembered rather as the

Ambassador than as the Editor.

More and more must these requirements be fulfilled by the aspiring

journalist. As the world passes from the Rule of Force—force of

prowess, force of habit, force of convention—to the Rule of Numbers,

the daily journal is destined, if it survives as a power, to become the

teacher—the very Bible—of the people. The people are already beginning

to distinguish between the wholesome and the meretricious in their

newspapers. Newspaper owners, likewise, are beginning to realize the

value of character. Instances might be cited where the public,

discerning some sinister but unseen power behind its press, has slowly

yet surely withdrawn its confidence and support. However impersonal it

pretends to be, with whatever of mystery it affects to envelop itself,

the public insists upon some visible presence. In some States the law

requires it. Thus “personal journalism” cannot be escaped, and whether

the “one-man power” emanates from the Counting Room or the Editorial

Room, as they are called, it must be clear and answerable, responsive

to the common weal, and, above all, trustworthy.

Marse Henry: An Autobiography, Complete · 第 163 / 184 题