THREE PORTRAITS

(1840)

"The neighbours" constitute one of the most serious drawbacks to country

life. I knew one landed proprietor of the Government of Vólogda, who, at

every convenient opportunity, was wont to repeat the following words:

"Thank God, I have no neighbours!"--and I must admit that I could not

refrain from envying that lucky mortal.

My little village is situated in one of the most thickly-populated

governments of Russia. I am surrounded by a vast multitude of petty

neighbours, beginning with the well-intentioned and respected landed

proprietors, clad in capacious dress-coats, and more capacious

waistcoats,--and ending with arrant roysterers, who wear hussar-jackets

with long sleeves and the so-called "fimsky" knot on the back. In the

ranks of these nobles, however, I have accidentally discovered one very

amiable young fellow. Once upon a time he was in the military service,

then he retired, and settled down for good and all in the country.

According to his account, he served two years in the B*** regiment; but

I positively cannot understand how that man could have discharged any

duties whatsoever, not only for the space of two years, but even for the

space of two days. He was born "for a peaceful life, for rustic

tranquillity," that is to say, for indolent, careless vegetation, which,

I may remark in parenthesis, is not devoid of great and inexhaustible

charms.

He enjoyed a very respectable property: without troubling himself too

much about the management of his estate, he spent about ten thousand

rubles[16] a year, procured for himself a capital cook (my friend was

fond of good eating); he also imported from Moscow the newest French

books and journals. He read nothing in Russian except the reports of his

overseer, and that with great difficulty. From morning until dinner (if

he did not go off hunting), he did not doff his dressing-gown; he sorted

over some sketches or other pertaining to the management, or betook

himself to the stable, or to the threshing-shed, and indulged in a good

laugh with the peasant wives, who rattled their chains, as the saying

is, in his presence, out of ostentation. After dinner my friend dressed

himself before the mirror with great care, and drove off to some

neighbour endowed with two or three pretty young daughters; heedlessly

and pacifically, he dangled after one of them, played at blind-man's

buff with them, returned home rather late, and immediately sank into

heroic slumber. He could not feel bored, because he never devoted

himself to absolute inaction, and he was not fastidious as to his choice

of occupations, and, like a child, was amused with the smallest trifle.

On the other hand, he felt no special attachment to life, and, it

sometimes happened, that when it became necessary to outrun a wolf or a

fox, he would launch his horse at full speed over such ravines, that to

this day I cannot understand why he did not break his neck a hundred

times. He belonged to the category of people who evoke in you the

thought that they are not aware of their own value, that beneath their

external generosity great and mighty passions are concealed; but he

would have laughed in your face, if he could have guessed that you

cherished such an opinion concerning him; yes, and, I am bound to admit,

I think myself that if my friend was haunted in his youth by any

aspiration, indistinct but powerful, toward what is very prettily called

"something higher," that aspiration had long, long ago calmed down in

him and pined away.

He was rather obese, and enjoyed splendid health. In our age, it is

impossible not to like people who give little thought to themselves,

because they are extremely rare .... and my friend almost completely

forgot his own person. However, I have already said too much about him,

I think--and my chattering is all the more ill-placed, since he does not

serve as the subject of my story. His name was Piótr Feódorovitch

Lutchínoff.

One autumn day, five of us thorough-going sportsmen had assembled

together at Piótr Feódorovitch's. We had spent the entire morning in the

fields, had coursed two wolves and a multitude of hares, and had

returned home in the ravishingly-agreeable frame of mind which invades

every well-regulated man after a successful hunt.

Twilight was descending. The wind was playing over the dark fields, and

noisily rocking the naked crests of the birches and lindens which

surrounded Lutchínoff's house. We arrived, and alighted from our

horses... On the porch I halted and glanced about me: long storm-clouds

were crawling heavily across the grey sky; a dark-brown bush was

writhing in the wind, and creaking piteously; the yellow grass bent

feebly and sadly to the ground; flocks of blackbirds were flying to and

fro among the mountain-ash trees, dotted with clusters of bright-scarlet

berries;[17] in the slender and brittle branches of the birch-trees

tomtits were hopping and whistling; the dogs were barking hoarsely in

the village. Melancholy overpowered me .... for which reason I entered

the dining-room with genuine pleasure. The shutters were closed; on the

round table, covered with a cloth of dazzling whiteness, in the midst of

crystal caraffes filled with red wine, burned eight candles in silver

candlesticks; a fire blazed merrily on the hearth--and an old, very

comely butler, with a huge bald spot, dressed in English fashion, stood

in respectful immobility in front of another table, which was already

adorned with a large soup-tureen, encircled with a light, fragrant

steam. In the anteroom we had passed another respectable man, engaged in

cooling the champagne--"according to the strict rules of the art."

The dinner was, as is usual on such occasions, extremely agreeable; we

laughed, recounted the incidents which had occurred during the hunt, and

recalled with rapture two notable "drives." After having dined rather

heartily, we disposed ourselves in broad arm-chairs in front of the

fireplace; a capacious silver bowl made its appearance on the table,

and, a few moments later, the flitting flame of rum announced to us our

host's pleasant intention to "brew a punch."--Piótr Feódorovitch was a

man not lacking in taste; he knew, for example, that nothing has such

deadly effect on the fancy as the even, cold, and pedantic light of

lamps--therefore he ordered that only two candles should be left in the

room. Strange half-shadows quivered on the walls, produced by the fitful

play of the fire on the hearth, and the flame of the punch .... a quiet,

extremely agreeable comfort replaced in our hearts the somewhat

obstreperous jollity which had reigned at dinner.

Conversations have their fates--like books (according to the Latin

apothegm), like everything in the world. Our conversation on that

evening was peculiarly varied and vivacious. In part it rose to

decidedly important general questions, then lightly and unconstrainedly

returned to the commonplaces of everyday life.... After chatting a good

deal, we all suddenly fell silent. At such times, they say, the angel of

silence flits past.

I do not know why my companions ceased talking, but I stopped because my

eyes had suddenly paused on three dusty portraits in black wooden

frames. The colours had been rubbed off, and here and there the canvas

was warped, but the faces could still be distinguished. The middle

portrait represented a woman, young in years, in a white gown with lace

borders, and a tall coiffure of the eighties. On her right, against a

perfectly black background, was visible the round, fat face of a

good-natured Russian landed proprietor five-and-twenty years of age,

with a low, broad forehead, a stubby nose, and an ingenuous smile. The

powdered French coiffure was extremely out of keeping with the

expression of his Slavonic countenance. The artist had depicted him in

a kaftan of crimson hue with large strass buttons; in his hand he held

some sort of unusual flower. The third portrait, painted by another and

more experienced hand, represented a man of thirty, in a green

uniform of the period of Katherine II, with red facings, a white

under-waistcoat, and a thin batiste neckerchief. With one hand he leaned

on a cane with a gold head, the other he had thrust into his waistcoat.

His thin, swarthy face breathed forth insolent arrogance. His long,

slender eyebrows almost met over his pitch-black eyes; on his pale,

barely-perceptible lips played an evil smile.

"What makes you stare at those faces?"--Piótr Feódorovitch asked me.

"Because!"--I answered, looking at him.

"Would you like to hear the whole story about those three persons?"

"Pray, do us the favour to tell it,"--we replied with one voice.

Piótr Feódorovitch rose, took a candle, raised it to the portraits, and

in the voice of a man who is exhibiting wild animals, "Gentlemen!"

he proclaimed: "this lady is the adopted daughter of my own

great-grandfather, Olga Ivánovna NN., called Lutchínoff, who died

unmarried forty years ago. This gentleman,"--pointing to the portrait of

the man in uniform,--"is sergeant of the Guards, Vasíly Ivánovitch

Lutchínoff, who departed this life, by the will of God, in the year one

thousand seven hundred and ninety. And this gentleman, to whom I have

not the honour to be related, is a certain Pável Afanásievitch

Rogatchyóff, who never served anywhere, so far as I am aware. Please to

note the hole which is in his breast, in the exact place of the heart.

This hole, which is, as you see, regular, and three-cornered, probably

could not have happened accidentally.... Now,"--he went on in his

ordinary voice,--"please to take your seats, arm yourselves with

patience, and listen."

GENTLEMEN (he began) I descend from a fairly ancient race. I am not

proud of my descent, because my ancestors were all frightful

spendthrifts. This reproach, however, does not apply to my

great-grandfather, Iván Andréevitch Lutchínoff,--on the contrary, he

bore the reputation of being an extraordinarily penurious and even

miserly man--during the last years of his life, at all events. He passed

his youth in Petersburg, and was a witness of Elizavéta's reign.

In Petersburg he married, and had by his wife, who was also my

great-grandmother, four children--three sons, Vasíly, Iván and Pável (my

grandfather), and one daughter, Natálya. In addition to these, Iván

Andréevitch took into his family the daughter of a distant relative, a

full and nameless orphan,--Olga Ivánovna, of whom I have already

spoken. My great-grandfather's subjects were, probably, aware of his

existence, because they were in the habit of sending to him (when no

particular catastrophe had happened) a very considerable sum in

quit-rents;--but they had never beheld his face. The village of

Lutchínovko, deprived of the light of its master's countenance, was

thriving,--when, all of a sudden, one fine morning, a heavy travelling

carriage drove into the village, and drew up in front of the Elder's

cottage. The peasants, startled by such an unprecedented event, flocked

thither and beheld their master, mistress, and all the pair's offspring,

with the exception of the eldest, Vasíly, who had remained in

Petersburg. From that memorable day forth, and to the very day of his

death, Iván Andréevitch never quitted Lutchínovko. He built himself a

house, this very house in which I now have the pleasure of chatting with

you; he also built the church, and began to live the life of a landed

proprietor. Iván Andréevitch was a man of huge stature, gaunt, taciturn,

and extremely slow in all his movements; he never wore a dressing-gown,

and no one, with the exception of his valet, had ever seen him with

unpowdered hair. Iván Andréevitch habitually walked with his hands

clasped behind his back, slowly turning his head at every step. Every

day he walked in the long linden alley, which he had planted with his

own hands,--and before his death he had the satisfaction of enjoying the

shade of those lindens.

Iván Andréevitch was extremely parsimonious of his words; this

remarkable circumstance may serve as a proof of his taciturnity--that in

the space of twenty years he never said a single word to his spouse,

Anna Pávlovna. Altogether, his relations to Anna Pávlovna were of a very

strange nature.--She administered all the domestic affairs, at dinner

she always sat by her husband's side,--he would ruthlessly have

chastised any man who presumed to utter one disrespectful word to

her,--and yet he himself never spoke to her, and never touched her hand.

Anna Pávlovna was a pale, timid, crushed woman; every day she prayed in

church on her knees,[18] and never smiled. It was said that formerly,

that is to say, before their arrival in the country, they had lived in

grand style; it was said, also, that Anna Pávlovna had broken her

marital vows, that her husband had found out about her fault.... However

that may have been, Iván Andréevitch, even when he lay dying, did not

become reconciled to her. She never left him during his last illness;

but he seemed not to notice her. One night, Anna Pávlovna was sitting

in Iván Andréevitch's bedroom; he was tortured with insomnia;

the shrine-lamp was burning in front of the holy picture; my

great-grandfather's servant, Yúditch, concerning whom I shall have a

couple of words to say to you hereafter, had left the room. Anna

Pávlovna rose, crossed the chamber, and flung herself, sobbing, on her

knees before her husband's bed, tried to say something--and stretched

out her arms.... Iván Andréevitch looked at her--and shouted in a weak

but firm voice: "Man!" The servant entered. Anna Pávlovna hastily rose

to her feet, and returned, reeling, to her place.

Iván Andréevitch's children were extremely afraid of him. They grew up

in the country, and were witnesses of Iván Andréevitch's strange

behaviour to his wife. They all passionately loved Anna Pávlovna, but

dared not express their love. She herself seemed to shun them.... You

remember my grandfather, gentlemen: to the day of his death, he always

used to go about on tiptoe, and he spoke in a whisper .... that 's what

habit will do! My grandfather and his brother Iván Ivánovitch were

plain, kind, peaceable and melancholy people; my _grand'tante_ Natálya

married a coarse, stupid man, as you know, and until her death cherished

for him a dumb, servile, sheep-like love; but their brother Vasíly was

not like that.

I think I have told you that Iván Andréevitch left him in Petersburg. He

was twenty years old at the time. His father confided him to the care of

a distant relative, a man no longer young, a bachelor and a frightful

Voltairian.

Vasíly grew up, and entered the service. He was small of stature, but

well built and extremely agile; he spoke French splendidly, and was

renowned for his skill at fighting with the broadsword. He was

considered one of the most brilliant young men of the beginning of

Katherine II's reign. My father often told me that he knew more than one

old woman who could not mention Vasíly Ivánovitch Lutchínoff without

heartfelt emotion. Picture to yourself a man gifted with remarkable

strength of will, passionate and calculating, patient and daring,

secretive to the last degree and--according to the words of all his

contemporaries--bewitchingly, enchantingly amiable. He had neither

conscience nor good-nature nor honour, although no one could call him a

positively bad man. He was selfish--but knew how to conceal his

selfishness, and was passionately fond of independence. When Vasíly

Ivánovitch used, smilingly, to screw up his black eyes, when he wanted

to fascinate any one, they say that it was impossible to resist him--and

even people who were convinced of the coldness and hardness of his

spirit more than once surrendered to the bewitching power of his

influence. He zealously served himself, and made others toil also for

his benefit, and always succeeded in everything, because he never lost

his head, did not disdain flattery as a means, and understood how to

flatter.

Ten years after Iván Andréevitch settled in the country, he came to

Lutchínovko as a brilliant officer of the Guards, for four months,--and

in that space of time succeeded in turning the head even of the surly

old man, his father. It is strange! Iván Andréevitch listened with

delight to his son's tales of his conquests. His brothers were dumb in

his presence, and admired him as a superior being. And even Anna

Pávlovna herself came to love him almost more than all her other

children, who were so sincerely devoted to her.

Vasíly Ivánovitch came to the country, in the first place, in order to

see his relatives; but, in the second place also, in order to get as

much money as possible out of his father. He had lived sumptuously and

kept open house in Petersburg, and had contracted a multitude of debts.

It was not easy for him to reconcile himself to his parent's stinginess,

and, although Iván Andréevitch gave him for his trip alone more money,

in all probability, than he gave all his other children in the space of

the twenty years which they spent in the paternal house, yet Vasíly

stuck to the familiar Russian rule: "Take all you can get!"

Iván Andréevitch had a servant, Yúditch by name, as tall, gaunt, and

taciturn a man as his master. They say that this Yúditch was, in part,

the cause of the strange behaviour of Iván Andréevitch to Anna Pávlovna:

they say that it was he who discovered the guilty liaison of my

great-grandmother with one of my great-grandfather's best friends.

Probably Yúditch deeply repented of his ill-judged zeal, because it

would be difficult to conceive of a more kind-hearted man. His memory is

held sacred to this day by all my house-serfs. Yúditch enjoyed the

unbounded confidence of my great-grandfather. At that period, landed

proprietors had money, but did not hand it over to loan institutions for

safe-keeping, but kept it themselves in coffers, in cellars, and the

like. Iván Andréevitch kept all his money in a huge iron-bound coffer,

which stood under the head of his bed. The key to this coffer was handed

over to Yúditch. Every evening, when he went to bed, Iván Andréevitch

ordered this chest to be opened in his presence, tapped all the

tightly-stuffed sacks in turn with his cane, and on Saturdays, he and

Yúditch untied the sacks and carefully counted over the money.

Vasíly found out about all these performances and was fired with a

desire to rummage a bit in the sacred coffer. In the course of five or

six days he _mollified_ Yúditch, that is to say, he reduced the poor old

fellow to such a state that--as the saying is--he fairly worshipped his

young master. After having properly prepared him, Vasíly assumed a

careworn and gloomy aspect, for a long time refused to answer Yúditch's

inquiries and, at last, told him that he had gambled away all his money,

and intended to lay violent hands on himself if he did not obtain money

from somewhere. Yúditch began to sob, flung himself on his knees before

him, begged him to remember God, not to ruin his soul. Vasíly, without

uttering a word, locked himself up in his chamber. After a while, he

heard some one knocking cautiously on his door. He opened the door and

beheld on the threshold Yúditch, pale and trembling, with a key in his

hands. Vasíly immediately understood everything. At first he resisted

for a long time. Yúditch kept repeating with tears: "Pray, master, take

it!"... At last, Vasíly consented. This happened on Monday. The idea

occurred to Vasíly to replace the money he abstracted with bits of

glass. He reckoned on Iván Andréevitch's not paying any special heed to

the barely perceptible difference in the sound when he tapped the sacks

with his cane,--and by Saturday he hoped to obtain money and replace it

in the sacks. No sooner thought than done. His father, in fact, did not

notice anything. But Vasíly did not obtain money by Saturday: he had

hoped, with the money he had taken, to clean out at the card-table a

certain wealthy neighbour--and, on the contrary, he lost everything

himself. In the meantime, Saturday arrived; the turn came for the sacks

stuffed with bits of glass. Picture to yourselves, gentlemen, the

amazement of Iván Andréevitch!

"What 's the meaning of this?"--he thundered.

Yúditch made no reply.

"Hast thou stolen this money?"

"No, sir."

"Then has some one taken the key from thee?"

"I have not given the key to any one."

"Not to any one? If thou hast not given it to any one--thou art the

thief. Confess!"

"I am not a thief, Iván Andréevitch."

"Whence came these bits of glass, damn it? So thou art deceiving me? For

the last time I say to thee--confess!"

Yúditch hung his head and clasped his hands behind his back.

"Hey there, people!" shouted Iván Andréevitch in a raging voice.--"The

rods!"

"What? You mean to .... whip ... me?" whispered Yúditch.

"Thou shalt catch it! And how art thou any better than the rest? Thou

art a thief! Well, now, Yúditch! I had not expected such rascality from

thee!"

"I have grown grey in your service, Iván Andréevitch," said Yúditch with

an effort.

"And what care I about thy grey hair? May the devil take thee and thy

service!"

The people entered.

"Take him, and give him a good flogging!"

Iván Andréevitch's lips were pale and trembling. He ramped about the

room like a wild beast in a confined cage.

The men did not dare to execute his commands.

"What are you standing there for, you vile serfs? have I got to lay

hands on him myself, I 'd like to know?"

Yúditch started for the door.

"Stop!" yelled Iván Andréevitch.--"Yúditch, for the last time I say to

thee, I entreat thee, Yúditch, confess."

"I cannot," moaned Yúditch.

"Then seize him, the old sycophant!... Flog him to death! On my head be

it!" thundered the maddened old man. The torture began....

Suddenly the door flew open, and Vasíly entered. He was almost paler

than his father, his hands trembled, his upper lip was raised and

disclosed a row of white, even teeth.

"I am guilty," he said in a dull but steady voice.--"I took the money."

The men stopped short.

"Thou! what?! thou, Váska! without the consent of Yúditch?"

"No!"--said Yúditch:--"with my consent. I myself gave the key to Vasíly

Ivánovitch. Dear little father, Vasíly Ivánovitch! why have you deigned

to trouble yourself?"

"So that 's who the thief is!"--shouted Iván Andréevitch.--"Thanks,

Vasíly, thanks! But I shall not spare thee, Yúditch, all the same. Why

didst not thou confess all to me at once? Hey, there, you! why have you

stopped? or do you no longer recognise my authority? And I 'll settle

with you, my dear little dove!" he added, turning to Vasíly.

The men were on the point of setting to work again on Yúditch.

"Don't touch him!" whispered Vasíly through his teeth. The servants did

not heed him.--"Back!" he shouted, and hurled himself upon them.... They

staggered back.

"Ah! a rebel!"--moaned Iván Andréevitch, and raising his cane, he

advanced on his son.

Vasíly leaped aside, grasped the hilt of his sword, and bared it

half-way. All began to tremble. Anna Pávlovna, attracted by the noise,

frightened and pale, made her appearance in the doorway.

Iván Andréevitch's face underwent a frightful change. He staggered,

dropped his cane, and fell heavily into an arm-chair, covering his face

with both hands. No one stirred; all stood as though rooted to the spot,

not excepting even Vasíly. He convulsively gripped the steel hilt of his

sword, his eyes flashed with a morose, evil gleam....

"Go away all ... begone,"--said Iván Andréevitch in a low voice, without

removing his hands from his face.

The whole throng withdrew. Vasíly halted on the threshold, then suddenly

tossed his head, embraced Yúditch, kissed his mother's hand ... and two

hours later he was no longer in the village. He had departed for

Petersburg.

On the evening of that day, Yúditch was sitting on the porch of the

house-serfs' cottage. The servants swarmed around him, pitied him, and

bitterly blamed the master.

"Stop, my lads," he said to them at last;--"enough of that .... why do

you abuse him? I don't believe that he, our dear little father, is

pleased himself with his desperate deed...."

As a result of this affair, Vasíly never saw his parents again. Iván

Andréevitch died without him, probably with such grief at his heart as

may God spare any of us from experiencing. In the meantime, Vasíly

Ivánovitch went out in society, made merry after his own fashion, and

squandered money. How he obtained the money, I cannot say with

certainty. He procured for himself a French servant, a clever and

intelligent young fellow, a certain Boursier. This man became

passionately attached to him, and aided him in all his numerous

performances. I have no intention of narrating to you in detail all the

pranks of my great-uncle; he distinguished himself by such unbounded

audacity, such snaky tact, such incredible cold-bloodedness, such adroit

and subtle wit, that, I must confess, I can understand the limitless

power of that unprincipled man over the most noble souls....

Soon after his father's death, Vasíly Ivánovitch, notwithstanding all

his tact, was challenged to a duel by an outraged husband. He fought,

severely wounded his antagonist, and was forced to quit the capital: he

was ordered to reside permanently on his hereditary estate. Vasíly

Ivánovitch was thirty years of age. You can easily imagine, gentlemen,

with what feelings this man, who had become accustomed to the brilliant

life of the capital, journeyed to his native place. They say that, on

the road, he frequently got out of his kibítka, flung himself face down

on the snow, and wept. No one in Lutchínovko recognised the former

jolly, amiable Vasíly Ivánovitch. He spoke to no one, he went off

hunting from morning until night, with visible impatience endured the

timid caresses of his mother, and jeered pitilessly at his brothers,

and at their wives (both of them were already married)....

So far I have said nothing to you, I believe, about Olga Ivánovna. She

had been brought to Lutchínovko as an infant at the breast; she had

almost died on the way. Olga Ivánovna had been reared, as the saying is,

in the fear of God and of her parents.... It must be confessed that Iván

Andréevitch and Anna Pávlovna both treated her like a daughter. But

there was concealed in her a feeble spark of that fire which blazed so

brightly in the soul of Vasíly Ivánovitch. In the meantime, while Iván

Andréevitch's own children did not dare to indulge in conjectures

concerning the strange, speechless quarrel between their parents, Olga,

from her earliest years had been disturbed and pained by the position of

Anna Pávlovna. Like Vasíly, she loved independence; all oppression

revolted her. She had attached herself to her benefactress with all the

powers of her soul; she hated old Lutchínoff, and more than once, as she

sat at table, she had fixed upon him such sombre glances, that even the

man who was serving the viands felt frightened. Iván Andréevitch did not

notice all those glances, because, in general, he paid no attention

whatever to his family.

At first, Anna Pávlovna endeavoured to exterminate this hatred in

her--but several bold questions on Olga's part forced her to complete

silence. Iván Andréevitch's children adored Olga, and the old woman

loved her also, although with rather a cold affection.

Prolonged sorrow had crushed all cheerfulness, all strong feeling, in

this poor woman; nothing so clearly proves Vasíly's bewitching

amiability as the fact that he made even his mother love him ardently.

Effusions of tenderness on the part of children was not in the spirit of

that age, and therefore it is not surprising that Olga did not venture

to display her devotion, although she always kissed Anna Pávlovna's hand

with particular respect in the evening, when she bade her good-night.

She was barely able to read and write. Twenty years later, Russian girls

began to read novels in the style of the "Adventures of Marquis

G***,"--"Fanfan and Lolotte,"--of "Alexyéi; or, The Cot in the

Forest";--they began to learn to play on the clavichord and to sing

romances in the style of the following, once very familiar song:

"Men in the light

Cling to us like flies"--and so forth.

But in the '70s (Olga Ivánovna was born in the year 1757), our rustic

beauties had no conception of all these accomplishments. It would be

difficult for us now to picture to ourselves a young Russian girl of

good birth of that epoch. We can, it is true, judge from our

grandmothers as to the degree of education of noble gentlewomen in the

times of Katherine II; but how is one to distinguish that which was

inculcated in them in the course of their long life, from that which

they were in the days of their youth?

Olga Ivánovna spoke a little French, but with a strong Russian accent;

in her day, there was no thought of such a thing as the _emigrés_.[19]

In a word, with all her good qualities, she was, nevertheless, a decided

_savage_, and, probably, in the simplicity of her heart, she more than

once administered chastisement with her own hands to some unlucky

maid....

Some time before Vasíly Ivánovitch's arrival, Olga Ivánovna had been

betrothed to a neighbour,--Pável Afanásievitch Rogatchyóff, an extremely

good-natured and honourable man. Nature had forgotten to endow him with

gall. His own servants did not obey him; they sometimes all went off,

from the first to the last of them, and left poor Rogatchyóff without

any dinner ... but nothing could disturb the tranquillity of his soul.

He had been distinguished, even from his childhood, by his obesity and

sluggishness; he had never served anywhere, and he was fond of going to

church and singing in the choir. Look at that good-natured, round face,

gentlemen; gaze at that tranquil, brilliant smile .... does not it make

you feel cheerful yourselves? Once in a while his father had driven over

to Lutchínovko, and had brought with him, on festival days, his

Pávlusha, whom the little Lutchínoffs tormented in every possible way.

Pávlusha grew up, began to go to Iván Andréevitch's of his own accord,

fell in love with Olga Ivánovna, and offered her his hand and his

heart--not to her personally, but to her benefactors. Her benefactors

gave their consent. They never even thought of asking Olga Ivánovna

whether she liked Rogatchyóff. At that epoch,--as our grandmothers used

to say,--"such luxuries were not in fashion." But Olga speedily got used

to her betrothed: it was impossible not to grow attached to that gentle,

indulgent being.

Rogatchyóff had received no education whatsoever; all he could say in

French was "bonzhour"--and in secret he even regarded that word as

improper. And some jester had also taught him the following, which

professed to be a French song: "Sónetchka, Sónetchka! Que voulez-vous de

moi--I adore you--mais je ne peux pas."... He was always humming this

song in an undertone when he felt in good spirits. His father also was a

man of indescribably kind disposition; he was forever going about in a

long nankeen coat, and no matter what was said to him, he assented to

everything with a smile.

From the time of Pável Afanásievitch's betrothal both the

Rogatchyóffs--father and son--began to bustle about frightfully; they

made over their house, they built on various "galleries," they chatted

in friendly wise with the workmen, they treated them to vodka. They did

not manage to finish all the additional building by winter--so they

deferred the wedding until the summer; in the summer, Iván Andréevitch

died--and the wedding was postponed until the following spring; in the

winter, Vasíly Ivánovitch arrived. Rogatchyóff was introduced to him;

Vasíly received him coldly and carelessly, and in the course of time,

frightened him to such a degree by his arrogant treatment that poor

Rogatchyóff quivered like a leaf at his mere appearance, maintained

silence, and smiled constrainedly. Vasíly once came near driving him off

for good--by offering to bet with him that he, Rogatchyóff, was unable

to stop smiling. Poor Pável Afanásievitch almost wept with confusion,

but--'t is an actual fact!--the smile, the very stupid, constrained

smile, would not quit his face! And Vasíly slowly toyed with the ends of

his neckcloth, and stared at him in quite too scornful a manner.

Pável Afanásievitch's father also learned of Vasíly's arrival, and a few

days later--for the sake of "the greater solemnity"--he set out for

Lutchínovko with the intention of "congratulating the amiable visitor on

his arrival in his native parts." Afanásy Lúkitch was renowned

throughout the whole countryside for his eloquence--that is to say,

for his ability to utter, without hesitation, a rather long and

cunningly-concocted speech, with a slight admixture of bookish words.

Alas! on this occasion he did not maintain his reputation; he became

confused much worse than his son, Pável Afanásievitch. He stammered out

something very unintelligible, and, although he had never touched vodka

in his life, having this time, "by way of countenance," drunk a small

glassful (he had found Vasíly at luncheon), he had endeavoured, at

least, to clear his throat with a certain amount of independence, and

had not produced the smallest sound. As he set out for home, Pável

Afanásievitch whispered to his parent: "Well, dear little father?"

Afanásy Lúkitch replied to him with irritation, also in a whisper:

"Don't mention it!"

The Rogatchyóffs began to come more rarely to Lutchínovko. But they were

not the only ones whom Vasíly intimidated: he aroused in his brothers,

in their wives, even in Anna Pávlovna herself, a painful and involuntary

sense of discomfort .... they began to avoid him in all possible ways.

Vasíly could not help noticing this, but, apparently, he had no

intention of altering his behaviour to them, when, all of a sudden, at

the beginning of the spring, he again revealed himself as the same

amiable, charming man they had previously known him to be....

The first revelation of this sudden change was on the occasion of

Vasíly's unexpected call on the Rogatchyóffs. Afanásy Lúkitch, in

particular, was thoroughly daunted by the sight of Lutchínoff's calash,

but his fear very speedily vanished. Never had Vasíly been more amiable

and merry. He linked his arm in the arm of young Rogatchyóff, walked out

with him to inspect the buildings, chatted with the carpenters, gave

them advice, himself made a few notches with the axe, ordered them to

show him Afanásy Lúkitch's stud-horses, himself drove them at the end of

a rope--and altogether, by his cordial amiability, reduced the

kind-hearted steppe-dwellers to such a condition that they both

repeatedly embraced him. At home, also, Vasíly turned all heads for a

few days as of yore: he devised various amusing games, he procured

musicians, invited in the neighbours of both sexes, narrated the

tittle-tattle of the town to the old ladies in the most diverting

manner, paid some court to the young women, invented unheard-of

amusements, fireworks, and so forth:--in a word, he enlivened everything

and everybody. The sad, gloomy house of the Lutchínoffs was suddenly

converted into a noisy, brilliant, enchanting sort of dwelling, of which

the whole countryside talked.--This sudden change amazed many,

delighted all, and various rumours got into circulation; the knowing

ones said that some hidden trouble had, up to that time, been afflicting

Vasíly Ivánovitch, that the possibility of returning to the capital had

presented itself to him.... But no one divined the true cause of Vasíly

Ivánovitch's regeneration.

Olga Ivánovna, gentlemen, was very far from being uncomely.--But her

beauty consisted rather in remarkable softness and freshness of person,

in a tranquil charm of movement, than in strict regularity of features.

Nature had endowed her with a certain independence; her education--she

had been reared an orphan--had developed in her caution and firmness.

Olga did not belong to the category of quiet and languid young

gentlewomen; but one feeling alone had fully ripened in her: hatred for

her benefactor. However, other and more womanly passions also could

flame up in Olga Ivánovna's soul with unusual, unhealthy force .... but

there was in her none of that proud coldness, nor that compact strength

of soul, nor that selfish concentration, without which every passion

speedily vanishes.--The first outbursts of such half-active,

half-passive souls are sometimes remarkably violent; but they very soon

undergo a change, especially when it becomes a question of the ruthless

application of accepted principles; they fear the consequences.... And,

yet, gentlemen, I must confess to you frankly: women of that sort

produce upon me a very strong impression....

(At these words, the narrator tossed off a glass of water at one

draught.--"Nonsense! nonsense!"--I thought, as I looked at his round

chin:--"on you, my dear friend, no one in the world produces 'a very

strong impression.'") ...

Piótr Feódorovitch went on:

Gentlemen, I believe in blood, in race. There was more blood in Olga

Ivánovna, than, for example, in her nominal sister--Natálya. How did

that "blood" show itself?--you ask me.--Why, in everything; in the

outline of her hands and of her lips, in the sound of her voice, in her

glance, in her walk, in the way she dressed her hair,--in the folds of

her gown, in short. In all these trifles there was a certain hidden

something, although I must admit that that .... how shall I express

it?.... that distinction which had fallen to the lot of Olga Ivánovna

would not have attracted the attention of Vasíly if he had met her in

Petersburg. But in the country, in the wilds, she not only excited his

attention,--but even, altogether, was the sole cause of the change of

which I have just spoken.

Judge for yourselves: Vasíly Ivánovitch was fond of enjoying life; he

could not help being bored in the country; his brothers were

kind-hearted fellows, but extremely limited in mind; he had nothing in

common with them. His sister Natálya and her husband had had four

children in the space of three years; between her and Vasíly lay a whole

abyss... Anna Pávlovna went to church, prayed, fasted, and prepared

herself for death. There remained only Olga, a rosy, timid, charming

young girl... At first Vasíly did not notice her ... and who would turn

his attention on an adopted child, an orphan, a foundling?.... One day,

at the very beginning of spring, he was walking through the garden, and

with his cane switching off the heads of the chicory, those stupid

yellow flowers which make their appearance in such abundance first of

all, in the meadows as yet hardly green.--He was strolling in the garden

in front of the house, raised his head--and beheld Olga Ivánovna.--She

was sitting with her side to the window, and gazing pensively at a

striped kitten, which, purring and blinking, had cuddled down on her

lap, and with great satisfaction was presenting its little nose to the

spring sunshine, already fairly brilliant. Olga Ivánovna wore a white

morning-gown with short sleeves; her bare, faintly-rosy, as yet not

fully-developed shoulders and arms breathed forth freshness and health;

a small cap discreetly confined her thick, soft, silky locks; her face

was slightly flushed; she had not been long awake. Her slender, supple

neck was bent forward so charmingly; her unconfined form reposed so

engagingly and modestly that Vasíly Ivánovitch (a great connoisseur!)

involuntarily halted and took a look. It suddenly came into his head

that Olga Ivánovna ought not to be left in her pristine ignorance, that

in time she might turn out to be a very charming and very amiable woman.

He crept up to the window, raised himself on tiptoe, and imprinted a

silent kiss on Olga Ivánovna's smooth, white arm, a little below the

elbow.--Olga screamed and sprang to her feet, the kitten elevated its

tail, and leaped into the garden; Vasíly Ivánovitch detained her with

his hand.... Olga blushed all over, to her very ears; he began to jest

at her fright .... invited her to walk with him; but suddenly Olga

Ivánovna noticed the negligence of her attire--"more swiftly than the

swift-footed doe," she slipped into the next room.

That same day, Vasíly set off for the Rogatchyóffs'. He suddenly grew

gay, and brightened up in spirit. Vasíly did not fall in love with Olga,

no!--one must not trifle with the word love.... He had found for himself

an occupation, he had set himself a task, and was rejoicing with the joy

of an active man. He never even called to mind the fact that she was his

mother's adopted child, the betrothed of another man; he did not deceive

himself for a single instant; he was very well aware that she could not

be his wife.... Perhaps passion was his excuse--not a lofty, not a noble

passion, 't is true, but, nevertheless, a tolerably strong and

torturing passion. Of course he did not fall in love like a child; he

did not surrender himself to unbounded raptures; he knew well what he

wanted and what he was aiming at.

Vasíly Ivánovitch possessed to perfection the ability to win the favour

of others, even of those who were prejudiced or timid. Olga speedily

ceased to shun him. Vasíly Ivánovitch introduced her into a new world.

He imported a clavichord for her, gave her music lessons (he played very

fairly himself on the flute), he read books to her, he had long talks

with her.... The poor young steppe-girl's head was turned; Vasíly had

completely subjugated her. He knew how to talk to her about that which,

hitherto, had been foreign to her, and to talk in a language which she

understood. Olga gradually brought herself to express all her feelings

to him; he helped her, suggested to her the words which she could not

find; he did not startle her; he now repressed, now encouraged her

impulses.... Vasíly occupied himself with her education not out of a

disinterested desire to awaken and develop her abilities; he simply

wanted to bring her somewhat closer to him, and he knew, moreover, that

it is easier to attract an inexperienced, shy, but vain young girl by

the mind than by the heart. Even if Olga had been a remarkable being,

Vasíly could not possibly have observed it, because he treated her like

a child; but you already know, gentlemen, that there was nothing

noteworthy about Olga.

Vasíly strove, as much as possible, to work on her imagination, and

often of an evening she would leave him with such a whirl of new images,

words, and thoughts in her head, that she was unable to get to sleep

until dawn, and sighing sadly, she pressed her burning cheeks against

her cold pillows; or she rose and went to the window, and gazed

timorously and eagerly into the far-away gloom. Vasíly filled every

moment of her life; she could not think of any one else. She soon ceased

to take any notice of Rogatchyóff. Vasíly, being a shrewd and clever

man, did not speak to Olga in his presence; but he either confused him

to the verge of tears, or got up some boisterous game, a stroll in the

evening, a rowing-party on the river by night with lanterns and

music,--in a word, he did not give Pável Afanásievitch a chance to

recover his ground. But, despite all Vasíly Ivánovitch's cleverness,

Rogatchyóff was dimly conscious that he, the betrothed and the future

husband of Olga, had become, as it were, a stranger to her .... but, in

his infinite good-heartedness, he was afraid of wounding her by a

reproach, although he really loved her and prized her affection. When he

was alone with her, he did not know what to talk about, and merely

endeavoured to serve her in every possible way. Two months passed.

Every trace of independence, of will, disappeared in Olga; the weak and

taciturn Rogatchyóff could not serve her as a prop; she did not even try

to resist the fascination, and with a sinking heart she gave herself

unconditionally to Vasíly....

Olga Ivánovna, it is probable, then learned the joys of love; but not

for long. Although Vasíly--for the lack of any other occupation--not

only did not discard her, but even became attached to her, and petted

her, yet Olga lost herself to such a degree that she did not find bliss

even in love, and nevertheless she was unable to tear herself away from

Vasíly. She began to be afraid of everything, she did not dare to think;

she talked of nothing; she ceased to read; she became a prey to

melancholy. Sometimes Vasíly succeeded in drawing her after him, and

making her forget everybody and everything; but on the following day he

found her pale and silent, with cold hands, with a senseless smile on

her lips....

A decidedly difficult time began for Vasíly; but no difficulties could

daunt him. He concentrated himself completely, like an expert gambler.

He could not count upon Olga Ivánovna in the slightest degree; she was

incessantly betraying herself, paling, and blushing and weeping ... her

new rôle was beyond her strength. Vasíly toiled for two; in his

boisterous and noisy joy only an experienced observer could have

detected a feverish tenseness; he played with his brothers, his

sisters, the Rogatchyóffs, the neighbours, both men and women,--as

though they had been pawns; he was eternally on the alert, he never

allowed a single glance, a single movement to escape him, although he

appeared to be the most care-free of mortals; every morning he entered

into battle, and every evening he celebrated a victory. He was not in

the least oppressed by this strange activity; he slept four hours a day,

he ate very little, and was healthy, fresh, and gay. In the meantime,

the wedding-day was approaching; Vasíly succeeded in convincing Pável

Afanásievitch himself of the necessity of a postponement; then he

despatched him to Moscow to make some purchases, and himself entered

into correspondence with his Petersburg friends. He exerted himself not

so much out of compassion for Olga Ivánovna, as out of a desire and love

for fuss and bustle.... Moreover, he had begun to grow tired of Olga

Ivánovna, and more than once already, after a fierce outburst of

passion, he had looked at her as he had been wont to look at

Rogatchyóff. Lutchínoff always remained a puzzle to every one; in the

very coldness of his implacable spirit you felt conscious of the

presence of a strange, almost southern flame, and in the maddest heat of

passion, cold emanated from that man.--In the presence of others, he

upheld Olga Ivánovna as before; but when he was alone with her, he

played with her as a cat plays with a mouse--he either terrified her

with sophisms, or he exhibited heavy and vicious tedium, or, in

conclusion, he threw himself at her feet again, swept her away, as a

whirlwind sweeps a chip .... and he was not then pretending to be in

love ... but really was swooning with it himself...

One day, quite late in the evening, Vasíly was sitting alone in his own

room and attentively perusing the latest letters he had received from

Petersburg--when, suddenly, the door creaked softly and Paláshka, Olga

Ivánovna's maid, entered.

"What dost thou want?"--Vasíly asked her, quite curtly.

"My mistress begs that you will come to her."

"I can't at present. Go away... Well, why dost thou stand there?"--he

went on, perceiving that Paláshka did not leave the room.

"My mistress ordered me to say that there is very great need, sir."

"Well, but what 's the matter?"

"Please to see for yourself, sir...."

Vasíly rose, with vexation tossed the letters into a casket, and betook

himself to Olga Ivánovna. She was sitting alone in a corner,--pale and

motionless.

"What do you want?"--he asked her, not very politely.

Olga looked at him, and with a shudder, covered her eyes.

"What ails you? what 's the matter with thee, Olga?"

He took her hand... Olga Ivánovna's hand was as cold as ice... She tried

to speak .... and her voice died away. The poor woman had no doubt left

in her mind as to her condition.

Vasíly was somewhat disconcerted. Olga Ivánovna's room was a couple of

paces from the bedroom of Anna Pávlovna. Vasíly cautiously seated

himself beside Olga, kissed and warmed her hands, and argued with her in

a whisper. She listened to him, and shivered silently, slightly.

Paláshka stood in the doorway and softly wiped away her tears. In the

adjoining room a pendulum was beating heavily and regularly, and the

breathing of a sleeper was audible. Olga Ivánovna's torpor dissolved,

at last, in tears and dull sobs. Tears are the equivalent of a

thunder-storm: after them a person is always quieter. When Olga Ivánovna

had become somewhat composed, and only sobbed convulsively from time to

time like a child, Vasíly knelt down before her, and with caresses and

tender promises soothed her completely, gave her a drink of water, put

her to bed, and went away. All night long he did not undress himself,

wrote two or three letters, burned two or three papers, got out a golden

locket with the portrait of a black-browed and black-eyed woman, with a

bold, sensual face, gazed long at her features, and paced his chamber in

thought. On the following morning, at tea, he beheld, with a good deal

of dissatisfaction, poor Olga's reddened, swollen eyes, and pale,

distraught face. After breakfast, he proposed to her that she should

take a stroll with him in the park. Olga followed Vasíly like an

obedient sheep. But when, two hours later, she returned from the park,

she looked dreadfully; she told Anna Pávlovna that she felt ill, and

went to bed. During the walk, Vasíly had announced to her, with all due

penitence, that he was secretly married--he was just as much a bachelor

as I am. Olga Ivánovna did not fall down in a swoon--people fall in

swoons only on the stage; but she became suddenly petrified, although

she not only had not been hoping to marry Vasíly Ivánovitch, but had

even, somehow, been afraid to think of it. Vasíly began to demonstrate

to her the necessity of parting from him and marrying Rogatchyóff. Olga

Ivánovna looked at him with dumb horror. Vasíly talked coldly,

practically, sensibly; he blamed himself, he expressed regret,--but all

his arguments wound up with the following words: "We must act." Olga

lost her head completely; she was frightened and ashamed; dismal, heavy

despair took possession of her; she longed for death--and sadly awaited

Vasíly's decision.

"We must confess all to my mother," he said at last.

Olga turned deadly pale; her limbs gave way beneath her.

"Don't be frightened, don't be frightened,"--Vasíly kept

repeating:--"rely on me; I will not forsake thee ... I will arrange

everything ... trust in me."

The poor woman gazed at him with love ... yes, with love, and with

profound, though hopeless devotion.

"I will arrange everything, everything,"--said Vasíly to her at parting

... and for the last time kissed her ice-cold hands.

Olga Ivánovna had just risen from her bed on the following morning, when

her door opened ... and Anna Pávlovna made her appearance on the

threshold. She was supported by Vasíly. Silently she made her way to an

arm-chair, and silently seated herself. Vasíly stood beside her. He

seemed composed; his brows were contracted, and his lips were slightly

parted. Anna Pávlovna, pale, indignant, wrathful, tried to speak, but

her voice failed her. Olga Ivánovna with terror, took in, in a single

glance, her benefactress and her lover; she felt a frightful sinking at

the heart ... with a shriek she fell down on her knees in the middle of

the room and covered her face with her hands....

"So it is true ... it is true?" whispered Anna Pávlovna, and bent

toward her.... "Answer!"--she went on harshly, seizing Olga by the arm.

"Mamma!" rang out Vasíly's brazen voice,--"you promised me not to insult

her."

"I won't ... come, confess .... confess ... is it true? Is it true?"

"Mamma ... remember!..." said Vasíly, slowly.

That one word shook Anna Pávlovna violently. She leaned against the back

of her chair, and fell to sobbing.

Olga Ivánovna softly raised her head and attempted to fling herself at

the old woman's feet, but Vasíly restrained her, raised her up, and

seated her in another arm-chair. Anna Pávlovna continued to weep and

whisper incoherent words....

"Listen, mamma,"--began Vasíly. "Don't be so overwhelmed! This calamity

can still be alleviated.... If Rogatchyóff ...."

Olga Ivánovna shuddered and straightened herself up.

"If Rogatchyóff,"--pursued Vasíly, with a significant glance at Olga

Ivánovna,--"has imagined that he can with impunity disgrace an

honourable family ...."

Olga Ivánovna was terrified.

"In my house,"--moaned Anna Pávlovna.

"Calm yourself, mamma. He has taken advantage of her inexperience, of

her youth, he .... did you wish to say something?"--he added, perceiving

that Olga was trying to get at him.

Olga Ivánovna fell back in her chair.

"I shall go at once to Rogatchyóff. I shall force him to wed her this

very day. Be assured, I shall not permit him to jeer at us...."

"But ... Vasíly Ivánovitch ... you ..." whispered Olga.

He stared long and coldly at her. She relapsed into silence.

"Mamma, give me your word not to disturb her until my arrival. See--she

is barely alive. Yes, and you require rest yourself. Trust to me: I

answer for everything; in any case, await my return. I repeat to you--do

not kill her, nor yourself--rely upon me."

He walked to the door, and paused.

"Mamma,"--he said: "come with me. Leave her alone, I beg of you."

Anna Pávlovna rose, went to the holy picture, made a reverence to the

floor, and softly followed her son. Olga Ivánovna followed her silently

and immovably with her eyes. Vasíly hastily came back, seized her hand,

whispered in her ear: "Trust to me, and do not betray us,"--and

immediately withdrew....

"Boursier!" he shouted, as he ran swiftly down the stairs.--"Boursier!"

A quarter of an hour later he was seated in his calash with his servant.

Old Rogatchyóff was not at home that day. He had gone to the county

town, to buy seersucker for kaftans to clothe his retainers. Pável

Afanásievitch was sitting in his study, and inspecting a collection of

faded butterflies. Elevating his eyebrows, and thrusting forth his lips,

he was cautiously turning about with a pin the large wings of the

"nocturnal sphinx," when suddenly, he felt a small but heavy hand on his

shoulder. He glanced round--before him stood Vasíly.

"Good morning, Vasíly Ivánovitch,"--said he, not without some surprise.

Vasíly looked at him and sat down in front of him on a chair.

Pável Afanásievitch was about to smile ... but glanced at Vasíly,

relaxed, opened his mouth, and clasped his hands.

"Come, tell me, Pável Afanásievitch,"--began Vasíly, suddenly:--"do you

intend to have the wedding soon?"

"I?... soon .... of course.... I, so far as I am concerned .... however,

that is as you and your sister choose.... I, for my part, am ready

to-morrow, if you like."

"Very good, very good. You are a very impatient man, Pável

Afanásievitch."

"How so, sir?"

"Listen,"--added Vasíly Ivánovitch, rising to his feet:--"I know

everything; you understand me, and I order you to marry Olga without

delay, to-morrow."

"But excuse me, excuse me,"--returned Rogatchyóff, without rising from

his seat;--"you order me? I myself have sought the hand of Olga

Ivánovna, and there is no need to order me. I must confess, Vasíly

Ivánovitch, somehow, I don't understand you...."

"Thou dost not understand?"

"No, really, I don't understand, sir."

"Wilt thou give me thy word to marry her to-morrow?"

"Why, good gracious, Vasíly Ivánovitch .... have n't you yourself

repeatedly postponed our marriage? If it had not been for you, it would

have taken place long ago. And even now I have no idea of refusing. But

what is the meaning of your threats, of your urgent demands?"

Pável Afanásievitch wiped the perspiration from his face.

"Wilt thou give me thy word? Speak! Yes, or no?"--repeated Vasíly with

pauses between his words.

"Certainly ... I give it, sir, but ...."

"Good. Remember.... And she has confessed everything."

"Who has confessed?"

"Olga Ivánovna."

"But what has she confessed?"

"Why do you dissimulate with me, Pável Afanásievitch? Surely, I 'm not a

stranger to you."

"How am I dissimulating? I don't understand you, I don't understand you,

positively I don't understand you. What could Olga Ivánovna confess?"

"What? You bore me! You know well what."

"May God slay me if ...."

"No, I will slay thee--if thou dost not marry her .... dost understand?"

"What!...." Pável Afanásievitch leaped to his feet, and stood before

Vasíly.--"Olga Ivánovna .... you say ...."

"Thou 'rt clever, my good fellow, very clever, I must admit." Vasíly,

with a smile, tapped him on the shoulder.--"In spite of the fact that

thou art so mild of aspect ...."

"My God, O God!... You will drive me mad... What do you mean to say?

Explain yourself, for God's sake!"

Vasíly bent over him and whispered something in his ear.

The diary of a superfluous man, and other stories(#41201) · 第 24 / 37 题