To Shakespearean obsoletes p. 27 add

limn, _lost in_ limb.

* * * * *

THE SKILFUL LEECH

The Poet Laureate has pointed out that several useful words have been

lost to the English language because their identity in sound with

other words renders it impossible to use them without the risk either

of being misunderstood or of calling up undesirable associations.

It is owing to this cause that English--or, at least, the English of

Great Britain--has no word that can correctly be used as a general

designation for a member of the healing profession. In America, I

believe, the word is 'physician'; but in England that appellation

belongs to one branch of the profession exclusively. The most usual

term here is 'doctor'; but the M.D. rightly objects to the application

of this title to his professional brother who has no degree; and

in a university town to say that John Smith is a doctor would be

inconveniently ambiguous. 'Medical man' is cumbrous, and has the

further disadvantage (in these days) of not being of common gender.

Now the lack of any proper word for a meaning so constantly needing

to be expressed is certainly a serious defect in modern (insular)

English. The Americans have some right to crow over us here; but their

'physician' is a long word; and though it has been good English in

the sense of _medicus_ for six hundred years, it ought by etymology

to mean what _physicien_ does in French, and _physicist_ in modern

English. Our ancestors were better off in this respect than either we

or the Americans. The only native word to denote a practiser of the

healing art is _leech_, which is better than the foreign 'physician'

because it is shorter. It was once a term of high dignity: Chaucer

could apply it figuratively to God, as the healer of souls; and even

in the sixteenth century a poet could address his lady as 'My sorowes

leech'. Why can we not so use it now? Why do we not speak of 'The

Royal College of Leeches'? Obviously, because a word of the same form

happens to be the name of an ugly little animal of disgusting habits.

If I were to introduce my medical attendant to a friend with the

words 'This is my leech', the gentleman (or lady) so presented would

think I was indulging in the same sort of pleasantry as is used when

a coachman is called a 'whip'; and he (or she) would probably not

consider the joke to be in the best of taste. Of course all educated

people know that it was once not unusual to speak of a man of medicine

as a 'leech'; but probably there are many who imagine that this

designation was a disparaging allusion to the man's tool of trade, and

that it could be applied only to inferior members of the profession.

The ancient appellation of the healer is so far obsolete that if I

were to answer a question as to a man's profession with the words 'Oh,

he is a leech', there would be some risk of being misunderstood to

mean that he was a money-lender.

Etymologists generally have regarded the name of the bloodsucking

animal as the same word with _leech_ a physician, the assumption being

that the animal received its name from its use as a remedial agent.

But the early forms, both in English and Low German, show that the

words are originally unconnected. The English for _medicus_ was in

the tenth century _l['æ]ce_ or _léce_, and in the thirteenth century

_leche_; the word for _sanguisuga_ was in the tenth century _lyce_,

and in the thirteenth century _liche_. According to phonetic law the

latter word should have become _litch_ in modern English; but it very

early underwent a punning alteration which made it homophonous with

the ancient word for physician. The unfortunate consequence is that

the English language has hopelessly lost a valuable word, for which it

has never been able to find a satisfactory substitute.

H.B.

DIFFERENTIATION OF HOMOPHONES

On this very difficult question the attitude of a careful English

speaker is shown in the following extract from a letter addressed to

us:

METAL, METTLE: AND PRINCIPAL, PRINCIPLE

'I find that I do not _naturally_ distinguish _metal_ and _mettle_

in pronunciation, tho' when there is any danger of ambiguity I say

_metal_ for the former and _met'l_ for the latter; and I should

probably do so (without thinking about it) in a public speech. In my

young days the people about me usually pronounced _met'l_ for both.

Theoretically I think the distinction is a desirable one to make;

the fact that the words are etymologically identical seems to me

irrelevant. The words are distinctly two in modern use: when we talk

of _mettle_ (meaning spiritedness) there is in our mind no thought

whatever of the etymological sense of the word, and the recollection

of it, if it occurred, would only be disturbing. So I intend in future

to pronounce metal as _met[e]l_ (when I don't forget). And I am not

sure that _met[e]l_ is, strictly speaking, a "spelling-pronunciation":

It is possible that the difference in spelling originated in a

difference of pronunciation, not the other way about. For _metal_ in

its literal sense was originally a scientific word, and in that sense

may have been pronounced carefully by people who would pronounce

it carelessly when they used it in a colloquial transferred sense

approaching to slang.

'The question of _principal_ and _principle_ is different. When I was

young, educated people in my circle always, I believe, distinguished

them; so to this day when I hear principal pronounced as principle it

gives me a squirm, tho' I am afraid nearly everybody does it now. That

the words are etymologically distinct does not greatly matter; it is

of more importance that I have sometimes been puzzled to know which

word a speaker meant; if I remember right, I once had to ask.

'It would be worth while to distinguish _flower_ and _flour_ (which

originally, like _metal_ and _mettle_, were the same word); yet in

practice it is not easy to make the difference audible. The homophony

is sometimes inconvenient.'

CORRECTION TO TRACT II

On p. 37 of TRACT II the words 'the Anglo-prussian society which Mr.

Jones represents' have given offence and appear to be inaccurate. The

German title of the series in which Jones's Dictionary is one has the

following arrangement of words facing the English title:

HERAUSGEGEBEN

UND

DER "ASSOCIATION PHONÉTIQUE INTERNATIONALE" GEWIDMET

VON

H. MICHAELIS,

and this misled me. I am assured that, though the dictionary may

be rightly described as Anglo-Prussian, the Phonetic Association is

Gallo-Scandinavian. In behalf of the S.P.E. I apologize to the A.

Ph. I. for my mistake which has led one of its eminent associates to

accuse me of bearing illwill towards the Germans. The logic of that

reproach baffles me utterly.

[R.B.]

* * * * *

SOME LEXICAL MATTERS

FAST = QUICK OR FIRM

'An Old Cricketer' writes:

'After reading your remarks on the ambiguity of the word _fast_ (Tract

III, p. 12) I read in the report of a Lancashire cricket match that

_Makepeace was the only batsman who was fast-footed_. But for the

context and my knowledge of the game I should have concluded that

Makepeace kept his feet immovably on the crease; but the very opposite

was intended. At school we used to translate [Greek: podas

ôkus Achilleus] "swift-footed Achilles", and I took that to mean that

Achilles was a sprinter. I suppose _quick-footed_ would be the epithet

for Makepeace.'

SPRINTER is a good word, though _Sprinting Achilles_ could not be

recommended.

BRATTLE

A correspondent from Newcastle writes advocating the recognition

of the word _brattle_ as descriptive of thunder. It is a good old

echo-word used by Dunbar and Douglas and Burns and by modern English

writers. It is familiar through the first stanza of Burns's poem 'To a

Mouse'.

Wee sleekit cow'rin tim'rous beastie,

O what a panic's in thy breastie.

Thou need na start awa sae hasty

Wi' bickering brattle....

which is not suggestive of thunder. The _N.E.D._ explains this as 'to

run with brattling feet, to scamper'.

In Burns's 'A Winter Night', it is the noisy confusion of _biting

Boreas_ in the bare trees and bushes:

I thought me on the ourie cattle

Or silly sheep, wha bide this brattle

O' winter war.

It is possible that _brattle_ has fallen into disuse through too

indiscriminate application. After Burns's famous poem the word can

establish itself only in the sense of a scurrying dry noise: it is too

small for thunder.

We would call attention to the principle involved in this judgement,

for it is one of the main objects of our society to assist and guide

Englishmen in the use of their language by fully exposing the facts

that should determine their practice. Every word has its history,

and no word can prosper in the speech or writing of those who do not

respect its inherited and unalterable associations; these cannot be

got rid of by ignoring them. Littré in the preface to his dictionary

claims for it this pre-eminent quality of usefulness, that it will

enable his countrymen to speak and write good French by acquainting

them with historic tradition, and he says that it was enthusiasm for

this one purpose that sustained him in his great work. Its object was

to harmonize the present use of the language with the past usage, in

order that the present usage may possess all the fullness, richness,

and certitude which it can have, and which naturally belong to it. His

words are: 'Avant tout, et pour ramener à une idée mère ce qui va être

expliqué dans la _Préface_, je dirai, définissant ce dictionnaire,

qu'il embrasse et combine l'usage présent de la langue et son usage

passé, afin de donner à l'usage présent toute la plénitude et la

sûreté qu'il comporte.'

It is the intention of our society to offer only expert and

well-considered opinion on these literary matters, which are often

popularly handled in the newspapers and journals as fit subjects

for private taste and uninformed prejudice: and since the Oxford

Dictionary has done more fully for English what Littré did for French,

our task is comparatively easy. But experts cannot be expected, all of

them, to have the self-denying zeal of Émile Littré, and the worth of

our tracts will probably improve with the increase of our subscribers.

BICKER

As Burns happens to use _bickering_ as his epithet for the mouse's

brattle, we may take this word as another illustration of Littré's

principle. The _N.E.D._ gives the original meaning as _skirmish_, and

quotes Shakespeare,

If I longer stay

We shall begin our ancient bickerings,

which a man transposing the third and fourth words might say to-day

without rising above colloquial speech; but there is another allied

signification which Milton has in

Smoak and bickering flame;

and this is followed by many later writers. It would seem therefore,

if the word is to have a special sense, that it must be focused in the

idea of something that both wavers and skirmishes, and this suggests

another word which caught our eye in the dictionary, that is

BRANGLE

It is defined in the _N.E.D._ as 'a brawl, wrangle, squabble' and

marked _obsolete_. It seems to differ from its numerous synonyms by

the suggestion of what we call a muddle: that is an active wrangling

which has become inextricably confused.

SURVIVALS IN LANCASHIRE SPEECH

Mr. Ernest Stenhouse sends us notes on Tract II, from which we extract

the following:

'_Poll_ (= to cut the hair) is still familiar in Lancashire. _Tickle_

(unstable) is obsolescent but not yet obsolete. As a child I often

heard _meterly_ (= moderately): e.g. _meterly fausse_ (? false) =

moderately cunning. It may still be in use. _Bout_ (= without = A.S.

butan) is commonly heard.

'The words tabulated in Tract II, p. 34, and the following pairs are

not homophones in Lancashire: stork, stalk; pattern, patten; because

although the _r_ in stork and pattern is not trilled as in Scotland,

it is distinctly indicated by a modification of the preceding vowel,

somewhat similar to that heard in the _[(or]e_ words (p. 35).

'Homophony may arise from a failure to make distinctions that are

recognized in P.S.P. Thus in Lancashire the diphthong sound in _flow_,

_snow_, _bone_, _coal_, _those_, &c., is very often pronounced as a

pure vowel (cf. French _eau_, _mot_): hence confusion arises between

_flow_ and _flaw_, _sow_ and _saw_, _coal_ and _call_: both these

vowel sounds tending to become indistinguishable from the French

_eau_.'

FEASIBLE

_Feasible_ is a good example of a word which appears in danger of

being lost through incorrect and ignorant use. It can very well

happen that a word which is not quite comfortable may feel its way

to a useful place in defiance of etymology; and in such cases it is

pedantry to object to its instinctive vagaries. But _feasible_ is a

well-set comfortable word which is being ignorantly deprived of its

useful definite signification. In the following note Mr. Fowler puts

its case clearly, and his quotations, being typically illustrative of

the manner in which this sort of mischief comes about, are worthy of

attention.

'With those who feel that the use of an ordinary word for an ordinary

notion does not do justice to their vocabulary or sufficiently exhibit

their cultivation, who in fact prefer the stylish to the working word,

_feasible_ is now a prime favourite. Its proper sense is "capable of

being done, accomplished, or carried out". That is, it means the same

as _possible_ in one of the latter's senses, and its true function

is to be used instead of _possible_ where that might be ambiguous. _A

thunderstorm is possible_ (but not _feasible_). Irrigation is possible

(or, indifferently, _feasible_). _A counter-revolution is possible_;

i.e., (a) one may for all we know happen, or (b) we can if we choose

bring one about; but, if _b_ is the meaning, _feasible_ is better than

_possible_ because it cannot properly bear sense _a_, and therefore

obviates ambiguity.

'The wrong use of _feasible_ is that in which, by a slipshod

extension, it is allowed to have also the other sense of _possible_,

and that of _probable_. This is described by the highest authority

as "hardly a justifiable sense etymologically, and ... recognized

by no dictionary". It is however becoming very common; in all the

following quotations, it will be seen that the natural word would

be either _possible_ or _probable_, one of which should have been

chosen:--Continuing, Mr. Wood said: "I think it is very feasible that

the strike may be brought to an end this week, and it is a significant

coincidence that ...". / Witness said it was quite feasible that if he

had had night binoculars he would have seen the iceberg earlier. / We

ourselves believe that this is the most feasible explanation of the

tradition. / This would appear to offer a feasible explanation of the

scaffold puzzle.'

PROTAGONIST

Mr. Sargeaunt (on p. 26) suggests that we might do well to keep the

full Greek form of this word, and speak and write _protagonistes_.

Familiarity with _Agonistes_ in the title of Milton's drama, where

it is correctly used as equivalent to 'mighty champion', would be

misleading, and the rejection of the English form 'protagonist' seems

otherwise undesirable. The following remarks by Mr. Fowler show that

popular diction is destroying the word; and if ignorance be allowed

its way we shall have a good word destroyed.

'The word that has so suddenly become a prime favourite with

journalists, who more often than not make it mean champion or advocate

or defender, has no right whatever to any of those meanings, and

almost certainly owes them to the mistaking of the first syllable

(representing Greek [Greek: prôtos] "first") for [Greek: pro] "on

behalf of"--a mistake made easy by the accidental resemblance to

_antagonist_. "Accidental", since the Greek [Greek: agônistês] has

different meanings in the two words, in one "combatant", but in

the other "play-actor". The Greek [Greek: prôtagônistês] means the

actor who takes the chief part in a play--a sense readily admitting of

figurative application to the most conspicuous personage in any affair.

The deuteragonist and tritagonist take parts of second and third

importance, and to talk of several protagonists, or of a chief

protagonist or the like, is an absurdity. In the newspapers it is a

rarity to meet _protagonist_ in a legitimate sense; but two examples

of it are put first in the following collection. All the others are

outrages on this learned-sounding word, because some of them

distinguish between chief protagonists and others who are not chief,

some state or imply that there are more protagonists than one in an

affair, and the rest use _protagonist_ as a mere synonym for advocate.

'Legitimate uses: _The "cher Halévy" who is the protagonist of the

amazing dialogue. / Marco Landi, the protagonist and narrator of a

story which is skilfully contrived and excellently told, is a fairly

familiar type of soldier of fortune._

'Absurd uses with _chief_, &c.: _The chief protagonist is a young

Nonconformist minister. / Unlike a number of the leading protagonists

in the Home Rule fight, Sir Edward Carson was not in Parliament

when.... / It presents a spiritual conflict, centred about its two

chief protagonists, but shared in by all its characters._

'Absurd plural uses: _One of the protagonists of that glorious fight

for Parliamentary Reform in 1866 is still actively among us. / One

of these immense protagonists must fall, and, as we have already

foreshadowed, it is the Duke. / By a tragic but rapid process of

elimination most of the protagonists have now been removed. / As on a

stage where all the protagonists of a drama assemble at the end of the

last act. / That letter is essential to a true understanding of

the relations of the three great protagonists at this period. / The

protagonists in the drama, which has the motion and structure of a

Greek tragedy_ (Fy! fy!--a Greek tragedy and protagonists?).

'Confusions with _advocate_, &c.: _The new Warden is a strenuous

protagonist of that party in Convocation. / Mr ----, an enthusiastic

protagonist of militant Protestantism. / The chief protagonist on the

company's side in the latest railway strike, Mr ----. / It was a

happy thought that placed in the hands of the son of one of the great

protagonists of Evolution the materials for the biography of another.

/ But most of the protagonists of this demand have shifted their

ground. / As for what the medium himself or his protagonists may think

of them--for etymological purposes that is neither here nor there._

'Perhaps we need not consider the Greek scholar's feelings; he

has many advantages over the rest of us, and cannot expect that in

addition he shall be allowed to forbid us a word that we find useful.

Is it useful? or is it merely a pretentious blundering substitute for

words that are useful? _Pro-_ in _protagonist_ is not the opposite of

_anti-_; _-agonist_ is not the same as in _antagonist_; _advocate_

and _champion_ and _defender_ and _combatant_ are better words for the

wrong senses given to _protagonist_; and _protagonist_ in its right

sense of _the_ (not _a_) chief actor in an affair has still work to do

if it could only be allowed to mind its own business.'

* * * * *

AMERICAN APPRECIATION

We are glad to reprint the following short extracts from the _New York

Times Book Review and Magazine_, September 26, 1920.

'THE CAMPAIGN FOR PURE ENGLISH

'Among those who joined it (the S.P.E.) immediately were

Arthur J. Balfour, A.C. Bradley, Austin Dobson, Thomas Hardy,

J.W. Mackail, Gilbert Murray, Mrs. Humphry Ward, and Mrs.

Wharton.... The rallying of these men and women of letters

was not more significant than the prompt adhesion of the

Professors of English in the various British Universities:

W.M. Dixon, Oliver Elton, E.S. Gordon, C.H. Herford, W.P.

Ker, G.C. Moore-Smith, F.W. Moorman, A. Quiller-Couch, George

Saintsbury, and H.C.K. Wyld....

'There is a peril to the proper development of the language in

offensive affectations, in persistent pedantry, and in other

results of that comprehensive ignorance of the history of

English, which we find plentifully revealed in many of our

grammars. It is high time that men who love the language, who

can use it deftly and forcibly, and who are acquainted with

the principles and the processes of its growth, should raise

the standard of independence....

'It is encouraging to realize that the atrophy of the

word-making habit is less obvious in the United States than

it is in Great Britain.... We cannot but regret that it is

not now possible to credit to their several inventors American

compounds of a delightful expressiveness--_windjammer,

loan-shark, scare-head_, and that more delectable

_pussy-footed_--all of them verbal creations with an

imaginative quality almost Elizabethan in its felicity, and

all of them examples of the purest English.... We Americans

made the compound _farm-hand_, and employ it in preference to

the British [English?] _agricultural labourer_.

'_The attention of the officers of the society may be called

to the late Professor Lounsbury's lively and enlightening_

History of the English Language, _and to Professor George

Philip Krapp's illuminating study of_ Modern English.

BRANDER MATTHEWS.'

* * * * *

REPORT

Of the proceedings of the Society for the first year ending Xmas,

1920.

The Society still remains governed by the small committee of its

original founders: the support of the public and the press has been

altogether satisfactory: the suggestions and programme which the

committee originally put forward have met with nothing but favourable

criticism; no opposition has been aroused, and we are therefore

encouraged to meet the numerous invitations that we have received from

all parts of the English-speaking world to make our activities more

widely known. The sale of the Tracts has been sufficient to pay their

expenses; and we are in this respect very much indebted to the Oxford

University Press for its generous co-operation; for it has enabled us

to offer our subscribers good workmanship at a reasonable price. The

publication of this Tract IV closes our first 'year': we regret that

the prevalent national disturbances have extended it beyond the solar

period, but the conditions render explanation and apology needless.

Our list shows 188 members, and their names include many well-known

men of letters, Professors of Literature, Editors, Journalists,

and others interested in the history and present condition of the

language. Nineteen members sent donations (above 10s. 6d.) which

together amounted to about £40; and thirty-two sent subscriptions of

ten shillings for the supply of one year's publications.

To these subscribers (whose names are printed in the list below) all

the four Tracts for this year have been sent: and it will appear that

since they might have bought the four Tracts for 7s. 6d., they have

made a donation of 2s. 6d. apiece to the funds of the Society. This

margin is very useful and we hope that they will renew their 10s.

subscription in advance for the ensuing year. That will ensure their

receiving the Society's papers as they are issued, and it will

much assist the machinery of publication. Also Members who have not

hitherto subscribed are now specially invited to do so. They can

judge of the Society's work, and can best support it in this way.

The publications of 1921 _will be sent as soon as issued to all such

subscribers_.

Subscriptions may be sent to the Secretary, L. Pearsall Smith, 11 St.

Leonard's Terrace, Chelsea, London, S.W., to whom all communications

should be addressed, or they may be paid direct to 'Treasurer of

S.P.E.', Barclay's Bank, High Street, Oxford.

* * * * *

LIST OF SUBSCRIBERS

The Pronunciation of English Words Derived from the Latin Society for Pure English Tract 4 · 第 3 / 4 段