CHAPTER IX.

FURNITURE OMENS.

Folk-lore of the Looking-glass--Luck of

Edenhall--Clock-falling--Chairs--Beds--The Bellows.

The desire to gather omens from the various surrounding objects of

every-day life has naturally included articles of furniture; and

hence we find signs and portents attached to certain of these which

are implicitly credited by many, from the highest to the lowest, who,

notwithstanding, would consider themselves deeply insulted if the

idea of their being superstitious were only so much as hinted at by

some sceptical friend. Among the most common of these odd fancies

are those relating to the looking-glass. As a piece of furniture

this is most necessary, and its very importance is, perhaps, the

chief reason why superstition has invested it with those mysterious

qualities which certainly do not belong in the same ratio to chairs

and tables. A chair, however beautiful and costly in its manufacture,

may nevertheless be cruelly broken with perfect impunity; whereas, if

some wretched, dilapidated looking-glass is accidentally cracked, the

inmates of the house are thoroughly discomposed, from a conviction

that such an event is sure to be followed by misfortune of some kind

or other. In Cornwall, the supposed penalty for such an offence

is seven years of sorrow; and a Yorkshire proverb informs us that

this unfortunate occurrence entails "seven years' trouble, but no

want." It has also been said to foretell the speedy decease of the

master of the house; and in Scotland it is regarded as an infallible

sign that some member of the family will shortly die. It has been

suggested that this popular superstition dates very many years back,

and probably originated in the terror inspired by the destruction of

the reflected human image--an interesting illustration of how the

formation of certain ideas is often determined by mere analogy. A

similar style of thinking also underlies the mediæval necromancer's

practice of making a waxen image of his enemy, and shooting at it

with arrows in order to bring about his death.

The folk-lore, however, of the looking-glass does not end here;

for many consider it the height of ill-luck to see the new moon

reflected in a looking-glass or through a window-pane; and some

mothers studiously prevent their youngest child looking in one until

a year old. It is also associated with marriage and death. Thus, in

the South of England it is regarded as a bad omen for a bride on

her wedding morning to take a last peep in the glass when she is

completely dressed in her bridal attire, before starting for the

church. Hence very great care is generally taken to put on a glove

or some slight article of adornment after the final lingering and

reluctant look has been taken in the mirror. The idea is that any

young lady who is too fond of the looking-glass will be unfortunate

when married. This is by no means the only occasion on which

superstitious fancy interferes with the grown-up maiden's peeps into

the looking-glass. Thus, Swedish young ladies are afraid of looking

in the glass after dark, or by candle-light, lest by so doing they

should forfeit the goodwill of the other sex.

The practice of covering the looking-glass, or removing it from

the chamber of death, still prevails in some parts of England--the

notion being that "all vanity, all care for earthly beauty, are

over with the deceased." It has also been suggested that, as the

invisible world trenches closely upon the visible one in the chamber

of death, a superstitious dread is felt of some spiritual being

imaging himself forth in the blank surface of the mirror. Mr. Baring

Gould considers that the true reason for shrouding the looking-glass

before a funeral was that given him in Warwickshire, where there is a

popular notion that if a person looks into a mirror in the chamber of

death he will see the corpse looking over his shoulder. Again, Brand

informs us that looking-glasses were generally used by magicians "in

their superstitious and diabolical operations." He quotes an old

authority, who says:--"Some magicians, being curious to find out by

the help of a looking-glass, or a glass full of water, a thing that

lies hidden, make choice of young maids to discern therein those

images or sights which a person defiled cannot see." Sometimes, too,

our ancestors dipped a looking-glass into the water when they were

anxious to ascertain what would become of a sick person. Accordingly

as he looked well or ill in the glass, when covered with the drops

of water, so they foretold whether he would recover or not. Mirrors

were also regarded by our forefathers as the most effective agencies

in divining secrets and bringing to light hidden mysteries. Thus,

there is a tradition that the Gunpowder Plot was discovered by Dr.

John Dee with his magic mirror. We find in a prayer-book, printed by

Baskett in 1737, an engraving which depicts the following scene:--In

the centre is a circular looking-glass, in which is the reflection

of the Houses of Parliament by night, and a person entering carrying

a dark lantern. On the left side there are two men in the costume

of James's time looking into the mirror--one evidently the king,

the other probably Sir Kenelm Digby. On the right side, at the top,

is the eye of Providence darting a ray on to the mirror; and below

are some legs and hoofs, as if evil spirits were flying out of the

picture. This plate, says a correspondent of _Notes and Queries_,

"would seem to represent the method by which, under Providence (as

is evidenced by the eye), the discovery of the Gunpowder Plot was at

that time seriously believed to have been effected. The tradition,

moreover, must have been generally believed, or it never could have

found its way into a prayer-book printed by the king's printer." It

may be noted, however, that as the fame of Dee's magic mirror was

at its zenith about the time of the Gunpowder Plot, this may have

led to the mirror being adopted as a popular emblem of discovery,

or "throwing light" upon a subject. Hence it has been reasonably

suggested that the mirror in the print may simply be a piece of

artistic design, rather than evidence of its actual employment in the

discovery.

In days gone by, too, it appears to have been customary for both

sexes to wear small looking-glasses--a fantastic fashion much

ridiculed by Ben Jonson and others of his time. Men even wore them

in their hats--an allusion to which custom we find in Ben Jonson's

_Cynthia's Revels_ (Act ii., sc. 1): "Where is your page? Call for

your casting-bottle, and place your mirror in your hat as I told

you." We may infer that this was the very height of affectation by

the manner in which the remark is introduced. While men of fashion

wore mirrors as brooches or ornaments in their hats, ladies carried

them at their girdles or on their breasts. Thus Lovelace makes a lady

say:--

"My lively shade thou ever shalt retaine

In thy inclosed feather-framed glasse."

It was a popular superstition in former years that fine glass, such

as that of Venice, would break if poison were put into it. To this

curious notion Massinger thus gracefully alludes:--

"Here crystal glasses . . . .

. . . . . . . . . . This pure metal

So innocent is, and faithful to the mistress,

Or master, that possesses it, that rather

Than hold one drop that's venomous, of itself

It flies in pieces, and deludes the traitor."

This is among the errors noticed by Sir Thomas Browne, who says, "And

although it be said that poison will break a Venice glass, yet have

we not met with any of that nature. Were there a truth herein, it

were the best preservative for princes and persons exalted to such

fears, and surely far better than divers now in use." It may not be

inappropriate here to refer to the well-known tradition connected

with the "Luck of Edenhall." From time immemorial there has been a

current belief that any one who had the courage to rush upon a fairy

festival and snatch from the merry throng their drinking-glass, would

find it prove to him a constant source of good fortune, supposing he

could carry it across a running stream. A glass has been carefully

preserved at Edenhall, Cumberland, which was in all probability a

sacred chalice; but the legend is that the butler, one day going

to draw water, surprised a company of fairies who were amusing

themselves on the grass near the well. He seized the glass that was

standing upon its margin, which the fairies tried to recover, but,

after an ineffectual struggle, they vanished, crying:--

"If that glass do break or fall,

Farewell the luck of Edenhall."

The good fortune, however, of this ancient house was never so much

endangered as by the Duke of Wharton, who, on one occasion having

drunk the contents of this magic glass, inadvertently dropped it,

and here most assuredly would for ever have terminated the luck of

Edenhall, if the butler, who stood at his elbow to receive the empty

glass, had not happily caught it in his napkin.

Referring, however, more particularly to our subject, we find several

items of folk-lore associated with the clock. Thus, in the North

of England, there is a superstition called "Clock-falling," the

idea being that if a woman enters a house after her confinement,

and before being churched, the house-clock will immediately fall

on its face. So strong was this belief in years past that a woman

would never think of transgressing this rule under any circumstances

whatever. In some places the house-clock is stopped on the occasion

of a death, no doubt to remind the survivors that with the deceased

one time is over, and that henceforth the days and hours are no

longer of any account to him. A correspondent of _Notes and Queries_

informs us that he knew "an intelligent, well-informed gentleman in

Scotland who, among his last injunctions on his death-bed, ordered

that as soon as he expired the house-clock was to be stopped, a

command which was strictly obeyed." Aubrey also tells us that

formerly it was customary for people of a serious turn of mind to

say, every time they heard the clock strike, "Lord, grant my last

hour may be my best hour."

Chairs, again, have their superstitions. It is regarded as a bad

omen, for instance, if, when a person leaves a house, he replaces the

chair on which he has been sitting against the wall, the probability

being that he will never visit the house again. The chair on which a

woman sits after her confinement to receive the congratulations of

her friends is popularly termed "a groaning chair," an allusion to

which we find in "Poor Robin's Almanack":--

"For a nurse, the child to dandle,

Sugar, soap, spiced pots, and candle,

A groaning chair, and eke a cradle."

Another article of furniture not without its folk-lore is the bed.

Thus some superstitious persons always have their bedsteads placed

parallel to the planks of the floor, considering it unlucky to sleep

across the boards. Others again pay particular attention to the point

of the compass towards which the head should be when in bed, a belief

we find existing even among the Hindoos, who believe that to sleep

with the head to the north will cause one's days to be shortened.

To lie in the direction of the south they say is productive of

longevity, whereas the east and west, it is asserted, are calculated

to bring riches and change of scene respectively. Various theories in

this country have been, at different times, started as to the proper

position of the bedstead during the hours of sleep, which find ready

acceptance among those who are ever ready to grasp any new idea,

however fanciful it may be. A correspondent of _The Builder_, writing

on the subject, says:--"So far as my own observations have gone, I

know that my sleep is always more sound when my head is placed to the

north. There are persons whom I know, the head of whose bed is to the

north, and who, to awake early, will reverse their usual position

in the bed, but without knowing the reason why, beyond 'that they

could always wake earlier,' the sleep being more broken." An eminent

physician in Scotland states that, when he failed by every other

prescription to bring sleep to invalid children, he recommended their

couches or little beds to be turned due north and south--the head

of the child being placed towards the north--a process which he had

always found successful in promoting sleep. After all, however, as

has been so often said, the best prescription for a good night's rest

is a healthy body and a sound mind.

The well-known phrase, "to get out of bed the wrong way," or "with

the left leg foremost," is generally said of an ill-tempered person;

the term having originated in an ancient superstition, which

regarded it as unlucky to place the left foot first on the ground on

getting out of bed.

Once more, as a mark of the simplicity of ancient manners, it was

customary for persons even of the highest rank to sleep together, an

allusion to which practice occurs in _Henry V._, where Exeter says:--

"Nay, but the man that was his bedfellow,

Whom he hath cloy'd and grac'd with kingly favours."

In conclusion, we may take one further illustration on this subject

from that useful little article, the bellows, to place which on a

table is considered extremely unlucky, and few servants will either

do it or allow it to be done.

Domestic folk-lore · 第 9 / 13 章