CHAPTER VIII.

A CHAT ABOUT CHILDREN AND THEIR CLOTHING.

"The childhood shows the man,

As morning shows the day."--_Milton._

Of children's dress in olden times we have singularly few details, and,

as a rule, it may be concluded that their raiment was fashioned on

similar lines to that worn by the men and women of the country in which

they lived, and was more or less ornamented, according to their station

in life.

[Illustration: CHILDREN OF CHARLES I. (_After a painting by Vandyck._)]

One or two biblical references enlighten us as to Eastern customs. On

the authority of St. Luke, our Saviour in infancy was wrapped in

swaddling clothes. "Samuel," we are told, "being a child, was girded

with a linen ephod," which appears to have been a close robe or vest

reaching from the shoulders to the loins, and confined by a girdle.

Considering the climate and the habits of the people, it was probably

the only garment used in summer, but in cold weather was supplemented,

we presume, by the little coat his mother bought him from year to year,

when she and her husband came to offer the annual sacrifice, at Shiloh,

where Eli, the High Priest, lived. A coat of many colours was also

presented to Joseph in his youth as a mark of Jacob's affection for the

child of his old age.

Greek and Roman children of the gentler sex are usually represented in

the chiton, or loose classical gown, combined with a shawl or himation

weighted at the four corners, so as to assist the wearer in adjusting

it. How to put on this garment was carefully taught as part of a girl's

education. The long end was first thrown over the left shoulder. The

front part was arranged in folds across the body, passed under the right

arm and over the left shoulder or forearm. The girdle sometimes

consisted of a cord, at others of metal bands, and by drawing the chiton

over it, a double thickness of the fabric covered the vital organs of

the body. Boys wore the tunic and toga, and the latter is supposed to

have been oblong, with the corners rounded off, so as to give a

semicircular effect. Hats were not commonly worn, except by the poor or

when on a journey, a fold of the toga or mantle serving for a head

covering, and sandals protected the feet.

The Egyptian labouring classes allowed their children to be nude, and

infants were unfamiliar with swaddling clothes. The working man and boy

had simply a loin cloth and girdle, and the girl a loose tunic fastened

with strings at the neck and reaching to her feet. On the other hand,

children of the upper classes in Egypt were repetitions of their elders

on a small scale. Girls wore a linen skirt embroidered in colours and

fastened with a bright sash, or suspended from the shoulders, and over

this a loose transparent robe with long sleeves. The male costume

consisted of a loin cloth, and a full robe with short sleeves, or a

tunic, and both sexes had elaborately curled or plaited wigs, as the

natural hair was only allowed to grow in times of mourning.

The Roman occupation of Britain left its impress for a long period on

the costume of the Anglo-Saxon race. The long-sleeved banded tunic was

the usual habit of the industrial classes through the Middle Ages and

leg bandages and cross gartering preceded breeches. Quite young boys

appear in this dress, and little girls are seen in ancient MSS. in the

kirtle and gunna, the equivalents of the modern petticoat and dress.

Their hair, however, was allowed to fall naturally, or was dressed with

two pendant plaits, and was not concealed, as was so often the case with

adult females, by means of the head-rail. The materials used in clothing

were to a great extent the produce of household industry. The women

servants were employed in spinning, weaving, and sewing, and ladies of

the highest rank did not disdain to participate in such labours. Several

articles of dress were derived from the tanner, who worked up his

leather into shoes, ankle leathers, and leathern hose. The art of

tanning skins with the wool or hair on, was also practised, and dyeing

was in great request, for in a rude age a love of gaudy colours is a

natural characteristic of the people. The most skilful artificers were

found in the religious houses, but under each landowner serfs were

trained in the mechanical arts. Silk was worn by the wealthy, but the

common materials for wearing apparel in this country were cotton, linen,

and woollen.

[Illustration: CHILDREN'S COSTUME, PRESENT DAY.]

Among the Anglo-Saxons and their pagan ancestors the desertion of

children sometimes occurred, but as the influence of Christianity

increased, it was regarded as a crime, and a law was passed for its

repression. For fostering a foundling the State allowed 6s. the first

year; 12s. the second; and 30s. for the third year; and afterward the

foster parent was to receive a sum varying according to the appearance

of the child. Children bereft of their father, remained under the

mother's care, but until the eldest child became of age were subject to

the guardianship of the husband's relations. Mothers usually nursed

their own children, cradles were used, and for the first few months

their clothing was swathed with a bandage. In this compact form they

were more easily carried, though the constraint to which they were

subjected, probably prevented that free development of the limbs, which

we now consider so essential to health and beauty. If very poor, the

father was allowed to sell his son into slavery for seven years,

providing the consent of the child was obtained, and one ten years old

could give evidence. Until a daughter was fifteen years of age, her

father could marry her as he pleased, but afterwards had no power to do

so. A boy of fifteen could enter the monastic life if so disposed, and a

girl at a somewhat later period. Monasteries offered the best education

then procurable, and the clergy were directed to "teach youth with care,

and to draw them to some craft." Schoolboys appear to have been kept in

order, by the dread of personal chastisement, and great respect and

reverence was exacted by their elders.

[Illustration]

In the dress of the Blue-coat School (Christ's Hospital), we see the

ordinary costume of boys of the Tudor period. It consisted of a long

coat reaching to the heels and knee-breeches, a striped vest, yellow

stockings, and a small round cap placed on the side of the head. The

dress of little girls may be found on various monumental effigies, in

which they appear like their mothers, in full skirts, sometimes

distended by a fardingale, the body imprisoned in whalebone to the hips,

a folded ruff encircling the neck, and their stockings (according to

Stubbs) were of the finest yarn, silk, thread, or cloth that could

possibly be had, of changeable colours, cunningly knit, with curiously

indented points, clocks, and open seams. The shoes were of black, green,

white and yellow velvet, or of leather stitched with silk and

embroidered with gold and silver all over the foot.

[Illustration]

The paintings of Vandyck bring graphically before us the picturesque

elements of the dress of the Stuart era. There is an air of richness and

refinement about the long skirted silken frocks embellished with lace,

the pointed collars, and beaver hats with trailing feathers universally

worn, and the quaint lace caps, which, by a turn of fashion's wheel,

have been remodelled for the children of today.

[Illustration]

At no period in the history of costume were the styles so offensive to

those with a true conception of colour and form than in the first half

of the nineteenth century. We have only to turn to the sketches of Leech

and contemporary artists to find bare necks and arms, conspicuous

underwear, very short skirts distended by a stiffened petticoat or

crinoline, white cotton stockings, low shoes fastened by a strap and

single button, mushroom hats, aprons and pinafores devoid of elegance

and grace, and the hair cut close to the head or arranged in rows of

stiff ringlets. Nor did the boys of England, in trousers buttoned high

on short jackets, or with tunics worn with frilled linen collars and

leathern belts, show to greater advantage. Queen Victoria inaugurated a

new system of clothing for boys, when she dressed the young Princes in

Scotch and sailor suits, and the wardrobes of all classes have been

considerably extended of late, by the open-air life and outdoor sports

in which every self-respecting lad indulges. Cricket, tennis, boating,

football, and cycling, all imperatively demand appropriate apparel, and

tailors now give reasonable attention to this important branch of their

business, and provide fabrics and designs suited to the needs of the

rising generation.

[Illustration]

Habits of personal cleanliness and the influence of dress on the minds

of growing girls is hardly realized except by those directly concerned

in education. Many a sensitive child's character has been warped by the

thoughtless jeers of schoolfellows, who were quick to perceive that her

clothing was not up-to-date or of such good material as their own. On

the other hand, vanity, envy, and uncharitableness have been engendered

by foolish mothers, who have provided their daughters with inappropriate

and extravagant outfits.

[Illustration]

Though many advocate uniforms with distinctive trimmings for girls'

colleges, there are drawbacks to the scheme being adopted. Such a course

would probably destroy the individuality which we all desire to see

applied to the choice of clothing, and it would leave no field for

original ideas. Children must be _trained_ to select and wear their

clothes to the best advantage, and it is folly to think that they will

do so by intuition. Some may possess naturally an artistic sense and a

keen eye for colour, but they are certainly in the minority, and

rational dress reformers have pushed sensible ideas to the verge of

absurdity, till now the name is almost regarded as a term of reproach.

[Illustration]

[Illustration]

How much we owe to pioneers of children's dress reform, and especially

to Messrs. Liberty, who evolved what is generally known as the aesthetic

style in dress. From sketches courteously placed at my disposal, I am

enabled to put before the reader examples of children's clothing which

are artistic in form, light of texture, and which in no way impede the

physical development. Those who have the care of children should

remember what a sacred charge is imposed upon them, and that their

future health mainly depends, upon the manner in which they are clothed

during the first few years of life. There must be no tight bands, belts,

or garters to prevent circulation and to cause organic troubles; and

where corsets are dispensed with, as happily they are in many cases

where growing girls are concerned, the weight of the clothing should be

borne by the shoulders, not the waist, and this is ensured by cutting

undergarments in the princess or combination forms. Many young people

suffer from being carelessly shod, and hideous malformations of the feet

arise in consequence, while obscure diseases of the brain can sometimes

be traced to heavy head-gear, and the strain of over-study. Hats should

be of light construction, and afford a grateful shade to the eyes, if

that far-reaching ailment of civilisation, short sight, is to be

successfully combatted; and special attention must be paid to infants,

who may often be seen in public thoroughfares with a hot sun beating

down upon them, and the nurse oblivious to the fact. The sight of a

tender infant entrusted to the care of a young woman, who has not the

glimmering of a notion of how to look after its fragile body, must fill

any right-minded person with indignation. Is it unreasonable to expect

those who undertake the charge of children to acquaint themselves with

at least an elementary knowledge of the construction and functions of

the human body? The ignorance of the average nursemaid is appalling;

and though a board school education may have acquainted her with the

mysteries of the First Book of Euclid, or the rudiments of music, the

curriculum rarely includes the simplest instruction on the healthy

training of children; and, in consequence, the high rate of infant

mortality in this country is a national disgrace.

The Evolution of Fashion · 第 8 / 10 章