CHAPTER VI

_1808-1809_

Yea, oft alone,

Piercing the long-neglected holy cave

The haunt obscure of old Philosophy,

He bade with lifted torch its starry walls

Sparkle, as erst they sparkled to the flame

Of odorous lamps tended by Saint and Sage.

S. T. C.

[Sidenote: INOPEM ME COPIA FECIT]

If one thought leads to another, so often does it blot out another. This

I find when having lain musing on my sofa, a number of interesting

thoughts having suggested themselves, I conquer my bodily indolence, and

rise to record them in these books, alas! my only confidants. The first

thought leads me on indeed to new ones; but nothing but the faint memory

of having had these remains of the other, which had been even more

interesting to me. I do not know whether this be an idiosyncrasy, a

peculiar disease, of _my_ particular memory--but so it is with _me_--my

thoughts crowd each other to death.

[Sidenote: A NEUTRAL PRONOUN]

Quære--whether we may not, _nay_ ought not, to use a neutral pronoun

relative, or representative, to the word "Person," where it hath been

used in the sense of _homo_, _mensch_, or noun of the common gender, in

order to avoid particularising man or woman, or in order to express

either sex indifferently? If this be incorrect in syntax, the whole use

of the word Person is lost in a number of instances, or only retained by

some stiff and strange position of words, as--"not letting the _person_

be aware, _wherein offence has been given_"--instead of--"wherein he or

she has offended." In my [judgment] both the specific intention and

general _etymon_ of "Person" in such sentences, fully authorise the use

of _it_ and _which_ instead of he, she, him, her, who, whom.

[Sidenote: THE HUMBLE COMPLAINT OF THE LOVER]

If love be the genial sun of human nature, unkindly has he divided his

rays [in acting] on me and my beloved! On her hath he poured all his

light and splendour, and my being doth he permeate with his invisible

rays of heat alone. She shines and is cold like the tropic fire-fly--I,

dark and uncomely, would better resemble the cricket in hot ashes. My

soul, at least, might be considered as a cricket eradiating the heat

which gradually cinerising the heart produces the embers and ashes from

among which it chirps out of its hiding-place.

N.B.--This put in simple and elegant verse, [would pass] as an imitation

of Marini, and of too large a part of the madrigals of Guarini himself.

[Sidenote: TRUTH]

Truth _per se_ is like unto quicksilver, bright, agile, harmless.

Swallow a pound and it will run through unaltered and only, perhaps, by

its weight force down impurities from out the system. But mix and

comminute it by the mineral acid of spite and bigotry, and even truth

becomes a deadly poison--medicinal only when some other, yet deadlier,

lurks in the bones.

[Sidenote: LOVE THE INEFFABLE]

O! many, many are the seeings, hearings, of pure love that have a being

of their own, and to call them by the names of things unsouled and

debased below even their own lowest nature by associations accidental,

and of vicious accidents, is _blasphemy_. What seest thou yonder? The

lovely countenance of a lovely maiden, fervid yet awe-suffering with

devotion--her face resigned to bliss or bale; or a _bit_ of _flesh_; or,

rather, that which cannot be seen unless by him whose very seeing is

more than an act of mere sight--that which refuses all words, because

words being, perforce, generalities do not awake, but really involve

associations of other words as well as other thoughts--but that which I

see, must be felt, be possessed, in and by its sole self! What! shall

the _statuary_ Pygmalion of necessity feel this for every part of the

insensate marble, and shall the lover Pygmalion in contemplating the

living statue, the heart-adored maiden, breathing forth in every look,

every movement, the genial life imbreathed of God, grovel in the mire

and grunt the language of the swinish slaves of the Circe, of vulgar

generality and still more vulgar association? The Polyclete that created

the Aphrodite [Greek: kallipygos], thought in acts, not words--energy

divinely languageless--[Greek: dia ton Logon, ou syn epesi], through

_the_ Word, not with _words_. And what though it met with Imp-fathers

and Imp-mothers and Fiendsips at its christening in its parents'

absence!

[Sidenote: THE MANUFACTURE OF PROPHESY]

One of the causes of superstition, and also of enthusiasm, and, indeed,

of all errors in matters of fact, is the great power with which the

effect acts upon and modifies the remembrance of its cause, at times

even transforming it in the mind. Let _A_ have said a few words to _B_,

which (by some change and accommodation of them to the event in the mind

of _B_) have been remarkably fulfilled; and let _B_ remind _A_ of these

words which he (_A_) had spoken, _A_ will instantly forget all his mood,

motive, and meaning, at the time of speaking them, nay, remember words

he had never spoken, and throw back upon them, from the immediate event,

an imagined fulfillment, a prophetic grandeur--himself, in his own

faith, a seer of no small inspiration. We yet want the growth of a

prophet and self-deceived wonder-worker _step by step_, through all the

stages; and, yet, what ample materials exist for a true and nobly-minded

psychologist! For, in order to make fit use of these materials, he must

love and honour as well as understand human nature--rather, he must love

in order to understand it.

[Sidenote: THE CAPTIVE BIRD May 16th, 1808]

O that sweet bird! where is it? It is encaged somewhere out of sight;

but from my bedroom at the _Courier_ office, from the windows of which I

look out on the walls of the Lyceum, I hear it at early dawn, often,

alas! lulling me to late sleep--again when I awake and all day long. It

is in prison, all its instincts ungratified, yet it feels the influence

of spring, and calls with unceasing melody to the Loves that dwell in

field and greenwood bowers, unconscious, perhaps, that it calls in vain.

O are they the songs of a happy, enduring day-dream? Has the bird hope?

or does it abandon itself to the joy of its frame, a living harp of

Eolus? O that I could do so!

Assuredly a thrush or blackbird encaged in London is a far less shocking

spectacle, its encagement a more venial defect of just feeling, than

(which yet one so often sees) a bird in a gay cage in the heart of the

country--yea, as if at once to mock both the poor prisoner and its kind

mother, Nature--in a cage hung up in a tree, where the free birds after

a while, when the gaudy dungeon is no longer a scare, crowd to it, perch

on the wires, drink the water, and peck up the seeds. But of all birds I

most detest to see the nightingale encaged, and the swallow, and the

cuckoo. Motiveless! monstrous! But the robin! O woes' woe! woe!--he,

sweet cock-my-head-and-eye, pert-bashful darling, that makes our kitchen

its chosen cage.

[Sidenote: ARCHITECTURE AND CLIMATE]

If we take into consideration the effect of the climates of the North,

_Gothic_, in contra-distinction to Greek and Græco-Roman architecture,

is rightly so named. Take, for instance, a rainy, windy day, or sleet,

or a fall of snow, or an icicle-hanging frost, and then compare the

total effect of the South European roundnesses and smooth perpendicular

surface with the ever-varying angles and meeting-lines of the

North-European or Gothic styles.

[The above is probably a dropped sentence from the report of the First

or Second Lecture of the 1818 series. See _Coleridge's Works_ (Harper

and Brothers, 1853), iv. 232-239.]

[Sidenote: NEITHER BOND NOR FREE]

The demagogues address the lower orders as if they were negroes--as if

each individual were an inseparable part of the order, always to remain,

_nolens volens_, poor and ignorant. How different from Christianity,

which for ever calls on us to detach ourselves spiritually not merely

from our rank, but even from our body, and from the whole world of

sense!

[Sidenote: THE MAIDEN'S PRIMER]

The one mighty main defect of female education is that everything is

taught but reason and the means of retaining affection. This--this--O!

it is worth all the rest told ten thousand times:--how to greet a

husband, how to receive him, how never to recriminate--in short, the

power of pleasurable thoughts and feelings, and the mischief of giving

pain, or (as often happens when a husband comes home from a party of old

friends, joyous and full of heart) the love-killing effect of cold, dry,

uninterested looks and manners.

[Sidenote: THE HALFWAY HOUSE Wednesday night, May 18th, 1808]

Let me record the following important remark of Stuart, with whom I

never converse but to receive some distinct and rememberable improvement

(and if it be not remembered, it is the defect of my memory--which,

alas! grows weaker daily--or a fault from my indolence in not noting it

down, as I do this)--that there is a period in a man's life, varying in

various men, from thirty-five to forty-five, and operating most strongly

in bachelors, widowers, or those worst and miserablest widowers, unhappy

husbands, in which a man finds himself at the _top of the hill_, and

having attained, perhaps, what he wishes, begins to ask himself, What is

all this for?--begins to feel the vanity of his pursuits, becomes

half-melancholy, gives in to wild dissipation or self-regardless

drinking; and some, not content with these (not _slow_) poisons, destroy

themselves, and leave their ingenious female or female-minded friends to

fish out some _motive_ for an act which proceeded from a _motive-making_

impulse, which would have acted even without a motive (even as the

terror[E] in nightmare is a bodily sensation, and though it most often

calls up consonant images, yet, as I know by experience, can take

effect equally without any); or, if not so, yet like gunpowder in a

smithy, though it will not go off without a spark, is _sure_ to receive

one, if not this hour, yet the next. I had _felt_ this truth, but never

saw it before clearly: it came upon me at Malta under the melancholy,

dreadful feeling of finding myself to be _man_, by a distinct division

from boyhood, youth, and "young man." Dreadful was the feeling--till

then life had flown so that I had always been a boy, as it were; and

this sensation had blended in all my conduct, my willing acknowledgment

of superiority, and, in truth, my meeting every person as a superior at

the first moment. Yet if men survive this period, they commonly become

cheerful again. That is a comfort for mankind, _not for me_!

[Sidenote: HIS OWN GENIUS]

My inner mind does not justify the thought that I possess a genius, my

_strength_ is so very small in proportion to my power. I believe that I

first, from internal feeling, made or gave light and impulse to this

important distinction between strength and power, the oak and the tropic

annual, or biennial, which grows nearly as high and spreads as large as

the oak, but in which the _wood_, the _heart_ is wanting--the vital

works vehemently, but the immortal is not with it. And yet, I think, I

must have some analogue of genius; because, among other things, when I

am in company with Mr. Sharp, Sir J. Mackintosh, R. and Sydney Smith,

Mr. Scarlett, &c. &c., I feel like a child, nay, rather like an

inhabitant of another planet. Their very faces all act upon me,

sometimes, as if they were ghosts, but more often as if I were a ghost

among them--at all times as if we were not consubstantial.

[Sidenote: NAME IT AND YOU BREAK IT]

"The class that ought to be kept separate from all others"--and this

said by one of themselves! O what a confession that it is no longer

separated! Who would have said this even fifty years ago? It is the

howling of ice during a thaw. When there is any just reason for saying

this, it ought not to be said, it is already too late. And though it may

receive the assent of the people of "the squares and places," yet what

does that do, if it be the ridicule of all other classes?

[Sidenote: THE DANGER OF OVER-BLAMING]

The general experience, or rather supposed experience, prevails over the

particular knowledge. So many causes oppose man to man, that he _begins_

by thinking of other men worse than they deserve, and receives his

punishment by at last thinking worse of himself than the truth is.

[Sidenote: EXCESS OF SELF-ESTEEM]

Expressions of honest self-esteem, in which _self_ was only a diagram of

the _genus_, will excite sympathy at the minute, and yet, even among

persons who love and esteem you, be remembered and quoted as ludicrous

instances of strange self-involution.

[Sidenote: DEFECT OF SELF-ESTEEM. May 23, 1808]

Those who think lowliest of themselves, perhaps with a _feeling_

stronger than rational comparison would justify, are apt to feel and

express undue asperity for the faults and defects of those whom they

habitually have looked up to as to their superiors. For placing

themselves very low, perhaps too low, wherever a series of experiences,

struggled against for a while, have at length convinced the mind that in

such and such a moral habit the long-idolised superior is far below even

itself, the grief and anger will be in proportion. "If even _I_ could

never have done this, O anguish, that _he_, so much my superior, should

do it! If even _I_ with all my infirmities have not this defect, this

selfishness, that _he_ should have it!" This is the course of thought.

Men are bad enough; and yet they often think themselves worse than they

are, among other causes by a reaction from their own uncharitable

thoughts. The poisoned chalice is brought back to our own lips.

[Sidenote: A PRACTICAL MAN]

He was grown, and solid from his infancy, like that most _useful_ of

domesticated animals, that never runs but with some prudent motive to

the mast or the wash-tub and, at no time a slave to the present moment,

never even grunts over the acorns before him without a scheming squint

and the segment, at least, of its wise little eye cast toward those on

one side, which his neighbour is or may be about to enjoy.

[Sidenote: LUCUS A NON LUCENDO]

Quære, whether the high and mighty Edinburghers, &c., have not been

elevated into guardians and overseers of taste and poetry for much the

same reason as St. Cecilia was chosen as the guardian goddess of music,

because, forsooth, so far from being able to compose or play herself,

she could never endure any other instrument than the jew's-harp or

Scotch bag-pipe? No! too eager recensent! you are mistaken, there is no

anachronism in this. We are informed by various antique bas-reliefs that

the bag-pipe was well known to the Romans, and probably, therefore, that

the Picts and Scots were even then fond of seeking their fortune in

other countries.

[Sidenote: LOVE AND MUSIC]

"Love is the spirit of life and music the life of the spirit."

Q. What is music? A. Poetry in its grand sense! Passion and order at

once! Imperative power in obedience!

Q. What is the first and divinest strain of music? A.--In the

intellect--"Be able to will that thy maxims (rules of individual

conduct) should be the law of all intelligent being!"

In the heart, or practical reason, "Do unto others as thou wouldst be

done by." This in the widest extent involves the test, "Love thy

neighbour as thyself, and God above all things." For, conceive thy being

to be all-including, that is, God--thou knowest that _thou_ wouldest

command thyself to be beloved above all things.

[For the motto at the head of this note see the lines "Ad Vilmum

Axiologum." _P. W._, 1893, p. 138.]

[Sidenote: CONSCIENCE AND IMMORTALITY]

From what reasons do I believe in _continuous_ and ever-continuable

consciousness? From conscience! Not for myself, but for my conscience,

that is, my affections and duties towards others, I should have no

self--for self is definition, but all boundary implies neighbourhood and

is knowable only by neighbourhood or relations. Does the understanding

say nothing in favour of immortality? It says nothing for or against;

but its silence gives consent, and is better than a thousand arguments

such as mere understanding could afford. But miracles! "Do you speak of

them as proofs or as natural consequences of revelation, whose presence

is proof only by precluding the disproof that would arise from their

absence?" "Nay, I speak of them as of positive fundamental proofs."

Then I dare answer you "Miracles in that sense are blasphemies in

morality, contradictions in reason. God the Truth, the actuality of

logic, the very _logos_--He deceive his creatures and demonstrate the

properties of a triangle by the confusion of all properties! If a

miracle merely means an event before inexperienced, it proves only

itself, and the inexperience of mankind. Whatever other definition be

given of it, or rather attempted (for no other not involving direct

contradiction can be given), it is blasphemy. It calls darkness light,

and makes Ignorance the mother of Malignity, the appointed nurse of

religion--which is knowledge as opposed to mere calculating and

conjectural understanding. Seven years ago, but oh! in what happier

times--I wrote thus--

O ye hopes! that stir within me!

Health comes with you from above!

God is _with_ me! God is _in_ me!

I _cannot_ die: for life is love!

And now, that I am alone and utterly hopeless for myself, yet still I

love--and more strongly than ever feel that conscience or the duty of

love is the proof of continuing, as it is the cause and condition of

existing consciousness. How beautiful the harmony! Whence could the

proof come, so appropriately, so conformly with all nature, in which the

cause and condition of each thing is its revealing and infallible

prophecy!

And for what reason, say, rather, for what cause, do you believe

immortality? Because I _ought_, therefore I _must_!

[The lines "On revisiting the sea-shore," of which the last stanza is

quoted, were written in August, 1801. [_P.W._, 1893, p. 159.] If the

note was written exactly seven years after the date of that poem, it

must belong to the summer of 1808, when Coleridge was living over the

_Courier_ office in the Strand.]

[Sidenote: THE CAP OF LIBERTY]

Truly, I hope not irreverently, may we apply to the French nation the

Scripture text, "From him that hath nothing shall be taken that which he

hath"--that is, their pretences to being free, which are the same as

nothing. They, the illuminators, the discoverers and sole possessors of

the true philosopher's stone! Alas! it proved both for them and Europe

the _Lapis Infernalis_.

[Sidenote: VAIN GLORY]

Lord of light and fire? What is the universal of man in all, but

especially in savage states? Fantastic ornament and, in general, the

most frightful deformities--slits in the ears and nose, for instance.

What is the solution? Man will not be a mere thing of nature: he will

be and shew himself a power of himself. Hence these violent disruptions

of himself from all other creatures! What they are made, that they

remain--they are Nature's, and wholly Nature's.

[Sidenote: CHILDREN OF A LARGER GROWTH]

Try to contemplate mankind as children. These we love tenderly, because

they are beautiful and happy; we know that a sweet-meat or a top will

transfer their little love for a moment, and that we shall be repelled

with a grimace. Yet we are not offended.

[Sidenote: CHYMICAL ANALOGIES]

I am persuaded that the chymical technology, as far as it was borrowed

from life and intelligence, half-metaphorically, half-mystically, may be

brought back again (as when a man borrows of another a sum which the

latter had previously borrowed of him, because he is too polite to

remind him of a debt) to the use of psychology in many instances, and,

above all, [may be re-adapted to] the philosophy of language, which

ought to be experimentative and analytic of the elements of

meaning--their double, triple, and quadruple combinations, of simple

aggregation or of composition by balance of opposition.

Thus innocence is distinguished from virtue, and _vice versâ_. In both

of them there is a positive, but in each opposite. A decomposition must

take place in the first instance, and then a new composition, in order

for innocence to become virtue. It loses a positive, and then the base

attracts another different positive, by the higher affinity of the same

base under a different temperature for the latter.

I stated the legal use of the innocent as opposed to mere _not guilty_

(he was not only acquitted, but was proved innocent), only to shew the

existence of a _positive_ in the former--by no means as confounding this

use of the word with the moral pleasurable feeling connected with it

when used of little children, maidens, and those who in mature age

preserve this sweet fragrance of vernal life, this mother's gift and

so-seldom-kept keepsake to her child, as she sends him forth into the

world. The distinction is obvious. Law agnizes actions alone, and

character only as presumptive or illustrative of particular action as to

its guilt or non-guilt, or to the commission or non-commission. But our

moral feelings are never pleasurably excited except as they refer to a

state of being--and the most glorious actions do not delight us as

separate acts, or, rather, facts, but as representatives of the being of

the agent--mental stenographs which bring an indeterminate extension

within the field of easy and simultaneous vision, diffused being

rendered visible by condensation. Only for the hero's sake do we exult

in the heroic act, or, rather, the act abstracted from the hero would no

longer appear to us heroic. Not, therefore, solely from the advantage of

poets and historians do the deeds of ancient Greece and Rome strike us

into admiration, while we relate the very same deeds of barbarians as

matters of curiosity, but because in the former we refer the deed to the

individual exaltation of the agent, in the latter only to the physical

result of a given state of society. Compare the [heroism of that] Swiss

patriot, with his bundle of spears turned towards his breast, in order

to break the Austrian pikemen, and that of the Mameluke, related to me

by Sir Alexander Ball, who, when his horse refused to plunge in on the

French line, turned round and _backed_ it on them, with a certainty of

death, in order to effect the same purpose. In the former, the state of

mind arose from reason, morals, liberty, the sense of the duty owing to

the independence of his country, and its continuing in a state

compatible with the highest perfection and development; while the latter

was predicative only of mere animal habit, ferocity, and unreasoned

antipathy to strangers of a different dress and religion.

[Sidenote: BOOKS IN THE AIR]

If, contrary to my expectations--alas! almost, I fear, to my wishes--I

should live, it is my intention to make a catalogue of the Greek and

Latin Classics, and of those who, like the author of the _Argenis_

[William Barclay, 1546-1605], and Euphormio, Fracastorius, Flaminius,

etc., deserve that name though moderns--and every year to apply all my

book-money to the gradual completion of the collection, and buy no other

books except German, if the continent should be opened again, except

Massinger, Beaumont and Fletcher, and Jonson. The two last I have, I

believe, but imperfect--indeed, B. and F. worthless, the best plays

omitted. It would be a pleasing employment, had I health, to translate

the Hymns of Homer, with a disquisitional attempt to settle the question

concerning the _personality_ of Homer. Such a thing in two volumes,

_well done_, by philosophical notes on the mythology of the Greeks,

distinguishing the sacerdotal from the poetical, and both from the

philosophical or allegorical, fairly grown into two octavos, might go a

good way, if not all the way, to the Bipontine Latin and Greek Classics.

[Sidenote: A TURTLE-SHELL FOR HOUSE-HOLD TUB]

I almost fear that the alteration would excite surprise and uneasy

contempt in Verbidigno's mind (towards one less loved, at least); but

had I written the sweet tale of the "Blind Highland Boy," I would have

substituted for the washing-tub, and the awkward stanza in which it is

specified, the images suggested in the following lines from Dampier's

Travels, vol. i. pp. 105-6:--"I heard of a monstrous green turtle once

taken at the Port Royal, in the Bay of Campeachy, that was four feet

deep from the back to the belly, and the belly six feet broad. Captain

Rock's son, of about nine or ten years of age, went in it as in a boat,

on board his father's ship, about a quarter of a mile from the shore."

And a few lines before--"The green turtle are so called because their

shell is greener than any other. It is very thin and clear, and better

clouded than the Hawksbill, but 'tis used only for _inlays_, being

_extraordinary_ thin." Why might not some mariners have left this shell

on the shore of Loch Leven for a while, about to have transported it

inland for a curiosity, and the blind boy have found it? Would not the

incident be in equal keeping with that of the child, as well as the

image and tone of romantic uncommonness?

["In deference to the opinion of a friend," this substitution took

place. A promise made to Sara Coleridge to re-instate the washing-tub

was, alas! never fulfilled. See _Poetical Works_ of W. Wordsworth, 1859,

pp. 197, and 200 _footnote_.]

[Sidenote: THE TENDER MERCIES OF THE GOOD]

Tremendous as a Mexican god is a strong sense of duty--separate from an

enlarged and discriminating mind, and gigantic ally disproportionate to

the size of the understanding; and, if combined with obstinacy of

self-opinion and indocility, it is the parent of tyranny, a promoter of

inquisitorial persecution in public life, and of inconceivable misery in

private families. Nay, the very virtue of the person, and the

consciousness that _it_ is sacrificing its own happiness, increases the

obduracy, and selects those whom it best loves for its objects. _Eoque

immitior quia ipse tolerat_ (not _toleraverat_) is its inspiration and

watchword.

[Sidenote: HINTS FOR "THE FRIEND"]

A nation of reformers looks like a scourer of silver-plate--black all

over and dingy, with making things white and brilliant.

A joint combination of authors leagued together to declaim for or

against liberty may be compared to Buffon's collection of smooth mirrors

in a vast fan arranged to form one focus. May there not be gunpowder as

well as corn set before it, and the latter will not thrive, but become

cinders?

A good conscience and hope combined are like fine weather that

reconciles travel with delight.

Great exploits and the thirst of honour which they inspire, enlarge

states by enlarging hearts.

The rejection of the love of glory without the admission of Christianity

is, truly, human darkness lacking human light.

Heaven preserve me from the modern epidemic of a proud ignorance!

Hypocrisy, the deadly crime which, like Judas, kisses Hell at the lips

of Redemption.

Is't then a mystery so great, what God and the man, and the world is?

No, but we hate to hear! Hence a mystery it remains.

The massy misery so prettily hidden with the gold and silver

leaf--_bracteata felicitas_.

[Sidenote: CONCERNING BELLS]

If I have leisure, I may, perhaps, write a wild rhyme on the _Bell_,

from the mine to the belfry, and take for my motto and Chapter of

Contents, the two distichs, but especially the latter--

Laudo Deum verum, plebem voco, congrego clerum:

Defunctos ploro, pestem fugo, festa decoro.

Funera plango, fulgura frango, sabbata pango:

Excito lentos, dissipo ventos, paco cruentos.

The waggon-horse _celsâ cervice eminens clarumque jactans

tintinnabulum_. Item, the cattle on the river, and valley of dark pines

and firs in the Hartz.

The army of Clotharius besieging Sens were frightened away by the bells

of St. Stephen's, rung by the contrivance of Lupus, Bishop of Orleans.

For ringing the largest bell, as a Passing-bell, a high price was wont

to be paid, because being heard afar it both kept the evil spirits at a

greater distance, and gave the chance of the greater number of prayers

_pro mortuo_, from the pious who heard it.

Names of saints were given to bells that it might appear the voice of

the Saint himself calling to prayer. Man will humanise all things.

[It is strange that Coleridge should make no mention of Schiller's "Song

of the Bell," of which he must, at any rate, have heard the title.

Possibly the idea remained though its source was forgotten. The Latin

distichs were introduced by Longfellow in his "Golden Legend."

Of the cow-bells in the Hartz he gives the following account in an

unpublished letter to his wife. April-May, 1799. "But low down in the

valley and in little companies on each bank of the river a multitude of

green conical fir-trees, with herds of cattle wandering about almost

every one with a cylindrical bell around its neck, of no inconsiderable

size. And as they moved, scattered over the narrow vale, and up among

the trees of the hill, the noise was like that of a great city in the

stillness of the Sabbath morning, where all the steeples, all at once

are ringing for Church. The whole was a melancholy scene and quite new

to me."]

FOOTNOTES:

[Footnote E:

[O heaven, 'twas frightful! now run down and stared at

By shapes more ugly than can be remembered--

Now seeing nothing and imagining nothing,

But only being afraid--stifled with Fear!

And every goodly, each familiar form

Had a strange somewhat that breathed terrors on me!

(_From my MS. tragedy_ [S. T. C.]) _Remorse_, iv. 69-74--but the passage

is omitted from _Osorio_, act iv. 53 _sq. P. W._, pp. 386-499]].

Anima Poetæ · 第 6 / 10 章