I find that at eleven years of age--

I held it truth with him who sings

To one clear harp of divers tones,

That men may rise on stepping-stones

Of their dead selves to higher things.

Indeed, I must have been a very remarkable child, how remarkable I had

not hitherto suspected! Evidently, too, I displayed an early tendency

to melancholia, for I find I was admonished in the following words,

with their incontestable statement of fact:

Be still, sad heart, and cease repining,

Behind the clouds is the sun still shining.

Whether my sadness was caused by too much reflection on the fact that

life is real, life is earnest, and the grave is not its goal, or on

the fact that Bill Carter's air-gun cost more than mine, I cannot now

recall. Either cause would have been sufficient. At any rate I

apparently braced up and smiled once more, for the next page is blank.

That means I went fishing!

Poor kiddies! Shall we grown-ups never learn that their minds don't

work as ours do, and what may be poetry for some of us is cod-liver

oil for them? Why must we be forever nagging them at home with "Don't

do this" and "Don't do that," and forever preaching at them in school

with ponderous prose platitudes cut up into lengths? How much wiser

than we they are, who know that life is free and pleasant and full of

melody and beautiful things, and dreams more real than reality, and

reality born of the dream! Yet we try our best to convince them that

they are wrong. We see to it that Longfellow lies about them in their

infancy.

But perhaps all this is changed since my day, and the nightmare this

battered memory-gem book recalls to my mind is no longer a load on the

children of the present. I profoundly hope so. Can it be that the

present revival of poetry is due to the passing of the memory-gem

book? At least, no teacher would have the courage to set her class the

task of copying Amy Lowell or _The Spoon River Anthology_!

[Illustration]

_The Bad Manners of Polite People_

All my life I have suffered from politeness--not my own, but the

politeness of other people. So far as I know, nobody has ever accused

me of being polite. I suspect that I must be, however, for hitherto I

have borne the politeness of other people without a protest. But I

must protest now, if only to vindicate my lack of politeness; in other

words, to prove my good manners.

For what I object to in polite people is their bad manners. It is this

I have suffered from, as, I suspect, have many thousands of my

fellows, to whom life is real and earnest, and gabble not its goal. As

a rule, the politer the person the worse are his (or more often,

perhaps, her) manners. The limit is reached when the amateur is sunk

entirely in the professional, and that curious product of "Society" is

developed, the professional hostess. I cannot better illustrate my

theme than with a description of the professional hostess.

I call her professional because all the joy of entertaining for its

own sake has gone out of her work. She does not invite people to her

parties because she is glad to see them, because she is interested in

them, or wishes to give them pleasure. She invites them because to

entertain them is a part of her day's work--whether her work be to get

into a certain social stronghold, to keep that stronghold against

assault, or merely to kill time, her arch-enemy. And, in performing

this task of hers, she has developed a technique of politeness which

is to the amateur's technique what the professional golf-player's

style is to the form of the mere bumblepuppy. Her politeness is

astonishingly brilliant, flexible, resourceful. It is aspired to by

the lowly and aped on the stage. And yet her manners are the worst in

the world.

Let us suppose her about to give a dinner. She is trimmed down to the

fashionable slenderness (perhaps), and brilliant with jewels. Cannel

coal snaps pleasantly in the drawing-room grate, and the lights are

gratefully shaded. A guest or two arrive, whom she greets with affable

handshake. The man moves over to the fire, warming his back; his wife

talks to the hostess rapidly, in the way women have when they seem to

think it better to say anything than not to speak at all. But the

hostess is quite at her ease. Her politeness is triumphant. Presently

she turns to the man, who is, perhaps, an author.

"Your new book," she begins, as if she had been waiting all day to ask

that question, "--what is it going to be about? I'm tremendously eager

to know."

Already the genial fire has warmed the noted author after his chilling

ride in a street car to this mansion of luxury. The kindly question

positively expands him. He launches eagerly into his answer.

"You see," he begins, "the great modern question is--"

But suddenly he is aware that he has no listener. His hostess has gone

toward the door with outstretched hand, and his own wife is gazing at

the gowns of the women entering. The author turns and prods the grate

with his toe. Perhaps, if he is new at being "entertained," he fancies

that his hostess will presently return to hear his answer. He holds it

in readiness. Poor man!

The newcomers are brought into the circle. When introductions are

necessary, they are made with studied informality. And then the author

hears the hostess say to a big, energetic woman, who is among the

arrivals, "Oh, dear Miss Jones, I have heard so much about your

perfectly splendid work down there among the horrid poor! I did _so_

want to hear you talk about it at the Colonial Club, this afternoon,

but I simply _couldn't_ get there. Won't you tell me just a bit of

what you said?"

The tone of entreaty betrays the utmost interest. The big, energetic

woman smiles, and begins, "Well," she says, "I was just trying to get

the members interested in our new health-tenement for consumptives.

You see, we need--"

Then she, too, becomes aware that her audience has departed toward the

door. She turns about to see if anybody else was listening, but nobody

was. The other women are engaged in inspecting the newcomers. The men

are looking uncomfortable, or chatting with one another. Only the

author's sympathetic gaze meets hers.

The guests have all gathered by now, but dinner is not yet announced.

The hostess moves easily among them, stopping by each with a winning

smile, to ask some carefully chosen personal question. Each as

politely replies, only to find himself talking to the empty air.

There is soon a confused babble of voices, a whir of windy words--and

no one hears.

The author watches her, still curious to know whether she will

remember that she has not yet heard his answer. But she has quite

forgotten. She moves, the incarnate spirit of politeness, about the

room, rousing trains of eager ideas in her guests, and as speedily

leaving them to run down a side-track into a bumper.

She has no real interest in any of them, probably she has no real

understanding of them. She thinks her manners are above reproach,

that she is treating her guests in the most exemplary fashion. In

reality, nothing could be worse than her manners, and she is treating

her guests most shabbily. By being polite, she ends by being rude. For

nothing is so rude in this world as to ask a man a question about some

subject close to his heart when you have no intention of listening to

his answer, nor any interest in it. The hostess thinks to feed his

vanity; she ends by wounding it. She thinks to make her guests

comfortable; she ends by making them uncomfortable.

The best manners I have ever seen were possessed by the most impolite

man I have ever known. As a result, nobody that he ever invited to his

house felt uncomfortable there. He was interested in all kinds and

conditions of people, all kinds and conditions of activities. If he

asked you a question, it was because he wanted to hear your answer. He

paid you the compliment of assuming that it was worth listening to,

and other people waited till you were through. At his table you

weren't supposed to confine your talk to the sweet young thing on your

left, who was more interested in the gay young blade on _her_ left,

nor to the sedate, elderly female person on your right, who was more

interested in the bishop on _her_ right. Talk was largely for the

whole table; and if you hadn't some definite contribution to make, you

were usually glad to keep still.

I say nobody ever felt uncomfortable in his house. That is not quite

true. Occasionally the person who expressed an opinion on a subject he

knew nothing about must have felt uncomfortable. For, though he was

listened to gravely while speaking, conversation was at once resumed

as if nothing whatever had been said.

Nothing could have been more conventionally impolite. And yet the act

was so utterly free from sham that it seemed the only decorous and

decent thing to do. Thus was the dignity of conversation maintained;

thus was each man and woman made to feel his or her worth along

personal lines of endeavor; thus was a true democratic spirit

preserved, which is the real essence of good manners. True democracy

consists in bringing each man out, not in reducing him to a common

level of inanity. Good manners consist in showing him respect for what

is worthy of respect in him, treating him as a rational human being,

not as a mere social unit who deposits his hard-won opinions, along

with his hat and stick, in the care of the butler when he enters the

house.

That is why men have, as a rule, better manners than women, though

they are far less polite. A man respects the judgment of a specialist

on any given subject, and he is rather intolerant of the snap

judgments of the dabbler or the dilettante. He listens, if forced to,

with unconcealed impatience to the babbling of his pretty neighbor at

table about art, perhaps, or engineering, or some other topic

concerning which her ignorance is as profound as her cocksureness is

lofty. But, after all, to be polite to her is to insult a whole race

of engineers or artists! Put one of them beside him, and see how

readily he will listen.

Politeness too often consists of shamming. Good manners are the

absence of sham. It is not the gentleman's place, certainly, to insult

the lady. Good manners seldom go quite so far as that. But even

politeness cannot expect him to endure the torture for more than a

limited time, especially if the topic chosen chances to be his own

specialty. It is his place to lead the conversation, as gently as

possible, back upon more neutral ground, where he may find what

consolation he can in sprightly personalities--while praying for the

coffee.

I enjoy the privilege of acquaintance with a very charming person, who

has never paid a compliment to her sex except by being a woman. Some

of her sex say that she is a delightful hostess and very beautiful.

Others say that she is atrociously rude, and they "can't see what it

is people admire in her." Most men adore her. She herself says that

the only people she cares to entertain are those who have earned their

own living. Her reasons are, I believe, interesting and significant.

She earns her own living, I may state, and a very considerable one,

for she is famous and highly successful in her branch of artistic

endeavor. Socially, one may say of her, in that atrocious phrase which

implies a queer jumble of values, that she is "very much in demand."

But, though a man in livery opens her front door, the street-cars

bring quite as many guests to her house as do expensively purring

motor-cars.

"For," as she puts it, "I can stand the talk of the average woman in

'Society' just about fifteen minutes, and then I have to scream. I

don't know how the fiction arose that American women of the leisure

classes are so superior mentally to the women of other nations. The

fact is, they are not. The fact is, that they are so superficial that

a person who has really _done_ something--I don't mean who has played

at it, but who has really under the spur of necessity got to the

bottom of some one subject--can hardly endure their conversation. They

chatter, chatter, chatter, about everything under heaven, and if you

happen to know anything about any of the subjects, it is simply

torture to listen.

"Life is too short, and too interesting, and the world too full of

real people, to bother with the folks who don't know their business.

The man or woman who has had to be self-supporting has got to the

bottom of some branch of activity, however small, and learned

humility. To learn that mastery of even a tiny subject requires

effort and concentration and skill, is to learn respect for other

subjects; and it is to learn, too, how to listen.

"Nobody can listen who isn't truly interested, and who hasn't the

grasp of mind to appreciate the complexities of a craft not his own,

who doesn't know enough to know when he doesn't know anything. If I'm

going to talk my shop, I want to talk it with folks who've been in it.

If I'm going to hear some other shop discussed, it must be by someone

who is familiar with that, not by directoired dabblers who, you feel

after three minutes have elapsed, don't know a thing about the

subject. If politeness consists in letting them suppose that I take

any stock in what they say, then I plead guilty to being a boor."

Probably no one who has experienced the awful ordeal of listening to

some female chatter about his chosen subject, or who has undergone the

even worse ordeal of dropping great thoughts of his own into the deep,

deep pools of her incomprehension, will fail of sympathy with my

friend.

"But I tire you," said an incessant gabbler one day to the great Duc

de Broglie.

"No, no," replied the duke; "I wasn't listening."

[Illustration]

_On Giving up Golf Forever_

Last season I gave up golf forever two days before our course opened

in May, on the evenings of June 17th and July 4th, at noon on July

27th, on the evenings of August 2nd, 9th, 15th, and 21st, at 11:15

A.M. on Labor Day, again Labor Day evening, on September 19th, 23rd,

30th, and October 3rd, 11th and 18th. I am writing this in

mid-January, when the drifts are piled five feet deep over our

bunkers, and the water-carries are frozen solid. I have played my last

game of golf. The coming season I shall devote to the intensive

cultivation of my garden. The links have no allure for me.

"And if," says my wife, "I could believe that, I should be happier

than ever before in the long years of my golf widowhood."

"But you can," I answer, with grieved surprise.

She looks at me, with that superior and tolerant smile women know so

well how to assume.

"You men are all such children!" is her, it seems to me, somewhat

irrelevant retort.

I fell to musing on my friend, the noted war correspondent (now a

Major in the United States Army in France). All things considered, he

was the most consistent, or perhaps I should say persistent, quitter

the game of golf has ever known. He used to quit forever on an average

of three times a week, and I have known him to abandon the game twice

during a round, which is something of a record. He played every summer

on our beautiful Berkshire course, which crosses and recrosses the

winding Housatonic, not to mention sundry swamps, and boasts the most

luxuriant fairway, and by the same token the rankest rough, in all

America. It is the course Owen Johnson once immortalized in his story,

_Even Threes_.

How well I remember that peaceful, happy May, back in 1914! Our course

had emerged from its annual spring flood, newly top-dressed with rich

river silt, and a few warm days brought the turf through the scars and

made the whole glorious expanse of fairway, winding through the silver

willows, a velvet carpet. I had given my orders to the greens-keepers,

and gone to New York for a day or two--reluctantly, of course--and

there met the famous war correspondent, in those peaceful times out of

a regular job and turned novelist _pro tem_. He had just relieved

himself of his final chapter, and readily yielded to my persuasions to

return with me to the velvet field and the whistling drive. We

"entrained," as he would say in one of his military dispatches.

As far as the Massachusetts-Connecticut state-line he talked of

Mexican revolutions, Theodore Roosevelt, Japanese art, _vers libre_,

mushrooms, and such other topics as were of interest in the spring of

1914. But at the state-line, chancing a look out of the window, he saw

the doming billow of blue mountains which marks the entrance to our

Berkshire intervales, and a strange gleam came into his eyes. His

square jaws set. His whole countenance was transformed. Turning back

to me, he half hissed, grimly,--

"I am _not_ going to press this season!"

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