THE LITTLE BOY IN THE BALCONY.

-------

MY special amusement in New York is riding on the elevated railway. It

is curious to note how little one can see on the crowded sidewalks of

this city. It is simply a rush of the same people—hurrying this way or

that on the same errands—doing the same shopping or eating at the same

restaurants. It is a kaleidoscope with infinite combinations but the

same effects. You see it to-day, and it is the same as yesterday.

Occasionally in the multitude you hit upon a _genre_ specimen, or an odd

detail, such as a prim little dog that sits upright all day and holds in

its mouth a cup for pennies for its blind master, or an old bookseller

with a grand head and the deliberate motions of a scholar moldering in a

stall—but the general effect is one of sameness and soon tires and

bewilders.

Once on the elevated road, however, a new world is opened, full of the

most interesting objects. The cars sweep by the upper stories of the

houses, and, running never too swiftly to allow observation, disclose

the secrets of a thousand homes, and bring to view people and things

never dreamed of by the giddy, restless crowd that sends its impatient

murmur from the streets below. In a course of several months’ pretty

steady riding from Twenty-third Street, which is the station for the

Fifth Avenue Hotel, to Rector, which overlooks Wall Street, I have made

many acquaintances along the route—and on reaching the city my first

curiosity is in their behalf.

One of these is a boy about six years of age—akin in his fragile body

and his serious mien, a youngster that is very precious to one. I first

saw this boy on a little balcony about three feet by four, projecting

from the window of a poverty-stricken fourth floor. He was leaning over

the railing, his white, thoughtful head just clearing the top, holding a

short round stick in his hand. The little fellow made a pathetic

picture, all alone there above the street, so friendless and desolate,

and his pale face came between me and my business many a time that day.

On going up town that evening just as night was falling, I saw him still

at his place, white and patient and silent. Every day afterwards I saw

him there, always with the short stick in his hand. Occasionally he

would walk around the balcony rattling the stick in a solemn manner

against the railing, or poke it across from one corner to another and

sit on it. This was the only playing I ever saw him do, and the stick

was the only plaything he had. But he was never without it. His little

hand always held it, and I pictured him every morning when he awoke from

his joyless sleep, picking up his plaything and going out to his

balcony, as other boys go to play. Or perhaps he slept with it, as

little ones do with dolls and whip-tops.

I could see that the room beyond the window was bare. I never saw any

one in it. The heat must have been terrible, for it could have had no

ventilation. Once I missed the boy from the balcony, but saw his white

head, moving about slowly in the dusk of the room. Gradually the little

fellow become a burden to me. I found myself continually thinking of

him, and troubled with that remorse that thoughtless people feel even

for suffering for which they are not in the slightest degree

responsible. Not that I ever saw any suffering on his face. It was

patient, thoughtful, serious, but with never a sign of petulance. What

thoughts filled that young head—what contemplation took the place of

what should have been the ineffable upbringing of childish emotion—what

complaint or questioning were living behind that white face—no one could

guess. In an older person the face would have betokened a resignation

that found peace in the hope of things hereafter. In this child, without

hope or estimation, it was sad beyond expression.

One day as I passed I nodded at him. He made no sign in return. I

repeated the nod on another trip, waving my hand at him—but without

avail. At length, in response to an unusually winning exhortation, his

pale lips trembled into a smile—but a smile that was soberness itself.

Wherever I went that day that smile went with me. Wherever I saw

children playing in the parks, or trotting along with their hands

nestled in strong fingers that guided and protected, I thought of that

tiny watcher in the balcony—joyless, hopeless, friendless—a desolate

mite, hanging between the blue sky and the gladsome streets—lifting his

wistful face now to the peaceful heights of the one, and now looking

with grave wonder on the ceaseless tumult of the other. At length—but

why go any further? Why is it necessary to tell that the boy had no

father, that his mother was bedridden from his birth, and that his

sister pasted labels in a drug-house, and he was thus left to himself

all day? It is sufficient to say that I went to Coney Island yesterday,

and forgot the heat in the sharp saline breezes—watched the bathers and

the children—listened to the crisp, lingering music of the waves as they

sang to the beach—ate a robust lunch on the pier—wandered in and out

among the booths, tents, and hubbub—and that through all these manifold

pleasures, I had a companion that enjoyed them with a gravity that I can

never hope to emulate, but with a soulfulness that was touching—and that

as I came back in the boat, the breezes singing through the cordage,

music floating from the fore-deck, and the sun lighting with its dying

rays the shipping that covered the river, there was sitting in front of

me a very pale but very happy bit of a boy, open-eyed with wonder, but

sober and self-contained, clasping tightly in his little fingers a short

battered stick. And finally that whenever I pass by a certain

overhanging balcony now, I am sure of a smile from an intimate and

esteemed friend who lives there.

------------------------------------------------------------------------

Joel Chandler Harris' life of Henry W. Grady including his writings and speeches · 第 111 / 327 题