noted that the bibliographer has broken his traces, forsaken his
accustomed field and intruded, in some measure, upon the province of the
critic. From the great mass of plays accessible in English I have sought
to select only those which I hold best adapted to the little theater as
it is to-day constituted. On the whole, they are plays which have
encountered a certain measure of success or that I felt to be worthy of
production. Rigid care has been taken to exclude such dramatic pieces
which are fittingly described as "side-splitting farces." The latter
contribute nothing to the art theater. Box and Cox, I doubt not, may be
excruciatingly funny, but few would care to hear that Sam Hume, for
instance, was about to produce it. Not that genuine laughter hasn't its
place in the modern theater; but we cannot laugh to-day at the archaic
drolleries of yesterday. We cannot abandon ourselves to papier-mache
characterization in the theater. And this is what the art theater
accomplished in its brief stay with us.
F. S.
THE BOOKS OF THE LITTLE THEATRE
ANTHONY, Luther B.
DRAMATOLOGY. A Manual of Craftsmanship
APPIA, Adolphe
DIE MUSIK UND DIE INSCENIERUNG
ARCHER, William
PLAY MAKING. A Manual of Craftsmanship
ABOUT THE THEATRE
ARCHER, William, and BARKER, Granville
A NATIONAL THEATRE. Schemes and Estimates
ARNOLD, Robert S.
DAS MODERNE DRAMA
AUSTIN, Stephen F.
THE PRINCIPLES OF DRAMA-THERAPY
BAKER, George Pierce
THE TECHNIQUE OF THE DRAMA
DRAMATIC TECHNIQUE
BAKSHY, Alexander
THE PATH OF THE MODERN RUSSIAN STAGE
BICKLEY, Francis
J. M. SYNGE AND THE IRISH DRAMATIC MOVEMENT
BLEACKLEY, J. Arthur
THE ART OF MIMICRY
BOOTH, William Stone
A PRACTICAL GUIDE FOR AUTHORS AND PLAYWRIGHTS
BOURGEOIS, Maurice
JOHN MILLINGTON SYNGE AND THE IRISH THEATRE
BOYD, Ernest A.
THE CONTEMPORARY DRAMA OF IRELAND
BROADBENT, R. J.
A HISTORY OF PANTOMIME
BROWNE, Maurice
THE TEMPLE OF A LIVING ART
BROWNE, Van Dyke
SECRETS OF SCENE PAINTING AND STAGE EFFECTS
BRUNETIERE, Ferdinand
THE LAW OF THE DRAMA, with an introduction by Henry Arthur Jones.
Translated by P. M. Hayden
BURLEIGH, Louise
THE COMMUNITY THEATRE
BURTON, Richard
HOW TO SEE A PLAY
CALTHROP, Dion Clayton
ENGLISH COSTUME. Four volumes
CALVERT, Louis
PROBLEMS OF THE ACTOR
CANNAN, Gilbert
THE JOY OF THE THEATRE
CANNON, Fanny
WRITING AND SELLING A PLAY
CARTER, Huntley
THE NEW SPIRIT IN DRAMA AND ART
THE THEATRE OF MAX REINHARDT
CHENEY, Sheldon
THE OPEN AIR THEATRE
THE THEATRE ARTS MAGAZINE
THE NEW MOVEMENT IN THE THEATRE
THE ART THEATRE
CLARK, Barrett H.
HOW TO PRODUCE AMATEUR PLAYS
CONTINENTAL DRAMA OF TO-DAY
BRITISH AND AMERICAN DRAMA OF TO-DAY
EUROPEAN THEORIES OF THE DRAMA
COLLES, W. M., and HARDY, H.
PLAYWRIGHT AND COPYRIGHT IN ALL COUNTRIES
COQUELIN, Constant
ART AND THE ACTOR. Translated by A. L. Alger
CRAIG, Gordon
THE ART OF THE THEATRE
ON THE ART OF THE THEATRE
A LIVING THEATRE
TOWARDS A NEW THEATRE
THE THEATRE--ADVANCING
DEAN, Basil
THE REPERTORY THEATRE, 1911
DICKINSON, Thomas H.
THE CONTEMPORARY DRAMA OF ENGLAND
THE INSURGENT THEATRE
EDWARDS, O.
JAPANESE PLAYS AND PLAYFELLOWS
FENELLOSA, Ernest, and POUND, Ezra
"NO"; or ACCOMPLISHMENT
FRY, Emma Sheridan
EDUCATIONAL DRAMATICS
GILLETTE, William
THE ILLUSION OF THE FIRST TIME IN ACTING
GOLDMAN, Emma
THE SOCIAL SIGNIFICANCE OF THE MODERN DRAMA
GREGORY, Lady
OUR IRISH THEATRE
HAMILTON, Clayton
THEORY OF THE THEATRE
STUDIES IN STAGECRAFT
PROBLEMS OF THE PLAYWRIGHT
HASTINGS, Charles
THE THEATRE. Its Development in France and England and a History
of Its Greek and Latin Origins
HENDERSON, Archibald
THE CHANGING DRAMA
EUROPEAN DRAMATISTS
HENNEQUIN, Alfred
THE ART OF PLAYWRITING
HILLIARD, E., McCORMICK, T., and OGLEBAY, K.
AMATEUR AND EDUCATIONAL DRAMATICS
HORNBLOW, Arthur
TRAINING FOR THE STAGE. Some Hints for Those About to Choose
the Player's Career
HORRWITZ, Ernest P.
THE INDIAN THEATRE. A Brief Survey of the Sanskrit Drama
HOWE, P. P.
THE REPERTORY THEATRE
HUBERT, Philip G.
THE STAGE AS A CAREER
HUNT, Elizabeth R.
THE PLAY OF TO-DAY
IZUMO, Takeda. Translated by M. C. Marcus
THE PINE TREE. With an Introductory Causerie on the Japanese Theatre
JONES, Henry Arthur
RENASCENCE OF THE ENGLISH DRAMA
FOUNDATIONS OF A NATIONAL DRAMA
THE THEATRE OF IDEAS
KROWS, Arthur Edwin
PLAY PRODUCTION IN AMERICA
LAWRENCE, W. J.
THE ELIZABETHAN PLAYHOUSE
LEWES, G. H.
ON ACTORS AND THE ART OF ACTING
LEWIS, B. Roland
THE TECHNIQUE OF THE ONE-ACT PLAY: A Study in Dramatic Construction
LEWISOHN, Ludwig
THE MODERN DRAMA
MACCARTHY, Desmond
THE COURT THEATRE
MACCLINTOCK, Lander
THE CONTEMPORARY DRAMA OF ITALY
MACKAY, Constance D'Arcy
COSTUMES AND SCENERY FOR AMATEURS; A Practical Working Handbook
THE LITTLE THEATRE IN THE UNITED STATES
MACKAY, F. F.
THE ART OF ACTING
MACKAYE, Percy
COMMUNITY DRAMA
THE CIVIL THEATRE
THE PLAYHOUSE AND THE PLAY
PATRIOTIC DRAMA IN YOUR TOWN
MACKINNON, Alan
THE OXFORD AMATEURS
MANTIZIUS, Karl
HISTORY OF THEATRICAL ART IN ANCIENT AND MODERN TIMES. Five volumes
McCLEOD, Addison
PLAYS AND PLAYERS IN MODERN ITALY
McEWEN, E. J.
FREYTAG'S TECHNIQUE OF THE DRAMA
MATTHEWS, Brander
ON ACTING
MODERWELL, Hiram Kelly
THE THEATRE OF TO-DAY
MONTAGUE, C. E.
DRAMATIC VALUES
MORSE, Elizabeth
PRINCIPLES OF EXPRESSION: A Guide for Developing Readers, Speakers
and Dramatic Artists
NICHOLSON, Watson
THE STRUGGLE FOR A FREE STAGE IN LONDON
PALMER, John
THE FUTURE OF THE THEATRE COMEDY
THE CENSOR AND THE THEATRE
PHELPS, William Lyon
THE TWENTIETH CENTURY THEATRE
POLLAK, Gustav
FRANZ GRILLPARZAR AND THE AUSTRIAN DRAMA
POLTI, George. Translated by Lucille Ray
THE THIRTY-SIX DRAMATIC SITUATIONS
PRICE, W. T.
TECHNIQUE OF THE DRAMA
ANALYSIS OF PLAY CONSTRUCTION AND DRAMATIC PRINCIPLE
THE PHILOSOPHY OF DRAMATIC PRINCIPLE AND METHOD
RENNERT, Hugo A.
THE SPANISH STAGE
RILEY, Alice C. D.
THE ONE-ACT PLAY. A Study Course in Three Parts
ROUCHE, Jacques
L'ART THEATRAL MODERNE
SACHS, Edward O.
STAGE CONSTRUCTION
SAYLER, Oliver M.
THE RUSSIAN THEATRE UNDER THE REVOLUTION
SEPET, Marius
ORIGINES CATHOLIQUES DE THEATRE MODERNE
SHAW, George Bernard
DRAMATIC OPINIONS AND ESSAYS
SHAY, Frank
THE PLAYS AND BOOKS OF THE LITTLE THEATRE. A Listing of Over 1000
One-Act Plays Available in Printed Form
SMITH, Winifred
THE COMMEDIA DELL'ARTE. A Study of Italian Popular Comedy
STOPES, Marie C.
THE PLAYS OF OLD JAPAN. The No.
TAYLOR, Emerson
PRACTICAL STAGE DIRECTING FOR AMATEURS
THEATRICAL SCENE PAINTING: A Thorough and Complete Work on How to
Sketch, Paint and Install Theatrical Scenery
THE TRUTH ABOUT THE THEATRE
TURRELL, Charles A.
CONTEMPORARY SPANISH DRAMATISTS
WAUGH, Frank A.
OUTDOOR THEATRES
WITKOWSKI, George. Translated by L. E. Horning
THE GERMAN DRAMA OF THE NINETEENTH CENTURY
WOODBRIDGE, Elizabeth
THE DRAMA. Its Law and Technique
* * * * *
THE PLAYS OF THE LITTLE THEATRE
ABBREVIATIONS
a--Allegory
c--Comedy
d--Drama
m--Masque
p--Play
s--Satire
m--Men, or Male Characters
w--Women, or Female Characters
j--Juvenile
i--Characters played by either sex
ABERCROMBIE, Lascelles
THE ADDER
AKINS, Zoe
DID IT REALLY HAPPEN?
THE MAGICAL CITY
SUCH A CHARMING YOUNG MAN
ALDRICH, Thos. Bailey
SISTERS' TRAGEDY
CORYDON, a Pastoral. 2m
PAULINE PAVLOVNA. p. 1m 1w supers _Houghton_
ALDIS, Mary
PLAYS FOR SMALL STAGES
MRS. PAT AND THE LAW. p 2m 2w 1j
THE DRAMA CLASS AT TANKAHA, NEV. c 2m 9w
EXTREME UNCTION. d 1m 4w
THE LETTER. p 2m 1j
TEMPERAMENT. t 1m 2w
Five plays in one volume _Duffield_
ANCEY, Georges.
See "Four Plays for the Free Theatre."
ANDREWS, K.
AMERICA PASSES BY. p 2m 2w _Baker_
ANDREYEV, Leonid
LOVE OF ONE'S NEIGHBOR. s 15m 7w 1j _Shay_
D'ANNUNZIO, Gabriele
DREAM OF AN AUTUMN SUNSET. p 2m 4w _Poet Lore_
DREAM OF A SPRING MORNING. p 3m 4w _Poet Lore_
ARISTOPHANES
LYSISTRATA. s 4m 5w 1j _French_
ARKELL, Reginald
COLUMBINE, a fantasy. 4m 1w _S. & J._
AUGIER, Emile
THE POSTSCRIPT. c 1m 2w _French_
AUGIER, Emile, and de MUSSET, Alfred
THE GREEN COAT. c 3m 1w _French_
AUSTEN, Alfred
A LESSON IN HARMONY. p 3m 1w _French_
BACON, Mrs. Josephine Dodge
THE TWILIGHT OF THE GODS. p 2 scenes _Kennerley_
BAKER, Elizabeth
MISS TASSY. p _Sidgwick_
BALLARD, J. Fred
THE GOOD NEWS. d 3m 1w 1j _Harvard_
BANGS, John Kendrick
THE REAL THING, etc.
THE REAL THING. c 2m 5w
THE BARRINGTONS' "AT HOME." c 2m 3w
THE RETURN OF CHRISTMAS. c 4m 3w
THE SIDE SHOW. c 8m 3w
Four plays in one volume _Harpers_
THE BICYCLERS, etc.
THE BICYCLERS. c 4m 3w
A DRAMATIC EVENING. c 4m 3w
THE FATAL MESSAGE. c 5m 4w
A PROPOSAL UNDER DIFFICULTIES. c 3m 2w
Four plays in one volume _Harpers_
BANNING, Kendall
"Copy." p 7m _Clinic_
DE BANVILLE, Theodore
GRINGOIRE. c 4m 2w supers _Poet Lore_
GRINGOIRE. c 4m 2w _Dramatic_
CHARMING LEANDRE. c 2m 1w _French_
BARBER, M. E.
MECHANICAL JANE. c 3W _French_
BARGATE, John
THE PRIZE. p 4m 3w _French_
BARKER, Granville
ROCOCO. f m w
VOTE BY BALLOT. p m w
FAREWELL TO THE THEATRE. p m w
Three plays in one volume _Little_
ANATOL. (_See_ Schnitzler.)
BARRIE, James M.
HALF HOURS
PANTALOON. p 3m
THE TWELVE POUND LOOK. c 2m 2w
ROSALIND. p 1m 2w
THE WILL. p 6m 1w
Four plays in one vol. _Scribner's_
THE TRAGIC MAN _Scribner's_
ECHOES OF WAR
OLD LADY SHOWS HER MEDALS. p 1m 5w
THE NEW WORLD. p 2m 2w
BARBARA'S WEDDING. p 3m 1w
A WELL-REMEMBERED VOICE. p 2m 2w
Four plays in one vol. _Scribner's_
BATES, W. O.
POLLY OF POGUE'S RUN. p 6m 2w _Shay_
BEACH, Lewis
THE CLOD. p 4m 1w _Shay_
BROTHERS. p 3m _Shay_
A GUEST FOR DINNER _Shay_
BECHHOFER, C. E.
FIVE RUSSIAN PLAYS, etc.
EVREINOV, N. A MERRY DEATH. c 5m
EVREINOV, N. THE BEAUTIFUL DESPOT. c 5m 3w 1j
VON VIZIN, D. THE CHOICE OF A TUTOR. c 5m 3w
CHEKOV, A. THE WEDDING. c 9m 3w
CHEKOV, A. THE JUBILEE. c 5m 1w
UKRAINKA, L. THE BABYLONIAN CAPTIVITY. d 1m 7i
Six plays in one vol. _Dutton_
BECQUE, Henri
THE VULTURES, etc.
THE MERRY-GO-ROUND. c 4m 1w _Little_
BELL, Mrs. Hugh, and CECIL, A.
TIME IS MONEY. c 1m 2w _French_
BELMONT, Mrs. O. H. P., and MAXWELL, Elsa
MELINDA AND HER SISTERS. p 6m 12w _Shores_
BEITH, Ian Hay
THE CRIMSON COCOANUT, etc.
THE CRIMSON COCOANUT. c 4m 2w
A LATE DELIVERY. p 3m 2w
THE MISSING CARD. c 2m 2w
Three plays in one vol. _Baker_
QUEEN OF HEARTS. c 2m 2w _Penn_
BENEDIX, Roderich
THE LAW OF SUIT. c 5m _French_
THE THIRD MAN. c 1m 3w _French_
BENEVENTE, Jacinto. PLAYS
HIS WIDOW'S HUSBAND. c 2m 5w
With other plays in one vol. _Scribner_
THE SMILE OF THE MONA LISA. p 5m 1i _Badger_
NO SMOKING. c 2m 2w _Drama_, _Feb._, 1917
IN THE PLACE OF DON JUAN. p 3m 2w _Poet Lore_
BENNETT, Arnold. POLITE FARCES
THE STEPMOTHER. c 2m 1w
A GOOD WOMAN. 3 cm 1w
A QUESTION OF SEX. c 2m 2w
Three plays in one volume _Doran_
BERINGER, Mrs. Oscar
HOLLY TREE INN. p 4m 3w _French_
BERNARD, Tristan
FRENCH WITHOUT A MASTER. c 5m 2w _French_
I'M GOING! c 1m 1w _French_
BIRO, Lajos
THE BRIDEGROOM. p 5m 6w
THE GRANDMOTHER. p 3m 8w
Two plays in one number _Drama_, _May_, 1918
BLOCH, Bertram
THE MAIDEN OVER THE WALL. f 2m 1w _Drama_, _Aug._, 1918
MORALS AND CIRCUMSTANCES. p 2m 3w _Smart Set_, _April_, 1919
BODENHEIM, Maxwell
THE WANDERER. p 4m 2w _Seven Arts_
THE MASTER POISONER.
"In Minna and Myself" _Pagan_
BONE, F. D.
A DAUGHTER OF JAPAN. d _French_
PRIDE OF THE REGIMENT. p 2m 1w _French_
BOTTOMLEY, Gordon
LAODICE AND DANAE. p 1m 5w _Four_
KING LEAR'S WIFE. p _Reynolds_
BOUCHOR, Maurice
A CHRISTMAS TALE. p 2m 2w _French_
BOUCICAULT, Dion
MY LITTLE GIRL. d 3m 2w _French_
LOVER BY PROXY. c 6m 4w _French_
BOYCE, Neith, and HAPGOOD, Hutchins
ENEMIES. p 1m 1w _Shay_
BOYCE, Neith
THE TWO SONS. p 2m 2w _Shay_
BRAGDON, Claude
THE GIFT OF ASIA. p 2m _Forum_, _March_, 1913
BRANCH, Anna Hempstead
THE ROSE OF THE WIND. p 2m 2w _Houghton_
SHOES THAT DANCED. p 3m 5w 1j _Houghton_
BRETHERTON, Evangeline
THE MINISTER'S MESSENGER. p 14w _French_
BRIDGHAM, G. R.
EXCUSE ME! c Two acts. 4m 6w _Baker_
A MODERN CINDERELLA. Two acts. p 16w _Baker_
BRIEUX, Eugene
SCHOOL FOR MOTHERS-IN-LAW. p 2m 4w _Smart Set_, _Sept._, 1913
BRIGHOUSE, Harold
SCARING OFF OF TEDDY DAWSON. c 2m 2w _French_
LONESOME-LIKE. p 2m 2w _Phillips_
THE PRICE OF COAL. p
THE MAID OF FRANCE. p 3m 2w _Phillips_
THE DOORWAY. p _Joseph Williams_
SPRING IN BLOOMSBURY. p _Joseph Williams_
BRIGGS, Caroline
ONE A DAY. c 5m _Shay_
In "Morningside Plays."
BROOKE, Rupert
LITHUANIA. d 5m 2w _Chicago_
BROWN, Alice
JOINT OWNERS IN SPAIN. c 4w _Baker_
THE LOVING CUP. p 4m 9w _Baker_
BROWNE, Maurice
KING OF THE JEWS. p _Drama_, _Vol._ 6, 1916
BROWNING, Robert
IN A BALCONY. p 1m 2w _Dramatic_
BRUNNER, Emma Beatrice. BITS OF BACKGROUND
OVER AGE. p 1m 4w
SPARK OF LIFE. p 2m 2w
STRANGERS. p 2m 1w
MAKING A MAN. p 2m 2w
Four plays in one volume _Knopf_
BRYANT, E. M.
THE PEACEMAKER. c 2m 3w _French_
BRYANT, Louise
THE GAME. p 2m 2w _Shay_
BUCK, Gertrude
MOTHER-LOVE. p 1m 3w _Drama_, _Feb._, 1919
BUNNER, H. C.
COURTSHIP WITH VARIATIONS. c 1m 1w _Werner_
BUNNER, H. C., and MAGNUS, J.
A BAD CASE. c 1m 3w _Baker_
BUSHIDO. _See_ IZUMO (TAKEDA)
BUTLER, Ellis Parker
THE REVOLT. p 8w _French_
BYNNER, Witter
THE LITTLE KING. p 3m 1w 1j _Kennerley_
TIGER. d 2m 3w _Kennerley_
DECAULAVET, G. A.
CHOOSING A CAREER. c _French_
CALDERON, George
THE LITTLE STONE HOUSE. p _Sidgwick_
CAMERON, Margaret. COMEDIES IN MINIATURE
MISS DOULTON'S ORCHIDS. c 3m 3w
THE BURGLAR. c 5w
THE KLEPTOMANIAC. c 7w
THE PIPE OF PEACE. c 1m 2w
A CHRISTMAS CHIME. c 2m 2w
COMMITTEE ON MATRIMONY. c 1m 1w
HER NEIGHBOR'S CREED and FOUR MONOLOGUES. c 1m 1w
Seven plays in one vol. _Doubleday_
PIPER'S PAY. c 7w French
THE TEETH OF THE GIFT HORSE. c 2m 3w _French_
THE WHITE ELEPHANT. c 2m 3w _French_
Published separately _French_
CAMPBELL, M. D.
A CHINESE DUMMY. c 6w _Baker_
CANNAN, Gilbert. FOUR PLAYS
JAMES AND JOHN. p 3m 1w
MILES DIXON. Two acts, p 3m 2w
MARY'S WEDDING. p 2m 3w
SHORT WAY WITH AUTHORS. p 7m 1w
Four plays in one volume _Phillips_
EVERYBODY'S HUSBAND. p 1m 5w _Huebsch_
CAPUS, Alfred
MY TAILOR. c 1m 2w _Smart Set_, _Feb._, 1918
CARMAN, Bliss, and KING, Mary. EARTH DEITIES, etc.
THE DANCE DIURNAL. m 2m 3w i
EARTH DEITIES. m 1m 10w i
CHILDREN OF THE WAR. m 1m 1w 24j
PAS DE TROIS. m 3m 1w
Four masques in one vol. _Kennerley_
CARTER, Josephine Howell
HILARION. c 2m 2w _Poet Lore_, _Summer_, 1915
CARTHEW, L.
THE AMERICAN IDEA. p 3m 2w _Baker_
CARTON, R. C.
THE NINTH WALTZ. c 1m 1w _French_
CHAMBERS, C. Haddon
OPEN GATE. d 2m 2w _French_
CHATTERJI, Tapanmohan
THE LIGHT-BEARER. d 4m _Drama_, _Aug._, 1918
CHURCH, Virginia
PIERROT BY THE LIGHT OF THE MOON. f 2m 3w _Drama_, _Feb._, 1919
CLEMENTS, Colin C., and SAUNDERS, John M.
LOVE IN A FRENCH KITCHEN, a Mediaeval Farce. 1m 2w _Poet Lore_
CLARK, Barrett H. FOUR PLAYS FOR THE FREE THEATRE
DECUREL, F. THE FOSSILS. Four acts p 6m 4w
JULIAN, J. THE SERENADE. Three acts. p 7m 6w
PORTO-RICHE, G. FRANCOISE'S LUCK. c 3m 2w
ANCEY, G. THE DUPE. c 1m 2w
Four plays in one volume _Stewart_
COLQUHON, Donald. _See_ REPERTORY PLAYS
CONFEDERATES. d 4m 1w _French_
CONWAY, Ed. Harold
THE WINDY SHOT. p 5m _Smart Set_, _April_, 1915
CONRAD, Joseph
ONE DAY MORE. d 4m 1w _Smart Set_, _Feb._, 1914
CONVERSE, Florence
THE BLESSED BIRTHDAY. A Christmas Miracle Play.
19 Characters _Dutton_
COOLIDGE, H. D.
DEAD RECKONING. p 2m 1w _Baker_
COPPEE, Francois
THE VIOLIN MAKER OF CREMONA. c 3m 1w supers _Dramatic_
PATER NOSTER. p 3m 3w _French_
COURTLELINE, Georges
THE PITILESS POLICEMAN. c 3m _Poet Lore_
BLANK CARTRIDGE. p 1m 1w _International_, _July_, 1914
PEACE AT HOME. c 1m 1w _International_, _Dec._, 1913
PEACE AT HOME. c 1m 1w _Poet Lore_
COURTSHIP OF MILES STANDISH. _See_ PRESBERY, E.
COWAN, Sada
THE STATE FORBIDS. d 1m 2w 2j _Kennerley_
IN THE MORGUE. _Forum_, _April_, 1916
SINTRAM OF SKAGERRAK. p 1m 1w
In Mayorga's "Representative One-Act Plays" _Little_
CRAIG, Marion Wentworth
WAR BRIDES. d 3m 4w _Century_
CRANDALL, Irene Jean
BEYOND THE GATE. Two acts. p 7m 2w _French_
CRANE, Mabel H.
THE GIRLS. p 9w _French_
CROTHERS, Rachel
THE RECTOR. p 1m 6w _French_
DANE, Essex
FLEURETTE & CO. p 2w _French_
WRONG NUMBERS. c 3w _French_
DANGERFIELD, Trelawney
OLD STUFF. p 1m 2w _Smart Set_, _June_, 1917
DARGAN, Olive Tilford. LORDS AND LOVERS
LORDS AND LOVERS. p 18m 4w _Scribner_
WOODS OF IDA. m _Century_, _August_, 1907
DAVIS, Richard Harding
MISS CIVILIZATION. c 4m 1w _French_
PEACE MANOEUVERS. p 2m 1w _French_
THE ZONE POLICE. p 4m _French_
ORATOR OF ZAPATA CITY. p 8m 1w _Dramatic_
DAVIES, Mary Carolyn
SLAVE WITH TWO FACES. a 3m 4w _Arens_
DAVIS, Robert H.
ROOM WITHOUT A NUMBER. c 3m 1w _Smart Set_, _April_, 1917
DAVIS, Robert H., and SHEEHAN, P. P.
EFFICIENCY. d 3m _Doran_
DELL, Floyd
A LONG TIME AGO. f _Forum_, 1917
KING ARTHUR'S SOCKS. c 1m 3w _Shay_
THE ANGEL INTRUDES. c 3m 1w _Arens_
DELAND, Margaret
Dramatized by M. B. Vosburgh from "Old Chester Tales"
MISS MARIA. c 2m 3w _French_
DEMUTH, Charles
THE AZURE ADDER. s 3m 4w _Shay_
DENISON, Emily H.
THE LITTLE MOTHER OF THE SLUMS
Seven one-act plays _Badger_
DENTON, Clara J.
TO MEET MR. THOMPSON. c 8w _Baker_
DEPUE, Elva
HATTIE. p 2m 3w _Shay_
In "Morningside Plays"
DICKENS, Charles
BROWNE, H. B. Short Plays from Dickens. Contains 20 dramatized
sketches from the work of Charles Dickens _Scribner_
BARDELL VS. PICKWICK. c 6m 2w _Baker_
A CHRISTMAS CAROL. p 6m 3w _Baker_
DICKINSON, C. H., and GRIFFITHS, Arthur
THE RIFT WITHIN THE LUTE. p 4m 1w _French_
DIX, Beulah Marie
THE GLORIOUS GAME. d 6w _A.S.P.L._
THE ENEMY. d 5m _A.S.P.L._
CLEMENCY. d 3m 1w _A.S.P.L._
LEGEND OF ST. NICHOLAS. d _Poet Lore_
ALLISON'S LAD AND OTHER PLAYS
ALLISON'S LAD. d 6m
THE HUNDREDTH TRICK. d 4m
THE WEAKEST LINK. d 4m
THE SNARE AND THE FOWLER. d 3m
THE CAPTAIN OF THE GATE. d 6m
THE DARK OF THE DAWN. d 4m
Six plays in one volume _Holt_
DONNAY, Maurice
THE GIMLET. c 1m 1w _Stratford_, _Dec._, 1918
DORAN, Marie
THE GIRLS OVER HERE. p 8w _French_
DOREY, J. Milnor
UNDER CONVICTION. d 2m 2w _Drama_, _Feb._, 1919
DOWSON, Ernest
PIERROT OF THE MINUTE. f 1m 1w _Baker_
DOWN, Oliphant
THE MAKER OF DREAMS. f 2m 1w _Phillips_
THE QUOD WRANGLE. c 5m 1w _French_
DOYLE, A. C.
WATERLOO. p 3m 1w _French_
A DUET. c 3m 1w _French_
DRACHMAN, Holgar
"RENAISSANCE." d 6m 2w _Poet Lore_
DRAKE, Frank C.
THE ROSEBERRY SHRUB. p 1m 3w _French_
DREISER, Theodore
PLAYS OF THE NATURAL AND SUPERNATURAL
THE GIRL IN THE COFFIN. p 4m 3w
THE BLUE SPHERE. f 4m 2w 2j
LAUGHING GAS. f 6m 2w
IN THE DARK. f 11m 4w
THE SPRING RECITAL. f 9m 9w
LIGHT IN THE WINDOW. f 9m 7w
OLD RAGPICKER. f 4m 1w
Seven plays in one volume _Lane_
DREW, Sylvan
THE NEW PYGMALION AND GALATEA. c 3m 6w _French_
DREYFUS, A.
THE SILENT SYSTEM. c 1m 1w _Baker_
DRISCOLL, Louise
THE POOR HOUSE. p 2m 2w _Drama_, _Aug._, 1917
THE CHILD OF GOD. p 2m 3w _Seven Arts_, _Nov._, 1916
DUNSANY, Lord. FIVE PLAYS
THE GODS OF THE MOUNTAIN. p 10i
THE GOLDEN DOOM. p 11m 1w
THE GLITTERING GATE. c 2m
KING ARGIMENES. p 10m 4w
THE LOST SILK HAT. c 5m
Five plays in one volume _Little_
PLAYS OF GODS AND MEN
A NIGHT AT AN INN. p 8m
THE QUEEN'S ENEMIES. p 9m 2w
THE TENTS OF THE ARABS. p 6m
THE LAUGHTER OF THE GODS. p 9m 4w Three acts
Four plays in one volume _Luce_
THE MURDERESS. In prep.
FAME AND THE POET. c 2m 1w _Atlantic_, _Aug._, 1919
DYMOW, Ossip
NJU. t 6m 3w 2j _Knopf_
EARLE, Dorothy Kirchner
YOU'RE SUCH A RESPECTABLE PERSON,
MISS MORRISON. c 3m 2w _Smart Set_, _Aug._, 1915
EBNER-ESCHENBACH, Marie von
A MAN OF THE WORLD. p 3m _Poet Lore_
ECHEGARAY, Jose
THE STREET SINGER. p 2m 2w _Drama_, _Feb._, 1917
MADMAN OR SAINT. p 7m 4w _Poet Lore_
EDGERTON, Lady Alex.
MASQUE OF THE TWO STRANGERS _Gowans_
ELDRIDGE, Paul
THE JEST. p 4m 2w _Stratford_, _July_, 1918
ELKINS, Felton B. THREE TREMENDOUS TRIFLES
THE BELGIAN BABY. c 2m 2w
THE QUICK AND THE DEAD. c 5m 1w
FIGURATIVELY SPEAKING. c 3m 2w
Three plays in one volume _Duffield_
ELLIS, Mrs. Havelock. LOVE IN DANGER
THE SUBJECTION OF KEZIA. p 2m 1w
THE PIXY. p 3m
THE MOTHERS. p 1m 2w
Three plays in one vol. _Houghton_
ENANDER, Hilma L.
IN THE LIGHT OF THE STONE. p 3m 1w
THE MAN WHO DID NOT UNDERSTAND. p 1m 2w
ON THE TRAIL. p 4m 1w
Three plays in one volume _Badger_
ERVINE, St. John. Four Irish Plays
THE MAGNANIMOUS LOVER
THE CRITICS
MIXED MARRIAGE
THE ORANGE MAN
Four plays in one vol. _Macmillan_
ESKIL, Ragna
IN THE TRENCHES OVER THERE. c 10m 6w _Dramatic_
ESMOND, H. V.
HER VOTE. c 1m 2w _French_
ESTERBROOK, Anne L.
THE CHRISTENING ROBE. p 1m 3w _Baker_
EURIPIDES
ALKESTIS. Nine characters _Baker_
ELECTRA. Nine characters
THE FROGS. Twelve characters
IPHIGENIA IN TAURUS. Seven characters
Translated by Gilbert Murray Allen
EVANS, Florence Wilkinson. THE RIDE HOME
THE MARRIAGE OF GUINETH. p 7m 3w _Houghton_
EVREINOV, Nicholas
THEATRE OF THE SOUL. f 5m 4w _Henderson_
A MERRY DEATH. c 5m
THE BEAUTIFUL DESPOT. c 5m 3w 1j
Two plays; in Bechofer: Five Russian Plays
FAYDON, Nita
THE GREAT LOOK. c 2m 2w _French_
FENN, Frederick
THE NELSON TOUCH. c 2m 2w _French_
CONVICT ON THE HEARTH. c 6m 5w _French_
FERGUSON, J. A.
CAMPBELL OF KILMHOR. p 4m 2w _Phillips_
FERRIER, Paul
THE CODICIL. c 3m 1w _Poet Lore_
FERRIS, E., and STUART, A.
NICOLETE. p 2m 2w _French_
FEUILLET, Octave
THE FAIRY. c 3m 1w _French_
THE VILLAGE. c 2m 2w _French_
FIELD, Rachel L.
RISE UP, JENNIE SMITH.
FILLMORE, J. E.
"WAR." p 2m 1w _Poet Lore_
FITZMAURICE, George
MAGIC GLASSES. p 3m 3w
THE PIEDISH. p 4m 2w 3j
THE DANDY DOLLS. p 4m 2w 3j
With two long plays in one volume _Little_
FLANNER, Hildegarde
MANSIONS. p 1m 2w _Stewart_
FLANNER, Mary H.
THE CHRISTMAS BURGLAR. p 3m 1w _French_
FLEXNER, Hortense
VOICES. p 2w _Seven Arts_, _Dec._, 1916
FLORIAN, J. P.
THE TWINS OF BERGAMO. p 2m 2w _Drama_, _Aug._, 1918
FLYING STAG PLAYS. Arens, 1917-19
CRONYN, G. THE SANDBAR QUEEN. d 6m 1w
OPPENHEIM, J. NIGHT. d 4m 1w
DELL, F. THE ANGEL INTRUDES. c 3m 1w
HELBURN, T. ENTER THE HERO. c 1m 3w
MOELLER, P. TWO BLIND BEGGARS AND ONE LESS BLIND. p 3m 1w
O'BRIEN, S. BLIND. c 3m
DAVIES, M. C. THE SLAVE WITH TWO FACES. a 3m 4w
KEMP, H. THE PRODIGAL SON. c 3m 2w
ROSTETTER, ALICE. THE WIDOW'S VEIL.
FRANCE, Anatole
THE MAN WHO MARRIED A DUMB WIFE. Two acts. c 14m 4w _Lane_
CRAINQUEBILLE. Three scenes. p 12m 6w _French_
FRANK, Florence Kiper
JAEL. _Chicago_
CINDERELLINE. p 1m 4w _Dramatic_
THE GARDEN. p 3m 3w _Drama_, _Nov._, 1918
FREDERICK, John T.
THE HUNTER. p 2m 1w _Stratford_, _Sept._, 1917
FREYBE, C. E.
IN GARRISON. p 5m _Poet Lore_
FROOME, John Redhead
LISTENING. p 3w _Poet Lore_
MRS. MAINWARING'S MANAGEMENT. Two acts. c _French_
BILLY AND THE DIRECTING FATES. Two acts. p 3m _Dramatic_
FRY, Horace B.
LITTLE ITALY. d 2m 1w 1j _Dramatic_
FULDA, Ludwig
BY OURSELVES. c 3m 2w _Badger_
FURNISS, Grace L.
A DAKOTA WIDOW. c 1m 2w _French_
PERHAPS. c 2m 1w _French_
GALBRAITH, Esther
THE BRINK OF SILENCE. p 4m
In Mayorga's "Representative One-Act Plays" _Little_
GALLON, Tom, and LION, L. M.
MAN WHO STOLE THE CASTLE. p 4m 2w _French_
GALSWORTHY, John. THE LITTLE MAN, etc.
THE LITTLE MAN. s 5m 2w
HALLMARKED. s 3m 3w
Two plays in one volume _Scribner_
THE LITTLE DREAM. An allegory in six scenes _Scribner_
GARLAND, Robert
AT NIGHT ALL CATS ARE GRAY. p 3m 1w _Smart Set_, _March_, 1916
THE DOUBLE MIRACLE. p 4m 1w _Forum_, _April_, 1915
GERSTENBERG, Alice
OVERTONES. _See_ "Washington Square Plays."
BYOND. p 1w
In Mayorga's "Representative One-Act Plays" _Little_
GIACOSA, Giuseppe. THE STRONGER, etc.
SACRED GROUND. c 3m 1w _Little_
THE WAGER. c 4m 1w _French_
THE RIGHTS OF THE SOUL. p 2m 2w _Stratford_, _Feb._, 1918
GIBSON, Preston
S.O.S. p 8m 2w _French_
DERELICTS. p 2w _French_
SUICIDES. p 2m _French_
THE SECRET WAY. p 3m _French_
THE VACUUM. p 2m 1w _French_
CUPID'S TRICKS. c 3m 2w _French_
GIBSON, Wilfred Wilson
WOMENKIND. d 2m 3w _Macmillan_
The following volumes of Mr. Gibson's are replete with short,
intensely dramatic sketches of English labor folk.
DAILY BREAD. _Macmillan_
BORDERLANDS AND THOROUGHFARES. _Macmillan_
FIRES. _Macmillan_
GILBERT, W. S.
SWEETHEARTS. Two acts. c 2m 2w _French_
ROSENCRANTZ AND GUILDENSTERN. c 5m 3w _French_
COMEDY AND TRAGEDY. d 14m 2w _French_
GLASPELL, Susan
TRIFLES. p 3m 2w
THE PEOPLE. p 10m 2w
CLOSE THE BOOK. c 3m 5w
THE OUTSIDE. p 3m 2w
WOMAN'S HONOR. c 3m 6w
BERNICE (3 Acts). p 2m 3w
SUPPRESSED DESIRES. c 1m 2w
TICKLESS TIME. c 2m 4w
In One Vol. _Small_
GLICK, Carl
OUTCLASSED. c 4m 2w _Smart Set_, _Sept._, 1918
GLICK, C., and HIGHT, M.
THE POLICE MATRON. d 3m 2w _Baker_
GOLDBERG, Isaac
THE BETTER SON. p 2m 1w _Stratford_, _Oct._, 1918
GOODMAN, Kenneth Sawyer
BACK OF THE YARDS. d 3m 2w _Shay_
DUST OF THE ROAD. d 4m 4w _Shay_
EPHRAIM AND THE WINGED BEAR. c 4m 3w _Shay_
GAME OF CHESS. d 4m _Shay_
BARBARA. p 2m 1w _Shay_
DANCING DOLLS. p 4m 7w _Shay_
A MAN CAN ONLY DO HIS BEST. c 6m 2w _Shay_
GOODMAN, K. S.
THE GREEN SCARF. c 1m 1w _Shay_
GOODMAN, K. S., and HECHT, Ben
THE HERO OF SANTA MARIA. c 4m 1w _Shay_
THE WONDER HAT. f 3m 2w _Shay_
GOODMAN, K. S., and STEVENS, T. W.
HOLBEIN IN BLACKFRIARS. c 6m 2w _Shay_
RYLAND. c 5m 2w _Shay_
REINALD AND THE RED WOLF. m _Shay_
CAESAR'S GODS. m _Shay_
THE DAIMIO'S HEAD. m _Shay_
THE MASQUE OF QUETZAL'S BOWL. m _Shay_
MASQUE OF MONTEZUMA. m _Shay_
GORDON, Leon. Three Plays _Four Seas_
GOULD, Felix. THE MARSH MAIDEN, etc.
THE MARSH MAIDEN. p 2m 2w supers
THE STRANGER. p 3m 2w
IN THE MARSHES. p 1w
Three plays in one vol. _Four Seas_
DE GOURMONT, Remy
THEODAT. p 7m 1w
THE OLD KING. p 3m 3w
Two plays in one number _Drama_, _May_, 1916
GRAHAM, Bertha M. SPOILING THE BROTH, etc.
SPOILING THE BROTH. c 2m 2w
THE LAND OF THE FREE. p 2m 3w
OH, THE PRESS. c 1m 1w
THE ROSE WITH A THORN. c 2m 2w
TAFFY'S WIFE. p 2m 1w
Five plays in one volume _Chapman & Hall_
GROSSMITH, Weedon
COMMISSION. c 3m 2w _French_
GRAY, Eunice T.
WINNING OF FUJI. c 3 scenes 3m 3w _Dramatic_
GREENE, Clay M.
THE DISPENSATION. p 4m
THE STAR OF BETHLEHEM. p 5m
THROUGH CHRISTMAS BELLS. p 4m 1w
AWAKENING OF BARBIZON. c 4m 1w
Four plays in one volume _Doran_
GREGORY, Lady
SPREADING THE NEWS. c 7m 3w
HYACINTH HALVEY. c 3m 3w
RISING OF THE MOON. c 4m
THE JACKDAW. c 4m 2w
THE WORKHOUSE WARD. c 2m 1w
THE TRAVELING MAN. p 1m 2w
THE _GAOL_ GATE. p 1m 2w
Seven plays in one volume _Luce_
THE IMAGE. Three acts. p 5m 2w _Maunsel_
GRANIA. Three acts. p 4m 1w
KINCORA. Three acts. p 8m 3w
DERVORGILLA. p 3m 3w
Three plays in one volume _Putnam_
THE CANAVANS. Three acts. p 3m 2w
THE WHITE COCKADE. Three acts. p 10m 2w
THE DELIVERERS. p 6m 3w
Three plays in one volume _Putnam_
THE BOGIE MAN. c 2m
THE FULL MOON. c 2m
COATS. c 4m 1w
DAMER'S GOLD. c 4m 1w
MCDONOUGH'S WIFE. c 1m 2w
Five plays in one volume _Putnam_
GREGORY, Lady, and YEATS, Wm. B.
THE UNICORN FROM THE STARS. _Macmillan_
GUIMERA, Angel
THE OLD QUEEN. p 7m 7w _Poet Lore_
GYALUI, Wolfgang
AFTER THE HONEYMOON. c 1m 1w _French_
GYP
THE LITTLE BLUE GUINEA-HEN. c 5m 4w _Poet Lore_
HAGEDORN, Herman
MAKERS OF MADNESS. Five scenes. d 14m supers _Macmillan_
HORSE THIEVES. c 4m 2w _Harvard_
HEART OF YOUTH. _Macmillan_
HALE, Louise Closser
THE OTHER WOMAN. p 2w _Smart Set_, _June_, 1911
PASTE CUT PASTE. p 3w _Smart Set_, _Jan._, 1912
HALMAN, Doris
WILL 'O THE WISP. p 4w
In Mayorga's "Representative One-Act Plays" _Little_
HALSEY, Forrest
THE EMPTY LAMP. p 1m 1w 1j _Smart Set_, _May_, 1911
HAMILTON, Cicely
JACK AND JILL AND A FRIEND. Two scenes. c 3m 1w _French_
HAMILTON, C., and ST. JOHN, Christopher
HOW THE VOTE WAS WON. c 2m 8w _Dramatic_
HAMILTON, Cosmo. Short plays for small stages
ST. MARTIN'S SUMMER. c 1m 2w
SOLDIER'S DAUGHTERS. c 3w
TOLLER'S WIFE. c 4m 1w
WHY CUPID CAME TO EARL'S COURT. c 3m 4w
Four plays in one vol. _Skeffington_
JERRY AND A SUNBEAM. c 1m 1w _French_
AUBREY CLOSES THE DOOR. c 3m 1w _French_
HANKIN, St. John
THE CONSTANT LOVER. p 1m 1w
Vol. III. No. 2 _Theatre Arts_
HARE, W. B.
ISOSCELES. p 2m 1w _Baker_
HARVARD PLAYS. THE 47 WORKSHOP
FIELD, R. L. THREE PILLS IN A BOTTLE. f 5m 3w
OSBORNE, H. THE GOOD MEN DO. c 3m 5w
PILLOT, E. TWO CROOKS AND A LADY. p 3m 3w
PROSSER, W. FREE SPEECH. c 7m
Four plays in one vol. _Brentano_
THE HARVARD DRAMATIC CLUB
HAWKBRIDGE, W. THE FLORIST SHOP. c 3m 2w
BROCK, H. THE BANK ACCOUNT. p 1m 2w
SMITH, R. C. THE RESCUE. p 3w
ANDREWS, K. AMERICA PASSES BY. p 2m 2w
Four plays in one volume _Brentano_
THE HARVARD DRAMATIC CLUB. 2nd Series
BRAY, L. W. HARBOR OF LOST SHIPS. p 3m 1w
BATES, E. W. GARAFELIA'S HUSBAND. p 4m 1w
BISHOP, F. SCALES AND THE SWORD. d 6m 1w
KINKEAD, C. THE FOUR FLUSHERS. c 4m 1w
Four plays in one vol. _Brentano_
HASLETT, H. H. DOLORES OF THE SIERRA, etc.
DOLORES OF THE SIERRA. p 1m 1w
THE SCOOP. p 2m 1w
UNDERCURRENTS. p 4m 2w
A MODERN MENACE. c 3m 1w 1j
THE INVENTOR. p 2m 1w
WHEN LOVE IS BLIND. c 1m 1w
Six plays in one volume _Elder_
HASTINGS, Basil McDonald
TWICE ONE. p 2m 2w _Smart Set_, _Jan._, 1913
HAUPTMANN, Gerhart
THE ASSUMPTION OF HANNELLE. Two parts. p 7m 3w _Poet Lore_
HAWKRIDGE, Winifred
THE PRICE OF ORCHIDS. c 4m 2w _Smart Set_, _Oct._, 1915
HAY, Ian. _See_ BEITH, Ian Hay
HEAD, Cloyd
GROTESQUES _Poetry_
HEIDENSTAM, Verner von. Translated by K. M. Knudsen
THE SOOTHSAYER. In prep. _Four Seas_
THE BIRTH OF GOD. In prep. _Four Seas_
HENNIQUE, Leon
DEATH OF THE DUC D'ENGHIEN. d Three scenes. 22m 2w _Poet Lore_
HENRY, R.
NORAH. p 2m 1w _Dramatic_
HERTZ, H. Translated by T. Martin
KING RENE'S DAUGHTER. d 6m 2w _Baker_
HERVIEU, Paul
MODESTY. c 1m 2w _French_
HENSLOWE, Leonard
PERFIDIOUS MARRIAGE.
A HERO FOR A HUSBAND.
PEOPLE FROM THE PAST.
Three plays in one vol. _Stanley Paul_
HELLEM, Valcos, and D'ESTOC
SABOTAGE. d 2m 2w 1j _Dramatist_
HICKS, Seymour
NEW SUB. c 8m 1w _French_
HILBERT, Jaroslav
WHOM THE GODS DESTROY. d 12m 1w _Poet Lore_
HOFFMAN, Phoebe
MARTHA'S MOURNING. p 3w _Drama_, _Feb._, 1918
VON HOFMANNSTHAL, Hugo
DEATH AND THE FOOL. d 4m 3w _Four Seas_
MADONNA DIANORA. _Four Seas_
THE DEATH OF TITIAN. In prep. _Four Seas_
HOGG, C. W.
MIRROR OF TIME. c 1m 1w _French_
HOLLEY, Horace. Read aloud plays
Nine short plays _Kennerley_
ELLEN. p 2w _Stratford_, _March_, 1917
HOLT, Florence Taber
THEY THE CRUCIFIED. p 7m 2w
COMRADES. p 7m 2w
Two plays in one volume _Houghton_
HOME, Ian
A DREAM ON CHRISTMAS EVE. 10j _French_
HOPKINS, Arthur
MOONSHINE. p 2m Vol. III. No. 1 _Theatre Arts_
HOUGHTON, Stanley. Five one-act plays
THE DEAR DEPARTED. c 3m 3w
FANCY FREE. c 2m 2w
MASTER OF THE HOUSE. p 4m 2w
PHIPPS. c 2m 1w
THE FIFTH COMMANDMENT. p 2m 2w
Five plays in one volume _French_
THE DEAR DEPARTED. c 3m 3w _French_
FANCY FREE. c 2m 2w _French_
HOUSMAN, Lawrence
AS GOOD AS GOLD. p 7m _French_
BIRD IN HAND. c _French_
A LIKELY STORY. c _French_
LORD OF THE HARVEST. p 6m 1w _French_
NAZARETH. I 13m 3w _French_
THE SNOW MAN. p 4m 3w _French_
RETURN OF ALCESTIS. p 15m 20w _French_
HOWARD, Bronson
OLD LOVE LETTERS. c 1m 1w _French_
HOWARD, Homer H.
THE CHILD IN THE HOUSE. p 2m 2w _French_
HOWARD, Keble
COMPROMISING MARTHA. c 1m 3w _French_
DRAMATIST AT HOME. p 1m 1w _French_
COME MICHAELMAS. p 2m 4w _French_
MARTHA THE SOOTHSAYER. c 2m 3w _French_
HUDSON, Holland
THE SHEPHERD IN THE DISTANCE. 10 characters _Stewart_
HUTCHINS, Will
JEANNE D'ARC AT VAUCOULEURS. d 5m 3w _Poet Lore_
HYDE, Douglas
THE TWISTING OF THE ROPE. c 2m 3w _Poet Lore_
IGLESIAS, Ignacio
THE CEMETERY. p 2m 1w _Poet Lore_
INDIAN PLAYS. By Helen P. Kane
YOT-CHE-KE, THE ERIE. p 5j _French_
YAGOWANEA. p 4m 1w _French_
CAPTURE OF OZAH. c 2m 2w _French_
IRVING, Laurence
PHOENIX. p 2m 2w _French_
IZUMO, Takeda
THE PINE TREE. d 4m 3w 4j _Duffield_
Sometimes called BUSHIDO, MATSUO, etc.
JACOBS, W. W., and HUBBARD, P. E.
A LOVE PASSAGE. c 3m 1w _French_
JACOBS, W. W., and ROCK, Charles
THE GHOST OF JERRY BUNDLER. p 7m _French_
GREY PARROT. p 4m 2w _French_
JACOBS, W. W., and MILLS, Horace
ADMIRAL PETERS. c 2m 1w _French_
JACOBS, W. W., and PARKER, L. N.
THE MONKEY'S PAW. d 4m 1w _French_
JACOBS, W. W., and SERGENT, H.
THE CHANGELING. c 2m 1w _French_
BOATSWAIN'S MATE. p 2m 1w _French_
IN THE LIBRARY. c _French_
JAGENDORF, Moritz
A BLUE MORNING GLORY. p 2m 1w _International_, _Mar._,
1914
JAKOBI, Paula
THE CHINESE LILY. p 8w _Forum_, _Nov._, 1915
JAMACOIS, Eduardo. In "Contemporary Spanish Dramatists."
THE PASSING OF THE MAGI. p 7m 5w _Badger_
JAPANESE PLAYS
_See_ STOPES, MARIE C.
IZUMO, TAKEDA
POUND, EZRA, and FENOLLOSA, ERNEST
NOGUCHI, YONE, TEN NOH DRAMAS
JENKS, Tudor
DINNER AT SEVEN SHARP. c 5m 3w _Baker_
JENNINGS, E. M.
MRS. OAKLEY'S TELEPHONE. c 4w _French_
DINNER AT THE CLUB. c 9w _French_
PRINZESSEN VON BARNHOF. c 8w _French_
TOM'S FIANCEE. Two acts. c 5w _French_
JENNINGS, Gertrude
THE REST CURE. c 1m 4w
BETWEEN THE SOUP AND THE SAVOURY. c 3w
THE PROS AND CONS. c 1m 3w
ACID DROPS. p 1m 6w
Four plays in one volume _Sidgwick_
BETWEEN THE SOUP AND THE SAVOURY. c 3w _French_
JEROME, Jerome K.
SUNSET. c 3m 4w _Dramatic_
BARBARA. d 2m 2w _French_
FENNEL. d 3m 1w _French_
JEX, John. Passion playlets
VIOLET SOULS. s 3m 2w
THE NEST. p 2m 3w
MR. WILLOUGHBY CALLS. p 3m 1w
THE UNNECESSARY ATOM. p 3m 1w
Four plays in one volume _Cornhill_
JOHNS, Orrick
SHADOW. p 3w _Others_
JOHNSON, Martyn
MR. AND MRS. P. ROE. c 1m 3w _Chicago_
JONES, Henry Arthur. THE THEATRE OF IDEAS, etc.
THE GOAL. 4m 2w
HERR TONGUE. 3m 2w
GRACE MARY. 6m 2w
Three plays in one volume _Doran_
CLERICAL ERROR. c 3m 1w _French_
SWEET WILL. p 1m 4w _French_
DEACON. Two acts. c 2m 2w _French_
HARMONY. d 3m 1w _French_
BED OF ROSES. c 4m 2w _French_
ELOPEMENT. Two acts. c 4m 3w _French_
HEARTS OF OAK. Two acts. c 5m 2w _French_
KALLEN, Horace M.
THE BOOK OF JOB. d _Moffatt Yard_
KAUFMAN, S. Jay
KISS ES. c 2m 4w _Smart Set_, _Nov._, 1915
KEMP, Harry
THE PRODIGAL SON. c 3m 2w _Arens_
KEMPER, S.
MOTH BALLS. p 3w _Baker_
KENNEDY, Charles Rann
THE TERRIBLE MEEK. p _Harper_
THE NECESSARY EVIL. p _Harper_
KEYES, N. W.
RED-CAP. Two acts. p 5m 10w _Baker_
KILMER, Joyce
SOME MISCHIEF STILL. c 4m 1w _Smart Set_, _Aug._, 1914
KING, Pendleton
COACAINE. p 1m 1w _Shay_
KINGSBURY, Sara
THE CHRISTMAS GUEST. p 1m 3w 1j _Drama_, _Nov._, 1918
KINGSLEY, Ellis
THE OTHER WOMAN. d 2w _Baker_
KNOBLAUCH, Edward
A WAR COMMITTEE. p
LITTLE SILVER RING. p
Two plays in one volume _French_
KNOWLTON, A. R.
WHY, JESSICA! c 1m 9w _Baker_
KNOX, F. C.
THE MATRIMONIAL FOG. d 3m 1w _Baker_
KRAFT, Irma
THE POWER OF PURIN and other plays _Jewish Publication Soc._,
1915
KREYMBORG, Alfred
SIX PLAYS FOR POEM-MIMES _Others_
LABICHE
GRAMMAR. c 4m 1w _French_
THE TWO COWARDS. c 3m 2w _French_
LAIDLAW, A. H.
CAPTAIN WALRUS. p 1m 2w _French_
LANGER, Lawrence
ANOTHER WAY OUT. c 2m 2w _Shay_
THE BROKEN IMAGE. d 7m _Arens_
PATENT APPLIED FOR. c 3m 3w _Arens_
WEDDED. p _Little Review_, _No._ 8
LAVEDAN, Henri. Five little plays
ALONG THE QUAYS. p 2m
FOR EVER AND EVER. p 1m 1w
WHERE SHALL WE GO? p 1m 6w
THE AFTERNOON WALK. p 1m 4j
NOT AT HOME. p 2m 3w
Five plays in one number _Poet Lore_
TWO HUSBANDS. p 2m _Poet Lore_
SUNDAY ON SUNDAY GOES BY. p 3m _Poet Lore_
LAWS, Anna C.
A TWICE TOLD TALE. p 1m 3w _Drama_, _Aug._, 1918
LEACOCK, Stephen, and HASTINGS, Basil
"Q." Farce _French_
LEE, Charles
MR. SAMPSON. c 1m 2w _Dent_
LEE, M. E.
THE BLACK DEATH, or Ta un. A Persian
Tragedy. 2m 2w _Poet Lore_
LEFUSE, M.
AT THE "GOLDEN GOOSE." d 2m 2w _French_
LEHMAN, Adolph
THE TONGMAN. p 5m 1w _Little Theatre_, _July_, 1917
LELAND, Robert de Camp
PURPLE YOUTH. p 2m 1w _Four Seas_
BARBARIANS. p 6m _Poetry-Drama_
LENNOX, Cosmo
THE IMPERTINENCE OF THE CREATURE. c 1m 1w _French_
LENT, Evangeline M.
LOVE IN IDLENESS. c 1m 3w _French_
LESAGE
CRISPIN, HIS MASTER'S RIVAL. c 4m 3w _French_
LESLIE, Noel. Three plays
FOR KING AND COUNTRY. In prep.
WASTE.
THE WAR FLY.
Three plays in one vol. _Four Seas_
LEVICK, Milnes
WINGS IN THE MESH. p 3w _Smart Set_, _July_, 1919
LEVINGER, E. E.
THE BURDEN. p 3m 1w _Baker_
LEWISOHN, Ludwig
THE LIE. p 2m 2w _Smart Set_, _Dec._, 1913
LINCOLN, Florence
A PIECE OF IVORY. p 3m 2w _Harvard_, _April_, 1911
LION, Leon M.
THE TOUCH OF A CHILD. p _French_
LION, L. M., and HALL, W. S.
THE MOBSWOMAN. d 2m 2w _French_
LITTLE THEATRE CLASSICS. Edited by SAMUEL A. ELIOT, JR.
EURIPIDES: POLYXENA
A CHRISTMAS MIRACLE PLAY
MARLOWE: DOCTOR FAUSTUS
BEAUMONT and FLETCHER: RICARDO and VIOLA
SHERIDAN: THE SCHEMING LIEUTENANT
Five plays in one volume _Little_
LITTLE THEATRE CLASSICS. Second Series
ABRAHAM AND ISAAC
MIDDLETON: THE LOATHED LOVER
MOLIERE: SGANARELLE
PICHEL, I. PIERRE PATHELIN
Four plays in one volume _Little_
LONDON, Jack. TURTLES OF TASMAN
THE FIRST POET. p _Macmillan_
LOVE IN A FRENCH KITCHEN.
A MEDIAEVAL FARCE. c 1m 2w _Poet Lore_
LUTHER, Lester
LAW. 10 voices _Forum_, _June_, 1915
M. J. W.
A BROWN PAPER PARCEL. c 2w _French_
MACINTIRE, E., and CLEMENTS, C. C.
THE IVORY TOWER. p 3m 1w _Poet Lore_
MACDONALD, Zellah
MARKHEIM. d 2m 1w
In "Morningside Plays" _Shay_
MACKAYE, Constance D'Arcy
THE FOREST PRINCES AND OTHER MASQUES _Holt_
THE BEAU OF BATH AND OTHER ONE-ACT PLAYS _Holt_
PLAYS OF THE PIONEERS _Harper_
THE SILVER THREAD AND OTHER FOLK PLAYS _Holt_
MACKAYE, Percy. YANKEE FANTASIES
CHUCK. 1m 3j
GETTYSBURG. 1m 1j
THE ANTICK. 2m 3w
THE CAT BOAT. 1m 2w 1j
SAM AVERAGE. 4m
Five plays in one volume _Duffield_
McKINNEL, Norman
THE BISHOP'S CANDLESTICKS. p 3m 2w _French_
MACMILLAN, Mary. Short plays
THE SHADOWED STAR. p 3m 5w
THE RING. c 7m 3w
THE ROSE. p 1m 2w
LUCK? p 6m 7w
ENTR'ACTE. p 1m 2w
A WOMAN'S A WOMAN FOR A' THAT. 2m 3w
FAN AND TWO CANDLESTICKS. p 2m 1w
A MODERN MASQUE. p 3m 1w
THE FUTURISTS. p 8w
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Ten plays in one volume _Stewart_
MORE SHORT PLAYS.
HIS SECOND GIRL. p 3m 3w
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THE PIONEER. p 10m 3w 5j
IN MENDELESIA, I. p 5w
IN MENDELESIA, II. p 5w
THE DRYAD. p 1m 2w
Eight plays in one volume _Stewart_
THE GATE OF WISHES. p 1m 1w 1j _Poet Lore_
MAETERLINCK, Maurice
THE INTRUDER. p 3m 5w _Phillips_
INTERIOR. p 4m 5w 1j supers _Phillips_
DEATH OF TINTAGILES. d 1j 6w _Phillips_
HAPPINESS. _Phillips_
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THE MIRACLE OF ST. ANTHONY
A MIRACLE OF ST. ANTHONY AND OTHER PLAYS
A MIRACLE OF ST. ANTHONY. 15 characters
PELLEAS AND MELISANDE. Five acts
DEATH OF TINTAGILES. 7 Characters
ALLADINE AND PALOMIDES. Five acts
INTERIOR. 10 Characters
THE INTRUDER. 7 Characters
Six plays in one volume _Boni & Liveright_
MALLESON, Miles
BLACK 'ELL. d 3m 4w _Shay_
PADDY POOLS. f 19j _Henderson_
LITTLE WHITE THOUGHT. f 9w _Henderson_
"D" COMPANY. p 6m _Henderson_
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MANNERS, J. Hartley. HAPPINESS AND OTHER PLAYS
HAPPINESS. p 2m 2w
JUST AS WEL.L c 1m 3w
DAY OF DUPES. c 5m 1w
Three plays in one volume _Dodd_
QUEEN'S MESSENGER. d 1m 1w _French_
THE WOMAN INTERVENES. p 3m 1w _French_
JUST AS WELL. c 1m 1w _French_
AS ONCE IN MAY. c 3m 2w _French_
MINISTERS OF GRACE. p 3m 2w _Smart Set_, _Sept._, 1914
MAPES, Victor
A FLOWER OF THE YEDDO. c 1m 3w _French_
MARBLE, T. L.
GIUSEPPINA. p 3m 2w _Dramatic_
MARIVAUX
THE LEGACY. c 4m 2w _French_
MARKS, Jeanette. Three Welsh Plays
THE MERRY CUCKOO. p 3m 2w
WELSH HONEYMOON. p 3m 2w
THE DEACON'S HAT. c 3m 3w
Three plays in one volume _Little_
THE HAPPY THOUGHT. p 4m 5w _International_, _July_, 1912
MARTIN, John Joseph
THE WIFE OF USHER'S WELL. d 3m 3w _Poet Lore_
MASEFIELD, John
THE LOCKED CHEST. p 3m 1w
SWEEPS OF NINETY-EIGHT. p 5m 1w
Two plays in one volume _Macmillan_
THE CAMPDEN WONDER. p 4m 2w
MRS. HARRISON. p 3m 1w
In "The Tragedy of Nan," etc. _Macmillan_
PHILIP THE KING. p 7m 1w _Macmillan_
GOOD FRIDAY. p _Macmillan_
MASSEY, Edward
PLOTS AND PLAYWRIGHTS. c Nine scenes. 11m 6w _Little_
MATHER, C. C.
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MATTHEWS, Brander
THE DECISION OF THE COURT. c 2m 2w _Harpers_
MAUREY, Max
ROSALIE. c 1m 2w _French_
McCONNILL, G. K.
THE BONE OF CONTENTION. d 3m 8w _Baker_
McCOURT, Edna W.
JILL'S WAY. p 3m 2w _Seven Arts_, _Feb._, 1917
THE TRUTH. p 2m 4w _Seven Arts_, _Mar._, 1917
McEVOY, Charles
HIS HELPMATE
DAVID BALLARD
GENTLEMEN OF THE ROAD
LUCIFER
WHEN THE DEVIL WAS ILL _Bullen_
MCFADDEN, Elizabeth A.
WHY THE CHIMES RANG. p 1m 1w 2j _French_
MEGRUE, Roi Cooper
DOUBLE CROSS. p 3m _Smart Set_, _Aug._, 1911
MEILHAC and HALEVY
PANURGE'S SHEEP. c 1m 2w _French_
INDIAN SUMMER. c 2m 2w _French_
MICHELSON, Miriam
BYGONES. p 2m 1w _Smart Set_, _March_, 1917
MIDDLETON, George. EMBERS, etc.
EMBERS. d 2m 1w
THE FAILURES. d 1m 1w
THE GARGOYLE. p 2m
IN HIS HOUSE. p 2m 1w
THE MAN MASTERFUL. d 2w
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Six plays in one volume _Holt_
CRIMINALS. d 2m 2w _Huebsch_
TRADITION, etc.
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Six plays in one volume _Holt_
POSSESSION, etc.
POSSESSION. d 2m 3w
THE GROOVE. d 2w
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CIRCLES. d 1m 2w
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Six plays in one volume _Holt_
BACK OF THE BALLOT. c 4m 1w _French_
Are published separately by Samuel French.
AMONG THE LIONS. s 5m 3w _Smart Set_, _Feb._, 1917
THE REASON. p 2m 2w _Smart Set_, _Sept._, 1917
DE MILLE, William C.
IN 1999. c 1m 2w _French_
FOOD. c 2m 1w _French_
POOR OLD JIM. p 2m 1w _French_
DECEIVERS. p _French_
MILTON, John. Adapted by L. Chater
COMUS. m Nine characters _Baker_
MOLIERE
DOCTOR IN SPITE OF HIMSELF. c 6m 3w _French_
THE SICILIAN. Two scenes. c 4m 3w _French_
THE AFFECTED YOUNG LADIES. s 6m 3w _French_
SGANARELLE. _See_ Eliot: Little Theatre Classics
GREGORY, LADY. The Kiltartan Moliere
DOCTOR IN SPITE OF HIMSELF. 6m 3w
THE MISER
THE ROGUERIES OF SCAPIN
Three plays in one volume _Putnam_
MOELLER, Philip. FIVE SOMEWHAT HISTORICAL PLAYS
HELENA'S HUSBAND. c 3m 2w
THE LITTLE SUPPER. c 3m 1w
SISTERS OF SUSANNAH. c 5m 1w
ROADHOUSE IN ARDEN. c 4m 2w
POKEY. c 6m 3w
Five plays in one volume _Knopf_
TWO BLIND BEGGARS AND ONE LESS BLIND. p 3m 1w _Arens_
MONTAGUE, Harold
PROPOSING BY PROXY. c 1m 1w _French_
MONTOMASA
SUMIDA GAWA. d 2m 1w 1j _Stratford_, _Jan._, 1918
MORGAN, Charles D.
SEARCH ME! c 1m 2w _Smart Set_, _Jan._, 1915
MORNINGSIDE PLAYS, The
DEPUE, ELVA. HATTIE. d 2m 3w
BRIGGS, CAROLINE. ONE A DAY. c 5m
MACDONALD, Z. MARKHEIM. d 2m 1w
REIZENSTEIN, E. L. HOME OF THE FREE. c 2m 2w
Four plays in one vol. _Frank Shay_
MORRISON, Arthur
THAT BRUTE SIMMONS. c 2m 1w _French_
MOSHER, John Chapin
SAUCE FOR THE EMPEROR. c 5m 4w _Shay_
MOTHER, Charles C.
DISPATCHES FOR WASHINGTON. p 4m 5w _Baker_
MOTHER GOOSE, A DREAM OF
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Containing A Dream of Mother Goose;
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A Mother Goose Party;
Two Mother Goose Operettas _Baker_
MOYLE, Gilbert
THE TRAGEDY _Four Seas_
MUGGERIDGE, Marie
THE REST CURE. p 1m 1w _French_
MURRAY, T. C.
BIRTHRIGHT. Two acts. d 4m 1w _Maunsel_
MUSKERRY, William
AN IMAGINARY AUNT. c 4w _French_
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NO TRIFLING WITH LOVE. Three acts. 4m 3w
A DOOR MUST BE OPEN OR SHUT. 2m
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Six plays in one volume _Sergel_
DE MUSSET, A., and AUGIER, E.
THE GREEN COAT. c 3m 1w _French_
NAPOLEON AND THE SENTRY. p 3m 1w _Dramatic_
NARODNY, Ivan
FORTUNE FAVORS FOOLS. c 4m 3w _Poet Lore_
NATHAN, George Jean
THE ETERNAL MYSTERY. p 2m 1w 1j _Smart Set_
NATHAN, Robert G.
THE COWARD. p 1m 2w _Harvard_, _March_, 1914
ATOMS. p 2m 1w _Harvard_, _Nov._, 1913
NEIHARDT, John G.
EIGHT HUNDRED RUBLES. p 1m 2w _Forum_, _Mar._, 1915
NEVITT, Mary Ross
THE ROSTOF PEARLS. p 7w _French_
NEWTON, H. L.
OUTWITTED. p 1m 1w _Baker_
HER SECOND TIME ON EARTH. c 1m 1w _Baker_
NIRDLINGER, C. F. Four short plays
LOOK AFTER LOUISE. d 3m 1w
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THE REAL PEOPLE. d 2m 1w
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Four plays in one vol. _Kennerley_
WASHINGTON'S FIRST DEFEAT. c 1m 2w _French_
NOGUCHI, Yone
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TEN JAPANESE NOH PLAYS. In prep. _Four Seas_
NORMAND, Jacques
A DROP OF WATER. c 2m 1w _Dramatic_
NORTON, Harold F.
THE WOMAN. p 1m 2w _Sheffield_, _June_, 1914
O'BRIEN, Edward J.
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Five plays in one volume _Little_
OFFICER, Katherine
ALL SOULS' EVE. p 3m 4w _International_, _Jan._, 1913
OLIVER, Mary Scott. SIX ONE-ACT PLAYS
THE HAND OF THE PROPHET. p 5m 2w
CHILDREN OF GRANADA. p 6m 4w
THE TURTLE DOVE. p 5m 1w
THIS YOUTH--GENTLEMEN! f 2m
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MURDERING SELINA. c 5m 2w
Six plays in one volume _Badger_
O'NEILL, Eugene. THIRST AND OTHER ONE-ACT PLAYS
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THE WEB. p 5m 1w
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FOG. p 3m 1w
RECKLESSNESS. p 3m 2w
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THE MOON OF THE CARIBBEES
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IN THE ZONE. p 9m
ILE. p 5m 1w
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THE ROPE. p 3m 2w
Seven plays in one volume _Boni & Liveright_
OPPENHEIM, James
THE PIONEER. Two scenes. d 5m 2w _Huebsch_
NIGHT. p 4m 1w _Arens_
O'SHEA, Monica Barrie
THE RUSHLIGHT. p _Drama_
OVERSTREET, H. A.
HEARTS TO MEND. 2m 1w _Stewart_
OWEN, Harold
A LITTLE FOWL PLAY. c 3m 2w _French_
PAIN, Mrs. Barry. NINE OF DIAMONDS AND OTHER PLAYS
THE NINE OF DIAMONDS
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MRS. MARLOWE'S CASE. c 2m 1w
Three plays in one volume _London, Chapman_
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TRUST. c 1m 1w
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'WARE WIRE. c 3m 2w
Four plays in one volume _Chapman_
PALMER, John
OVER THE HILLS. c 2m 2w _Smart Set_, _June_, 1915
PARAMORE, E. E.
ACROSS THE MARSH. p 2m _Sheffield_, _April_, 1917
PARKER, Louis N. _See also_ JACOBS,W. W.
MAN IN THE STREET. p 2m 1w _French_
PARKHURST, Winthrop.
IT NEVER HAPPENS. c 2m 1w _Smart Set_, _Dec._, 1918
IMPORTANCE OF BEING EARLY. c 2m 2w _Smart Set_, _Nov._, 1916
MORRACA. p 7m 1w _Drama_, _Nov._, 1918
THE BEGGAR AND THE KING. p 3m _Drama_, _Feb._, 1919
GETTING UNMARRIED. p 1m 1w _Smart Set_, _April_, 1918
PASTON, George
FEED THE BRUTE. p 1m 2w _French_
STUFFING. c 2m 2w _French_
TILDA'S NEW HAT. c 1m 3w _French_
PARENT'S PROGRESS. c 3m 3w _French_
PATRICK, A.
JIMMY. p 2m
PAULL, H. M.
HAL, THE HIGHWAYMAN. p 4m 2w _French_
PEABODY, Josephine Preston
FORTUNE AND MEN'S EYES. p 8m 2w i _French_
THE WINGS. p 3m 1w _French_
PEARCE, Walter
1588. c 4m 1w _French_
PEMBERTON, Max
PRIMA DONNA. c 3m 3w _French_
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PHELPS, P., and SHORT, M.
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PHILLPOTTS, Eden. CURTAIN RAISERS
THE POINT OF VIEW. c 2m 1w
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Three plays in one volume _Brentano_
PAIR OF KNICKERBOCKERS. c 1m 1w _French_
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PHILLPOTTS, Eden, and GROVES, Charles
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PIAGGIO, E. E.
AT THE PLAY. p _London_, _Williams_
PICHEL, Irving
TOM, TOM, THE PIPER'S SON. p 3m _Harvard_, _Dec._, 1913
PILLOT, E.
HUNGER. f 4m 1w _Stratford_, _June_, 1918
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PINERO, Sir Arthur Wing
PLAYGOERS. c 2m 6w _French_
THE WIDOW OF WASDALE HEAD. d _Smart Set_, _May_, 1914
HESTER'S MYSTERY. c 3m 2w _French_
MONEY SPINNER.
Two acts. d 5m 3w _French_
PINSKI, David _See_ Six Plays for the Yiddish Theatre
A DOLLAR. c 5m 3w _Stratford_, _June_, 1917
MICHAEL. p 4m _Stratford_, _April_, 1918
PORTMANTEAU PLAYS. See WALKER, Stuart
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FRANCOISE'S LUCK. c 3m 2w
PLAUTUS
THE TWINS. c 7m 2w _French_
PICARD, L. B.
THE ROSEBUD. c 5m 2w _French_
POUND, Ezra, and FENOLLOSA, Ernest
"NOH," or Accomplishment. A study of the
Classical Stage of Japan. Contains
KAYOI KOMACHI. 3m i
SUMA GENJI. 3m
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SHOJO. 2m supers
TAHURA. 3m i
and others _Knopf_
PRESBERY, Eugene
COURTSHIP OF MILES STANDISH. p 2m 2w _French_
PRICE, Graham
THE CAPTURE OF WALLACE. p 4m 1w _Phillips_
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THE ABSOLUTION OF BRUCE. p 10m _Phillips_
MARRIAGES ARE MADE IN HEAVEN. _Phillips_
PROVINCETOWN PLAYS. Edited by GEORGE CRAM COOK and FRANK SHAY
ROSTETTER, ALICE. THE WIDOW'S VEIL
OPPENHEIM, JAMES. NIGHT
COOK AND GLASPELL. SUPPRESSED DESIRES
O'NEILL, EUGENE. BOUND EAST FOR CARDIFF
MILLAY, EDNA ST. VINCENT. ARIA DA CAPO
WELLMAN, RITA. STRING OF THE SAMISEN
STEELE, WILBUR DANIEL. NOT SMART
HAPGOOD AND BOYCE. ENEMIES
KING, PENDLETON. COACAINE
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PRYCE, Richard
THE VISIT. p 2m 3w _French_
PRYCE, R., and MORRISON A.
DUMB-CAKE. p 1m 2w _French_
PRYCE, R., and DRURY, W. P.
THE PRIVY COUNCIL. c 3m 4w _French_
PRYDZ, Alvilde
HE IS COMING. p 1m 5w _Poet Lore_
PUTNAM, Nina Wilcox
ORTHODOXY. p _Kennerley_
QUINTERO, Serafino, and JOAQUIN, Alvarez
A BRIGHT MORNING. c 2m 2w _Poet Lore_
BY THEIR WORDS YE SHALL KNOW THEM. c 2m 1w _Drama_, _Feb._, 1917
RANCK, Edwin C.
THE YELLOW BOOTS. p 2m 1w _Stratford_, _May_, 1919
RANDALL, William R.
THE GREY OVERCOAT. p 3m _French_
REED, John
FREEDOM. c 6m _Shay_
MOONDOWN. p 2w _Masses_
THE PEACE THAT PASSETH
UNDERSTANDING. f 12 characters _Liberator_, _March_, 1919
REELY, Mary Katherine
DAILY BREAD. p 1m 4w
A WINDOW TO THE SOUTH. p 5m 3w
THE LEAN YEARS. p 2m 2w
Three plays in one vol. _H. W. Wilson_
REIZENSTEIN, Elmer L.
HOME OF THE FREE. c 2m 2w
In "Morningside Plays" _Shay_
RENARD, Jules
GOOD-BYE! c 1m 1w _Smart Set_, _June_, 1916
RENARD, Jules. Translated by Alfred Sutro
CARROTS. p 1m 2w _French_
REPRESENTATIVE ONE-ACT PLAYS BY AMERICAN AUTHORS
Selected, with biographical notes, by
Margaret Gardiner Mayorga, M. A. _Little_
RICE, Cale Young. THE IMMORTAL LURE
GIORGIONE. p
ARDUIN. p
O-UME'S GODS. p
THE IMMORTAL LURE. p
Four plays in one vol. _Doubleday_
A NIGHT IN AVIGNON. p
In "Collected Plays and Poems" _Doubleday_
RICHARDSON, Frank
BONNIE DUNDEE. d 4m 2w _French_
RIVOIRE, Andre
THE LITTLE SHEPHERDESS. p 1m 2w _French_
ROBINS, Gertrude. LOVING AS WE DO, etc.
LOVING AS WE DO
THE RETURN
AFTER THE CASE
'ILDA'S HONOURABLE
Four plays in one volume _Werner Laurie_
MAKESHIFTS. p
REALITIES. p
Two plays in one volume _French_
POT LUCK. c 3m 1w _French_
ROGERS, Maude M.
WHEN THE WHEELS RUN DOWN. p 3m _French_
ROGERS, Robert E.
BEHIND A WATTEAU PICTURE. f 6m 2w _Baker_
ROOF, Katherine
THE WORLD BEYOND THE
MOUNTAIN. p 2m 2w _International_, _Nov._, 1913
ROSENBERG, James N.
THE RETURN TO MUTTON.
Two acts. c 2m 1w _Kennerley_
ROSS, Clarendon
THE AVENGER. f 2m _Drama_, _Aug._, 1918
RUSCHKE, Edmont W. THE ECHO, etc.
THE ECHO. c 5m 5w
DEATH SPEAKS. f 2m
THE INTANGIBLE. d 2m 2w
Three plays in one vol _Stratford_
RUSINOL, Santiago
THE PRODIGAL DOLL. c 5m 6w _Drama_, _Feb._, 1917
SARDOU, Victorien
THE BLACK PEARL. c 7m 3w _French_
SARGENT, Frederick Leroy
OMAR AND THE RABBI. In prep. _Four Seas_
SARKADI, Leo
A VISION OF PAGANINI. p 2m 1w _International_, _Feb._, 1916
THE PASSING SHADOW. p 2m _International_, _Aug._, 1916
THE LINE OF LIFE. p 4m 3w _International_, _Nov._, 1916
SAWYER, Ruth
THE SIDHE OF BEN-MOR. p 1m 6w _Poet Lore_
SCHMERTZ, John R.
THE MARKSMAN. p 4m 1w _Sheffield_, _Feb._, 1917
SCHNITZLER, Arthur. COMEDIES OF WORDS. Translated by Pierre Loving
THE HOUR OF RECOGNITION. c 3m 2w
THE BIG SCENE. c 5m 2w
THE FESTIVAL OF BACCHUS. c 4m 2w
LITERATURE. c 2m 1w
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Five plays in one volume _Stewart_
COUNTESS MIZZIE. c 7m 2w
In volume with LONELY WAY, etc. _Little_
LIVING HOURS
THE WOMAN WITH THE DAGGER
THE LAST MASKS
LITERATURE
Four plays in one volume _Badger_
GALLANT CASSIAN. Puppet Play. 3m 1w _Phillips_
DUKE AND THE ACTRESS. c 16m 2w _Badger_
LADY WITH THE DAGGER. d 1m 1w _Poet Lore_
SCOTT, Clement
CAPE MAIL. p 3m 4w _Dramatic_
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SHAKESPEARE
OBERON AND TITANIA, 12 characters _French_
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HOW HE LIED TO HER HUSBAND. c 2m 1w _Brentano_
PRESS CUTTINGS. c 3m 3w _Brentano_
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OVERRULED. p _Brentano_
HEARTBREAK HOUSE
GREAT CATHERINE
O'FLATHERTY, C. V.
INCA OF PERUSALEM
AUGUSTUS DOES HIS BIT
THE BOLSHEVIK PRINCESS
Six plays in one volume _Brentano_
SHAW, Mary
THE PARROT CAGE. a 1m 7w _Dramatic_
THE WOMAN OF IT. c 9w _Dramatic_
SHORES, Elsa. _See_ BELMONT, Mrs.
O. H. P.
SIERRA, Gregorio Martinez
THE LOVER. c 1m 2w _Stratford_, _July_, 1919
LOVE MAGIC. c 4m 3w _Drama_, _Feb._, 1917
THE CRADLE SONG. 3 Two acts. 4m 10w _Poet Lore_
SINCLAIR, Upton. Plays of Protest.
THE SECOND STORY MAN. d 1m 1w _Kennerley_
SOLOGUB, Feodor
THE TRIUMPH OF DEATH. Three short
acts. d 4m 2w _Drama_, _Aug._, 1916
SOPHOCLES
ANTIGONE. 11 characters _Baker_
SOTILLO, Antonio, and MICHO, Andres
THE JUDGMENT OF POSTERITY. p 5m 1w _Poet Lore_
SPEYER, Lady
LOVE ME, LOVE MY DOG. p 3m 1w _Smart Set_, _Jan._, 1919
SPRINGER, Thomas G.
SECRETS OF THE DEEP. p 7m _Smart Set_, _June_, 1914
STEELL, W.
p 6m 1w _Baker_
STERLING, George
THE DRYAD. p 1m 2w _Smart Set_, _Feb._, 1919
STEVENS, Henry Bailey. A CRY OUT IN THE DARK
THE MEDDLER
BOLO AND BABETTE. In prep.
THE MADHOUSE
Three plays in one vol. _Four Seas_
STEVENS, Wallace
THREE TRAVELERS WATCH A SUNRISE. p 5m 1w i _Poetry_, _July_, 1916
STEWART, Anna B.
BELLES OF CANTERBURY.
STEWART-KIDD MODERN PLAYS. Edited by FRANK SHAY
TOMPKINS, F. G. SHAM. c 3m 1w _Stewart_
HUDSON, HOLLAND. THE SHEPHERD IN THE
DISTANCE. f 10 characters _Stewart_
FLANNER, HILDEGARDE. MANSIONS. p 1m 2w _Stewart_
OVERSTREET, H. A. HEARTS TO
MEND. f 2m 1w _Stewart_
ST. HILL, T. N.
DUTY. p 2m _Sheffield_, _May_, 1916
STRAMM, August
THE BRIDE OF THE MOOR. p 4m 2w
SANCTA SUSANNA. p 1m 3w
Two plays in one number _Poet Lore_
STRATTON, Charles
THE CODA. p 1m 2w _Drama_, _May_, 1918
STRINDBERG, August
PLAYS. First Series
THE DREAM PLAY. THE LINK
THE DANCE OF DEATH. Parts I and II
PLAYS. Second Series
CREDITORS. p 2m 1w
PARIAH. p 2m
MISS JULIA. p 3w
THE STRONGER. p 2w
THERE ARE CRIMES AND CRIMES
LUCKY PEHR _Stewart_
EASTER _Stewart_
PLAYS. Third Series
SWANWHITE. A Fairy Play. p 10m 6w
SIMOON. p 2m 1w
DEBIT AND CREDIT. p 6m 3w
ADVENT. Three acts. p 7m 3w
THE THUNDERSTORM. p 8m 4w
AFTER THE FIRE. p 11m 4w
PLAYS. Fourth Series
THE BRIDAL CROWN. Six scenes. p 12m 8w others
THE SPOOK SONATA. p 7m 6w
THE FIRST WARNING. c 1m 4w
GUSTAVUS VASA. Five acts. d 20m 8w
Four volumes _Scribners_
THE STRONGER WOMAN. p 2w
MOTHERLY LOVE. p 4w
Two plays in one volume _Henderson_
PARIA. p 2m
SIMOON. p 2m 1w
Two plays in one volume _Henderson_
MISS JULIE. p 1m 2w _Henderson_
THE CREDITOR. p 2m 1w _Henderson_
THE OUTCAST.
SIMOON. 2m 1w
DEBIT AND CHRIST. p 6m 3w
Three plays in one volume _Badger_
JULIE. p 2m 1w _Badger_
THE CREDITORS. p 2m 1w _Badger_
MOTHER LOVE. p 4w _Brown_
SUBERT, Frantisek Adolf
JAN VYRAVA. d 21m 11w _Poet Lore_
SUDERMANN, Herman. ROSES
STREAKS OF LIGHT. d 2m 1w
MARGOT. d 4m 2w
THE LAST VISIT. d 5m 3w
FAR-AWAY PRINCESS. c 2m 7w
Four plays in one volume _Scribner_
MORITURI
TEJA. d 7m 2w
FRITZCHEN. d 5m 2w
ETERNAL MASCULINE. p 5m 2w
Three plays in one volume _Scribner_
JOHANNES. p 40i _Poet Lore_
SUTRO, Alfred. FIVE LITTLE PLAYS
THE MAN IN THE STALLS. 2m 1w
A MARRIAGE HAS BEEN ARRANGED. 1m 1w
THE MAN ON THE KERB. 1m 1w
THE OPEN DOOR. p 1m 1w
THE BRACELET. c 5m 3w
Five plays in one volume _Brentano_
THE BRACELET. c 5m 3w _French_
A MARRIAGE HAS BEEN ARRANGED. 1m 1w _French_
THE CORRECT THING. p 1m 1w _French_
ELLA'S APOLOGY. p 1m 1w _French_
A GAME OF CHESS. p 1m 1w _French_
THE GUTTER OF TIME. p 1m 1w _French_
A MAKER OF MEN. p 1m 1w _French_
THE MAN OF THE KERB. 1m _French_
THE OPEN DOOR. p 1m 1w _French_
MR. STEINMANN'S CORNER. p 2m 2w _French_
THE SALT OF LIFE. p 1m 1w _French_
THE MARRIAGE WILL NOT TAKE PLACE. c 2m 1w
SYMONS, Arthur
CLEOPATRA IN JUDEA. p 7m 3w _Forum_, _June_, 1916
SYNGE, John Millington
THE SHADOW OF THE GLEN _Luce_
RIDERS TO THE SEA _Luce_
THE TINKER'S WEDDING _Luce_
DEIRDRE OF THE SORROWS _Luce_
TARKINGTON, Booth
BEAUTY AND THE JACOBIN. c 3m 2w _Harper_
TERRELL, Maverick
HONI SOIT.. s 1m 1w _Smart Set_, _Jan._, 1918
TEMPERAMENT.. c 2m 2w _Smart Set_, _Sept._, 1916
TERRELL, Maverick, and STECHHAN, H. O.
THE REAL "Q." c 3m _Smart Set_, _Sept._, 1911
TCHEKOFF, Anton.
PLAYS. First Series
THE SWAN SONG. p 2m _Scribner_
PLAYS. Second Series
ON THE HIGH ROAD. p 8m 3w
THE PROPOSAL. c 2m 1w
THE WEDDING. c 7m 3w
THE BEAR. c 2m 1w
TRAGEDIAN IN SPITE OF HIMSELF. c 2m
ANNIVERSARY. c 2m 1w
Six plays in one volume _Scribner_
A BEAR. c 2m 1w _French_
THE MARRIAGE PROPOSAL. c 2m 1w _French_
_See_ BECHHOFER. Five plays
ON THE HIGHMAY. d 6m 3w _Drama_, _May_, 1916
TENNYSON, Alfred Lord
THE FALCON. p 2m 2w _Collected Works_
TERENCE
PHORMIO. c 11m 2w _French_
THEURIET, Jean
JEAN MARIE. p 2m 1w _French_
THOMAS, Brandon
HIGHLAND LEGACY. c 5m 2w _French_
LANCASHIRE SAILOR. p 3m 2w _French_
COLOUR SERGEANT. p 4m 1w _French_
THOMAS, Kate
AN EVENING AT HELEN'S. p 7m _French_
A BIT OF NONSENSE. c 8w _French_
THOMPSON, Alice C. PLAYS FOR WOMEN CHARACTERS
HER SCARLET SLIPPERS. p 4w _Penn_
AN IRISH INVASION. c 8w _Baker_
A KNOT OF WHITE RIBBON. p 3w _Penn_
THE LUCKIEST GIRL. p 4w _Denison_
MUCH TOO SUDDEN. p 7w _Baker_
OYSTERS. c 6w _Baker_
THE WRONG BABY. c 8w _Penn_
THOMPSON, Harlan
ONE BY ONE. 2m 2w _Smart Set_, _May_, 1919
THE MAN HUNT. c 2m 1w _Smart Set_, _June_, 1919
PANTS AND THE MAN. c 5m 2w _Smart Set_, _Nov._, 1917
GEOMETRICALLY SPEAKING. p 3m 1w _Smart Set_, _Nov._, 1918
TOMPKINS, Frank G.
SHAM. c 3m 1w _Stewart_
TORRENCE, Ridgely. THREE PLAYS FOR THE NEGRO THEATRE
GRANNY MAUMEE. p 3w
THE RIDER OF DREAMS. p 3m 1w
SIMON THE CYRENIAN. p 10m 6w
Three plays in one vol. _Macmillan_
TRADER, G. H.
SHAKESPEARE'S DAUGHTERS. f 11w _French_
TREE, H. B.
SIX AND EIGHTPENCE. c 2m 1w _French_
TREVOR, Philip
UNDER THE GREENWOOD TREE. p 2m 5w _French_
THE LOOKING GLASS. p 7j _French_
UKRAINKA, L.
THE BABYLONIAN CAPTIVITY. d 1m 7i
In Bechofer: Five Russian Plays.
URCHLICKY, Jaroslav
AT THE CHASM. p 2m 1w _Poet Lore_
VIERECK, Geo. S.
A GAME OF LOVE. p 1m 2w
THE MOOD OF A MOMENT. p 2m 1w
FROM DEATH'S OWN EYES. p 1m 2w
QUESTION OF FIDELITY. p 1m 1w
THE BUTTERFLY. p 2m 3w
Five plays in one volume _Moffat_
Von VIZEN, D.
THE CHOICE OF A TUTOR. c 5m 3w
In Bechofer: Five Russian Plays.
VAN ETTEN, G.
THE VAMPIRE CAT. p 4m 2w _Dramatic_
WALKER, Stuart. THE PORTMANTEAU PLAYS
THE TRIMPLET. c 2m 4w
NEVERTHELESS. c 2m 1w
SIX WHO PASS WHILE THE LENTILS BOIL. c 5m 3w
THE MEDICINE SHOW. c 3m
Four plays in one volume _Stewart_
MORE PORTMANTEAU PLAYS
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Three in one volume _Stewart_
PORTMANTEAU ADAPTATIONS
GAMMER GURTON'S NEEDLE
WILDE, O. THE BIRTHDAY OF THE INFANTA
TARKINGTON, BOOTH. SEVENTEEN
In one volume _Stewart_
WALKER, W. R.
A PAIR OF LUNATICS. c 1m 1w _French_
GENTLEMAN JIM. 1m 1w _French_
WALLACE, A. C.
CHRYSANTHEMUMS. c 2m 2w _French_
WARE, J. Herbert
THE MEASURE OF THE MAN. p 3m 1w _Sheffield_, _June_, 1916
WARREN, P., and HUTCHINS, W.
THE DAY THAT LINCOLN DIED. p 5m 2w _Baker_
WASHINGTON SQUARE PLAYS, THE
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GOODMAN, E. EUGENICALLY SPEAKING. c 3m 1w
GERSTENBERG, A. OVERTONES. p 4w
MOELLER, P. HELENE'S HUSBAND. c 3m 2w
Four plays in one vol. _Doubleday_
LANGER, L. ANOTHER WAY OUT. c 2m 3w _Shay_
GLASPELL, S. TRIFLES. d 3m 2w _Shay_
CROCKER, B. THE LAST STRAW. d 2m 1w 2j _Shay_
ANDREYEV, L. LOVE OF ONE'S NEIGHBOR. s 15m 7w _Shay_
CRONYN, G. THE SANDBAR QUEEN. p 6m 1w _Arens_
MOELLER, P. TWO BLIND BEGGARS, etc. p 3m 1w _Arens_
MAETERLINCK, M.
INTERIOR
MIRACLE OF ST. ANTHONY
DEATH OF TINTAGILES. _See_ Author
REED, J. MOONDOWN. p 2w _Masses_
TCHEKOW, A. THE BEAR. c 2m 1w _French_
MACKAYE, P. THE ANTICK. _See_ Author
SCHNITZLER, A. LITERATURE. _See_ Author
MOELLER, P.
ROADHOUSE IN ARDEN
SISTERS OF SUSANNA
POKEY. _See_ Author
WEDEKIND, F. THE TENOR. p 5m 3w _Smart Set_, _June_, 1913
AKINS, Z. THE MAGICAL CITY. p 7m 2w _Forum_, _May_, 1914
DE BRVEYS, D. A. PIERRE PATELIN. c 7m 2w _French_
TCHEKOV, A. THE SEA GULL. _See_ Author
EVREINOV, N. _See_ Bechofer: Five Russian Plays
PORTO-RICHE. LOVERS' LUCK. _See_ Clark: Plays for the Free Theatre
IZUMO, T. THE PINE TREE. Bushido. _See_ Author
MASSAY, E. PLOTS AND PLAYWRIGHTS. c 11m 6w _Little_
MOLIERE. SGANARELLE. DOCTOR IN SPITE OF HIMSELF. _See_ Author
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WATTS, Mary S. THREE SHORT PLAYS
AN ANCIENT DANCE. Two acts. p 6m 3w
CIVILIZATION. p 5m 5w
WEARIN' O' THE GREEN. c 8m 7w
Three plays in one vol. _Macmillan_
WEDEKIND, Frank
THE TENOR. p 5m 3w _Smart Set_, _June_, 1913
WEIL, Percival L.
THE CULPRIT. p 3m 1w _Smart Set_, _Feb._, 1913
WELLMAN, Rita
THE LADY WITH THE MIRROR. a 2m 2w _Drama_, _Aug._, 1918
DAWN. p 2m 1w _Drama_, _Feb._, 1919
FUNICULI FUNICULI. In Mayorga's
"Representative One-Act Plays" _Little_
WELSH, Robert Gilbert
JEZEBEL. p 6m 3w _Forum_, _May_, 1915
WENDT, Frederick W.
DES IRAE. p 1m 1w _Smart Set_, _July_, 1911
WHITE, Lucy
THE BIRD CHILD. p 2m 2w 1j _International_, _Nov._,
1914
WILCOX, Constance
TOLD IN A CHINESE
GARDEN. p 10 characters _Drama_, _May_, 1919
WILDE, Oscar
SALOME. d 11m 2w _Several editions_
BIRTHDAY OF THE INFANTA
WILDE, Percival. DAWN AND OTHER ONE-ACT PLAYS
DAWN. d 2m 1w 1j
THE NOBLE LORD. c 2m 1w
THE TRAITOR. d 7m
THE HOUSE OF CARDS. p 1m 1w
PLAYING WITH FIRE. c 1m 2w
FINGER OF GOD. p 2m 1w
Six plays in one volume _Holt_
CONFESSIONAL. p 3m 3w
ACCORDING TO DARWIN. p 3m 2w
A QUESTION OF MORALITY. c 3m 1w
THE BEAUTIFUL STORY. p 1m 1w 1j
THE VILLAIN OF THE PIECE. c 2m 1w
Five plays in one volume _Holt_
LINE OF NO RESISTANCE. c 1m 2w _French_
SAVED. p 9m 1w _Smart Set_, _July_, 1915
WILEY, Sara King
PATRIOTS. c 3m 2w _French_
WISCONSIN PLAYS
FIRST SERIES
GALE, Z. THE NEIGHBORS. d 2m 6w
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Three plays in one vol. _Huebsch_
SECOND SERIES
ILLSEY, S. M. FEAST OF THE HOLY INNOCENTS. p 5w
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GILMAN, T. WE LIVE AGAIN. p 6m 6w
Four Plays in one volume _Huebsch_
WOLFF, Oscar M.
WHERE BUT IN AMERICA. c 1m 2w _Smart Set_, _March_, 1918
WORLD'S BEST PLAYS, The. Edited by BARRETT H. CLARK
COPPEE, FRANCOIS. PATER NOSTER. p 3m 3w
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MAUREY, MAX. ROSALIE. c 1m 2w
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PLAUTUS. THE TWINS. c 7m 2w
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AUGIER, EMILE. THE POST SCRIPTUM. c 1m 2w
MOLIERE. THE DOCTOR IN SPITE OF HIMSELF. c 6m 3w
DE CAILAVET, G. A. CHOOSING A CAREER. c
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BENEDIX, RODERICK. THE LAW SUIT. c 5m
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MOLIERE. THE SICILIAN. Two scenes. c 4m 3w
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BERNARD, TRISTAN. I'M GOING! c 1m 1w
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LABICHE. GRAMMAR. c 4m 1w
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PICARD, L. B. THE REBOUND. c 5m 2w
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_Published by French_
WYNNE, Anna
THE BROKEN BARS. p 10m 10w _French_
YEATS, William Butler
THE COUNTESS CATHLEEN
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ON BAILE'S STRAND
DEIRDRE _Macmillan_
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WHERE THERE IS NOTHING _Macmillan_
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IN THE SEVEN WOODS _Macmillan_
YEHOASH
THE SHUNAMITE. p 3m 1w _Stratford_, _June_, 1919
YIDDISH THEATRE: SIX PLAYS FOR
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KOBRIN, L. BLACK SHEEP. p 3m 2w
KOBRIN, L. THE SWEET OF LIFE. p 2m 1w
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YOUNG, Stark. AT THE SHRINE AND OTHER PLAYS
ADDIO. p 3m 1w
MADRETTA. p 2m 1w
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Three plays in one volume _Stewart_
ZANGWILL, Israel
SIX PERSONS. c 1m 1w _French_
GREAT DEMONSTRATION. c 2m 1w _French_
BIBLIOGRAPHIES
ACTABLE ONE-ACT PLAYS _Chicago Public Library, 1916_
PLAYS AND BOOKS OF THE LITTLE THEATRE. Compiled by Frank Shay.
A LIST OF PLAYS AND PAGEANTS. Prepared by the Committee on Pageantry,
War Work Council, Young Woman's Christian Associations. 1919.
PLAYS FOR AMATEURS. Arranged by John Mantel Clapp. Drama League of
America. Chicago. 1915.
GUIDE TO SELECTING PLAYS for the use of professionals and amateurs.
By Wentworth Hogg. _French._ 1916.
THE DRAMATIC BOOKS AND PLAYS. An annual compilation by Henry Eastman
Lower and George Heron Milne. Boston Book Co.
* * * * *
A SELECTED LIST
OF
DRAMATIC
LITERATURE
PUBLISHED BY
STEWART & KIDD COMPANY
CINCINNATI
_Plays and Players_
LEAVES FROM A CRITIC'S SCRAPBOOK
BY WALTER PRICHARD EATON
PREFACE BY BARRETT H. CLARK
A new volume of criticisms of plays and papers on acting, play-making,
and other dramatic problems, by Walter Prichard Eaton, dramatic critic,
and author of "The American Stage of To-day," "At the New Theater and
Others," "Idyl of the Twin Fires," etc. The new volume begins with plays
produced as far back as 1910, and brings the record down to the current
year. One section is devoted to American plays, one to foreign plays
acted on our stage, one to various revivals of Shakespeare. These
sections form a record of the important activities of the American
theater for the past six years, and constitute about half of the volume.
The remainder of the book is given over to various discussions of the
actor's art, of play construction, of the new stage craft, of new
movements in our theater, such as the Washington Square Players, and
several lighter essays in the satiric vein which characterized the
author's work when he was the dramatic critic of the =New York Sun=.
Unlike most volumes of criticisms, this one is illustrated, the pictures
of the productions described in the text furnishing an additional
historical record. At a time when the drama is regaining its lost
position of literary dignity it is particularly fitting that dignified
and intelligent criticism and discussion should also find accompanying
publication.
=Toronto Saturday Night=:
Mr. Eaton writes well and with dignity and independence. His book
should find favor with the more serious students of the Drama of
the Day.
=Detroit Free Press=:
This is one of the most interesting and also valuable books on the
modern drama that we have encountered in that period popularly
referred to as "a dog's age." Mr. Eaton is a competent and
well-esteemed critic. The book is a record of the activities of
the American stage since 1910, down to the present. Mr. Eaton
succinctly restores the play to the memory, revisualizes the
actors, and puts the kernel of it into a nutshell for us to ponder
over and by which to correct our impressions.
_Large 12mo. About 420 pages, 10 full-page illustrations
on Cameo Paper and End Papers_ _Net_ $3.00
_Gilt top. 3/4 Maroon Turkey Morocco_ _Net_ 8.50
_Four Plays of the Free Theater_
Francois de Curel's _The Fossils_
Jean Jullien's _The Serenade_
Georges de Porto-Riche's _Francoise' Luck_
Georges Ancey's _The Dupe_
_Translated with an introduction on Antoine and Theatre Libre by BARRETT
H. CLARK. Preface by BRIEUX, of the French Academy, and a Sonnet by
EDMOND ROSTAND._
=The Review of Reviews says=:
"A lengthy introduction, which is a gem of condensed information."
=H. L. Mencken (in the Smart Set) says=:
"Here we have, not only skilful playwriting, but also sound
literature."
=Brander Matthews says=:
"The book is welcome to all students of the modern stage. It
contains the fullest account of the activities of Antoine's Free
Theater to be found anywhere--even in French."
=The Chicago Tribune says=:
"Mr. Clark's translations, with their accurate and comprehensive
prefaces, are necessary to anyone interested in modern drama....
If the American reader will forget Yankee notions of morality ...
if the reader will assume the French point of view, this book will
prove a rarely valuable experience. Mr. Clark has done this
important task excellently."
_Handsomely Bound. 12mo. Cloth_ _Net_, $2.50
_3/4 Turkey Morocco_ 8.50
_Contemporary French Dramatists_
By BARRETT H. CLARK
_In "Contemporary French Dramatists" Mr. Barrett H. Clark, author of
"The Continental Drama of Today," "The British and American Drama of
Today," translator of "Four Plays of the Free Theater," and of various
plays of Donnay, Hervieu, Lemaitre, Sardou, Lavedan, etc., has
contributed the first collection of studies on the modern French
theater. Mr. Clark takes up the chief dramatists of France beginning
with the Theatre Libre: Curel, Brieux, Hervieu, Lemaitre, Lavedan,
Donnay, Porto-Riche, Rostand, Bataille, Bernstein, Capus, Flers, and
Caillavet. The book contains numerous quotations from the chief
representative plays of each dramatist, a separate chapter on
"Characteristics" and the most complete bibliography to be found
anywhere._
_This book gives a study of contemporary drama in France which has been
more neglected than any other European country._
=Independent, New York=:
"Almost indispensable to the student of the theater."
=Boston Transcript=:
"Mr. Clark's method of analyzing the works of the Playwrights
selected is simple and helpful. * * * As a manual for reference or
story, 'Contemporary French Dramatists,' with its added
bibliographical material, will serve well its purpose."
_Uniform with FOUR PLAYS. Handsomely bound._
_Cloth_ _Net_, $2.50
_3/4 Turkey Morocco_ 8.50
_"European Dramatists"_
By ARCHIBALD HENDERSON
_Author of_ "George Bernard Shaw: His Life and Works."
_In the present work the famous dramatic critic and biographer of Shaw
has considered six representative dramatists outside of the United
States, some living, some dead--Strindberg, Ibsen, Maeterlinck, Wilde,
Shaw, Barker, and Schnitzler._
=Velma Swanston Howard says=:
"Prof. Henderson's appraisal of Strindberg is certainly the
fairest, kindest and most impersonal that I have yet seen. The
author has that rare combination of intellectual power and
spiritual insight which casts a clear, strong light upon all
subjects under his treatment."
=Baltimore Evening Sun=:
"Prof. Henderson's criticism is not only notable for its
understanding and good sense, but also for the extraordinary
range and accuracy of its information."
Jeanette L. Gilder, in the =Chicago Tribune=:
"Henderson is a writer who throws new light on old subjects."
=Chicago Record Herald=:
"His essays in interpretation are welcome. Mr. Henderson has a
catholic spirit and writes without parochial prejudice--a thing
deplorably rare among American critics of the present day. * * *
One finds that one agrees with Mr. Henderson's main contentions
and is eager to break a lance with him about minor points, which
is only a way of saying that he is stimulating, that he strikes
sparks. He knows his age thoroughly and lives in it with eager
sympathy and understanding."
=Providence Journal=:
"Henderson has done his work, within its obvious limitations, in
an exceedingly competent manner. He has the happy faculty of
making his biographical treatment interesting, combining the
personal facts and a fairly clear and entertaining portrait of the
individual with intelligent critical comment on his artistic
work."
_Photogravure frontispiece, handsomely printed and bound,
large 12mo_ _Net_, $3.00
_The Changing Drama_
By ARCHIBALD HENDERSON, M.A. Ph.D.
_Author of_ "European Dramatists," "George Bernard Shaw--His Life
and Work." Etc.
A vital book, popular in style, cosmopolitan in tone, appraising the
drama of the past sixty years, its changes, contributions and
tendencies. Has an expression of the larger realities of the art and
life of our time.
=E. E. Hale= in _The Dial_: "One of the most widely read dramatic
critics of our day; few know as well as he what is 'up' in the
dramatic world, what are the currents of present-day thought, what
people are thinking, dreaming, doing, or trying to do."
=New York Times=: "Apt, happily allusive, finely informed essays
on the dramatists of our own time--his essay style is vigorous and
pleasing."
=Book News Monthly=: "Shows clear understanding of the evolution
of form and spirit, and the differentiation of the
forces--spiritual, intellectual and social--which are making the
theatre what it is today ... we can recollect no book of recent
times which has such contemporaneousness, yet which regards the
subject with such excellent perspective ... almost indispensable
to the general student of drama ... a book of rich perspective and
sound analysis. The style is simple and direct."
=Geo. Middleton= in _La Follette's_: "The best attempt to
formulate the tendencies which the drama is now taking in its
evolutionary course."
=Argonaut=: "Marked by insight, discernment and enthusiasm."
_Large 12mo. Dignified binding_ _Net_, $2.50
GEORGE BERNARD SHAW
_HIS LIFE AND WORKS_
A Critical Biography (Authorized)
BY
ARCHIBALD HENDERSON, M.A., Ph.D.
With two plates in color (one, the frontispiece, from an autochrome
by Alvin Langdon Coburn, the other from a water color by Bernard
Partridge), two photogravures, 26 plates on art paper, and numerous
illustrations in the text.
In one volume, demy 8vo., cloth and gilt top, net $7.50.
This remarkable book, upon which the author has been at work for more
than six years, is the authentic biography of the great Irish dramatist
and socialist. In order to give it the authority which any true
biography of a living man must possess, Mr. Shaw has aided the author in
every possible way. The book is based not only on the voluminous mass of
Mr. Shaw's works, published, uncollected in book form or unpublished,
but also on extensive data furnished the author by Mr. Shaw in person.
A masterly and monumental volume, it is a history of Art, Music,
Literature, Drama, Sociology, Philosophy, and the general development of
the Ibsen-Nietzschean Movement in Morals for the last thirty years. The
Press are unanimous in their praise of this wonderful work.
Opinions of the work and its author.
_The Bookman_: "A more entertaining narrative whether in biography
or fiction has not appeared in recent years."
_The Independent_: "Whatever George Bernard Shaw may think of his
Biography the rest of the world will probably agree that Dr.
Henderson has done a good job."
_Boston Herald_: "This is probably the most informing and
satisfactory biography of this very difficult man that has
been written. A thoroughly painstaking work."
#European Dramatists#
_Short Plays_
By MARY MAC MILLAN
_To fill a long-felt want. All have been successfully presented.
Suitable for Women's Clubs, Girls' Schools, etc. While elaborate enough
for big presentation, they may be given very simply._
=Review of Reviews=:
"Mary MacMillan offers 'SHORT PLAYS,' a collection of pleasant one
to three-act plays for women's clubs, girls' schools, and home
parlor production. Some are pure comedies, others gentle satires
on women's faults and foibles. 'The Futurists,' a skit on a
woman's club in the year 1882, is highly amusing. 'Entr' Act' is a
charming trifle that brings two quarreling lovers together through
a ridiculous private theatrical. 'The Ring' carries us gracefully
back to the days of Shakespeare; and 'The Shadowed Star,' the best
of the collection, is a Christmas Eve tragedy. The Star is
shadowed by our thoughtless inhumanity to those who serve us and
our forgetfulness of the needy. The Old Woman, gone daft, who
babbles in a kind of mongrel Kiltartan, of the Shepherds, the
Blessed Babe, of the Fairies, rowan berries, roses and dancing,
while her daughter dies on Christmas Eve, is a splendid
characterization."
=Boston Transcript=:
"Those who consigned the writer of these plays to solitude and
prison fare evidently knew that 'needs must' is a sharp stimulus
to high powers. If we find humor, gay or rich, if we find
brilliant wit; if we find constructive ability joined with
dialogue which moves like an arrow; if we find delicate and keen
characterization, with a touch of genius in the choice of names;
if we find poetic power which moves on easy wing--the gentle
jailers of the writer are justified, and the gentle reader thanks
their severity."
=Salt Lake Tribune=:
"The Plays are ten in number, all of goodly length. We prophesy
great things for this gifted dramatist."
=Bookseller, News Dealer & Stationer=:
"The dialogue is permeated with graceful satire, snatches of wit,
picturesque phraseology, and tender, often exquisite, expressions
of sentiment."
_Handsomely Bound. 12mo. Cloth_ _Net_, $2.50
_More Short Plays_
BY MARY MacMILLAN
Plays that act well may read well. Miss MacMillan's plays are good
reading. Nor is literary excellence a detriment to dramatic performance.
They were put on the stage before they were put into print. They differ
slightly from those in the former volume. Two of them, "The Pioneers," a
story of the settlement of the Ohio Valley, and "Honey," a little
mountain girl cotton-mill worker, are longer. The other six, "In
Mendelesia," Parts I and II, "The Dryad," "The Dress Rehearsal of
Hamlet," "At the Church," and "His Second Girl," contain the spirit of
humor, something of subtlety, and something of fantasy.
=Brooklyn Daily Eagle=: "Mary MacMillan, whose first volume of
short plays proved that she possessed unusual gifts as a
dramatist, has justified the hopes of her friends in a second
volume, 'More Short Plays,' which reveal the author as the
possessor of a charming literary style coupled with a sure
dramatic sense that never leads her idea astray.... In them all
the reader will find a rich and delicate charm, a bountiful
endowment of humor and wit, a penetrating knowledge of human
nature, and a deft touch in the drawing of character. They are
delicately and sympathetically done and their literary charm is
undeniable."
_Uniform with "Short Plays"_ _Net_, $2.50
_Comedies of Words and Other Plays_
BY ARTHUR SCHNITZLER
TRANSLATED BY PIERRE LOVING
{"=The Hour of Recognition="
{"=Great Scenes="
The contents are {"=The Festival of Bacchus="
{"=His Helpmate="
{"=Literature=."
In his "Comedies of Words," Arthur Schnitzler, the great Austrian
Dramatist, has penetrated to newer and profounder regions of human
psychology. According to Schnitzler, the keenly compelling problems of
earth are: the adjustment of a man to one woman, a woman to one man, the
children to their parents, the artist to life, the individual to his
most cherished beliefs, and how can we accomplish this adjustment when,
try as we please, there is a destiny which sweeps our little plans away
like helpless chessmen from the board? Since the creation of Anatol,
that delightful toy philosopher, so popular in almost every theater of
the world, the great Physician-Dramatist has pushed on both as
World-Dramatist and reconnoiterer beyond the misty frontiers of man's
conscious existence. He has attempted in an artistic way to get beneath
what Freud calls the "Psychic Censor" which edits all our suppressed
desires. Reading Schnitzler is like going to school to Life itself!
_Bound uniform with the S & K Dramatic Series_, _Net_ $2.50
_The Provincetown Plays_
EDITED BY
GEORGE CRAM COOK AND FRANK SHAY
THE CONTENTS ARE:
Alice Rostetter's comedy THE WIDOW'S VEIL
James Oppenheim's poetic NIGHT
George Cram Cook's and Susan Glaspell's SUPPRESSED DESIRES
Eugene O'Neill's play BOUND EAST FOR CARDIFF
Edna St. Vincent Millay's ARIA DE CAPO
Rita Wellman's STRING OF THE SAMISEN
Wilbur D. Steele's satire NOT SMART
Floyd Dell's comedy THE ANGEL INTRUDES
Hutchin Hapgood's and Neith Boyce's play ENEMIES
Pendleton King's COCAINE
Every author, with one exception, has a book or more to his credit.
Several are at the top of their profession.
Rita Wellman, a Saturday Evening Post star, has had two or three plays
on Broadway, and has a new novel, THE WINGS OF DESIRE.
Cook and Glaspell are well known--he for his novels and Miss Glaspell
for novels and plays.
E. Millay is one of America's best minor poets. Steele, according to
O'Brien, is America's best short-story writer.
Oppenheim has over a dozen novels, books of poems and essays to his
credit.
O'Neill has a play on Broadway now, BEYOND THE HORIZON.
Hutch, Hapgood is author of the STORY OF A LOVER, published by Boni and
Liveright anonymously.
_8vo. Silk Cloth, Gilt Top_ _Net_ $3.00
Portmanteau Plays
BY STUART WALKER
Edited and with an Introduction by EDWARD HALE BIERSTADT
This volume contains four One Act Plays by the inventor and director of
the Portmanteau Theater. They are all included in the regular repertory
of the Theater and the four contained in this volume comprise in
themselves an evening's bill.
There is also an Introduction by Edward Hale Bierstadt on the
Portmanteau Theater in theory and practice.
The book is illustrated by pictures taken from actual presentations of
the plays.
The first play, the "=Trimplet=", deals with the search for a certain
magic thing called a trimplet which can cure all the ills of whoever
finds it. The search and the finding constitute the action of the piece.
Second play, "=Six who Pass While the Lentils Boil=", is perhaps the
most popular in Mr. Walker's repertory. The story is of a Queen who,
having stepped on the ring-toe of the King's great-aunt, is condemned to
die before the clock strikes twelve. The Six who pass the pot in which
boil the lentils are on their way to the execution.
Next comes "=Nevertheless=", which tells of a burglar who oddly enough
reaches regeneration through two children and a dictionary.
And last of all is the "=Medicine-Show=", which is a character study
situated on the banks of the Mississippi. One does not see either the
Show or the Mississippi, but the characters are so all sufficient that
one does not miss the others.
All of these plays are fanciful--symbolic if you like--but all of them
have a very distinct raison d'etre in themselves, quite apart from any
ulterior meaning.
With Mr. Walker it is always "the story first," and herein he is at one
with Lord Dunsany and others of his ilk. The plays have body, force, and
beauty always; and if the reader desires to read in anything else surely
that is his privilege.
Each play, and even the Theater itself has a prologue, and with the help
of these one is enabled to pass from one charming tale to the next
without a break in the continuity.
_With five full-page illustrations on cameo paper._
_12mo. Silk cloth_ $2.50
_More Portmanteau Plays_
BY STUART WALKER
Edited and with an Introduction by EDWARD HALE BIERSTADT
The thorough success of the volume entitled "=Portmanteau Plays=" has
encouraged the publication of a second series under the title "=More
Portmanteau Plays=". This continuation carries on the work begun in the
first book, and contains "=The Lady of the Weeping Willow Tree=", one of
the finest and most effective pieces Stuart Walker has presented under
his own name; "=The Very Naked Boy=", a slight, whimsical, and wholly
delightful bit of foolery; "=Jonathan Makes a Wish=", a truly strong
three-act work with an appeal of unusual vigor.
_With Six full page illustrations on Cameo Paper._
_12mo. Silk cloth_ $2.00
TO BE PUBLISHED IN 1920
_Portmanteau Adaptations_
BY STUART WALKER
Edited and with an Introduction by EDWARD HALE BIERSTADT
The third volume of the Portmanteau Series includes three of Stuart
Walker's most successful plays which are either adapted from or based on
works by other authors. The first is the ever wonderful "=Gammer
Gurton's Needle=", written some hundreds of years ago and now arranged
for the use of the modern theater goer. Next comes, "=The Birthday of
the Infanta=" from the poignant story of Oscar Wilde (used also by
Alfred Noyes in one of his most effective poems), and last of all the
widely popular "=Seventeen=" from the story of the same name by Booth
Tarkington.
_12mo. Silk cloth_ _Net_, $2.50
* * * * *
TRANSCRIBER'S NOTES:
1. Passages in italics are surrounded by _underscores_.
2. Passages in bold are indicated by =bold=.
3. Misprints in character names have been silently corrected.
4. Punctuation has been normalized for the stage directions and the play
listings in the Bibliography.
5. The following misprints have been corrected:
"Is sounds as if" corrected to "It sounds as if" (page 31)
"What should be" corrected to "What should we" (page 35)
"Don't call be" corrected to "Don't call me" (page 60)
"I don't now what!" corrected to "I don't know what!" (page 66)
"want to see her" corrected to "went to see her" (page 66)
"widly" corrected to "wildly" (page 72)
"horried" corrected to "horrid" (page 96)
"slindly" corrected to "blindly" (page 109)
"accept" corrected to "accent" (page 121)
"right. don't say" corrected to "right. I don't say" (page 162)
"J. H. SPEENHOFF" corrected to "ST. JOHN HANKIN" (page 157)
"SENE" corrected to "SCENE" (page 167)
"stobbing" corrected to "stabbing" (page 179)
"doube" corrected to "doubt" (page 204)
"pursuade" corrected to "persuade" (page 209)
"dring" corrected to "drink" (page 231)
"sits on the soft." corrected to "sits on the sofa." (page 268)
"lazzily" corrected to "lazily" (page 347)
"rearlize" corrected to "realize" (page 347)
"I sounds like" corrected to "It sounds like" (page 357)
"come into see" corrected to "come in to see" (page 364)
"ot do the decent" corrected to "to do the decent" (page 388)
"For heaven't sake" corrected to "For heaven's sake" (page 388)
"snuff-pox" corrected to "snuff-box" (page 400)
"just bet me are" corrected to "just bet we are" (page 428)
"ecstastically" corrected to "ecstatically" (page 428)
"crepe" corrected to "crepe" (page 436)
"paper ribbins." corrected to "paper ribbons." (page 437)
"rupturously" corrected to "rapturously" (page 451)
"palid" corrected to "pallid" (page 457)
"the the" corrected to "the" (page 459)
"port-hale" corrected to "porthole" (page 470)
"fierecly" corrected to "fiercely" (page 473)
"They why did" corrected to "Then why did" (page 525)
"Wilwaukee" corrected to "Milwaukee" (page 530)
"a few bille" corrected to "a few bills" (page 531)
"if marriage," corrected to "of marriage," (page 547)
"TREMENDOUR" corrected to "TREMENDOUS" (page 565)
"Pheobe" corrected to "Phoebe" (page 568)
"VON HOFFMANSTHALL" corrected to "VON HOFMANNSTHAL" (page 568)
"The Legacy. 3 4m" corrected to "The Legacy. c 4m" (page 572)
"MATUSO." corrected to "MATSUO." (page 572)
"SHAKERPEARE'S" corrected to "SHAKESPEARE'S" (page 579)
"volumn" corrected to "volume" (pages 561, 564, 565, 573)
6. Other than the corrections listed above, printer's inconsistencies
in spelling, punctuation, hyphenation, and ligature usage have been
retained.
End of Project Gutenberg's Fifty Contemporary One-Act Plays, by Various