SCENE VII.

THEKLA. Without a reconciliation?

GUSTAV [_on her left_]. Reconciliation? You play about with so many

words that they've quite lost their meaning. We reconcile ourselves?

Perhaps we are to live in a trinity, are we? The way for you to effect a

reconciliation is to put matters straight. You can't do that alone. You

have not only taken something, but you have destroyed what you took, and

you can never put it back. Would you be satisfied if I were to say to

you: "Forgive me because you mangled my heart with your claws; forgive

me for the dishonor you brought upon me; forgive me for being seven

years on end the laughing-stock of my pupils, forgive me for freeing you

from the control of your parents; for releasing you from the tyranny of

ignorance and superstition; for making you mistress over my house; for

giving you a position and friends, I, the man who made you into a woman

out of the child you were? Forgive me like I forgive you? Anyway, I now

regard my account with you as squared. You go and settle up your

accounts with the other man.

THEKLA. Where is he? What have you done with him? I've just got a

suspicion--a--something dreadful!

GUSTAV. Done with him? Do you still love him?

THEKLA [_goes over to him toward the left_]. Yes.

GUSTAV. And a minute ago you loved me? Is that really so?

THEKLA. It is.

GUSTAV. Do you know what you are, then?

THEKLA. You despise me?

GUSTAV. No, I pity you. It's a characteristic--I don't say a defect, but

certainly a characteristic--that is very fatal, by reason of its

results. Poor Thekla! I don't know--but I almost think that I'm sorry

for it, although I'm quite innocent--like you. But anyway it's perhaps

all for the best that you've now got to feel what I felt then. Do you

know where your husband is?

THEKLA. I think I know now. [_She points to the right._] He's in your

room just here. He has heard everything, seen everything, and you know

they say that he who looks upon his vampire dies.

Fifty Contemporary One-Act Plays · 第 7 / 14 章