SCENE V.

THEKLA [_disengaging herself_]. Who was that?

GUSTAV [_casually, while he closes the central door_]. Oh, some visitors

who were passing through.

THEKLA. Go away! I'm afraid of you.

[_She goes behind the sofa on the left._]

GUSTAV. Why?

THEKLA. You've robbed me of my soul.

GUSTAV [_comes forward_]. And I give you mine in exchange for it.

Besides, you haven't got any soul at all. It's only an optical illusion.

THEKLA. You've got a knack of being rude in such a way that one can't be

angry with you.

GUSTAV. That's because you know very well that I am designated for the

place of honor--tell me now when--and where?

THEKLA [_coming toward him_]. No. I can't hurt him by doing a thing like

that. I'm sure he still loves me, and I don't want to wound him a second

time.

GUSTAV. He doesn't love you. Do you want to have proofs?

THEKLA. How can you give me them?

GUSTAV [_takes up from the floor the fragments of photograph behind the

circular table on the right_]. Here, look at yourself!

[_He gives them to her._]

THEKLA. Oh, that is shameful!

GUSTAV. There, you can see for yourself--well, when and where?

THEKLA. The false brute!

GUSTAV. When?

THEKLA. He goes away to-night by the eight-o'clock boat.

GUSTAV. Then--

THEKLA. At nine. [_A noise in the room on the right._] Who's in there

making such a noise?

GUSTAV [_goes to the right at the keyhole_]. Let's have a look--the

fancy table has been upset and there's a broken water-bottle on the

floor, that's all. Perhaps some one has shut a dog up there. [_He goes

again toward her._] Nine o'clock, then?

THEKLA. Right you are. I should only like him to see the fun--such a

piece of deceit, and what's more, from a man that's always preaching

truthfulness, who's always drilling into me to speak the truth. But

stop--how did it all happen? He received me in almost an unfriendly

manner--didn't come to the pier to meet me--then he let fall a remark

over the pure boy on the steam-boat, which I pretended not to

understand. But how could he know anything about it? Wait a moment. Then

he began to philosophize about women--then you began to haunt his

brain--then he spoke about wanting to be a sculptor, because sculpture

was the art of the present day--just like you used to thunder in the old

days.

GUSTAV. No, really?

[_Thekla moves away from Gustav behind the sofa on the left._]

THEKLA. "No, really?" Now I understand. [_To Gustav._] Now at last I see

perfectly well what a miserable scoundrel you are. You've been with him

and have scratched his heart out of his body. It's you--you who've been

sitting here on the sofa. It was you who've been suggesting all these

ideas to him: that he was suffering from epilepsy, that he should live a

celibate life, that he should pit himself against his wife and try to

play her master. How long have you been here?

GUSTAV. Eight days.

THEKLA. You were the man, then, I saw on the steamer?

GUSTAV [_frankly_]. It was I.

THEKLA. And did you really think that I'd fall in with your little game?

GUSTAV [_firmly_]. You've already done it.

THEKLA. Not yet.

GUSTAV [_firmly_]. Yes, you have.

THEKLA [_comes forward_]. You've stalked my lamb like a wolf. You came

here with a scoundrelly plan of smashing up my happiness and you've been

trying to carry it through until I realize what you were up to and put a

spoke in your precious wheel.

GUSTAV [_vigorously_]. That's not quite accurate. The thing took quite

another course. That I should have wished in my heart of hearts that

things should go badly with you is only natural. Yet I was more or less

convinced that it would not be necessary for me to cut in actively;

because, I had far too much other business to have time for intrigues.

But just now, when I was loafing about a bit, and happened to run across

you on the steamer with your circle of young men, I thought that the

time had come to get to slightly closer quarters with you two. I came

here and that lamb of yours threw himself immediately into the wolf's

arms. I aroused his sympathy by methods of reflex suggestion, into

details of which, as a matter of good form, I'd rather not go. At first

I experienced a certain pity for him, because he was in the very

condition in which I had once found myself. Then, as luck would have it,

he began unwittingly to probe about in my old wound--you know what I

mean--the book--and the ass--then I was overwhelmed by a desire to pluck

him to pieces and to mess up the fragments in such a tangle that they

could never be put together again. Thanks to the conscientious way in

which you have cleared the ground, I succeeded only too easily, and then

I had to deal with you. You were the spring in the works that had to be

taken to pieces. And, that done, the game was to listen for the

smash-up. When I came into this room I had no idea what I was to say. I

had a lot of plans in my head, like a chess player, but the character of

the opening depended on the moves you made; one move led to another,

chance was kind to me. I soon had you on toast--and now you're in a nice

mess.

THEKLA. Nonsense.

GUSTAV. Oh yes; what you'd have prayed your stars to avoid has happened:

society, in the persons of two lady visitors--I didn't commandeer their

appearance because intrigue is not in my line--society, I say, has seen

your pathetic reconciliation with your first husband, and the penitent

way in which you crawled back into his faithful arms. Isn't that enough?

THEKLA [_she goes over to him toward the right_]. Tell me--you who make

such a point of being so logical and so intellectual--how does it come

about that you, who make such a point of your maxim that everything

which happens happens as a matter of necessity, and that all our actions

are determined--

GUSTAV [_corrects her_]. Determined up to a certain extent.

THEKLA. It comes to the same thing.

GUSTAV. No.

THEKLA. How does it come about that you, who are bound to regard me as

an innocent person, inasmuch as nature and circumstances have driven me

to act as I did, could regard yourself as justified in revenging

yourself on me.

GUSTAV. Well, the same principle applies, you see--that is to say, the

principle that my temperament and circumstances drove me to revenge

myself. Isn't it a case of six of one and half-a-dozen of the other? But

do you know why you've got the worst of it in this struggle? [_Thekla

looks contemptuous._] Why you and that husband of yours managed to get

downed? I'll tell you. Because I was stronger than you, and smarter. It

was you, my dear, who was a donkey--and he as well! So you see that one

isn't necessarily bound to be quite an ass even though one doesn't write

any novels or paint any pictures. Just remember that!

[_He turns away from her to the left._]

THEKLA. Haven't you got a grain of feeling left?

GUSTAV. Not a grain--that's why, don't you know, I'm so good at

thinking, as you are perhaps able to see by the slight proofs which I've

given you, and can play the practical man equally well, and I've just

given you something of a sample of what I can do in that line.

[_He strides round the table and sofa on the left and turns again to

her._]

THEKLA. And all this simply because I wounded your vanity?

GUSTAV [_on her left_]. Not that only, but you be jolly careful in the

future of wounding other people's vanity--it's the most sensitive part

of a man.

THEKLA. What a vindictive wretch! Ugh!

GUSTAV. What a promiscuous wretch. Ugh!

THEKLA. Do you mean that's my temperament?

GUSTAV. Do you mean that's my temperament?

THEKLA [_goes over toward him to the left_]. You wouldn't like to

forgive me?

GUSTAV. Certainly, I have forgiven you.

THEKLA. You?

GUSTAV. Quite. Have I ever raised my hand against you two in all these

years? No. But when I happened to be here I favored you two with scarce

a look and the cleavage between you is already there. Did I ever

reproach you, moralize, lecture? No. I joked a little with your husband

and the accumulated dynamite in him just happened to go off, but I, who

am defending myself like this, am the one who's really entitled to stand

here and complain. Thekla, have you nothing to reproach yourself with?

THEKLA. Not the least bit--the Christians say it's Providence that

guides our actions, others call it Fate, aren't we quite guiltless?

GUSTAV. No doubt we are to a certain extent. But an infinitesimal

something remains, and that contains the guilt, all the same, and the

creditors turn up sooner or later! Men and women may be guiltless, but

they have to render an account. Guiltless before Him in whom neither of

us believes any more, responsible to themselves and to their fellow-men.

THEKLA. You've come, then, to warn me?

GUSTAV. I've come to demand back what you stole from me, not what you

had as a present. You stole my honor, and I could only win back mine by

taking yours--wasn't I right?

THEKLA [_after a pause, going over to him on the right_]. Honor! Hm! And

are you satisfied now?

GUSTAV [_after a pause_]. I am satisfied now.

[_He presses the bell by the door L. for the Waiter._]

THEKLA [_after another pause_]. And now you're going to your bride,

Gustav?

GUSTAV. I have none--and shall never have one. I am not going home

because I have no home, and shall never have one.

[_Waiter comes in on the lef._]

Fifty Contemporary One-Act Plays · 第 5 / 14 章