The following two show how Personal Beauty was appreciated:—

“He sees nothing but her face, and she too is quite intoxicated by his

looks. Both, satisfied with each other, act as if in the whole world

there were no other women or men.”

“Other beauties likewise have in their faces beautiful, wide black eyes,

with long lashes,—but no one else understands as she does how to use

them.”

How Love establishes his Monopoly in heart and mind, tolerating no other

thought, is thus shown:—

“She stares without a (visible) object, draws a deep sigh, laughs into

empty space, mutters unintelligible words—forsooth, there must be

something on her heart.”

Ovid himself might have written the following, showing Love’s

inconstancy:—

“Love departs when lovers are separated; it departs when they see too

much of each other; it departs in consequence of malicious gossip; aye,

it departs also without these causes.”

The nature of Coyness is evidently understood, for the lover is thus

admonished:—

“My son, such is the nature of love, suddenly to get angry, to make up

again in a moment, to dissemble its language, to tease immoderately.”

Romantic Love and Personal Beauty Their development, causal relations, historic and national peculiarities · 第 50 / 296 题