_Cummings_, finally.--"I am sorry my friend is not here to m

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Text enclosed by underscores is in italics (_italics_).

A COUNTERFEIT PRESENTMENT.

A COMEDY.

* * * * * *

BY THE SAME AUTHOR

_And published with Mr. Howells's sanction._

A FOREGONE CONCLUSION.

A CHANCE ACQUAINTANCE.

THE LADY OF THE AROOSTOOK. 2 VOLS.

OUT OF THE QUESTION and AT THE

SIGN OF THE SAVAGE.

THEIR WEDDING JOURNEY.

THE UNDISCOVERED COUNTRY. 2 VOLS.

A FEARFUL RESPONSIBILITY and

TONELLI'S MARRIAGE.

EDINBURGH: DAVID DOUGLAS.

LONDON: HAMILTON, ADAMS AND CO.

* * * * * *

A COUNTERFEIT PRESENTMENT AND THE PARLOUR CAR

by

WILLIAM D. HOWELLS

[Illustration]

Author's Edition

Edinburgh

David Douglas, Castle Street

1882

Edinburgh University Press

T. and A. Constable, Printers to Her Majesty.

[Illustration]

Frederic Ernest Allsopp.

CONTENTS.

PAGE

I. AN EXTRAORDINARY RESEMBLANCE, 7

II. DISTINCTIONS AND DIFFERENCES, 61

III. DISSOLVING VIEWS, 99

IV. NOT AT ALL LIKE, 141

* * * * *

THE PARLOUR CAR, A FARCE, 191

I.

AN EXTRAORDINARY RESEMBLANCE.

A COUNTERFEIT PRESENTMENT.

(_The Scene is always in the Parlour of the Ponkwasset Hotel._)

I.

BARTLETT _and_ CUMMINGS.

On a lovely day in September, at that season when the most sentimental

of the young maples have begun to redden along the hidden courses of the

meadow streams, and the elms, with a sudden impression of despair in

their languor, betray flecks of yellow on the green of their pendulous

boughs,--on such a day at noon, two young men enter the parlour of the

Ponkwasset Hotel, and deposit about the legs of the piano the burdens

they have been carrying: a camp-stool namely, a field-easel, a closed

box of colours, and a canvas to which, apparently, some portion of

reluctant nature has just been transferred. These properties belong to

one of the young men, whose general look and bearing readily identify

him as their owner: he has a quick, somewhat furtive eye, a full brown

beard, and hair that falls in a careless mass down his forehead, which,

as he dries it with his handkerchief, sweeping the hair aside, shows

broad and white; his figure is firm and square, without heaviness, and

in his movement as well as in his face there is something of

stubbornness, with a suggestion of arrogance. The other, who has

evidently borne his share of the common burdens from a sense of good

comradeship, has nothing of the painter in him, nor anything of this

painter's peculiar temperament: he has a very abstracted look and a

dark, dreaming eye: he is pale, and does not look strong. The painter

flings himself into a rocking chair and draws a long breath.

_Cummings_ (for that is the name of the slighter man, who remains

standing as he speaks).--"It's warm, isn't it?" His gentle face evinces

a curious and kindly interest in his friend's sturdy demonstrations of

fatigue.

_Bartlett._--"Yes, hot--confoundedly." He rubs his handkerchief

vigorously across his forehead, and then looks down at his dusty shoes,

with apparently no mind to molest them in their dustiness. "The idea of

people going back to town in this weather! However, I'm glad they're

such asses; it gives me free scope here. Every time I don't hear some

young woman banging on that piano, I fall into transports of joy."

_Cummings_, smiling.--"And after to-day you won't be bothered even with

me."

_Bartlett._--"Oh, I shall rather miss you, you know. I like somebody to

contradict."

_Cummings._--"You can contradict the ostler."

_Bartlett._--"No, I can't. They've sent him away; and I believe you're

going to carry off the last of the table-girls with you in the stage

to-morrow. The landlord and his wife are to run the concern themselves

the rest of the fall. Poor old fellow! The hard times have made lean

pickings for him this year. His house wasn't full in the height of the

season, and it's been pretty empty since."

_Cummings._--"I wonder he doesn't shut up altogether."

_Bartlett._--"Well, there are a good many transients, as they call them,

at this time of year,--fellows who drive over from the little hill-towns

with their girls in buggies, and take dinner and supper; then there are

picnics from the larger places, ten and twelve miles off, that come to

the grounds on the pond, and he always gets something out of them. And

as long as he can hope for anything else, my eight dollars a week are

worth hanging on to. Yes, I think I shall stay here all through October.

I've got no orders, and it's cheap. Besides, I've managed to get on

confidential terms with the local scenery; I thought we should like each

other last summer, and I feel now that we're ready to swear eternal

friendship. I shall do some fairish work here, yet. Phew!" He mops his

forehead again, and springing out of his chair he goes up to the canvas,

which he has faced to the wall, and turning it about retires some paces,

and with a swift, worried glance at the windows falls to considering it

critically.

_Cummings._--"You've done some fairish work already, if I'm any judge."

He comes to his friend's side, as if to get his effect of the picture.

"I don't believe the spirit of a graceful elm that just begins to feel

the approach of autumn was ever better interpreted. There is something

tremendously tragical to me in the thing. It makes me think of some

lovely and charming girl, all grace and tenderness, who finds the first

grey hair in her head. I should call that picture The First Grey Hair."

_Bartlett_, with unheeding petulance.--"The whole thing's too infernally

brown! I beg your pardon, Cummings: what were you saying? Go on! I like

your prattle about pictures; I do, indeed. I like to see how far you

art-cultured fellows can miss all that was in a poor devil's mind when

he was at work. But I'd rather you'd sentimentalise my pictures than

moralise them. If there's anything that makes me quite limp, it's to

have an allegory discovered in one of my poor stupid old landscapes. But

The First Grey Hair isn't bad, really. And a good, senseless, sloppy

name like that often sells a picture."

_Cummings._--"You're brutal, Bartlett. I don't believe your pictures

would own you, if they had their way about it."

_Bartlett._--"And I wouldn't own _them_ if I had _mine_. I've got about

forty that I wish somebody else owned--and I had the money for them; but

we seem inseparable. Glad you're going to-morrow? You _are_ a good

fellow, Cummings, and I _am_ a brute. Come, I'll make a great concession

to friendship: it struck me, too, while I was at work on that elm, that

it was something like--an old girl!" Bartlett laughs, and catching his

friend by either shoulder, twists him about in his strong clutch, while

he looks him merrily in the face. "I'm not a poet, old fellow; and

sometimes I think I ought to have been a painter and glazier instead of

a mere painter. I believe it would have paid better."

_Cummings._--"Bartlett, I hate to have you talk in that way."

_Bartlett._--"Oh, I know it's a stale kind."

_Cummings._--"It's worse than stale. It's destructive. A man can soon

talk himself out of heart with his better self. You can end by really

being as sordid-minded and hopeless and low-purposed as you pretend to

be. It's insanity."

_Bartlett._--"Good! I've had my little knock on the head, you know. I

don't deny being cracked. But I've a method in my madness."

_Cummings._--"They all have. But it's a very poor method; and I don't

believe you could say just what yours is. You think because a girl on

whom you set your fancy--it's nonsense to pretend it was your

heart--found out she didn't like you as well as she thought, and

honestly told you so in good time, that your wisest course is to take up

that rôle of misanthrope which begins with yourself and leaves people to

imagine how low an opinion you have of the rest of mankind."

_Bartlett._--"My dear fellow, you know I always speak well of that young

lady. I've invariably told you that she behaved in the handsomest

manner. She even expressed the wish--I distinctly remember being struck

by the novelty of the wish at the time--that we should remain friends.

You misconceive"--

_Cummings._--"How many poor girls have been jilted who don't go about

doing misanthropy, but mope at home and sorrow and sicken over their

wrong in secret,--a wrong that attacks not merely their pride, but their

life itself. Take the case I was telling you of: did you ever hear of

anything more atrocious? And do you compare this little sting to your

vanity with a death-blow like that?"

_Bartlett._--"It's quite impossible to compute the number of jilted

girls who take the line you describe. But if it were within the scope of

arithmetic, I don't know that a billion of jilted girls would comfort me

or reform me. I never could regard myself in that abstract way--a mere

unit on one side or other of the balance. My little personal snub goes

on rankling beyond the reach of statistical consolation. But even if

there were any edification in the case of the young lady in Paris, she's

too far off to be an example for me. Take some jilted girl nearer home,

Cummings, if you want me to go round sickening and sorrowing in secret.

I don't believe you can find any. Women are much tougher about the

pericardium than we give them credit for, my dear fellow,--much. I don't

see why it should hurt a woman more than a man to be jilted. We shall

never truly philosophise this important matter till we regard women with

something of the fine penetration and impartiality with which they

regard each other. Look at the stabs they give and take--they would kill

men! And the graceful ferocity with which they despatch any of their

number who happens to be down is quite unexampled in natural history.

How much do you suppose her lady friends have left of that poor girl

whose case wrings your foolish bosom all the way from Paris? I don't

believe so much as a boot-button. Why, even your correspondent--a very

lively woman, by the way--can't conceal under all her indignation her

little satisfaction that so _proud_ a girl as Miss What's-her-name

should have been jilted. Of course, she doesn't say it."

_Cummings_ hotly.--"_No_, she doesn't say it, and it's not to your

credit to imagine it."

_Bartlett_, with a laugh.--"Oh, I don't ask any praise for the

discovery. You deserve praise for not making it. It does honour to your

good heart. Well, don't be vexed, old fellow. And in trying to improve

me on this little point--a weak point, I'll allow, with me--do me the

justice to remember that I didn't flaunt my misanthropy, as you call it,

in your face; I didn't force my confidence upon you."

_Cummings_, with compunction.--"I didn't mean to hurt your feelings,

Bartlett."

_Bartlett._--"Well, you haven't. It's all right."

_Cummings_, with anxious concern.--"I wish I could think so."

_Bartlett_, dryly.--"You have _my_ leave--my request, in fact." He

takes a turn about the room, thrusting his fingers through the hair on

his forehead, and letting it fall in a heavy tangle, and then pulling at

either side of his parted beard. In facing away from one of the sofas at

the end of the room, he looks back over his shoulder at it, falters,

wheels about, and picks up from it a lady's shawl and hat. "Hallo!" He

lets the shawl fall again into picturesque folds on the sofa. "This is

the spoil of no local beauty, Cummings. Look here; I don't understand

this. There has been an arrival."

_Cummings_, joining his friend in contemplation of the hat and shawl:

"Yes; it's an arrival beyond all question. Those are a _lady's_ things.

I should think that was a Paris hat." They remain looking at the things

some moments in silence.

_Bartlett._--"How should a Paris hat get here? I know the landlord

wasn't expecting it. But it can't be going to stay; it's here through

some caprice. It may be a transient of quality, but it's a transient. I

suppose we shall see the young woman belonging to it at dinner." He sets

the hat on his fist, and holds it at arm's length from him. "What a

curious thing it is about clothes"--

_Cummings._--"Don't, Bartlett, don't!"

_Bartlett._--"Why?"

_Cummings._--"I don't know. It makes me feel as if you were offering an

indignity to the young lady herself."

_Bartlett._--"You express my idea exactly. This frippery has not only

the girl's personality but her very spirit in it. This hat looks like

her; you can infer the whole woman from it, body and soul. It has a

conscious air, and so has the shawl, as if they had been eavesdropping

and had understood everything we were saying. They know all about my

heart-break, and so will she as soon as she puts them on; she will be

interested in me. The hat's in good taste, isn't it?"

_Cummings_, with sensitive reverence for the millinery which his friend

handles so daringly.-- "Exquisite it seems to me; but I don't know about

such things."

_Bartlett._--"Neither do I; but I feel about them. Besides, a painter

and glazier sees some things that are hidden from even a progressive

minister. Let us interpret the lovely being from her hat. This knot of

pale-blue flowers betrays her a blonde; this lace, this mass of silky,

fluffy, cob-webby what-do-you-call-it, and this delicate straw fabric

show that she is slight; a stout woman would kill it, or die in the

attempt. And I fancy--here pure inspiration comes to my aid--that she is

tallish. I'm afraid of her! No--wait! The shawl has something to say."

He takes it up and catches it across his arm, where he scans it

critically. "I don't know that I understand the shawl, exactly. It

proves her of a good height,--a short woman wouldn't, or had better not,

wear a shawl,--but this black colour: should you think it was mourning?

Have we a lovely young widow among us?"

_Cummings._--"I don't see how it could go with the hat, if it were."

_Bartlett._--"True; the hat is very pensive in tone, but it isn't

mourning. This shawl's very light, it's very warm; I construct from it a

pretty invalid." He lets the shawl slip down his arm to his hand, and

flings it back upon the sofa. "We return from the young lady's heart to

her brain--where she carries her sentiments. She has a nice taste in

perfumes, Cummings: faintest violet; that goes with the blue. Of what

religion is a young lady who uses violet, my reverend friend?"

_Cummings._--"Bartlett, you're outrageous. Put down that hat!"

_Bartlett._--"No, seriously. What is her little æsthetic specialty? Does

she sketch? Does she scribble? Tell me, thou wicked hat, does she flirt?

Come; out with the vows that you have heard poured into the shelly ear

under this knot of pale-blue flowers! Where be her gibes now, her

gambols, her flashes of merriment? Now get you to my lady's chamber, and

tell her, let her paint an inch thick, to this favour she must come;

make her laugh at that. Dost thou think, Horatio Cummings, Cleopatra

looked o' this fashion? And smelt so?"--he presses the knot of

artificial flowers to his moustache--"Pah!" He tosses the hat on the

sofa and walks away.

_Cummings._--"Bartlett, this is atrocious. I protest"--

_Bartlett._--"Well, give me up, I tell you." He returns, and takes his

friend by the shoulders, as before, and laughs. "I'm not worth your

refined pains. I might be good, at a pinch, but I never could be truly

lady-like."

_Cummings._--"You like to speak an infinite deal of nothing, don't

you?"

_Bartlett._--"It's the only thing that makes conversation." As he

releases Cummings, and turns away from him, in the doorway he confronts

an elderly gentleman, whose white hair and white moustache give

distinction to his handsome florid face. There is something military in

his port, as he stands immoveably erect upon the threshold, his left

hand lodged in the breast of his frock-coat, and his head carried with

an officer-like air of command. His visage grows momently redder and

redder, and his blue eyes blaze upon Bartlett with a fascinated glare

that briefly preludes the burst of fury with which he advances toward

him.

II.

GENERAL WYATT, BARTLETT, _and_ CUMMINGS.

_General Wyatt._--"You infernal scoundrel! What are you doing here?" He

raises his stick at Bartlett, who remains motionlessly frowning in

wrathful bewilderment, his strong hand knotting itself into a fist where

it hangs at his side, while Cummings starts toward them in dismay, with

his hand raised to interpose. "Didn't I tell you if I ever set eyes on

you again, you villain--didn't I warn you that if you ever crossed my

path, you"-- He stops with a violent self-arrest, and lets his stick drop

as he throws up both his hands in amaze. "Good Heavens! It's a mistake!

I beg your pardon, sir; I do, indeed." He lets fall his hands, and

stands staring into Bartlett's face with his illusion apparently not

fully dispelled. "A mistake, sir, a mistake. I was misled, sir, by the

most prodigious resemblance"-- At the sound of voices in the corridor

without, he turns from Bartlett, and starts back toward the door.

_A Voice_, very sweet and weak, without.--"I left them in here, I

think."

_Another Voice._--"You must sit down, Constance, and let me look."

_The First Voice._--"Oh, they'll be here."

_General Wyatt_, in a loud and anxious tone.--"Margaret, Margaret!

Don't bring Constance in here! Go away!" At the moment he reaches the

door by which he came in, two ladies in black enter the parlour by the

other door, the younger leaning weakly on the arm of the elder, and with

a languidly drooping head letting her eyes rove listlessly about over

the chairs and sofas. With an abrupt start at sight of Bartlett, who has

mechanically turned toward them, the elder lady arrests their movement.

III.

MRS. WYATT, CONSTANCE, _and the others_.

_Mrs. Wyatt._--"Oh, in mercy's name!" The young lady wearily lifts her

eyes; they fall upon Bartlett's face, and a low cry parts her lips as

she approaches a pace or two nearer, releasing her arm from her

mother's.

_Constance._--"Ah!" She stops; her thin hands waver before her face, as

if to clear or to obstruct her vision, and all at once she sinks forward

into a little slender heap upon the floor, almost at Bartlett's feet. He

instantly drops upon his knees beside her, and stoops over her to lift

her up.

_Mrs. Wyatt._--"Don't touch her, you cruel wretch! Your touch is poison;

the sight of you is murder!" Kneeling on the other side of her daughter,

she sets both her hands against his breast and pushes him back.

_General Wyatt._--"Margaret, stop! Look! Look at him again! It isn't

_he_!"

_Mrs. Wyatt._--"Not he? Don't tell me! What?" She clutches Bartlett's

arm, and scans his face with dilating eyes. "Oh! it isn't, it isn't! But

go away,--go away, all the same! You may be an innocent man, but she

would perish in your presence. Keep your hands from her, sir! If your

wicked heart is not yet satisfied with your wicked work--Excuse me; I

_don't_ know what I'm saying! But if you have any pity in your faithless

soul--I--oh, _speak_ for me, James, and send him--implore him to go

away!" She bows her face over her daughter's pale visage, and sobs.

_General Wyatt._--"Sir, you must pardon us, and have the great

goodness to be patient. You have a right to feel yourself aggrieved by

what has happened, but no wrong is meant,--no offence. You must be so

kind as to go away. I will make you all the needed apologies and

explanations." He stoops over his daughter, as Bartlett, in a sort of

daze, rises from his knees and retires a few steps. "I beg your pardon,

sir,"--addressing himself to Cummings,--"will you help me a moment?"

Cummings, with delicate sympathy and tenderness, lifts the arms of the

insensible girl to her father's neck, and assists the General to rise

with his burden. "Thanks! She's hardly heavier, poor child, than a

ghost." The tears stand in his eyes, as he gathers her closer to him and

kisses her wan cheek. "Sir,"--as he moves away he speaks to

Bartlett,--"do me the favour to remain here till I can return to offer

you reparation." He makes a stately effort to bow to Bartlett in leaving

the room, while his wife, who follows with the young lady's hat and

shawl, looks back at the painter with open abhorrence.

IV.

BARTLETT _and_ CUMMINGS.

_Bartlett_, turning to his friend from the retreating group on which he

has kept his eyes steadfastly fixed.--"Where are their keepers?" He is

pale with suppressed rage.

_Cummings._--"Their keepers?"

_Bartlett_, savagely.--"Yes! Have they escaped from them, or is it one

of the new ideas to let lunatics go about the country alone? If that old

fool hadn't dropped his stick, I'd have knocked him over that table in

another instant. And that other old maniac,--what did she mean by

pushing me back in that way? How do you account for this thing,

Cummings? What do you make of it?"

_Cummings._--"I don't know, upon my word. There seems to be some

mystery,--some painful mystery. But the gentleman will be back directly,

I suppose, and"--

_Bartlett_, crushing his hat over his eyes.--"I'll leave you to receive

him and his mystery. I've had enough of both." He moves toward the door.

_Cummings_, detaining him.--"Bartlett, you're surely not going away?"

_Bartlett._--"Yes, I am!"

_Cummings._--"But he'll be here in a moment. He said he would come back

and satisfy the claim which you certainly have to an explanation."

_Bartlett_, furiously.--"Claim? I've a perfect Alabama Claim to an

explanation. He can't satisfy it; he shall not try. It's a little too

much to expect me to be satisfied with anything he can say after what's

passed. Get out of the way, Cummings, or I'll put you on top of the

piano."

_Cummings._--"You may throw me out of the window, if you like, but not

till I've done my best to keep you here. It's a shame, it's a crime to

go away. You talk about lunatics: you're a raving madman, yourself. Have

one glimmer of reason, do; and see what you're about. It's a mistake;

it's a misunderstanding. It's his right, it's your duty, to have it

cleared up. Come, you've a conscience, Bartlett, and a clean one. Don't

give way to your abominable temper. What? You won't stay? Bartlett, I

blush for you!"

_Bartlett._--"Blush unseen, then!" He thrusts Cummings aside and pushes

furiously from the room. Cummings looks into the corridor after him, and

then returns, panting, to the piano, and mechanically rearranges the

things at his feet; he walks nervously away, and takes some turns up and

down the room, looking utterly bewildered, and apparently uncertain

whether to go or stay. But he has decided upon the only course really

open to him by sinking down into one of the armchairs, when General

Wyatt appears at the threshold of the door on the right of the piano.

Cummings rises and comes forward in great embarrassment to meet him.

V.

CUMMINGS _and_ GENERAL WYATT.

_General Wyatt_, with a look of surprise at not seeing Bartlett.--"The

other gentleman"--

_Cummings._--"My friend has gone out. I hope he will return soon. He

has--I hardly know what to say to you, sir. He has done himself great

injustice; but it was natural that under the circumstances"--

_General Wyatt_, with hurt pride.--"Perfectly. I should have lost my

temper, too; but I think I should have waited at the request--the prayer

of an older man. I don't mind his temper; the other villain had _no_

temper. Sir, am I right in addressing you as the Rev. Arthur Cummings?"

_Cummings._--"My name is Arthur Cummings. I am a minister."

_General Wyatt._--"I thought I was not mistaken this time. I heard you

preach last Sunday in Boston; and I know your cousin, Major Cummings of

the 34th Artillery. I am General Wyatt."

_Cummings_, with a start of painful surprise and sympathy.--"General

Wyatt?"

_General Wyatt_, keenly.--"Your cousin has mentioned me to you?"

_Cummings._--"Yes,--oh yes, certainly; certainly, very often, General

Wyatt. But"--endeavouring to recover himself--"your name is known to us

all, and honoured. I--I am glad to see you back; I--understood you were

in Paris."

_General Wyatt_, with fierce defiance.--"I was in Paris three weeks

ago." Some moments of awkward silence ensue, during which General Wyatt

does not relax his angry attitude.

_Cummings_, finally.--"I am sorry my friend is not here to meet you. I

ought to say, in justice to him, that his hasty temper does great wrong

to his heart and judgment."

_General Wyatt._--"Why, yes, sir; so does mine--so does mine."

_Cummings_, with a respectful smile lost upon the General.--"And I know

that he will certainly be grieved in this instance to have yielded to

it."

_General Wyatt_, with sudden meekness.--"I hope so, sir. But I am not

altogether sorry that he has done it. I have not only an explanation but

a request to make,--a very great and strange favour to ask,--and I am

not sure that I should be able to treat him civilly enough throughout an

entire interview to ask it properly." Cummings listens with an air of

attentive respect, but makes, to this strange statement, no response

other than a look of question, while the General pokes about on the

carpet at his feet with the point of his stick for a moment before he

brings it resolutely down upon the floor with a thump, and resumes,

fiercely again: "Sir, your friend is the victim of an extraordinary

resemblance, which is so much more painful to us than we could have made

it to him that I have to struggle with my reason to believe that the

apology should not come from his side rather than mine. He may feel that

we have outraged him, but every look of his, every movement, every tone

of his voice, is a mortal wound, a deadly insult to us. He should not

live, sir, in the same solar system!" The General deals the floor

another stab with his cane, while his eyes burn vindictively upon the

mild brown orbs of Cummings, wide open with astonishment. He falters,

with returning consciousness of his attitude: "I--I beg your pardon,

sir; I am ridiculous." He closes his lips pathetically, and lets fall

his head. When he lifts it again, it is to address Cummings with a

singular gentleness: "I know that I speak to a gentleman."

_Cummings._--"I try to be a good man."

_General Wyatt._--"I had formed that idea of you, sir, in the pulpit.

Will you do me the great kindness to answer a question, personal to

myself, which I must ask?"

_Cummings._--"By all means."

_General Wyatt._--"You spoke of supposing me still in Paris. Are you

aware of any circumstances--painful circumstances--connected with my

presence there? Pardon my asking; I wouldn't press you if I could help."

_Cummings_, with reluctance.--"I had just heard something about--a

letter from a friend"--

_General Wyatt_, bitterly.--"The news has travelled fast. Well, sir, a

curious chance--a pitiless caprice of destiny--connects your friend with

that miserable story." At Cummings's look of amaze: "Through no fault of

his, sir; through no fault of his. Sir, I shall not seem to obtrude my

trouble unjustifiably upon you when I tell you how; you will see that it

was necessary for me to speak. I am glad you already know something of

the affair, and I am sure that you will regard what I have to say with

the right feeling of a gentleman,--of, as you say, a good man."

_Cummings._--"Whatever you think necessary to say to me shall be sacred.

But I hope you won't feel that it is necessary to say anything more. I

am confident that when my friend has your assurance from me that what

has happened is the result of a distressing association"--

_General Wyatt._--"I thank you, sir. But something more is due to him;

how much more you shall judge. Something more is due to us: I wish to

preserve the appearance of sanity, in his eyes and your own.

Nevertheless"--the General's tone and bearing perceptibly stiffen--"if

you are reluctant"--

_Cummings_, with reverent cordiality.--"General Wyatt, I shall feel

deeply honoured by whatever confidence you repose in me. I need not say

how dear your fame is to us all." General Wyatt, visibly moved, bows to

the young minister. "It was only on your account that I hesitated."

_General Wyatt._--"Thanks. I understand. I will be explicit, but I will

try to be brief. Your friend bears this striking, this painful

resemblance to the man who has brought this blight upon us all; yes,

sir,"--at Cummings's look of deprecation,--"to a scoundrel whom I hardly

know how to characterise aright--in the presence of a clergyman. Two

years ago--doubtless your correspondent has written--my wife and

daughter (they were then abroad without me) met him in Paris; and he won

the poor child's affection. My wife's judgment was also swayed in his

favour,--against her first impulse of distrust; but when I saw him, I

could not endure him. Yet I was helpless: my girl's happiness was bound

up in him; all that I could do was to insist upon delay. He was an

American, well related, unobjectionable by all the tests which society

can apply, and I might have had to wait long for the proofs that an

accident gave me against him. The man's whole soul was rotten; at the

time he had wound himself into my poor girl's innocent heart, a woman

was living who had the just and perhaps the legal claim of a wife upon

him; he was a felon besides,--a felon shielded through pity for his

friends by the man whose name he had forged; he was of course a liar and

a coward: I beat him with my stick, sir. Ah! I made him confess his

infamy under his own hand, and then"--the General advances defiantly

upon Cummings, who unconsciously retires a pace--"and then I compelled

him to break with my daughter. Do you think I did right?"

_Cummings._--"I don't exactly understand."

_General Wyatt._--"Why, sir, it happens often enough in this shabby

world that a man gains a poor girl's love, and then jilts her. I chose

what I thought the less terrible sorrow for my child. I could not tell

her how filthily unworthy he was without bringing to her pure heart a

sense of intolerable contamination; I could not endure to speak of it

even to my wife. It seemed better that they should both suffer such

wrong as a broken engagement might bring them than that they should know

what I knew. He was master of the part, and played it well; he showed

himself to them simply a heartless scoundrel, and he remains in my

power, an outcast now and a convict whenever I will. My story, as it

seems to be, is well known in Paris; but the worst is unknown. I choose

still that it shall be thought my girl was the victim of a dastardly

slight, and I bear with her and her mother the insolent pity with which

the world visits such sorrow." He pauses, and then brokenly resumes:

"The affair has not turned out as I hoped, in the little I could hope

from it. My trust that the blow, which must sink so deeply into her

heart, would touch her pride, and that this would help her to react

against it, was mistaken. In such things it appears a woman has no

pride; I did not know it; we men are different. The blow crushed her;

that was all. Sometimes I am afraid that I must yet try the effect of

the whole truth upon her; that I must try if the knowledge of all his

baseness cannot restore to her the self-respect which the wrong done

herself seems to have robbed her of. And yet I tremble lest the sense of

his fouler shame--I may be fatally temporising; but in her present

state, I dread any new shock for her; it may be death--I"-- He pauses

again, and sets his lips firmly; all at once he breaks into a sob. "I--I

beg your pardon, sir."

_Cummings._--"Don't! You wrong yourself and me. I have seen Miss Wyatt;

but I hope"--

_General Wyatt._--"You have seen her ghost. You have not seen the

radiant creature that was once alive. Well, sir; enough of this. There

is little left to trouble you with. We landed eight days ago, and I have

since been looking about for some place in which my daughter could hide

herself; I can't otherwise suggest her morbid sensitiveness, her terror

of people. This region was highly commended to me for its healthfulness;

but I have come upon this house by chance. I understood that it was

empty, and I thought it more than probable that we might pass the autumn

months here unmolested by the presence of any one belonging to our

world, if not in entire seclusion. At the best, my daughter would hardly

have been able to endure another change at once; so far as anything

could give her pleasure, the beauty and the wild quiet of the region had

pleased her, but she is now quite prostrated, sir,"--

_Cummings_, definitively.--"My friend will go away at once. There is

nothing else for it."

_General Wyatt._--"That is too much to ask."

_Cummings._--"I won't conceal my belief that he will think so. But there

can be no question with him when"--

_General Wyatt._--"When you tell him our story?" After a moment: "Yes,

he has a right to know it--as the rest of the world knows it. You must

tell him, sir."

_Cummings_, gently.--"No, he need know nothing beyond the fact of this

resemblance to some one painfully associated with your past lives. He is

a man whose real tenderness of heart would revolt from knowledge that

could inflict further sorrow upon you."

_General Wyatt._--"Sir, will you convey to this friend of yours an old

man's very humble apology, and sincere prayer for his forgiveness?"

_Cummings._--"He will not exact anything of that sort. The evidence of

misunderstanding will be clear to him at a word from me."

_General Wyatt._--"But he has a right to this explanation from my own

lips, and-- Sir, I am culpably weak. But now that I have missed seeing

him here, I confess that I would willingly avoid meeting him. The mere

sound of his voice, as I heard it before I saw him, in first coming upon

you, was enough to madden me. Can you excuse my senseless dereliction to

him?"

_Cummings._--"I will answer for him."

_General Wyatt._--"Thanks. It seems monstrous that I should be asking

and accepting these great favours. But you are doing a deed of charity

to a helpless man utterly beggared in pride." He chokes with emotion,

and does not speak for a moment. "Your friend is also--he is not also--a

clergyman?"

_Cummings_, smiling.--"No. He is a painter."

_General Wyatt._--"Is he a man of note? Successful in his profession?"

_Cummings._--"Not yet. But that is certain to come."

_General Wyatt._--"He is poor?"

_Cummings._--"He is a young painter."

_General Wyatt._--"Sir, excuse me. Had he planned to remain here some

time yet?"

_Cummings_, reluctantly.--"He has been sketching here. He had expected

to stay through October."

_General Wyatt._--"You make the sacrifice hard to accept--I beg your

pardon! But I must accept it. I am bound hand and foot."

_Cummings._--"I am sorry to have been obliged to tell you this."

_General Wyatt._--"I obliged you, sir; I obliged you. Give me your

advice, sir; you know your friend. What shall I do? I am not rich. I

don't belong to a branch of the government service in which people

enrich themselves. But I have my pay; and if your friend could sell me

the pictures he's been painting here"--

_Cummings._--"That's quite impossible. There is no form in which I could

propose such a thing to a man of his generous pride."

_General Wyatt._--"Well, then, sir, I must satisfy myself as I can to

remain his debtor. Will you kindly undertake to tell him?"

_An Elderly Serving-Woman_, who appears timidly and anxiously at the

right-hand door.--"General Wyatt."

_General Wyatt_, with a start.--"Yes, Mary! Well?"

_Mary_, in vanishing.--"Mrs. Wyatt wishes to speak with you."

_General Wyatt_, going up to Cummings.-- "I must go, sir. I leave unsaid

what I cannot even try to say." He offers his hand.

_Cummings_, grasping the proffered hand.--"Everything is understood."

But as Mr. Cummings returns from following General Wyatt to the door,

his face does not confirm the entire security of his words. He looks

anxious and perturbed, and when he has taken up his hat and stick, he

stands pondering absent-mindedly. At last he puts on his hat and starts

briskly toward the door. Before he reaches it, he encounters Bartlett,

who advances abruptly into the room. "Oh! I was going to look for you."

VI.

CUMMINGS _and_ BARTLETT.

_Bartlett_, sulkily.--"Were you?" He walks, without looking at Cummings,

to where his painter's paraphernalia are lying, and begins to pick them

up.

_Cummings._--"Yes." In great embarrassment: "Bartlett, General Wyatt has

been here."

_Bartlett_, without looking round.--"Who is General Wyatt?"

_Cummings._--"I mean the gentleman who--whom you wouldn't wait to see."

_Bartlett._--"Um!" He has gathered the things into his arms, and is

about to leave the room.

_Cummings_, in great distress.--"Bartlett, Bartlett! Don't go! I

implore you, if you have any regard for me whatever, to hear what I have

to say. It's boyish, it's cruel, it's cowardly to behave as you're

doing!"

_Bartlett._--"Anything more, Mr. Cummings? I give you benefit of

clergy."

_Cummings._--"I take it--to denounce your proceeding as something that

you'll always be sorry for and ashamed of."

_Bartlett._--"Oh! Then, if you have quite freed your mind, I think I may

go."

_Cummings._--"No, no! You mustn't go. Don't go, my dear fellow. Forgive

me! I know how insulted you feel, but upon my soul it's all a

mistake,--it is, indeed. General Wyatt"--Bartlett falters a moment and

stands as if irresolute whether to stay and listen or push on out of the

room--"the young lady--I don't know how to begin!"

_Bartlett_, relenting a little.--"Well? I'm sorry for _you_, Cummings. I

left a very awkward business to you, and it wasn't yours either. As for

General Wyatt, as he chooses to call himself"--

_Cummings_, in amaze.--"_Call_ himself? It's his _name_!"

_Bartlett._--"Oh, very likely! So is King David his name, when he

happens to be in a Scriptural craze. What explanation have you been

commissioned to make me? What apology?"

_Cummings._--"The most definite, the most satisfactory. You resemble in

a most extraordinary manner a man who has inflicted an abominable wrong

upon these people, a treacherous and cowardly villain"--

_Bartlett_, in a burst of fury.--"Stop! Is that your idea of an apology,

an explanation? Isn't it enough that I should be threatened, and

vilified, and have people fainting at the sight of me, but I must be

told by way of reparation that it all happens because I look like a

rascal?"

_Cummings._--"My dear friend! Do listen to me!"

_Bartlett._--"No, sir, I won't listen to you! I've listened too much!

What right, I should like to know, have they to find this resemblance in

me? And do they suppose that I'm going to be placated by being told that

they treat me like a rogue because I look like one? It is a little too

much. A man calls 'Stop thief' after me and expects me to be delighted

when he tells me I look like a thief! The reparation is an additional

insult. I don't choose to know that they fancy this infamous resemblance

in me. Their pretending it is an outrage; and your reporting it to me is

an offence. Will you tell them what I say? Will you tell this General

Wyatt and the rest of his Bedlam-broke-loose, that they may all go to

the"--

_Cummings._--"For shame, for shame! You outrage a terrible sorrow! You

insult a trouble sore to death! You trample upon, an anguish that should

be sacred to your tears!"

_Bartlett_, resting his elbow on the corner of the piano.--"What--what

do you mean, Cummings?"

_Cummings._--"What do I mean? What you are not worthy to know! I mean

that these people, against whom you vent your stupid rage, are worthy of

angelic pity. I mean that by some disastrous mischance you resemble to

the life, in tone, manner, and feature, the wretch who won that poor

girl's heart, and then crushed it; who--Bartlett, look here! These are

the people--this is the young lady--of whom my friend wrote me from

Paris: do you understand?"

_Bartlett_, in a dull bewilderment.--"No, I don't understand."

_Cummings._--"Why, you know what we were talking of just before they

came in: you know what I told you of that cruel business."

_Bartlett._--"Well?"

_Cummings._--"Well, this is the young lady"--

_Bartlett_, dauntedly.--"Oh, come now! You don't expect me to believe

that! It isn't a stage-play."

_Cummings._--"Indeed, indeed, I tell you the miserable truth."

_Bartlett._--"Do you mean to say that _this_ is the young girl who was

jilted in that way? Who--Do you mean-- Do you intend to tell me-- Do you

suppose--Cummings"--

_Cummings._--"Yes, yes, yes!"

_Bartlett._--"Why, man, she's in Paris, according to your own showing!"

_Cummings._--"She was in Paris three weeks ago. They have just brought

her home, to help her hide her suffering, as if it were her shame, from

all who know it. They are in this house by chance, but they are here. I

mean what I say. You _must_ believe it, shocking and wild as it is."

_Bartlett_, after a prolonged silence in which he seems trying to

realise the fact.--"If you were a man capable of such a ghastly

joke--but that's impossible." He is silent again, as before. "And

I-- What did you say about me? That I look like a man who"-- He stops and

stares into Cummings's face without speaking, as if he were trying to

puzzle the mystery out; then, with fallen head, he muses in a voice of

devout and reverent tenderness: "That--that--broken--lily! Oh!" With a

sudden start he flings his burden upon the closed piano, whose hidden

strings hum with the blow, and advances upon Cummings: "And you can

_tell_ it? Shame on _you_! It ought to be known to no one upon earth!

And you--you show that gentle creature's death-wound to teach something

like human reason to a surly dog like me? Oh, it's monstrous! I _wasn't_

worth it. Better have let me go, where I would, how I would. What did it

matter what I thought or said? And I--I look like that devil, do I? I

have his voice, his face, his movement? Cummings, you've over-avenged

yourself."

_Cummings._--"Don't take it that way, Bartlett. It _is_ hideous. But I

didn't make it so, nor you. It's a fatality, it's a hateful chance. But

you see now, don't you, Bartlett, how the sight of you must affect them,

and how anxious her father must be to avoid you? He most humbly asked

your forgiveness, and he hardly knew how to ask that you would not let

her see you again. But I told him there could be no question with you;

that of course you would prevent it, and at once. I know it's a great

sacrifice to expect you to go"--

_Bartlett._--"Go? What are you talking about?" He breaks again from the

daze into which he had relapsed. "If there's a hole on the face of the

earth where I can hide myself from them, I want to find it. What do you

think I'm made of? Go? I ought to be shot away out of a mortar; I ought

to be struck away by lightning! Oh, I can't excuse you, Cummings! The

indelicacy, the brutality of telling me that! No, no,--I can't overlook

it." He shakes his head and walks away from his friend; then he returns,

and bends on him a look of curious inquiry. "Am I really such a

ruffian"--he speaks very gently, almost meekly, now--"that you didn't

believe anything short of that would bring me to my senses? Who told you

this of her?"

_Cummings._--"Her father."

_Bartlett._--"Oh, that's too loathsome! Had the man no soul, no mercy?

Did he think me such a consummate beast that nothing less would drive me

away? Yes, he did! Yes, I made him think so! Oh!" He hangs his head and

walks away with a shudder.

_Cummings._--"I don't know that he did you that injustice; but I'm

afraid _I_ did. I was at my wits' end."

_Bartlett_, very humbly.--"Oh, I don't know that you were wrong."

_Cummings._--"I suppose that his anxiety for her life made it

comparatively easy for him to speak of the hurt to her pride. She can't

be long for this world."

_Bartlett._--"No, she had the dying look!" After a long pause, in which

he has continued to wander aimlessly about the room: "Cummings, is it

necessary that you should tell him you told me?"

_Cummings._--"You know I hate concealments of any kind, Bartlett."

_Bartlett._--"Oh, well; do it then!"

_Cummings._--"But I don't know that we shall see him again; and even if

we do, I don't see how I can tell him unless he asks. It's rather

painful."

_Bartlett._--"Well, take that little sin on your conscience if you can.

It seems to me too ghastly that I should know what you've told me; it's

indecent. Cummings,"--after another pause,--"how does a man go about

such a thing? How does he contrive to tell the woman whose heart he has

won that he doesn't care for her, and break the faith that she would

have staked her life on? Oh, I know,--women do such things, too; but

it's different, by a whole world's difference. A man comes and a man

goes, but a woman _stays_. The world is before him after that happens,

and we don't think him much of a man if he can't get over it. But she,

she has been sought out; she has been made to believe that her smile and

her looks are heaven, poor, foolish, helpless idol! her fears have been

laid, all her pretty maidenly traditions, her proud reserves overcome;

she takes him into her inmost soul,--to find that his love is a lie, a

lie! Imagine it! She can't do anything. She can't speak. She can't move

as long as she lives. She must stay where she has been left, and look

and act as if nothing had happened. Oh, good Heaven! And I, _I_ look

like a man who could do that!" After a silence: "I feel as if there were

blood on me!" He goes to the piano, and gathering up his things turns

about towards Cummings again: "Come, man; I'm going. It's sacrilege to

stay an instant,--to exist."

_Cummings._--"Don't take it in that way, Bartlett. I blame myself very

much for not having spared you in what I said. I wouldn't have told you

of it, if I could have supposed that an accidental resemblance of the

sort would distress you so."

_Bartlett_, contritely.--"You had to tell me. I forced you to extreme

measures. I'm quite worthy to look like him. Good Lord! I suppose I

should be capable of his work." He moves towards the door with his

burden, but before he reaches it General Wyatt, from the corridor, meets

him with an air of confused agitation. Bartlett halts awkwardly, and

some of the things slip from his hold to the floor.

VII.

GENERAL WYATT, CUMMINGS, _and_ BARTLETT.

_General Wyatt._--"Sir, I am glad to see you." He pronounces the

civility with a manner evidently affected by the effort to reconcile

Bartlett's offensive personal appearance with his own sense of

duty. "I--I was sorry to miss you before; and now I wish-- Your

friend"--referring with an inquiring glance to Cummings--"has explained

to you the cause of our very extraordinary behaviour, and I hope you"--

_Bartlett._--"Mr. Cummings has told me that I have the misfortune to

resemble some one with whom you have painful associations. That is quite

enough, and entirely justifies you. I am going at once, and I trust you

will forgive my rudeness in absenting myself a moment ago. I have a bad

temper; but I never could forgive myself if I had forced my friend"--he

turns and glares warningly at Cummings, who makes a faint pantomime of

conscientious protest as Bartlett proceeds--"to hear anything more than

the mere fact from you. No, no,"--as General Wyatt seems about to

speak,--"it would be atrocious in me to seek to go behind it. I wish to

know nothing more." Cummings gives signs of extreme unrest at being made

a party to this tacit deception, and General Wyatt, striking his palms

hopelessly together, walks to the other end of the room. Bartlett

touches the fallen camp-stool with his foot. "Cummings, will you be kind

enough to put that on top of this other rubbish?" He indicates his

armful, and as Cummings complies, he says in a swift fierce whisper:

"Her secret is mine. If you dare to hint that you've told it to me,

I'll--I'll assault you in your own pulpit." Then to General Wyatt, who

is returning toward him: "Good-morning, sir."

A Counterfeit Presentment; and, The Parlour Car · 第 1 / 8 段