LETTER XXXIII.

Rehearsal of Seguidillas.--Evening scene.--Crowds of

beggars.--Royal charity misplaced.--Mendicant flattery.--Frightful

countenances.--Performance at the Salitri theatre.--Countess of

Pombeiro and her dwarf negresses.--A strange ballet.--Return to the

Palace.--Supper at the Camareira Mor’s.--Filial affection.--Last

interview with the Archbishop.--Fatal tide of events.--Heart-felt

regret on leaving Portugal.

Sunday, November 25th, 1787.

What a morning for the 25th of November! The sun shining most

brilliantly, insects fluttering about, and flowers expanding--the late

rains having called forth a second spring, and tinted the hills round

Almada, on the opposite shore of the Tagus, with a lively green.

I breakfasted alone, Verdeil being gone to St. Roch’s, to see the

ceremony of publishing the bull of the Crusade, which allows good

Christians to eat eggs and butter during Lent, upon paying his holiness

a few shillings. I stayed at home, hearing a rehearsal of Seguidillas,

in preparation for a new intermez at the Salitri theatre, till the hour

of mass was over, then getting into the Portuguese chaise, drove

headlong to the palace in the Placa do Commercio, and hastened to the

Marquis of M----’s apartments. All his family were assembled to dine

with him.

Had it not been for the thoughts of my approaching departure, I should

have felt more comfort and happiness than has fallen to my lot for a

long interval. M----, whose attendance on the Queen may be too justly

termed a state of downright slavery, had hardly taken his place at

table, before he was called away. The Marchioness, Donna Henriquetta,

and her little sister, soon retreated to the Camareira-Mor’s apartments,

and I was left alone with Pedro and Duarte. They seized fast hold, each

of a hand, and running like greyhounds through long corridors, took me

to a balcony which commands one of the greatest thoroughfares in Lisbon.

The evening was delightful, and vast crowds of people moving about, of

all degrees and nations, old and young, active and crippled, monks and

officers. Shoals of beggars kept pouring in from every quarter to take

their stands at the gates of the palace and watch the Queen’s going out;

for her Majesty is a most indulgent mother to these sturdy sons of

idleness, and scarcely ever steps into her carriage without distributing

considerable alms amongst them. By this misplaced charity, hundreds of

stout fellows are taught the management of a crutch instead of a musket,

and the art of manufacturing sores, ulcers, and scabby pates, in the

most loathsome perfection. Duarte, who is all life and gaiety, vaulted

upon the railing of the balcony, and hung for a moment or two suspended

in a manner that would have frightened mothers and nurses into

convulsions. The beggars, who had nothing to do till her Majesty should

be forthcoming, seemed to be vastly entertained with these feats of

agility.

They soon spied me out, and two brawny lubbers, whom an unfortunate

combination of smallpox and king’s-evil had deprived of eye-sight,

informed, no doubt, by their comrades of what was going forward, began a

curious dialogue with voices still deeper and harsher than those of the

holy crows:--“Heaven prosper their noble excellencies, Don Duarte Manoel

and Don Pedro, and all the Marialvas--sweet dear youths, long may they

be blessed with the use of their eyes and of all their limbs! Is that

the charitable Englishman in their sweet company?”--“Yes, my comrade,”

answered the second blind.--“What!” said the first, “that generous

favourite of the most glorious Lord St. Anthony? (O gloriosissimo Senhor

Sant-Antonio!)”--“Yes, my comrade.”--“O that I had but my precious eyes,

that I might enjoy the sight of his countenance!” exclaimed both

together.

By the time the duet was thus far advanced, the halt, the maimed, and

the scabby, having tied some greasy nightcaps to the end of long poles,

poked them up through the very railing, bawling and roaring out charity,

“charity for the sake of the holy one of Lisbon.” Never was I looked up

to by a more distorted or frightful collection of countenances. I made

haste to throw down a plentiful shower of small copper money, or else

Duarte would have twitched away both poles and nightcaps, a frolic by no

means to be encouraged, as it might have marred our fame for the

readiest and most polite attention to every demand in the name of St.

Anthony.

Just as the orators were receiving their portion of pence and farthings,

a cry of “There’s the Queen, there’s the Princess!” carried the whole

hideous crowd away to another scene of action, and left me at full

liberty to be amused in my turn with the squirrel-like gambols of my

lively companion; he is really a fine enterprising boy, bold, alert, and

sprightly; quite different from most of his illustrious young relations.

Don Pedro by no means approved my English partiality to such active

feats, and after scolding his cousin for skipping about in so hazardous

a style, entreated me to take them to the Salitri theatre, where a box

had been prepared for us by his father’s orders. Upon the whole, I was

better entertained than I expected, though the performance lasted above

four hours and a half, from seven to near twelve. It consisted of a

ranting prose tragedy, in three acts, called Sesostris, two ballets, a

pastoral, and a farce. The decorations were not amiss, and the dresses

showy. A shambling, blear-eyed boy, bundled out in weeds of the deepest

sable, squeaked and bellowed alternately the part of a widowed

princess. Another hob-e-di-hoy, tottering on high-heeled shoes,

represented her Egyptian majesty, and warbled two airs with all the

nauseous sweetness of a fluted falsetto. Though I could have boxed his

ears for surfeiting mine so filthily, the audience were of a very

different opinion, and were quite enthusiastic in their applause.

In the stage-box I observed the mincing Countess of Pombeiro, whose

light hair and waxen complexion was finely contrasted by the ebon hue of

two little negro attendants perched on each side of her. It is the high

tone at present in this court to be surrounded by African implings, the

more hideous, the more prized, and to bedizen them in the most expensive

manner. The Queen has set the example, and the royal family vie with

each other in spoiling and caressing Donna Rosa, her Majesty’s

black-skinned, blubber-lipped, flat-nosed favourite.

One of the ballets was admirably got up; upon the rising of the curtain,

a strange cabalistic apartment is discovered, where an astrologer

appears very busy at a table covered with spheres and astrolabes,

arranging certain mysterious images, and pinking their eyes with a

gigantic pair of black compasses. A sort of Pierrot announces some

inquisitive travellers, who enter with many bows and scrapings. One of

them, the chief of the party, an old dapper beau in pink and silver,

reminded me very much of the Duke d’Alafoens, and sidled along and

tossed his cane about, and seemed to ask questions without waiting for

answers, with as good a grace as that janty general. The astrologer,

after explaining the wonders of his apartment with many pantomimical

contortions, invites his company to follow him, and the scene changes to

a long gallery, illuminated with a profusion of lights in gilt branches.

The perspective ends in a flight of steps, upon each of which stands a

row of figures, pantaloons, harlequins, sultans, sultanas, Indian

chiefs, devils, and savages, to all appearance motionless. Pierrot

brings in a machine like a hand-organ, and his master begins to grind,

the music accompanying. At the first chord, down drop the arms of all

the figures; at the second, each rank descends a step, and so on, till

gaining the level of the stage, and the astrologer grinding faster and

faster, the supposed clock-work-assembly begin a general dance.

Their ballet ended, the same accords are repeated, and all hop up in the

same stiff manner they hopped down. The travellers, highly pleased with

the show, depart; Pierrot, who longs to be grinding, persuades his

master to take a walk, and leave him in possession of the gallery. He

consents; but enjoins the gaping oaf upon no account to meddle with the

machine, or set the figures in motion. Vain are his directions! no

sooner has he turned his back than Pierrot goes to work with all his

strength; the figures fall a shaking as if on the point of disjoining

themselves; creak, crack, grinds the machine with horrid harshness;

legs, arms, and noddles are thrown into convulsions, three steps are

jumped at once. Pierrot, frightened out of his senses at the goggle-eyed

crowd advancing upon him, clings close to the machine and gives the

handle no respite. The music, too, degenerates into the most jarring,

screaking sounds, and the figures knocking against each other, and

whirling round and round in utter confusion, fall flat upon the stage.

Pierrot runs from group to group in rueful despair, tries in vain to

reanimate them, and at length losing all patience, throws one over the

other, and heaps sultanas upon savages, and shepherds upon devilkins.

Most of these personages being represented by boys of twelve or thirteen

were easily wielded. After Pierrot has finished tossing and tumbling, he

drops down exhausted and lies as dead as his neighbours, hoping to

escape unnoticed amongst them. But this subterfuge avails him not; in

comes the astrologer armed with his compasses; back he starts at sight

of the confounded jumble. Pierrot pays for it all, is soon drawn forth

from his lurking-place, and the astrologer grinding in a moderate and

scientific manner, the figures lift themselves up, and returning all in

_status quo_, the ballet finishes.

Shall I confess that this nonsense amused me pretty nearly as much as it

did my companions, whose raptures were only exceeded by those of madame

de Pombeiro’s implings. They, sweet, sooty innocents, kept gibbering and

pointing at the man with the black compasses in a manner so completely

African and ludicrous, that I thought their contortions the best part

of the entertainment.

The play ended, we hastened back to the palace, and traversing a number

of dark vestibules and guard-chambers, (all of a snore with jaded

equerries,) were almost blinded with a blaze of light from the room in

which supper was served up. There we found in addition to all the

Marialvas, the old marquis only excepted, the Camareira-mor, and five or

six other hags of supreme quality, feeding like cormorants upon a

variety of high-coloured and high-seasoned dishes. I suppose the keen

air from the Tagus, which blows right into the palace-windows, operates

as a powerful whet, for I never beheld eaters or eateresses, no not even

our old acquaintance madame la Présidente at Paris, lay about them with

greater intrepidity. To be sure, it was a splendid repast, quite a

banquet. We had manjar branco and manjar real, and among other good

things a certain preparation of rice and chicken, which suited me

exactly, and no wonder, for this excellent mess had been just tossed up

by Donna Isabel de Castro with her own illustrious hands, in a nice

little kitchen adjoining the queen’s apartment, in which all the

utensils are of solid silver.

The number of lights upon the table, and of attendants and pages in rich

uniforms around it, was prodigious; but what interested me far more than

all this parade, was the sportive good-humour and frankness of the

company. How it happened that the presence of a stranger failed to

inspire any reserve, is one of those odd circumstances I can hardly

account for; especially as the higher orders of the Portuguese are the

farthest removed of all persons from admitting any but their nearest

relations to these family parties; but so it was, and I felt both

flattered and gratified at being permitted to witness the ease and

hilarity which prevailed.

The dutiful, affectionate attention of the younger part of the company

to their parents was truly amiable; nor do I believe that, at this day

in any other realm in Europe, the sacred precept of honouring your

father and your mother is so cordially observed as in Portugal. Happy

if, in our intercourse with that nation, we had profited in that respect

by their example; the peace of so many of our noblest families would

not have been disturbed by the lowest connexions, nor their best blood

contaminated by matches of the most immoral, degrading tendency. We

should not have seen one year a performer acting the part of lady this

or lady t’other upon the stage, and the next in the drawing-room; nor,

upon entering some of our principal houses, have been tempted to cry

out--“Bless me! that lovely countenance is the same I recollect adoring

by moonlight on the fine broad flagstones of Bond Street or Portland

Place!”[24]

It was now after two in the morning, and I must own, notwithstanding the

good cheer of which I had participated, and the kind entertainment I had

received, I began to feel a little tired. The children were in such

spirits, so full of frolic, and her sublimity, the Camareira-mor, so

unusually tolerant and condescending, that there was no knowing when

the party would break up. Taking, therefore, my leave in due form, I

made my retreat escorted by half-a-dozen torch-bearers.

Just as I had gotten about half-way on my journey through what appeared

to me interminable passages, I was arrested in my progress by a pair of

dominicans, father Rocha, and his scarecrow satellite frè Josè do

Rosario. A person less accustomed than I had lately been to such

apparitions would have been startled; especially, too, if he had found

himself like me between the most formidable living pillars of the holy

inquisition.

“What are you doing here so very late,” I could not help exclaiming, “my

reverend fathers? What’s the matter?”

“The matter is,” answered Rocha, with a voice of terrific hoarseness,

“that we have caught cold waiting for you in these confounded corridors.

The archbishop, above half-an-hour ago, commanded us to bring you to him

dead or alive; but a rascally jackanapes in waiting upon her excellency

the Camareira-mor would not let us in to deliver our message, so we

have been airing ourselves hitherto to no purpose.”

“Do you know,” said Rocha, taking me into a little room where a lamp was

still burning, “that affairs do not go on so smoothly as they ought? The

archbishop seems to have lost both time and temper since he has been

pressed into the cabinet; and, as for the Prince of Brazil and his

consort, God forgive me for wishing their advisers and all their

intrigues in the lowest abyss of perdition. How can you be scheming a

journey to Madrid at this season? The floods are out, and the robbers

also, and I tell you what, as the archbishop says twenty times a day, if

you do go you deserve to be drowned and murdered.”

“The die is cast,” I replied, “and I must take my chance; but really I

wish you would have the goodness to bid the archbishop a very good night

in my name, and let me put off asking his benediction till to-morrow,

for I am quite jaded.”

“Jaded or not,” answered the monk, “you must come with me; the wind is

up in the archbishop’s brain just at this moment, and by the least

contradiction more would become a hurricane.”

Finding resistance vain, I suffered myself to be conducted through two

or three open courts, very refreshing at this hour you may suppose, and

up a little staircase into the archbishop’s interior cabinet. All was

still as death--no lay-brother bustling about--no sound audible but a

low breathing, which now and then swelled into a half suppressed groan,

from the agitated prelate, whom we found knee-deep in papers, immersed

in thought.

“So,” said he, “there you are at last. What have you been doing all this

while? Who but a brute of an Englishman would have kept me waiting. Ay,

ay, you told me how it would be, and you are right. They plague my soul

out. We have twenty rascals pulling as many ways. Your people too are

not what they used to be, though Mello would make us believe to the

contrary. One thing I know for certain, some infernal mischief is

afloat, and unless God’s grace is speedily manifested, I see no end to

confusion, and wish myself anywhere but where I am. These

smooth-tongued, Frenchified, Italian, Voltaireists and encyclopedians

have poisoned all sound doctrine. Ay,” continued he, rising up, with an

expression of indignation and anger I never saw before on his

countenance, “somebody’s ears[25] are poisoned whom I could name.... But

where is the use of talking to you? You are determined to leave us, be

it so. God’s providence is above all. He knows what is best for you, and

for me, and for these kingdoms. There is your passport, countersigned by

your friend Mello; and here is a letter for Lorenzana, and another for

his catholic majesty’s confessor, in which I tell him what an amazing

fool you are, and unless you continue one without any remission, we

shall soon have you back again. Tell Marialva,” he added, addressing

himself to Rocha (for the other father had not been admitted), “tell

Marialva and all his friends that I have dried up my tongue almost more

times than one, in attempting to argue a thousand silly whimsies and

crotchets out of his harum-scarum English brain; but come,” said he,

extending his arms, “I bear no malice, I pity, I do not condemn. Let me

give you an embrace, and pray God it may not be the last you will

receive from me.”

It was, alas! the last I ever received from him, poor, honest-hearted,

kind old man! A sort of melancholy foreboding which seemed to pervade

all he said in this interview was too soon realized. The fatal tide of

events flowing on as it were with redoubled, tremendous velocity, swept

away in the course of a few short months from this period the Prince of

Brazil, the lovely and amiable infanta his sister, her husband Don

Gabriel of Spain, and the good old King Charles the Third. Not long

after, the archbishop-confessor himself was called from the plenitude of

power and the enjoyment of unrivalled influence to the presence of that

Being in whose sight “no man living shall be justified;” but as in many

trying and peculiar instances he had shown the tenderest mercy, it may

tremblingly be hoped that mercy has been shown to him. Notwithstanding

the bluntness of his manner, the kindness of his heart, so apparent in

his good-humoured, benevolent eye, found its way, almost imperceptibly

to himself, to the hearts of others, and tempered the despotic roughness

he sometimes assumed both in voice and gesture.

I still seem to behold the last, earnest, solemn look he gave me when,

the door closing, he retired to the cares of state, and I with my escort

of torch-bearers and dominicans hastened forth to breathe the open air,

of which I stood greatly in need. Many things I had heard, and many

others I conjectured, above all, the reluctance I felt at the bottom of

my heart to leave a country in which I had received such uncommon marks

of friendship, bore heavily upon me. When I got home, scarcely two hours

before daybreak, and tried to compose myself to sleep, I was neither

refreshed nor recruited, but experienced the agitation of feverish and

broken slumbers.

Italy; with sketches of Spain and Portugal · 第 238 / 262 题