LETTER V.

M. de Viloison and his attendant Laplander.--Drawings of ancient

Venetian costume in one of the Gradanigo palaces.--Titian’s

master-piece in the church of San Giovanni e Paolo.--The distant

Euganean hills.

August 18, 1780.

It rains; the air is refreshed and I have courage to resume my pen,

which the sultry weather had forced to lie dormant so long. I like this

odd town of Venice, and find every day some new amusement in rambling

about its innumerable canals and alleys. Sometimes I pry about the great

church of Saint Mark, and examine the variety of marbles and mazes of

delicate sculpture with which it is covered. The cupola, glittering with

gold, mosaic, and paintings of half the wonders in the Apocalypse, never

fails to transport me to the period of the Eastern empire. I think

myself in Constantinople, and expect Michael Paleologus with all his

train. One circumstance alone prevents my observing half the treasures

of the place, and holds down my fancy just springing into the air: I

mean the vile stench which exhales from every recess and corner of the

edifice, and which all the incense of the altars cannot subdue.

When no longer able to endure this noxious atmosphere, I run up the

Campanile in the piazza, and seating myself amongst the pillars of the

gallery, breathe the fresh gales which blow from the Adriatic; survey at

my leisure all Venice beneath me, with its azure sea, white sails, and

long tracks of islands shining in the sun. Having thus laid in a

provision of wholesome breezes, I brave the vapours of the canals, and

venture into the most curious and murky quarters of the city, in search

of Turks and Infidels, that I may ask as many questions as I please

about Cairo and Damascus.

Asiatics find Venice very much to their taste, and all those I conversed

with allowed its customs and style of living had a good deal of

conformity to their own. The eternal lounging in coffee-houses and

sipping of sorbets agree perfectly well with the inhabitants of the

Ottoman empire, who stalk about here in their proper dresses, and smoke

their own exotic pipes, without being stared and wondered at as in most

other European capitals. Some few of these Orientals are communicative

and enlightened; but, generally speaking, they know nothing beyond the

rule of three, and the commonest transactions of mercantile affairs.

The Greeks are by far a more lively generation, still retaining their

propensity to works of genius and imagination. Metastasio has been

lately translated into their modern language, and some obliging papa or

other has had the patience to put the long-winded romance of Clelia into

a Grecian dress. I saw two or three of these volumes exposed on a stall,

under the grand arcades of the public library, as I went one day to

admire the antiques in its vestibules.

Whilst I was intent upon my occupation, a little door, I never should

have suspected, flew open, and out popped Monsieur de Viloison, from a

place where nothing, I believe, but broomsticks and certain other

utensils were ever before deposited. This gentleman, the most active

investigator of Homer since the days of the good bishop of Thessalonica,

bespatters you with more learning in a minute than others communicate in

half a year; quotes Arabic, Greek, Hebrew, Syriac, &c. with formidable

fluency; and drove me from one end of the room to the other with a storm

of erudition. Syllables fell thicker than hail, and in an instant I

found myself so weighed down and covered, that I prayed, for mercy’s

sake, to be introduced, by way of respite, to a Laplander whom he leads

about as a curiosity; a poor harmless good sort of a soul, calm and

indifferent, who has acquired the words of several Oriental languages to

perfection: ideas he has in none.

We went all together to view a collection of medals in one of the

Gradanigo palaces, and two or three inestimable volumes, filled with

paintings that represent the dress of the ancient Venetians; so that I

had an opportunity of observing to perfection all the Lapland

nothingness of my companion. What a perfect void! Cold and silent as the

polar regions, not one passion ever throbbed in his bosom; not one

bright ray of fancy ever glittered in his mind; without love or anger,

pleasure or pain, his days fleet smoothly along: all things considered,

I must confess I envied such comfortable apathy.

After having passed an instructive hour in examining the medals and

drawings, M. de Viloison proposed conducting me to the Armenian convent,

but I begged to be excused, and went to San Giovanni e Paolo, a church

to be held most holy in the annals of painting, since it contains that

masterpiece of Titian, the martyrdom of the hermits St. Paul and St.

Peter.

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