"But long before he gets well the princess, who is watching by his

side, sees the sword that he brought lying near by, and having nothing

better to do, she looks first at the jewels in the hilt and then slowly

draws the sword out of its scabbard to let her eye run along the

polished blade, with its smooth, sharp edge. And then her eye quickly

comes to a break in the smooth, sharp edge, and in an instant she

thinks of the splinter of a sword edge that she found in her uncle's

wound. At that she quickly drops the sword. Then she gets the splinter,

which she has kept, and finds that it just fits the broken place in the

sword, so she knows that this knight whom she is nursing and curing of

his wound is the one who killed her uncle when he was fighting for her

father. For a moment she thinks that she will kill him, and she lifts

the sword above him, but when she sees the helpless look in his eyes

she has not the heart to do it, and she lets the sword fall again. If

the truth were told, I think she is already a little in love with him,

and if he were any kind of knight except a green one, he would be in

love with her too.

"If he only would fall in love now it might save a good deal of trouble

afterwards, but because of his habit of wearing green clothes and green

armor, or for some other reason, he does not, and when his wound is

quite cured he sails cheerfully away again, just as if it were an

everyday affair to be nursed by a queen and a princess. He sails back

here to our own shore now, to the King's castle, and the King and

everybody else are as glad as possible to see him. He tells them all

about the Queen and the princess, and how beautiful she is, for it

seems he did notice that, till by and by, when the knights of the court

find that he is talking about her only in the way he would talk about a

picture that pleased him, they whisper to the King that such a

princess, who is so beautiful, and knows so much about curing wounds,

would no doubt make a good queen, and they advise him to send for her

and marry her. The green knight himself hears these whispers, and he

says, 'Yes, by all means; I will go and get her; she will be glad to

come, and her father and mother will be delighted to have her.' Did you

ever hear of such absurd conduct from a young man dressed in green?

"Away he sails again, over to the island, and when he tells his errand

the King and the Queen are delighted indeed. The princess is not so

much delighted as some young women might be at the prospect of being

married to a king, but she pretends to be very well pleased and says

that she will go. This time it is she who makes a sad mistake, for if

she would only say, right out aloud, 'I do not want to be married to

this King; I want to be married to the green knight,' again it might

save a good deal of trouble afterwards. She need not say it to him, but

she might say it to her mother, and if he did not love her the Queen

would know very well how to make him, as you shall see by and by.

Still, if there were no trouble there would be no story, so we might

better not complain, as long as the trouble will not be ours. So the

princess sails away with the knight, and the Queen, before she goes,

like a careful mother, gives her a little box of medicines such as she

uses herself. That is to say, medicines and other things. One of the

other things is a poison that kills anybody who drinks it, in just

about a minute, and it looks and tastes just like wine. Another is a

stranger mixture yet, for when a man and a woman drink it together it

makes them, from that instant, love each other as long as they live,

more than they love life or honor or their country or anything or

anybody else in the world. And this, too, looks and tastes just like

wine. It would not be easy to find two more dangerous drinks than these

together.

"I see the knight and the princess now on board the ship, coming here

to our shore. The knight stands near the helmsman, looking away at the

sea and the sky, and thinking of nothing more sensible than how glad

his King will be when he sees his bride, and how much his King will

thank him for finding for him and bringing to him such a lovely

princess. But the princess, who is sitting far away from him, at the

other end of the ship, is thinking a great deal, and of such bitter

things that she does not look at the beautiful sea and sky at all. The

end of half her thoughts is that in a very little while now she will

have to be the wife of a king whom she has never seen and never wants

to see, because she loves the green knight, and the end of the other

half of her thoughts is that she hates the knight who has brought her

to this, as she could never in the world hate anybody except one whom

she loved.

"And this is how her thoughts come, for you know I can see thoughts

just as plainly as I can see castles and ships and battles: she thinks

of her uncle, whom she loved, who fought for her father and for her

country, who was wounded, and whose life she could not save; she thinks

of the unknown knight who came to her, wounded too, whom she nursed and

did save; she thinks how she began to love him, for the most of us love

better those whom we help than those who help us; she thinks of that

time when she saw his sword and knew that it was he who had killed her

uncle, how her anger rose against him for that and because he had dared

to come to her for help, how she had been about to kill him, and how

she saw that helpless look in his eyes and had not the heart to do it.

It is now that her thoughts grow bitter, for she thinks how he went

away again and never dreamed of loving her for healing his wound and

saving his life, and then sparing his life and loving him, when she

ought to hate him and kill him, because he killed her uncle. She is

beautiful enough to be loved, she thinks. Then comes a maddening

thought of how this man whom she loved not only cared no more for her

than for one of her father's dogs, but himself came back to ask her

hand for another. This seems an insult to her and it makes her whole

soul burn. She wishes she had killed him when she had his sword in her

hands, and the madness fills her mind and burns her soul till she

resolves that she will kill him now.

"She not only thinks all this but says it to her maid, and she orders

her to take the poison out of the box of medicines that her mother gave

her, and put it into a goblet, and she says that the knight shall drink

some of it and that she will drink the rest herself, and so punish her

enemy and be rid of the King who is to be her husband, for she will

gladly die rather than be married to him. Of course this throws the

poor maid into a terrible fright, for she is not a princess, and

poisoning and cutting off heads, and such things seem like serious

matters to her, so she would gladly save the knight and her mistress

too, if she could. If you were in her place I know very well what you

would do. You would give the princess some wine instead of the poison,

and before she could find out what you had done, she and the knight

would be on shore and would be saved. But this poor girl is so

frightened that she can think of nothing to do but to give her mistress

and the knight the love drink instead of the poison.

"The princess calls the knight to her and frowns upon him as dreadfully

as she knows how. Can you think how a bunch of sweet, fresh, red and

white roses would look if it should get terribly angry? Well, that is

about the way the princess frowns. But it is not her fault. She was not

made to frown. She tells the knight that he has been very cruel and

very untrue to her, and that she ought to have killed him for killing

her uncle; but now she says she will forgive him, and to show that they

are friends she asks him to drink this wine with her. And now you may

see how brave this green knight really is, for he sees well enough that

she does not forgive him at all and means to kill him; yet he takes the

goblet from her hand without a tremor of his own and drinks. Then she

snatches the goblet from him and drinks the rest herself, and cries,

'Now we shall both die; I have my revenge upon you, and you shall not

marry me to your King!'

"But, oh, it is the drink of love, and instead of dying the two stand

and gaze at each other as if they could never gaze enough, then they

stretch their arms toward each other, and so they meet, and now,

whatever happens to either of them, they must always love each other as

long as they live, more than they love life or honor or their country

or anything or anybody else in the world.

"How they ever get on shore I don't know, but I do know that when they

are there they make another great mistake, for they hide from the King

that they love each other, and they let him think still that the

princess means to be married to him, when I am sure she can mean

nothing of the kind. He is a very good sort of King, who wants

everybody to be as happy as possible, and he never has seen this

princess before, so what can he really care for her? If they would only

tell him I am sure he would be glad to help them, instead of standing

in their way, but they are just as foolish as they have both been all

along, and they say nothing about it.

"The princess is in the garden of the castle with her maid and they are

waiting for the knight to come. The King and all his men have ridden a-

hunting. It is night, and a torch burns at the castle door; at last we

can see something in the fire. The knight will not come till they put

out the torch, for that is the signal they have arranged, and they will

not put out the torch till the hunting party is far away. You see they

are still so absurdly secret about it! The maid tells the princess that

she might better not put out the torch at all, for a treacherous friend

of the knight has watched them, suspects their love, and has told the

King; that the hunting party is only a trap, and that the King will

soon come back. If it were a real hunt it would be strange for the

green knight himself not to go, for he is the best huntsman in the

whole country. All this is quite true; for the King, kind and generous

as he is, does not like to be deceived any better than anybody else,

and he wants people to keep the promises that they make to him.

"But the princess is in such haste to see the green knight again that

she will not heed the maid's warning. She sends her up to the tower to

watch, as soon as she thinks the hunters are far enough away, and then

she throws the torch down upon the ground and puts it out. Then the

green knight comes. But they have scarcely sat down on the grassy bank

to tell each other how much they love each other, and to forget all

about the poor King, when the maid cries out from the tower that the

huntsmen are coming back, the knight's old servant comes running with

his sword drawn to his master and begs him to save himself, and in a

minute they all come, the treacherous friend of the green knight

leading the way, and the King next after him. The knight is standing

before the princess, not thinking of himself, and the traitor, who

could never match him for a moment in a fair fight, rushes upon him and

wounds him, but before he can do more the King himself holds him back.

The old servant raises the knight from the ground where he has fallen,

drags him quickly to the shore and puts him in a ship that is there,

and once more they sail away.

[Illustration: "AS IF THEY COULD NEVER GAZE ENOUGH."]

"The rock there by the water is no longer the castle of the King. It is

the green knight's castle now, in another country, across the sea. The

old servant has brought the knight here, away from his enemies, to try

to heal his wound. All his care seems useless. The poor knight has all

the time grown worse. But his faithful old servant has remembered who

it was that cured another wound of his before, and he has sent a ship

with secret messengers to bring the princess if they can. That he may

know as soon as he sees the ship whether the princess is on board, he

has told the sailors to hoist white sails if they bring her with them,

and black sails if they do not. He is watching now for the ship to come

back.

"It is the court-yard of the castle that I see, and a sweet, calm,

lovely picture it is. The knight and his servant have been so long away

that the place has been neglected, but it is all the prettier for that.

The grass has grown long, and, as the light winds breathe upon it, it

sways and sinks and rises in waves, as if it tried to be like the sea

down there below it. The gray old walls and ramparts of the castle have

bright green moss upon them, and from the crannies hang little plants

and vines. High up, where a rough stone projects a little from the

tower, a cluster of bluebells swings in the breeze and nods to the

other flowers and the grass and the trees down below. Are the bluebells

trying to say to the grass that up there on their airy lookout they can

see away over the shining water, that the ship is not yet in sight, but

that they know she will come? Beyond and away, clear to the edge of the

sky, just as it is here before us now, lies the sea. Smooth and

peaceful it is, as if it were resting all through this calm day. Over

it all the sun is sending a flood of light, fifty times as bright as

the light of this splendid moon of ours. But now and then it is dimmed

a little, for far away on the sea lies a strip of shade, the shadow of

a cloud; slowly it moves toward the land, as the cloud sails through

the blue sky, and as it comes it is seen plainer and moves faster, till

the shadow reaches the shore and rests for an instant on the castle and

the court-yard, and then it passes away into the land and everything is

sunny again.

"Yet in all this light and peaceful beauty there is something that

seems like sadness. In the court-yard, on his couch, lies the knight,

in the cool shade. He does not know where he is, and he does not know

his servant, who stands beside him, with the tears in his faithful old

eyes, but he must know that he is in a beautiful place. Does everything

in the place know that he is here, too, and feel sad to see him lying

sick and wounded and weak and weary? The sun veils his face oftener

than he does on some of our bright days, and when there is no cloud he

shines with a soft, mellow light, the sea throws shades of purple over

its blue and silver, and its waves break against the shore with only a

soft little sound, and a sort of hushed song that is like a moan and is

like a lullaby too. You can hear it down there among the pebbles around

the rock. The bluebells swing softly, as if they were afraid to ring

out aloud and disturb the sleeping knight. The hard walls look softer

for their coverings of moss; the grass waves slowly and bends toward

the wounded man, seeming to listen to his breathing. A shepherd leans

over the rampart and plays a soft, sad, sleepy little air on his pipe.

'Is the knight awake?' he calls to the servant.

"'No,' the servant answers, 'and unless the princess comes I fear he

will never wake; watch for the ship.'

"'I will watch,' the shepherd says, 'and if I see the ship I will play

a lively tune on my pipe to tell you of it.'

"The knight begins to wake and stir; he asks where he is, and the

servant tells him that he is at his own castle. He has been dreaming of

the princess, and the servant says, 'I have sent the ship for her; she

will come to-day.' But the knight is so weak that he cannot understand

or talk of one thing very long, and he falls half asleep again and

dreams of the princess, and because he has heard of a ship he dreams of

other ships. He has his old wound now and is lying, just as he lies

here, in that ship which bore him the first time toward the princess;

now she is with him and his face grows lighter. She is looking at his

sword; she raises it again, as she did so long ago, to kill him; but

she sees again the helpless look in his eyes and has not the heart to

do it, and she lets the sword fall again. He is on a second ship,

sailing toward the princess to bring her for the King's bride; now the

ship is sailing back and they are together on the deck. She holds out

to him that goblet of strange wine; they both drink, they gaze into

each other's eyes, the dream is too happy to last, and he awakes and

cries, 'Has the ship come? Can you not see her yet?'

"'Not yet,' the servant answers; 'but she must come soon.'

"The knight is in the garden of the castle--the other castle--waiting

for the princess to put out the torch, that he may come to her. The

torch falls upon the ground, he runs toward the place, and they are

together yet again. It is another happy dream that cannot stay. 'Is the

ship nowhere in sight?'

"Before the servant can answer he hears the merry tune from the

shepherd's pipe and knows that the ship is coming now, indeed. He looks

away across the sea and tells his master how swiftly it flies over the

water toward them, with its white sails, for the sails are white and

the princess is on board. The time seems long to the knight and his

servant, yet it is really short, for the wind is fair. The ship comes

nearer and nearer, it passes the dangerous reef, it is so near that the

servant can see the faces of the princess and the helmsman and the

sailors. Now it is at the very shore and the princess is at the gate.

Ah, it was not medicines that the knight needed. With the very

knowledge that the princess is there, he raises himself from his couch

and walks toward the gate. Then his little strength fails again and he

would fall, but the princess herself catches him in her arms and holds

him. This time it is no dream.

"She leads him back to the couch, he sinks upon it, and she bends over

him. But suddenly the shepherd runs to the rampart and cries that

another ship is coming, the King's ship. Are the King's men coming then

to carry back the princess, perhaps to kill the knight? The servant

calls the men of the castle and they try to barricade and guard the

gate. But they are too late; the King's men and the King himself break

through the barriers and are in the courtyard. The very first of them

is the knight's treacherous friend; the old servant instantly cuts him

down with his sword, and there is one good stroke at least. Then the

King calls to all to hold their hands and to strike no more; he has

come only to give the princess to the knight. He has heard of the love

drink, and knows at last that they were not to blame for what they did,

and that they never meant to be false to him.

"But still the knight lies there on his couch and the princess kneels

by his side and bends over him, and neither of them speaks or moves."

"And will the knight get well again?" the little girl asked.

"Let us not try to find out any more now," I said. "The knight and the

princess are both here, and I know that they are happier together than

they have ever been before. That is enough, is it not?"

All at once there were voices behind us, three voices at least.

"Hello, there! who's attending to the fire? You're letting it all go

out, and there's plenty of wood left."

"What are you two doing here all alone? Don't you know you'll catch

your death o' cold sitting here so long?"

"Are there any marshmallows left?"

"No," said the little girl, answering the last question, "we don't care

about marshmallows any way," and I really believe just then she thought

she did not care about them, though usually she likes them almost as

well as anybody.

THE MINSTREL KNIGHT

The little girl stayed at the seashore till the middle of the autumn.

That is the way sensible people do, when they can, and I have worked

much in vain if I have not shown by this time that this little girl is

a sensible little person. The spring is very lovely, to be sure, and of

course we all love it. I should be the last one to say anything against

it. But to me the most beautiful time of the whole beautiful year is

the early autumn. The heat and the work and the worry of the year are

over, and the clear, rich, golden good of it all is left to be enjoyed.

The flowers are not pink and pale blue any more; they are of deep,

splendid yellow and red and purple. The golden-rod and the asters are

lords of flowers, and the cardinal is their high-priest, while if you

will have something that is delicate and modest, there is the fringed

gentian, and that shows, too, how healthy and brave and free it is by

keeping no company with dark shadows, and opening only when the bright

sun shines full upon it.

But of the things that are best in the autumn, the best above all

others is the sea. It has been lying quiet and restful all summer, and

now it awakes and begins to move and to show the strength and the

freedom of its glorious life. As you stand upon the shore and look at

it, it draws itself away from you and away from the land as if it were

done with it forever; then it pauses, and in a moment begins to come

back. Up and up the beach it marches with a majestic will that nothing

else in the world is like; as it comes it lifts itself higher and

higher; then the wave leaps into the air and its crest is turned to

emerald as the sunlight strikes through it for the pause of another

instant, there is a roll, a mad plunge, the spray dashes high above

your head, the foam floats and flies up the beach to your very feet,

the hollow rumble of the water sounds fainter and farther along the

sands, and the ocean draws itself back away from you and away from the

land. Its colors are different, too. Before it had all sorts of

fanciful hues and shades, pale green and blue, silver, violet, almost

rose sometimes, the colors of summer dreams. Now the dreaming time is

over. The green of the wave-crests is luminous, the white and the blue

have the gleam of polished steel, the violet and the rose are turned to

deep, rich purple. The sea is not cold, harsh, and cruel yet, but it is

free, bold, and majestic.

All this I knew because I remembered it, not because I saw it, for I

had been back in the city a long time. The fire was lighted again and I

had sat before it often, thinking of the driftwood fire away down

there, with the little girl sitting before it, seeing pictures in it

for herself, perhaps, and listening to the low sound of the sea, coming

up through the still evening air. But one night she came and sat with

me again, and once more we both looked into the same fire. "I believe I

can almost see pictures myself now," she said.

"Can you? And what do you see in the fire now?"

"Oh, I can see a prince and a princess--and a knight--and a lovely

goddess, like the one that had the apples--and a cave, like the one

where the dragon lived--"

"And don't you see the dragon himself? Where is he?"

"No, there isn't any dragon; that would be too much like the other

story."

"But you must not mind that. There are only a few good stories

altogether, and the most we can do, as I told you once before, is to

tell them over and over again in different ways."

"But I don't want any dragon in this one. Now you tell me what they all

do, the goddess and the knight, and the prince and the princess, and

what the cave is for."

"Very well, I will try. First I see the knight. He is riding along upon

his horse, through the forests, over the hills and across the valleys.

It is a lovely day of summer. When he comes to the top of a hill, he

sees the country lying before him and all around him, deep green with

woods and pastures and paler green where the grain is ripening. Here

and there, too, it is sprinkled with tiny dots of red, where the

poppies grow thick in a field, and there are spots that are almost blue

with cornflowers. A silver ribbon of a river winds through it, and the

sight of it is lost among the blue mountains. As he rides down into a

valley the branches wave above him and break the sunshine that falls

upon the road and the grass beside it. The flecks of light and the

patches of shade tremble and waver and dart across and across the way,

as if they were weaving a robe for the earth, of gold and brown and

green. The air is full of the smell of the flowers, a brook makes a

soft, cheery little noise, and from the pastures comes the sleepy sound

of sheep-bells.

"The knight is riding toward the castle of the prince. He is a

minstrel, as well as a knight, and at the castle he will meet other

minstrels who are his friends, and they are all to sing for a prize

which the prince has offered. There is as much happiness in the heart

of the knight as in everything around him, for he loves the prince's

daughter, and he knows that she loves him. Besides this she is to give

the prize to the one who wins it, and with his mind full of gladness

and thoughts of her, he feels sure that he can win.

The Wagner Story Book: Firelight Tales of the Great Music Dramas · 第 8 / 11 段