M. Chateaudoux, the chamberlain, was a little portly person with a
round, red face like a cherub's. He was a creature of the house, one
that walked with delicate steps, a conductor of ceremonies, an expert in
the subtleties of etiquette; and once he held his wand of office in his
hand, there was nowhere to be found a being so precise and
consequential. But out of doors he had the timidity of a cat. He lived,
however, by rule and rote, and since it had always been his habit to
take the air between three and four of the afternoon, he was to be seen
between those hours at Innspruck on any fine day mincing along the
avenue of trees before the villa in which his mistress was held
prisoner.
On one afternoon during the month of October he passed a hawker, who,
tired with his day's tramp, was resting on a bench in the avenue, and
who carried upon his arm a half-empty basket of cheap wares. The man was
ragged; his toes were thrusting through his shoes; it was evident that
he wore no linen, and a week's growth of beard dirtily stubbled his
chin,--in a word, he was a man from whom M. Chateaudoux's prim soul
positively shrank. M. Chateaudoux went quickly by, fearing to be
pestered for alms. The hawker, however, remained seated upon the bench,
drawing idle patterns upon the gravel with a hazel stick stolen from a
hedgerow.
The next afternoon the hawker was in the avenue again, only this time on
a bench at the opposite end; and again he paid no heed to M.
Chateaudoux, but sat moodily scraping the gravel with his stick.
On the third afternoon M. Chateaudoux found the hawker seated in the
middle of the avenue and over against the door of the guarded villa. M.
Chateaudoux, when his timidity slept, was capable of good nature. There
was a soldier with a loaded musket in full view. The hawker, besides,
had not pestered him. He determined to buy some small thing,--a mirror,
perhaps, which was always useful,--and he approached the hawker, who for
his part wearily flicked the gravel with his stick and drew a curve here
and a line there until, as M. Chateaudoux stopped before the bench,
there lay sketched at his feet the rude semblance of a crown. The stick
swept over it the next instant and left the gravel smooth.
But M. Chateaudoux had seen, and his heart fluttered and sank. For here
were plots, possibly dangers, most certainly trepidations. He turned his
back as though he had seen nothing, and constraining himself to a slow
pace walked towards the door of the villa. But the hawker was now at his
side, whining in execrable German and a strong French accent the
remarkable value of his wares. There were samplers most exquisitely
worked, jewels for the most noble gentleman's honoured sweetheart, and
purses which emperors would give a deal to buy. Chateaudoux was urged to
take notice that emperors would give sums to lay a hand on the hawker's
purses.
M. Chateaudoux pretended not to hear.
"I want nothing," he said, "nothing in the world;" and he repeated the
statement in order to drown the other's voice.
"A purse, good gentleman," persisted the hawker, and he dangled one
before Chateaudoux's eyes. Not for anything would Chateaudoux take that
purse.
"Go away," he cried; "I have a sufficiency of purses, and I will not be
plagued by you."
They were now at the steps of the villa, and the sentry, lifting the
butt of his musket, roughly thrust the hawker back.
"What have you there? Bring your basket here," said he; and to
Chateaudoux's consternation the hawker immediately offered the purse to
the sentinel.
"It is only the poor who have kind hearts," he said; "here's the proper
purse for a soldier. It is so hard to get the money out that a man is
saved an ocean of drink."
The hawker's readiness destroyed any suspicions the sentinel may have
felt.
"Go away," he said, "quick!"
"You will buy the purse?"
The sentinel raised his musket again.
"Then the kind gentleman will," said the hawker, and he thrust the purse
into M. Chateaudoux's reluctant hand. Chateaudoux could feel within the
purse a folded paper. He was committed now without a doubt, and in an
extreme alarm he flung a coin into the roadway and got him into the
house. The sentinel carelessly dropped the butt of his musket on the
coin.
"Go," said he, and with a sudden kick he lifted the hawker half across
the road. The hawker happened to be Charles Wogan, who took a little
matter like that with the necessary philosophy. He picked himself up and
limped off.
Now the next day a remarkable thing happened. M. Chateaudoux swerved
from the regularity of his habits. He walked along the avenue, it is
true; but at the end of it he tripped down a street and turned out of
that into another which brought him to the arcades. He did not appear to
enjoy his walk; indeed, any hurrying footsteps behind startled him
exceedingly and made his face turn white and red, and his body hot and
cold. However, he proceeded along the arcades to the cathedral, which he
entered; and just as the clock struck half-past three, in a dark corner
opposite to the third of the great statues he drew his handkerchief from
his pocket.
The handkerchief flipped out a letter which fell onto the ground. In the
gloom it was barely visible; and M. Chateaudoux walked on, apparently
unconscious of his loss. But a comfortable citizen in a snuff-coloured
suit picked it up and walked straight out of the cathedral to the Golden
Fleece Inn in the Hochstrasse, where he lodged. He went up into his room
and examined the letter. It was superscribed "To M. Chateaudoux," and
the seal was broken. Nevertheless, the finder did not scruple to read
it. It was a love-letter to the little gentleman from one Friederika.
"I am heart-broken," wrote Friederika, "but my fidelity to my
Chateaudoux has not faltered, nor will not, whatever I may be called
upon to endure. I cannot, however, be so undutiful as to accept my
Chateaudoux's addresses without my father's consent; and my mother, who
is of the same mind with me, insists that even with that consent a
runaway marriage is not to be thought of unless my Chateaudoux can
provide me with a suitable woman for an attendant."
These conditions fulfilled, Friederika was willing to follow her
Chateaudoux to the world's end. The comfortable citizen in the
snuff-coloured suit sat for some while over that letter with a strange
light upon his face and a smile of great happiness. The comfortable
citizen was Charles Wogan, and he could dissociate the obstructions of
the mother from the willingness of the girl.
The October evening wove its veils from the mountain crests across the
valleys; the sun and the daylight had gone from the room before Wogan
tore that letter up and wrote another to the Chevalier at Bologna,
telling him that the Princess Clementina would venture herself gladly if
he could secure the consent of Prince Sobieski, her father. And the next
morning he drove out in a carriage towards Ohlau in Silesia.
It was as the Chevalier Warner that he had first journeyed thither to
solicit for his King the Princess Clementina's hand. Consequently he
used the name again. Winter came upon him as he went; the snow gathered
thick upon the hills and crept down into the valleys, encumbering his
path. The cold nipped his bones; he drove beneath great clouds and
through a stinging air, but of these discomforts he was not sensible.
For the mission he was set upon filled his thoughts and ran like a fever
in his blood. He lay awake at nights inventing schemes of evasion, and
each morning showed a flaw, and the schemes crumbled. Not that his faith
faltered. At some one moment he felt sure the perfect plan, swift and
secret, would be revealed to him, and he lived to seize the moment. The
people with whom he spoke became as shadows; the inns where he rested
were confused into a common semblance. He was like a man in a trance,
seeing ever before his eyes the guarded villa at Innspruck, and behind
the walls, patient and watchful, the face of the chosen woman; so that
it was almost with surprise that he looked down one afternoon from the
brim of a pass in the hills and saw beneath him, hooded with snow, the
roofs and towers of Ohlau.
At Ohlau Wogan came to the end of his luck. From the moment when he
presented his letter he was aware of it. The Prince was broken by his
humiliation and the sufferings of his wife and daughter. He was even
inclined to resent them at the expense of the Chevalier, for in his
welcome to Wogan there was a measure of embarrassment. His shoulders,
which had before been erect, now stooped, his eyes were veiled, the fire
had burnt out in him; he was an old man visibly ageing to his grave. He
read the letter and re-read it.
"No," said he, impatiently; "I must now think of my daughter. Her
dignity and her birth forbid that she should run like a criminal in fear
of capture, and at the peril very likely of her life, to a king who,
after all, is as yet without a crown." And then seeing Wogan flush at
the words, he softened them. "I frankly say to you, Mr. Warner, that I
know no one to whom I would sooner entrust my daughter than yourself,
were I persuaded to this project. But it is doomed to fail. It would
make us the laughing-stock of Europe, and I ask you to forget it. Do you
fancy the Emperor guards my daughter so ill that you, single-handed, can
take her from beneath his hand?"
"Your Highness, I shall choose some tried friends to help me."
"There is no single chance of success. I ask you to forget it and to
pass your Christmas here as my very good friend. The sight is longer in
age, Mr. Warner, than in youth, and I see far enough now to know that
the days of Don Quixote are dead. Here is a matter where all Europe is
ranged and alert on one side or the other. You cannot practise secrecy.
At Ohlau your face is known, your incognito too. Mr. Warner came to
Ohlau once before, and the business on which he came is common
knowledge. The motive of your visit now, which I tell you openly is very
grateful to me, will surely be suspected."
Wogan had reason that night to acknowledge the justice of the Prince's
argument. He accepted his hospitality, thinking that with time he would
persuade him to allow the attempt; and after supper, while making
riddles in verse to amuse some of the ladies of the court, one of them,
the Countess of Berg, came forward from a corner where she had been busy
with pencil and paper and said, "It is our turn now. Here, Mr. Warner,
is an acrostic which I ask you to solve for me." And with a smile which
held a spice of malice she handed him the paper. Upon it there were ten
rhymed couplets. Wogan solved the first four, and found that the initial
letters of the words were C, L, E, M. The answer to the acrostic was
"Clementina." Wogan gave the paper back.
"I can make neither head nor tail of it," said he. "The attempt is
beyond my powers."
"Ah," said she, drily, "you own as much? I would never have believed you
would have owned it."
"But what is the answer?" asked a voice at which Wogan started.
"The answer," replied the Countess, "is Mary, Queen of Scots, who was
most unjustly imprisoned in Fotheringay," and she tore the paper into
tiny pieces.
Wogan turned towards the voice which had so startled him and saw the
gossamer lady whom he had befriended on the road from Florence. At once
he rose and bowed to her.
"I should have presented you before to my friend, Lady Featherstone,"
said the Countess, "but it seems you are already acquainted."
"Indeed, Mr. Warner did me a great service at a pinch," said Lady
Featherstone. "He was my postillion, though I never paid him, as I do
now in thanks."
"Your postillion!" cried one or two of the ladies, and they gathered
about the great stove as Lady Featherstone told the story of Wogan's
charioting.
"I bade him hurry," said she, "and he outsped my bidding. Never was
there a postillion so considerately inconsiderate. I was tossed like a
tennis ball, I was one black bruise, I bounced from cushion to cushion;
and then he drew up with a jerk, sprang off his horse, vanished into a
house and left me, panting and dishevelled, a twist of torn ribbons and
lace, alone in my carriage in the streets of Bologna."
"Bologna. Ah!" said the Countess, with a smile of significance at Wogan.
Wogan was looking at Lady Featherstone. His curiosity, thrust into the
back of his mind by the more important matter of his mission now
revived. What had been this lady's business who travelled alone to
Bologna and in such desperate haste?
"Your Ladyship, I remember," he said, "gave me to understand that you
were sorely put to it to reach Bologna."
Her Ladyship turned her blue eyes frankly upon Wogan. Then she lowered
them.
"My brother," she explained, "lay at death's door in Venice. I had just
landed at Leghorn, where I left my maid to recover from the sea, and
hurrying across Italy as I did, I still feared that I should not see him
alive."
The explanation was made readily in a low voice natural to one
remembering a great distress, but without any affectation of gesture or
so much as a glance sideways to note whether Wogan received it
trustfully or not. Wogan, indeed, was reassured in a great measure.
True, the Countess of Berg was now his declared enemy, but he need not
join all her friends in that hostility.
"I was able, most happily," continued Lady Featherstone, "to send my
brother homewards in a ship a fortnight back, and so to stay with my
friend here on my way to Vienna, for we English are all bitten with the
madness of travel. Mr. Warner will bear me out?"
"To be sure I will," said Wogan, stoutly. "For here am I in the depths
of winter journeying to the carnival in Italy."
The Countess smiled, all disbelief and amusement, and Lady Featherstone
turned quickly towards him.
"For my frankness I claim a like frankness in return," said she, with a
pretty imperiousness.
Wogan was a little startled. He suddenly remembered that he had
pretended to know no English on the road to Bologna, nor had he given
any reason for his haste. But it was upon neither of these matters that
she desired to question him.
"You spoke in parables," said she, "which are detestable things. You
said you would not lose your black horse for the world because the lady
you were to marry would ride upon it into your city of dreams. There's a
saying that has a provoking prettiness. I claim a frank answer."
Wogan was silent, and his face took on the look of a dreamer.
"Come," said one. It was the Princess Charlotte, the second daughter of
the Prince Sobieski, who spoke. "We shall not let you off," said she.
Wogan knew that she would not. She was a girl who was never checked by
any inconvenience her speech might cause. Her tongue was a watchman's
rattle, and she never spoke but she laughed to point the speech.
"Be frank," said the Countess; "it is a matter of the heart, and so
proper food for women."
"True," answered Wogan, lightly, "it is a matter of the heart, and in
such matters can one be frank--even to oneself?"
Wogan was immediately puzzled by the curious look Lady Featherstone
gave him. The words were a mere excuse, yet she seemed to take them very
seriously. Her eyes sounded him.
"Yes," she said slowly; "are you frank, even to yourself?" and she spoke
as though a knowledge of the answer would make a task easier to her.
Wogan's speculations, however, were interrupted by the entrance of
Princess Casimira, Sobieski's eldest daughter. Wogan welcomed her coming
for the first time in all his life, for she was a kill-joy, a person of
an extraordinary decorum. According to Wogan, she was "that black care
upon the horseman's back which the poets write about." Her first
question if she was spoken to was whether the speaker was from top to
toe fitly attired; her second, whether the words spoken were well-bred.
At this moment, however, her mere presence put an end to the demands for
an explanation of Wogan's saying about his horse, and in a grateful mood
to her he slipped from the room.
This evening was but one of many during that Christmastide. Wogan must
wear an easy countenance, though his heart grew heavy as lead. The
Countess of Berg was the Prince Constantine's favourite; and Wogan was
not slow to discover that her smiling face and quiet eyes hid the most
masterful woman at that court. He made himself her assiduous servant,
whether in hunting amid the snow or in the entertainments at the palace,
but a quizzical deliberate word would now and again show him that she
was still his enemy. With the Princess Casimira he was a profound
critic of observances: he invented a new cravat and was most careful
that there should never be a wrinkle in his stockings; with the Princess
Charlotte he laughed till his head sang. He played all manner of parts;
the palace might have been the stage of a pantomime and himself the
harlequin. But for all his efforts it did not seem that he advanced his
cause; and if he made headway one evening with the Prince, the next
morning he had lost it, and so Christmas came and passed.
But two days after Christmas a courier brought a letter to the castle.
He came in the evening, and the letter was carried to Wogan while he was
at table. He noticed at once that it was in his King's hand, and he
slipped it quickly into his pocket. It may have been something
precipitate in his manner, or it may have been merely that all were on
the alert to mark his actions, but at once curiosity was aroused. No
plain words were said; but here and there heads nodded together and
whispered, and while some eyed Wogan suspiciously, a few women whose
hearts were tuned to a sympathy with the Princess in her imprisonment,
or touched with the notion of a romantic attachment, smiled upon him
their encouragement. The Countess of Berg for once was unobservant,
however.
Wogan made his escape from the company as soon as he could, and going up
to his apartments read the letter. The moon was at its full, and what
with the clear, frosty air, and the snow stretched over the world like
a white counterpane, he was able to read the letter by the window
without the light of a candle. It was written in the Chevalier's own
cipher and hand; it asked anxiously for news and gave some. Wogan had
had occasion before to learn that cipher by heart. He stood by the
window and spelled the meaning. Then he turned to go down; but at the
door his foot slipped upon the polished boards, and he stumbled onto his
knee. He picked himself up, and thinking no more of the matter rejoined
the company in a room where the Countess of Berg was playing upon a
harp.
"The King," said Wogan, drawing the Prince apart, "leaves Bologna for
Rome."
"So the letter came from him?" asked the Prince, with an eagerness which
could not but seem hopeful to his companion.
"And in his own hand," replied Wogan.
The Prince shuffled and hesitated as though he was curious to hear
particulars. Wogan thought it wise to provoke his curiosity by
disregarding it. It seemed that there was wisdom in his reticence, for a
little later the Prince took him aside while the Countess of Berg was
still playing upon her harp, and said,--
"Single-handed you could do nothing. You would need friends."
Wogan took a slip of paper from his pocket and gave it to the Prince.
"On that slip," said he, "I wrote down the names of all the friends
whom I could trust, and by the side of the names the places where I
could lay my hands upon them. One after the other I erased the names
until only three remained."
The Prince nodded and read out the names.
"Gaydon, Misset, O'Toole. They are good men?"
"The flower of Ireland. Those three names have been my comfort these
last three weeks."
"And all the three at Schlestadt. How comes that about?"
"Your Highness, they are all three officers in Dillon's Irish regiment,
and so have that further advantage."
"Advantage?"
"Your Highness," said Wogan, "Schlestadt is near to Strasbourg, which
again is not far from Innspruck, and being in French territory would be
the most convenient place to set off from."
There was a sound of a door shutting; the Prince started, looked at
Wogan, and laughed. He had been upon the verge of yielding; but for that
door Wogan felt sure he would have yielded. Now, however, he merely
walked away to the Countess of Berg, and sitting beside her asked her to
play a particular tune. But he still held the slip of paper in his hand
and paid but a scanty heed to the music, now and then looking doubtfully
towards Wogan, now and then scanning that long list of names. His lips,
too, moved as though he was framing the three selected names, Gaydon,
Misset, O'Toole, and "Schlestadt" as a bracket uniting them. Then he
suddenly rose up and crossed the room to Wogan.
"My daughter wrote that a woman must attend her. It is a necessary
provision."
"Your Highness, Misset has a wife, and the wife matches him."
"They are warned to be ready?"
"At your Highness's first word that slip of paper travels to Schlestadt.
It is unsigned, it imperils no one, it betrays nothing. But it will tell
its story none the less surely to those three men, for Gaydon knows my
hand."
The Prince smiled in approval.
"You have prudence, Mr. Warner, as well as audacity," said he. He gave
the paper back, listened for a little to the Countess, who was bending
over her harp-strings, and then remarked, "The Prince's letter was in
his own hand too?"
"But in cipher."
"Ah!"
The Prince was silent for a while. He balanced himself first on one
foot, then on the other.
"Ciphers," said he, "are curious things, compelling to the imagination
and a provocation to the intellect."
Mr. Wogan kept a grave face and he replied with unconcern, though his
heart beat quick; for if the Prince had so much desire to see the
Chevalier's letter, he must be well upon his way to consenting to
Wogan's plan.
"If your Highness will do me the honour to look at this cipher. It has
baffled the most expert."
His Highness condescended to be pleased with Wogan's suggestion. Wogan
crossed the room towards the door; but before he reached it, the
Countess of Berg suddenly took her fingers from her harp-strings with a
gesture of annoyance.
"Mr. Warner," she said, "will you do me the favour to screw this wire
tighter?" And once or twice she struck it with her fingers.
"May I claim that privilege?" said the Prince.
"Your Highness does me too much honour," said the Countess, but the
Prince was already at her side. At once she pointed out to him the
particular string. Wogan went from the room and up the great staircase.
He was lodged in a wing of the palace. From the head of the staircase he
proceeded down a long passage. Towards the end of this passage another
short passage branched off at a right angle on the left-hand side. At
the corner of the two passages stood a table with a lamp and some
candlesticks. This time Wogan took a candle, and lighting it at the lamp
turned into the short passage. It was dark but for the light of Wogan's
candle, and at the end of it facing him were two doors side by side.
Both doors were closed, and of these the one on the left gave onto his
room.
Wogan had walked perhaps halfway from the corner to his door before he
stopped. He stopped suddenly and held his breath. Then he shaded his
candle with the palm of his hand and looked forward. Immediately he
turned, and walking on tiptoe came silently back into the big passage.
Even this was not well lighted; it stretched away upon his right and
left, full of shadows. But it was silent. The only sounds which reached
Wogan as he stood there and listened were the sounds of people moving
and speaking at a great distance. He blew out his candle, cautiously
replaced it on the table, and crept down again towards his room. There
was no window in this small passage, there was no light there at all
except a gleam of silver in front of him and close to the ground. That
gleam of silver was the moonlight shining between the bottom of one of
the doors and the boards of the passage. And that door was not the door
of Wogan's room, but the room beside it. Where his door stood, there
might have been no door at all.
Yet the moon which shone through the windows of one room must needs also
shine into the other, unless, indeed, the curtains were drawn. But
earlier in the evening Wogan had read a letter by the moonlight at his
window; the curtains were not drawn. There was, therefore, a rug, an
obstruction of some sort against the bottom of the door. But earlier in
the evening Wogan's foot had slipped upon the polished boards; there had
been no mat or skin at all. It had been pushed there since. Wogan could
not doubt for what reason. It was to conceal the light of a lamp or
candle within the room. Someone, in a word, was prying in Wogan's room,
and Wogan began to consider who. It was not the Countess, who was
engaged upon her harp, but the Countess had tried to detain him. Wogan
was startled as he understood the reason of her harp becoming so
suddenly untuned. She had spoken to him with so natural a spontaneity,
she had accepted the Prince's aid with so complete an absence of
embarrassment; but none the less Wogan was sure that she knew. Moreover,
a door had shut--yes, while he was speaking to the Prince a door had
shut.
So far Wogan's speculations had travelled when the moonlight streamed
out beneath his door too. It made now a silver line across the passage
broken at the middle by the wall between the rooms. The mat had been
removed, the candle put out, the prying was at an end; in another moment
the door would surely open. Now Wogan, however anxious to discover who
it was that spied, was yet more anxious that the spy should not discover
that the spying was detected. He himself knew, and so was armed; he did
not wish to arm his enemies with a like knowledge. There was no corner
in the passage to conceal him; there was no other door behind which he
could slip. When the spy came out, Wogan would inevitably be discovered.
He made up his mind on the instant. He crept back quickly and silently
out of the mouth of the passage, then he made a noise with his feet,
turned again into the passage, and walked loudly towards his door. Even
so he was only just in time. Had he waited a moment longer, he would
have been detected. For even as he turned the corner there was already a
vertical line of silver on the passage wall; the door had been already
opened. But as his footsteps sounded on the boards, that line
disappeared.
He walked slowly, giving his spy time to replace the letter, time to
hide. He purposely carried no candle, he reached his door and opened it.
The room to all seeming was empty. Wogan crossed to a table, looking
neither to the right nor the left, above all not looking towards the bed
hangings. He found the letter upon the table just as he had left it. It
could convey no knowledge of his mission, he was sure. It had not even
the appearance of a letter in cipher; it might have been a mere
expression of Christmas good wishes from one friend to another. But to
make his certainty more sure, and at the same time to show that he had
no suspicion anyone was hiding in the room, he carried the letter over
to the window, and at once he was aware of the spy's hiding-place. It
was not the bed hangings, but close at his side the heavy window curtain
bulged. The spy was at his very elbow; he had but to lift his arm--and
of a sudden the letter slipped from his hand to the floor. He did not
drop it on purpose, he was fairly surprised; for looking down to read
the letter he had seen protruding from the curtain a jewelled shoe
buckle, and the foot which the buckle adorned seemed too small and
slender for a man's.
Wogan had an opportunity to make certain. He knelt down and picked up
the letter; the foot was a woman's. As he rose up again, the curtain
ever so slightly stirred. Wogan pretended to have remarked nothing; he
stood easily by the window with his eyes upon his letter and his mind
busy with guessing what woman his spy might be. And he remained on
purpose for some while in this attitude, designing it as a punishment.
So long as he stood by the window that unknown woman cheek by jowl with
him must hold her breath, must never stir, must silently endure an agony
of fear at each movement that he made.
At last he moved, and as he turned away he saw something so unexpected
that it startled him. Indeed, for the moment it did more than startle
him, it chilled him. He understood that slight stirring of the curtain.
The woman now held a dagger in her hand, and the point of the blade
stuck out and shone in the moonlight like a flame.
Wogan became angry. It was all very well for the woman to come spying
into his room; but to take a dagger to him, to think a dagger in a
woman's hand could cope with him,--that was too preposterous. Wogan felt
very much inclined to sweep that curtain aside and tell his visitor how
he had escaped from Newgate and played hide-and-seek amongst the
chimney-pots. And although he restrained himself from that, he allowed
his anger to get the better of his prudence. Under the impulse of his
anger he acted. It was a whimsical thing that he did, and though he
suffered for it he could never afterwards bring himself to regret it. He
deliberately knelt down and kissed the instep of the foot which
protruded from the curtain. He felt the muscles of the foot tighten, but
the foot was not withdrawn. The curtain shivered and shook, but no cry
came from behind it, and again the curtain hung motionless. Wogan went
out of the room and carried the letter to the Prince. The Countess of
Berg was still playing upon her harp, and she gave no sign that she
remarked his entrance. She did not so much as shoot one glance of
curiosity towards him. The Prince carried the letter off to his cabinet,
while Wogan sat down beside the Countess and looked about the room.
"I have not seen Lady Featherstone this evening," said he.
"Have you not?" asked the Countess, easily.
"Not so much as her foot," replied Wogan.
The conviction came upon him suddenly. Her hurried journey to Bologna
and her presence at Ohlau were explained to him now by her absence from
the room. His own arrival at Bologna had not remained so secret as he
had imagined. The fragile and gossamer lady, too flowerlike for the
world's rough usage, was the woman who had spied in his room and who had
possessed the courage to stand silent and motionless behind the curtain
after her presence there had been discovered. Wogan had a picture before
his eyes of the dagger she had held. It was plain that she would stop at
nothing to hinder this marriage, to prevent the success of his design;
and somehow the contrast between her appearance and her actions had
something uncanny about it. Wogan was inclined to shiver as he sat
chatting with the Countess. He was not reassured when Lady Featherstone
boldly entered the room; she meant to face him out. He remarked,
however, with a trifle of satisfaction that for the first time she wore
rouge upon her cheeks.