CHAPTER IX.

BOILING.

BOILING is one of the things about which cooks are most careless;

theoretically they almost always know meat should be slowly boiled, but

their idea of "slow" is ruled by the fire; they never attempt to rule

that. There is a good rule given by Gouffé as to what slow boiling

actually is: the surface of the pot should only show signs of ebullition

at one side, just an occasional bubble. _Simmering_ is a still slower

process, and in this the pot should have only a sizzling round one part

of the edge. All fresh meat should boil _slowly_; ham or corn beef

should barely simmer. Yet they must not go off the boil at all, which

would spoil fresh meat entirely; steeping in water gives a flat, insipid

taste.

All vegetables except potatoes, asparagus, peas, and cauliflower should

boil as fast as possible; these four only moderately. Most vegetables

are boiled far too long. Cabbage is as delicate as cauliflower in the

summer and fall if boiled in plenty of water, to which a salt spoonful

of soda has been added, _as fast as possible_ for twenty minutes or half

an hour, then drained and dressed. In winter it should be cut in six or

eight pieces, boiled _fast_, in plenty of water, for half an hour, _no

longer_. Always give it plenty of room, let the water boil rapidly when

you put it in the pot, which set on the hottest part of the fire to

come to that point again, and you will have no more strong, rank, yellow

stuff on your table, no bad odor in your house. Peas require no more

than twenty minutes' boiling if young; asparagus the same; the latter

should always be boiled in a saucepan deep enough to let it stand up in

the water when tied up in bunches, for this saves the heads. Potatoes

should be poured off the minute they are done, and allowed to stand at

the back of the stove with a clean cloth folded over them. They are the

only vegetable that should be put into _cold_ water. When new, boiling

water is proper. When quite ripe they are more floury if put in cold

water.

SOUPS.--As I have before said, I do not pretend to give many recipes,

only to tell you how to succeed with the recipes given in other books. I

shall, therefore, only give one recipe which I know is a novelty and one

for the foundation of all soups. In one sense I have done the latter

already. The stock for glaze is an excellent soup before it is reduced;

but I will also give Jules Gouffé's method of making _pot-au-feu_, it

being a most beautifully clear soup.

It often happens, however, that you have sufficient stock from bones,

trimmings of meat, and odds and ends of gravies, which may always be

turned to account; but the stock from such a source, although excellent,

will not always be clear; therefore, you must proceed with it in the

following manner, unless you wish to use it for thick soup:

Make your stock boiling hot and skim well; then have ready the whites of

three eggs (I am supposing you have three quarts of stock--one egg to a

quart), to which add half a pint of cold water; whisk well together;

then add half a pint of the boiling stock gradually, still whisking the

eggs; then stir the boiling stock rapidly, pouring in the whites of

eggs, etc.; as you do it, stir quickly till nearly boiling again, then

take it from the fire, let it remain till the whites of eggs separate;

then strain through a clean, fine cloth into a basin. This rule once

learned will clear every kind of soup or jelly.

There are many people who are good cooks, yet fail in clear soup, which

is with them semi-opaque, while it should be like sherry. The cause of

this opacity is generally quick boiling while the meat is in. This gives

it a milky appearance. After the stock is once made and clear, quick

boiling will do no harm, but of course wastes the soup, unless resorted

to for the purpose of making it stronger. A word here about coloring

soup: Most persons resort to burnt sugar, and, very carefully used, it

is not at all a bad makeshift. But how often have we a rich-looking soup

put before us, the vermicelli appearing to repose under a lake of strong

russet _bouillon_, but which, on tasting, we find suggestive of nothing

but burnt sugar and salt, every bit of flavor destroyed by the acrid

coloring. Sometimes stock made by the recipe for _pot-au-feu_ (to

follow) requires no color; this depends on the beef; but usually all

soup is more appetizing in appearance for a little browning, and for

this purpose I always use burnt onions in preference to anything else.

If you have none in store when the soup is put on, put a small onion in

the oven (or on the back of the stove; should you be baking anything the

odor would taint); turn it often till it gets quite black, but not

_charred_. Then put it to the soup; it adds a fine flavor as well as

color, and you need not fear overdoing it.

Soup that is to be reduced must be very lightly salted; for this reason

salt is left out altogether for glaze, as the reduction causes the

water only to evaporate, the salt remains.

GOUFFÉ'S POT-AU-FEU.--Four pounds of lean beef, six quarts of water, six

ounces of carrot, six of turnip, six of onion, half an ounce of celery,

one clove, salt.

Put the meat on in cold water, and just before it comes to the boil skim

it, and throw in a wineglass of cold water, skim again, and, when it is

"on the boil," again throw in another wineglass of cold water; do this

two or three times. The object of adding the cold water is to keep it

just off the boil until all the scum has risen, as the boiling point is

when it comes to the surface, yet once having boiled, the scum is broken

up, and the soup is never so clear.

The meat must simmer slowly, _not boil_, for three hours before the

vegetables are added, then for a couple of hours more.

It is necessary to be very exact in the proportions of vegetables; but,

of course, after having weighed them for soups once or twice, you will

get to know about the size of a carrot, turnip, etc., that will weigh

six ounces. The exact weight is given until the eye is accustomed to it.

This soup strained, and boiled down to one half, becomes _consommé_.

CELERY CREAM is a most delicious and little-known white soup, and all

lovers of good things will thank me for introducing it.

Have some nice veal stock, or the water in which chickens have been

boiled, reduced till it is rich enough, will do, or some very rich

mutton broth, but either of the former are preferable; then put on a

half cup of rice in a pint of rich milk, and grate into it the white

part and root of two heads of celery. Let the rice milk cook very

slowly at the back of the stove, adding more milk before it gets at all

stiff; when tender enough to mash through a coarse sieve or fine

colander add it to the stock, which must have been strained and be quite

free from sediment, season with salt and a little _white_ pepper or

cayenne, boil all together gently a few minutes. It should look like

rich cream, and be strongly flavored with celery. Of course the quantity

of rice, milk, and celery must depend on the quantity of stock you have.

I have given the proportion for one quart, which, with the milk, etc.,

added, would make about three pints of soup.

Culture and Cooking; Or, Art in the Kitchen · 第 9 / 17 章