CHAPTER II

BORROW'S MOTHER

Throughout his whole life George Borrow adored his mother, who seems to

have developed into a woman of great strength of character far remote

from the pretty play-actor who won the heart of a young soldier at East

Dereham in the last years of the eighteenth century. We would gladly

know something of the early years of Ann Perfrement. Her father was a

farmer, whose farm at Dumpling Green we have already described. He did

not, however, 'farm his own little estate' as Borrow declared. The

grandfather--a French Protestant--came, if we are to believe Borrow,

from Caen in Normandy after the Revocation of the Edict of Nantes, but

there is no documentary evidence to support the contention. However, the

story of the Huguenot immigration into England is clearly bound up with

Norwich and the adjacent district. And so we may well take the name of

'Perfrement' as conclusive evidence of a French origin, and reject as

utterly untenable the not unnatural suggestion of Nathaniel Hawthorne,

that Borrow's mother was 'of gypsy descent.'[9] She was one of the eight

children of Samuel and Mary Perfrement, all of whom seem to have

devoted their lives to East Anglia.[10] We owe to Dr. Knapp's edition of

_Lavengro_ one exquisite glimpse of Ann's girlhood that is not in any

other issue of the book. Ann's elder sister, curious to know if she was

ever to be married, falls in with the current superstition that she must

wash her linen and 'watch' it drying before the fire between eleven and

twelve at night. Ann Perfrement was ten years old at the time. The two

girls walked over to East Dereham, purchased the necessary garment,

washed it in the pool near the house that may still be seen, and watched

and watched. Suddenly when the clock struck twelve they heard, or

thought they heard, a footstep on the path, the wind howled, and the

elder sister sprang to the door, locked and bolted it, and then fell in

convulsions on the floor. The superstition, which Borrow seems to have

told his mother had a Danish origin, is common enough in Ireland and in

Celtic lands. It could scarcely have been thus rehearsed by two Norfolk

children had they not had the blood of a more imaginative race in their

veins. In addition to this we find more than one effective glimpse of

Borrow's mother in _Lavengro_. We have already noted the episode in

which she takes the side of her younger boy against her husband, with

whom John was the favourite. We meet her again in the following

dialogue, with its pathetic allusions to Dante and to the complaint--a

kind of nervous exhaustion which he called 'the horrors'--that was to

trouble Borrow all his days:

'What ails you, my child?' said a mother to her son, as he lay

on a couch under the influence of the dreadful one; 'what ails

you? you seem afraid!'

_Boy._ And so I am; a dreadful fear is upon me.

_Mother._ But of what? there is no one can harm you; of what

are you apprehensive?

_Boy._ Of nothing that I can express. I know not what I am

afraid of, but afraid I am.

_Mother._ Perhaps you see sights and visions. I knew a lady

once who was continually thinking that she saw an armed man

threaten her, but it was only an imagination, a phantom of the

brain.

_Boy._ No armed man threatens me; and 'tis not a thing like

that would cause me any fear. Did an armed man threaten me I

would get up and fight him; weak as I am, I would wish for

nothing better, for then, perhaps, I should lose this fear;

mine is a dread of I know not what, and there the horror lies.

_Mother._ Your forehead is cool, and your speech collected. Do

you know where you are?

_Boy._ I know where I am, and I see things just as they are;

you are beside me, and upon the table there is a book which was

written by a Florentine; all this I see, and that there is no

ground for being afraid. I am, moreover, quite cool, and feel

no pain--but, but----

And then there was a burst of 'gemiti, sospiri ed alti guai.'

Alas, alas, poor child of clay! as the sparks fly upward, so

wast thou born to sorrow--Onward![11]

Our next glimpse of Mrs. Borrow is when after his father's death George

had shouldered his knapsack and made his way to London to seek his

fortune by literature. His elder brother had remained at home,

determined upon being a painter, but joined George in London, leaving

the widowed mother momentarily alone in Norwich.

'And how are things going on at home?' said I to my brother,

after we had kissed and embraced. 'How is my mother, and how is

the dog?'

'My mother, thank God, is tolerably well,' said my brother,

'but very much given to fits of crying. As for the dog, he is

not so well; but we will talk more of these matters anon,' said

my brother, again glancing at the breakfast things. 'I am very

hungry, as you may suppose, after having travelled all night.'

Thereupon I exerted myself to the best of my ability to perform

the duties of hospitality, and I made my brother welcome--I may

say more than welcome; and when the rage of my brother's hunger

was somewhat abated, we recommenced talking about the matters

of our little family, and my brother told me much about my

mother; he spoke of her fits of crying, but said that of late

the said fits of crying had much diminished, and she appeared

to be taking comfort; and, if I am not much mistaken, my

brother told me that my mother had of late the prayer-book

frequently in her hand, and yet oftener the Bible.[12]

Ann Borrow lived in Willow Lane, Norwich, for thirty-three years. That

Borrow was a devoted husband these pages will show. He was also a

devoted son. When he had made a prosperous marriage he tried hard to

persuade his mother to live with him at Oulton, but all in vain. She had

the wisdom to see that such an arrangement is rarely conducive to a

son's domestic happiness. She continued to live in the little cottage

made sacred by many associations until almost the end of her days. Here

she had lived in earlier years with her husband and her two ambitious

boys, and in Norwich, doubtless, she had made her own friendships,

although of these no record remains. The cottage still stands in its

modest court, but is at the moment untenanted. There is a letter extant

from Cecilia Lucy Brightwell, who wrote _The Life of Mrs. Opie_, to Mary

Borrow at Oulton, when Mrs. Borrow the elder had gone to live there,

which records the fact that in 1851, two years after Mrs. Borrow had

left the cottage in Willow Lane, it had already changed its appearance.

Mrs. Brightwell writes:

Give my kind love to dear mother. Tell her I went past her

house to-day and looked up the court. It is quite changed: all

the trees and the ivy taken away.

The house was the property of Thomas King, a carpenter. You enter from

Willow Lane through a covered passage into what was then known as King's

Court. Here the little house faces you, and you meet it with a

peculiarly agreeable sensation, recalling more than one incident in

_Lavengro_ that transpired there. In 1897 the then mayor made the one

attempt of his city of a whole half century to honour Borrow by calling

this court Borrow's Court--thereby conferring a ridiculously small

distinction upon Borrow,[13] and removing a landmark connected with one

of its own worthy citizens. For Thomas King, the carpenter, was in

direct descent in the maternal line from the family of Parker, which

gave to Norwich one of its most distinguished sons in the famous

Archbishop of Queen Elizabeth's day. He extended his business as

carpenter sufficiently to die a prosperous builder. Of his two sons one,

also named Thomas, became physician to Prince Talleyrand, and married a

sister of John Stuart Mill.[14] All this by the way, but there is little

more to record of Borrow's mother apart from the letters addressed to

her by her son, which occur in their due place in these records. Yet one

little memorandum among my papers which bears Mrs. Borrow's signature

may well find place here:

In the year 1797 I was at Canterbury. One night at about one

o'clock Sir Robert Laurie and Captain Treve came to our

lodgings and tapped at our bedroom door, and told my husband to

get up, and get the men under arms without beat of drum as soon

as possible, for that there was a mutiny at the Nore. My

husband did so, and in less than two hours they had marched out

of town towards Sheerness without making any noise. They had to

break open the store-house in order to get provender, because

the Quartermaster, Serjeant Rowe, was out of the way. The

Dragoon Guards at that time at Canterbury were in a state of

mutiny.

ANN BORROW.

[Illustration: THE BORROW HOUSE, NORWICH

The house is situated in Borrow's Court, formerly King's Court, Willow

Lane, St. Giles's, Norwich, and here Borrow lived at intervals from 1816

to his marriage in 1839. His mother lived here for thirty-three years

until 1849; his father died here, and is buried in the neighbouring

churchyard of St. Giles's.]

FOOTNOTES:

[9] 24th May 1856. Dining at Mr. Rathbone's one evening last week (21st

May), it was mentioned that Borrow, author of _The Bible in Spain_, is

supposed to be of gypsy descent by the mother's side. Hereupon Mr.

Martineau mentioned that he had been a schoolfellow of Borrow, and

though he had never heard of his gypsy blood, he thought it probable,

from Borrow's traits of character. He said that Borrow had once run away

from school, and carried with him a party of other boys, meaning to lead

a wandering life (_The English Notebooks of Nathaniel Hawthorne_, vol.

ii. 1858).

[10] Samuel and Maria Perfrement were married in 1766, the latter to

John Burcham. Two of her brothers survived Ann Borrow, Samuel Perfrement

dying in 1864 and Philip in 1867.

[11] _Lavengro_, ch. xviii.

[12] _Lavengro_, ch. xxxvii.

[13] In May 1913 the Lord Mayor of Norwich (Mr. A. M. Samuel) purchased

the Borrow house in Willow Lane for £375, and gave it to the city for

the purpose of a Borrow Museum.

[14] This Thomas King was a cousin of my mother; his father built the

Borrow House in Norwich in 1812. The only allusion to him I have ever

seen in print is contained in a letter on _Lavengro_ contributed by

Thomas Burcham to _The Britannia_ newspaper of June 26, 1851:--'With

your criticism on _Lavengro_ I cordially agree, and if you were

disappointed in the long promised work, what must I have been? A

schoolfellow of Borrow, who, in the autobiography, expected to find much

interesting matter, not only relating to himself, but also to

schoolfellows and friends--the associates of his youth, who, in

after-life, gained no slight notoriety--amongst them may be named Sir

James Brooke, Rajah of Sarawak; poor Stoddard, who was murdered at

Bokhara, and who, as a boy, displayed that noble bearing and high

sensitiveness of honour which partly induced that fatal result; and

Thomas King, one of Borrow's early friends, who, the son of a carpenter

at Norwich, the landlord of Lavengro's father, after working in his

father's shop till nearly sixteen, went to Paris, entered himself as a

student at one of the hospitals, and through his energy and intellect

became internal surgeon of L'Hôtel Dieu and private physician to Prince

Talleyrand.' Thomas Borrow Burcham was Magistrate of Southwark Police

Court from 1856 till his death in 1869. He was the son of Maria

Perfrement, Borrow's aunt.

George Borrow and His Circle Wherein May Be Found Many Hitherto Unpublished Letters of Borrow and His Friends · 第 2 / 31 章