A NATIONAL WORK WHICH COULD FIND NO PATRONAGE.

The author who is now before us is DE LOLME!

I shall consider as an English author that foreigner, who flew to our

country as the asylum of Europe, who composed a noble work on our

Constitution, and, having imbibed its spirit, acquired even the

language of a free country.

I do not know an example in our literary history that so loudly

accuses our tardy and phlegmatic feeling respecting authors, as the

treatment De Lolme experienced in this country. His book on our

Constitution still enters into the studies of an English patriot, and

is not the worse for flattering and elevating the imagination,

painting everything beautiful, to encourage our love as well as our

reverence for the most perfect system of governments. It was a noble

as well as ingenious effort in a foreigner--it claimed national

attention--but could not obtain even individual patronage. The fact is

mortifying to record, that the author who wanted every aid, received

less encouragement than if he had solicited subscriptions for a raving

novel, or an idle poem. De Lolme was compelled to traffic with

booksellers for this work; and, as he was a theoretical rather than a

practical politician, he was a bad trader, and acquired the smallest

remuneration. He lived, in the country to which he had rendered a

national service, in extreme obscurity and decay; and the walls of the

Fleet too often enclosed the English Montesquieu. He never appears to

have received a solitary attention,[132] and became so disgusted with

authorship, that he preferred silently to endure its poverty rather

than its other vexations. He ceased almost to write. Of De Lolme I

have heard little recorded but his high-mindedness; a strong sense

that he stood degraded beneath that rank in society which his book

entitled him to enjoy. The cloud of poverty that covered him only

veiled without concealing its object; with the manners and dress of a

decayed gentleman, he still showed the few who met him that he

cherished a spirit perpetually at variance with the adversity of his

circumstances.

Our author, in a narrative prefixed to his work, is the proud

historian of his own injured feelings; he smiled in bitterness on his

contemporaries, confident it was a tale reserved for posterity.

After having written the work whose systematic principles refuted

those political notions which prevailed at the era of the American

revolution,--and whose truth has been so fatally demonstrated in our

own times, in two great revolutions, which have shown all the defects

and all the mischief of nations rushing into a state of freedom before

they are worthy of it,--the author candidly acknowledges he counted on

some sort of encouragement, and little expected to find the mere

publication had drawn him into great inconvenience.

"When my enlarged English edition was ready for the press, had I

acquainted ministers that I was preparing to boil my tea-kettle with

it, for want of being able to afford the expenses of printing it;"

ministers, it seems, would not have considered that he was lighting

his fire with "myrrh, and cassia, and precious ointment."

In the want of encouragement from great men, and even from booksellers,

De Lolme had recourse to a subscription; and his account of the manner

he was received, and the indignities he endured, all which are

narrated with great simplicity, show that whatever his knowledge of

our Constitution might be, "his knowledge of the country was, at that

time, very incomplete." At length, when he shared the profits of his

work with the booksellers, they were "but scanty and slow." After

all, our author sarcastically congratulates himself, that he--

"Was allowed to carry on the above business of selling my book,

without any objection being formed against me, from my not having

served a regular apprenticeship, and without being molested by the

Inquisition."

Calamities and Quarrels of Authors · 第 102 / 321 题