CHAPTER XI

MYTHS OF THE LESSER DIVINITIES OF HEAVEN

=122. Myths of Stars and Winds.= The tales of Stars and Winds and the

other lesser powers of the celestial regions are closely interwoven.

That the winds which sweep heaven should kiss the stars is easy to

understand. The stories of Aurora (Eos) and of Aura, of Phosphor and of

Halcyone, form, therefore, a ready sequence.

[Illustration: FIG. 97. PHOSPHOR, EOS, AND HELIOS (THE SUN) RISING FROM

THE SEA]

=123. Cephalus and Procris.=[163] Aurora, the goddess of the dawn, fell

in love with Cephalus, a young huntsman. She stole him away, lavished

her love upon him, tried to content him, but in vain. He cared for his

young wife Procris more than for the goddess. Finally, Aurora dismissed

him in displeasure, saying, "Go, ungrateful mortal, keep thy wife; but

thou shalt one day be sorry that thou didst ever see her again."

Cephalus returned and was as happy as before in his wife. She, being

a favorite of Diana, had received from her for the chase a dog and a

javelin, which she handed over to her husband. Of the dog it is told

that when about to catch the swiftest fox in the country, he was

changed with his victim into stone. For the heavenly powers, who had

made both and rejoiced in the speed of both, were not willing that

either should conquer. The javelin was destined to a sad office. It

appears that Cephalus, when weary of the chase, was wont to stretch

himself in a certain shady nook to enjoy the breeze. Sometimes he would

say aloud, "Come, gentle Aura, sweet goddess of the breeze, come and

allay the heat that burns me." Some one, foolishly believing that he

addressed a maiden, told the secret to Procris. Hoping against hope,

she stole out after him the next morning and concealed herself in the

place which the informer had indicated. Cephalus, when tired with

sport, stretched himself on the green bank and summoned fair Aura as

usual. Suddenly he heard, or thought he heard, a sound as of a sob in

the bushes. Supposing it to proceed from some wild animal, he threw his

javelin at the spot. A cry told him that the weapon had too surely met

its mark. He rushed to the place and raised his wounded Procris from

the earth. She, at last, opened her feeble eyes and forced herself to

utter these words: "I implore thee, if thou hast ever loved me, if I

have ever deserved kindness at thy hands, my husband, grant me this

last request; marry not that odious Breeze!" So saying, she expired in

her lover's arms.

[Illustration: FIG. 98. SUN, RISING, PRECEDED BY DAWN

From the painting by Guido Reni]

[Illustration: FIG. 99. SUNRISE; EOS PURSUING CEPHALUS]

=124. Dobson's The Death of= =Procris.= A different version of the

story is given in the following:

Procris, the nymph, had wedded Cephalus;--

He, till the spring had warmed to slow-winged days

Heavy with June, untired and amorous,

Named her his love; but now, in unknown ways,

His heart was gone; and evermore his gaze

Turned from her own, and even farther ranged

His woodland war; while she, in dull amaze,

Beholding with the hours her husband changed,

Sighed for his lost caress, by some hard god estranged.

So, on a day, she rose and found him not.

Alone, with wet, sad eye, she watched the shade

Brighten below a soft-rayed sun that shot

Arrows of light through all the deep-leaved glade;

Then, with weak hands, she knotted up the braid

Of her brown hair, and o'er her shoulders cast

Her crimson weed; with faltering fingers made

Her golden girdle's clasp to join, and past

Down to the trackless wood, full pale and overcast.

And all day long her slight spear devious flew,

And harmless swerved her arrows from their aim,

For ever, as the ivory bow she drew,

Before her ran the still unwounded game.

Then, at the last, a hunter's cry there came,

And, lo! a hart that panted with the chase.

Thereat her cheek was lightened as with flame,

And swift she gat her to a leafy place,

Thinking, "I yet may chance unseen to see his face."

Leaping he went, this hunter Cephalus,

Bent in his hand his cornel bow he bare,

Supple he was, round-limbed and vigorous,

Fleet as his dogs, a lean Laconian pair.

He, when he spied the brown of Procris' hair

Move in the covert, deeming that apart

Some fawn lay hidden, loosed an arrow there;

Nor cared to turn and seek the speeded dart,

Bounding above the fern, fast following up the hart.

But Procris lay among the white wind-flowers,

Shot in the throat. From out the little wound

The slow blood drained, as drops in autumn showers

Drip from the leaves upon the sodden ground.

None saw her die but Lelaps, the swift hound,

That watched her dumbly with a wistful fear,

Till, at the dawn, the hornèd wood-men found

And bore her gently on a sylvan bier,

To lie beside the sea,--with many an uncouth tear.

=125. Ceyx and Halcyone.= The son of Aurora and Cephalus was Phosphor,

the Star of Morning. His son Ceyx, king of Trachis in Thessaly, had

married Halcyone, daughter of Æolus.[164] Their reign was happy until

the brother of Ceyx met his death. The direful prodigies that followed

this event made Ceyx feel that the gods were hostile to him. He thought

best therefore to make a voyage to Claros in Ionia to consult the

oracle of Apollo. In spite of his wife's entreaties (for as daughter

of the god of winds she knew how dreadful a thing a storm at sea was),

Ceyx set sail. He was shipwrecked and drowned. His last prayer was that

the waves might bear his body to the sight of Halcyone, and that it

might receive burial at her hands.

In the meanwhile, Halcyone counted the days till her husband's promised

return. To all the gods she offered frequent incense, but more than all

to Juno. The goddess, at last, could not bear to be further pleaded

with for one already dead. Calling Iris, she enjoined her to approach

the drowsy dwelling of Somnus and bid him send a vision to Halcyone in

the form of Ceyx, to reveal the sad event.

[Illustration: FIG. 100. THE GOD OF SLEEP]

Iris puts on her robe of many colors, and tinging the sky with her

bow, seeks the cave near the Cimmerian country, which is the abode of

the dull god, Somnus. Here Ph[oe]bus dare not come. Clouds and shadows

are exhaled from the ground, and the light glimmers faintly. The cock

never there calls aloud to Aurora, nor watchdog nor goose disturbs the

silence. No wild beast, nor cattle, nor branch moved with the wind,

nor sound of human conversation breaks the stillness. From the bottom

of the rock the river Lethe flows, and by its murmur invites to sleep.

Poppies grow before the door of the cave, from whose juices Night

distills slumbers which she scatters over the darkened earth. There

is no gate to creak on its hinges, nor any watchman. In the midst, on

a couch of black ebony adorned with black plumes and black curtains

the god reclines, his limbs relaxed in sleep. Around him lie dreams,

resembling all various forms, as many as the harvest bears stalks, or

the forest leaves, or the seashore sand grains.

Brushing away the dreams that hovered around her, Iris lit up the cave

and delivered her message to the god, who, scarce opening his eyes, had

great difficulty in shaking himself free from himself.

Then Iris hasted away from the drowsiness creeping over her, and

returned by her bow as she had come. But Somnus called one of his

sons, Morpheus, the most expert in counterfeiting forms of men, to

perform the command of Iris; then laid his head on his pillow and

yielded himself again to grateful repose.

Morpheus flew on silent wings to the Hæmonian city, where he assumed

the form of Ceyx. Pale like a dead man, naked and dripping, he stood

before the couch of the wretched wife and told her that the winds of

the Ægean had sunk his ship, that he was dead.

Weeping and groaning, Halcyone sprang from sleep and, with the dawn,

hastening to the seashore, descried an indistinct object washed to and

fro by the waves. As it floated nearer she recognized the body of her

husband. In despair, leaping from the mole, she was changed instantly

to a bird, and poured forth a song of grief as she flew. By the mercy

of the gods Ceyx was likewise transformed. For seven days before and

seven days after the winter solstice, Jove forbids the winds to blow.

Then Halcyone broods over her nest; then the way is safe to seafarers.

Æolus confines the winds that his grandchildren may have peace.

=126. Aurora and Tithonus.=[165] Aurora seems frequently to have been

inspired with the love of mortals. Her greatest favorite, and almost

her latest, was Tithonus, son of Laomedon, king of Troy. She stole him

away and prevailed on Jupiter to grant him immortality; but forgetting

to have youth joined in the gift, after some time she began to discern,

to her great mortification, that he was growing old. When his hair was

white she left his society; but he still had the range of her palace,

lived on ambrosial food, and was clad in celestial raiment. In time

he lost the power of using his limbs; and then she shut him up in his

chamber, whence his feeble voice might at times be heard. Finally, she

turned him into a grasshopper.

=127. Tennyson's Tithonus.= The following is, according to a fine

poetic conception, the lament of the old man when but a white-haired

shadow:

The woods decay, the woods decay and fall,

The vapors weep their burthen to the ground,

Man comes and tills the field and lies beneath,

And after many a summer dies the swan.

Me only cruel immortality

Consumes: I wither slowly in thine arms,

Here at the quiet limit of the world,

A white-haired shadow roaming like a dream

The ever silent spaces of the East,

Far-folded mists, and gleaming halls of morn.

Alas! for this gray shadow, once a man--

So glorious in his beauty and thy choice,

Who madest him thy chosen, that he seem'd

To his great heart none other than a God!

I ask'd thee, "Give me immortality."

Then didst thou grant mine asking with a smile,

Like wealthy men who care not how they give;

But thy strong Hours indignant work'd their wills,

And beat me down and marr'd and wasted me,

And tho' they could not end me, left me maim'd

To dwell in presence of immortal youth,

Immortal age beside immortal youth,

And all I was, in ashes. Can thy love,

Thy beauty, make amends, tho' even now,

Close over us, the silver star, thy guide,

Shines in those tremulous eyes that fill with tears

To hear me? Let me go: take back thy gift:

Why should a man desire in any way

To vary from the kindly race of men,

Or pass beyond the goal of ordinance

Where all should pause, as is most meet for all?

A soft air fans the cloud apart; there comes

A glimpse of that dark world where I was born.

Once more the old mysterious glimmer steals

From thy pure brows, and from thy shoulders pure,

And bosom beating with a heart renew'd.

Thy cheek begins to redden thro' the gloom,

Thy sweet eyes brighten slowly close to mine,

Ere yet they blind the stars, and the wild team

Which love thee, yearning for thy yoke, arise,

And shake the darkness from their loosen'd manes,

And beat the twilight into flakes of fire.

Lo! ever thus thou growest beautiful

In silence, then before thine answer given

Departest, and thy tears are on my cheek.

Why wilt them ever scare me with thy tears,

And make me tremble lest a saying learnt

In days far-off, on that dark earth, be true?

"The gods themselves cannot recall their gifts."

Ay me! ay me! with what another heart

In days far-off, and with what other eyes

I used to watch--if I be he that watched--

The lucid outline forming round thee; saw

The dim curls kindle into sunny rings;

Changed with thy mystic change, and felt my blood

Glow with the glow that slowly crimson'd all

Thy presence and thy portals, while I lay,

Mouth, forehead, eyelids, growing dewy-warm

With kisses balmier than half-opening buds

Of April, and could hear the lips that kiss'd

Whispering I knew not what of wild and sweet,

Like that strange song I heard Apollo sing,

While Ilion like a mist rose into towers.

Yet hold me not forever in thine East:

How can my nature longer mix with thine?

Coldly thy rosy shadows bathe me, cold

Are all thy lights, and cold my wrinkled feet

Upon thy glimmering thresholds, when the steam

Floats up from those dim fields about the homes

Of happy men that have the power to die,

And grassy barrows of the happier dead.

Release me, and restore me to the ground;

Thou seëst all things, thou wilt see my grave:

Thou wilt renew thy beauty morn by morn;

I earth in earth forget these empty courts,

And thee returning on thy silver wheels.

=128. Memnon=, the son of Aurora and Tithonus, was king of the

Æthiopians. He went with warriors to assist his kindred in the Trojan

War, and was received by King Priam with honor. He fought bravely, slew

Antilochus, the brave son of Nestor, and held the Greeks at bay until

Achilles appeared. Before that hero he fell.

Then Aurora, seeing her son's fate, directed his brothers, the Winds,

to convey his body to the banks of the river Æsepus in Mysia. In the

evening Aurora, accompanied by the Hours and the Pleiads, bewept her

son. Night spread the heaven with clouds; all nature mourned for the

offspring of the Dawn. The Æthiopians raised his tomb on the banks

of the stream in the grove of the Nymphs, and Jupiter caused the

sparks and cinders of his funeral pile to be turned into birds, which,

dividing into two flocks, fought over the pile till they fell into the

flame. Every year at the anniversary of his death they celebrated his

obsequies in like manner. Aurora remained inconsolable. The dewdrops

are her tears.[166]

[Illustration: FIG. 101. THE DEATH OF MEMNON]

The kinship of Memnon to the Dawn is certified even after his death. On

the banks of the Nile are two colossal statues, one of which is called

Memnon's; and it was said that when the first rays of morning fell

upon this statue, a sound like the snapping of a harp-string issued

therefrom.[167]

So to the sacred Sun in Memnon's fane

Spontaneous concords choired the matin strain;

Touched by his orient beam responsive rings

The living lyre and vibrates all its strings;

Accordant aisles the tender tones prolong,

And holy echoes swell the adoring song.[168]

FOOTNOTES:

[163] Ovid, Metam. 7, 394 _et seq._

[164] Ovid, Metam. 11, 583-748.

[165] Homeric Hymn to Venus; Horace, Odes, 1, 22; 2, 16; Apollodorus,

3, 12, § 4.

[166] Ovid, Metam. 13, 622, etc. Odyssey, 4, 188; 11, 522. Pindar,

Pyth. 6, 30.

[167] Pausanias, 1, 42, § 2.

[168] Darwin, Botanic Garden.

The Classic Myths in English Literature and in Art (2nd ed.) (1911) Based Originally on Bulfinch's "Age of Fable" (1855) · 第 12 / 34 章