ESSENCE OF PARLIAMENT.

_Tuesday, April 25th._--The Government, which has sometimes been accused

of not having sufficient confidence in the House of Commons, has made

ample amends. Information about the Army, too grave to be imparted to

the people who provide the men and the means for maintaining it, is to

be freely given to four or five hundred Members of Parliament (not to

mention a similar number of Peers).

The PRIME MINISTER opened the Secret Session in one of his briefest

speeches. "Mr. Speaker," he said, "I beg, Sir, to call your attention to

the fact that strangers are present." The historic form of this

advertisement, "I spy strangers;" is briefer still, but inadmissible in

these ticklish times. One does not want to see, in the enemy Press,

"British Prime Minister confesses to spying."

Then the Press Gallery was cleared, and the Great Inquest of the Nation

became a Vehmgericht. The wretched scribe who should attempt to peer

behind the veil that shrouds its proceedings has been warned in advance

of the unnamed pains and penalties that await him if he should venture

to describe or even "refer to" the proceedings of the Secret Session. I

am unable to say, therefore, whether it is true that the occupants of

the Treasury Bench forthwith donned helmets and gas-masks to protect

themselves from the fiery darts and mephitic vapours launched at them

from above and below the Gangway.

On these picturesque details the official report, compiled by Mr.

SPEAKER, who is understood to have seized the opportunity offered by his

recent stay at Bath to learn Pitman's shorthand, is unfortunately

silent.

All we learn from its severely restrained pages is that the PRIME

MINISTER made a long statement about recruiting. From this we gather

that if fifty thousand of the unattested married men do not enlist

before the end of May they will be compelled to do so; and that

altogether the Government will insist on getting 200,000 men from this

source. The German General Staff will be surprised to learn that our

requirements are so modest, and will wonder, as we do, what all the

pother is about.

Perhaps Mr. LOWTHER did not take notes of the other speeches that were

delivered. At any rate he gives us no indication of their drift. All we

know is that in the course of some seven hours no fewer than sixteen

Members addressed the House. From this it may be inferred that the

absence of reporters has at least the negative advantage of conducing to

brevity of utterance. May we also infer that the speaking was as plain

as it was brief, and that for the time being the Palace of Westminster

has become the Palace of Truth?

[Illustration: Unique sketch by _Punch_ artist (concealed in clock

opposite), showing how the last reporter was detected in the Press

Gallery by the aid of a giant periscope.]

_Wednesday, April 26th._--So far as we are permitted to know what took

place--for the House of Commons had another Secret Session--in both

Houses it was Ireland, Ireland all the way. The Commons began by

granting a return relating to Irish Lunacy accounts, and then by an easy

transition passed to the report of the Sinn Fein rebellion in Dublin.

Colonel SHARMAN-CRAWFORD, who bears a name that all Ireland has solid

reason to respect, desiring to return to his native country, asked Mr.

BIRRELL what routes, if any, were open. Mr. BIRRELL did not know, but

intimated genially that he might be able to take absence of over the

gallant Colonel under his own protecting wing. The House appeared to

find humour in the idea of the CHIEF SECRETARY returning to his post,

and an Hon. Member inquired why he had ever left it.

The PRIME MINISTER gave a brief and, so far as it went, rosy-coloured

report of the situation in Dublin. Some Nationalist Volunteers were

helping the Government. The forces of the Crown were to be further

strengthened by a party of American journalists, armed to the teeth with

quick-firing pencils, who were going over to deal with "this most recent

German campaign."

This may have reminded Mr. ASQUITH that there were British journalists

in the Press Gallery. The DEPUTY SPEAKER'S attention having been called

to this fact, the House voted for their expulsion, and again passed into

Secret Session.

The Lords were again in Open Session, to the regret, perhaps, of the

Government representatives, who heard some very plain speaking from Lord

MIDDLETON. According to his information the rebels were still in

possession of important parts of Dublin. The Government had been warned

on Sunday last that an outbreak was imminent, but had nevertheless

allowed many officers to go on leave, while others were permitted to

assist at the races on Monday.

_Thursday, April 21th._--Mr. GINNELL does not believe in the supineness

of the Irish Executive. His information is that quite a long time ago it

had resolved to place Dublin in a state of siege, to imprison Archbishop

WALSH and the LORD MAYOR in their respective official residences, and to

arrest the leaders of sundry Nationalist associations. Mr. T. W.

RUSSELL, as spokesman for the ruthless Mr. BIRRELL, denied emphatically

that these drastic steps had been contemplated.

The PRIME MINISTER subsequently announced that the situation still had

"serious features." This mild phrase covers the continued possession by

the rebels of important parts of Dublin, the prevalence of street

fighting, and the spread of the insurrection to the wild West. Martial

law had been proclaimed all over the country; Sir JOHN MAXWELL had been

sent over in supreme command, and the Irish Government had been placed

under his orders--the last part of this announcement being greeted with

especially loud cheers.

Sir EDWARD CARSON and Mr. JOHN REDMOND joined in expressing horror of

this rebellion and hoped that the Press would not make it an excuse for

reviving political dissension on Irish matters--a sufficient rebuke to

_The Westminster Gazette_ and _The Star_, both of which by a curious

coincidence had found the moment auspicious for preaching from the text

of the old tag, "There but for the grace of God," etc.

Sir H. DALZIEL attempted to secure an immediate debate upon the Irish

trouble. But the eminent Privy Councillor found little support in the

House, and was first knocked down by the DEPUTY-SPEAKER and then

trampled upon by Mr. ASQUITH.

If the Secret Sessions were intended to make smooth the way of the

Military Service Bill they failed miserably in their object. Mr. LONG,

to whom was entrusted the task of introducing it, felt his position

acutely. Only when explaining that one of the principal objects of the

Bill was to extend the service of time-expired soldiers for the duration

of the War did he wax at all eloquent, and then it was in lauding the

chivalry of these men and in expressing his extreme distaste for the

task of coercing them. The whole speech justified the poet's remark that

"long petitions spoil the cause they plead."

Not a voice was heard in favour of the measure. Sir EDWARD CARSON damned

it for not going far enough, and Mr. LEIF JONES because it went too far;

and Mr. STEPHEN WALSH, as representative of the miners, who have given

so much of their blood to the country's cause, bluntly demanded that the

House should reject this Bill "and insist on the straight thing."

Mr. ASQUITH, recalled to the House by his agitated colleague, recognised

that his old Parliamentary hand had got into a hornet's nest, and

promptly withdrew it. To the best of my recollection this is the first

time on record that a Government measure has perished before its first

reading. Conceived in secrecy and delivered in pain, its epitaph will be

that of another unhappy infant:--

"If I was to be so soon done for

I wonder what I was began for."

* * * * *

[Illustration: _Ingenuous Maiden (on being told she is expected to milk

the cow_). "Oh, Mum, I dursn't without a soldier held her head."]

* * * * *

"The Austrians thrice attempted to rush the Italian positions on

the Upper Isonzo, but were repulsed with heavy lasses."

_Times of Ceylon._

Stout girls, these _contadine_.

* * * * *

"Recently I have seen several German planes so high as to be

mere specks, and of the many I have seen none has been lower, I

should say, than ,000 ft."--_Morning Paper._

A cautious statement, and probably true.

* * * * *

"We are glad to learn that the daughter of our popular banker

was married on the 10th instant, over 1000 persons were invited

and sumpfedtuously."--_Indian Paper._

We infer that the compositor was among them.

* * * * *

"In his defence Mr. ---- said he had endeavoured to fake the

point that the onus of proving he was under the Military Service

Act was upon the prosecution."

_Bayswater Chronicle._

If not a conscientious he seems to have been at least a candid objector.

* * * * *

"THE BIRTH OF A FLUENCE."

In consequence of the new tax on imported films the Cinema industry in

England has received a new fillip, and a wave of enterprise is passing

over the studios. In place of the familiar--almost too familiar--

American dramas we are to have English. No more of those square-jawed

stern American business men at their desks, with the telephone ever in

their hands and instantaneous replies to every call. No more police

officers, also at their desks, giving orders like lightning and having

them understood and acted upon as quickly. No more crooks clambering

over the roofs of an express train. No more motor-car pursuits. No more

Indians, no more cowboys, no more heroines in top boots.

And what is there to be instead? Not--I hear you cry appealingly--not

panoramas of Zurich or Cape Town? No, not those devastating views of

scenery, but home-made films "featuring" English performers, with an eye

not only to entertainment but instruction. That is the new movie note.

And for a start a wonderful picture has just been completed, under the

title "The Birth of a Fluence," taking the Cinema-goers (as they are

called) behind the scenes of a London daily paper.

Not a real paper, of course, for that would be telling too much, but an

absolutely imaginary paper, yet like enough in many respects to a real

paper to afford to the imaginative spectator an idea of how such

marvellous sheets are put together.

No expense has been spared to get an air of verisimilitude into these

pictures, at a private view of which we were permitted to be present.

Let us give a rough sketch of the film, which is some mile and a half

long, or as far, say, as from the House of Lords to Printing House

Square. But first we must remark that the unseen force which agitates

all the documents and blinds of the various rooms shown is not due, as

it usually is, to the circumstance that the pictures were taken in the

open air, during a gale, but it symbolises the power of the Proprietor

of the paper, who can by a breath make or unmake Governments.

The first picture shows the arrival of the Editor, a man of desperate

mien, dark as a thunder cloud, ready to be affrighted by nothing, with

instant disapproval of whatever he disapproves breaking through his

alert, intellectual features. To him, stern patriot as he is, it is

nothing that men do well. He is there, vigilant and implacable, to

pounce swiftly and mercilessly on derelictions of duty. No one knows so

well as he what is possible to a Minister and his Department and what

not. They themselves, the Minister and his Department, are totally

uninstructed in the matter. Truly a remarkable man.

The Editor opens his letters; touches bells, speaks through telephones,

and generally proves himself to be more than a man, a Force. Imaginary

as is the whole affair, no one seeing this film can ever open a morning

paper again without a thrill, a foreboding.

Next we are shown the Proprietor leaving his private house by aeroplane

to visit the office. We see him first alighting on the roof and then

entering his private room by a secret door, from a secret staircase.

Having removed his slouch hat and cloak and laid aside his dark lantern,

he is revealed as a man of destiny indeed.

We see the mottoes on the walls of the room, such as "Always change

horses in midstream"; "Always wash dirty linen in public"; "Any stick is

good enough to beat a dog with"; "If you throw enough mud some will

stick"; "Damn the consequences"; "Disunion is strength"; "After me the

Deluge," and so forth.

Then the Proprietor begins to get busy. He too touches bells, and

various assistants rush to his presence. The first is the Editor, and we

watch the progress of a fateful interview, which is made the more

understandable by legends shown on the screen. Thus, after a long course

of lip-moving and chin-wagging on the part of the Proprietor, we read

the helpful words:--

"The Twenty-three must go."

Then the Editor's lips move and his chin rides up and down and we read

the words:--

"But suppose the old man is too clever?"

And so the epoch-making talk goes on and others are summoned to take

part in it.

Next, as a guide to the paper's enterprise we are admitted to a meeting

of the Cabinet, and are assisted, at last to unravel the mystery as to

which Minister it is who gives away the secrets of that assembly, for we

watch him in his various disguises on his way to the dark cellar where

he meets the political representative of the paper, makes his report and

receives the promise of his future reward. It is, we feel confident,

this particular section of the film which will secure for it an amazing

popularity, though all reference in the Press to Cabinet proceedings has

now been made illegal for the duration of the War.

"The Birth of a Fluence," it will be seen, does not confine its energies

to the office of the paper. So thorough is the scheme that various

pictures have been taken--always, of course, at the usual enormous

expense--at even distant places, where its activities, or the result of

them, can be studied. For example, we are shown a section of the Front

and the delight of the English soldier as he unfolds the paper and

discovers that his country is still being goaded towards that healthy

disintegration which must necessarily accelerate our victory. And we are

even shown one of the paper's defeated candidates seeking the

railway-station after the election; for it is notorious that, vast as

are the paper's other influences, it is often unable to persuade an

electorate to follow it.

The last picture, which also should be of particular interest to the

public as proving how sacred the Fourth Estate holds the duty of

providing it with accurate reports, shows the whole of the building

draped with the habiliments of woe and the staff in deep mourning on

learning that the secrecy of the secret session is to be callously and

rigorously enforced by the Government. And in this state of prostration

the _personnel_ is left. So ends one of the most enthralling films that

this country has yet invented.

"The Birth of a Fluence" would, of course, be more instructive still

were there any paper that at all corresponded to the fantastic and

incredible organ here illustrated. But of course a sheet that during the

progress of an anxious war so consistently belittled its country and

aspersed its rulers would be impossible. Still, enough verisimilitude

remains to make an amusing half-hour.

* * * * *

[Illustration: Conscientious married M.P. (WHO UNFORTUNATELY TALKS IN

HIS SLEEP) GAGGING HIMSELF BEFORE RETIRING TO BED AFTER SECRET SESSION.]

* * * * *

Punch, or the London Charivari, Vol. 150, May 3, 1916 · 第 20 / 29 题