By permission of Braun, Clément, & Co.]

On this page we have two pictures which present as marked a contrast

as may easily be conceived. "An Unexpected Meeting," by Paul Peel,

depicting the sturdy little fellow with the irresistible air of

manliness greeting the frog as a boon-companion, is as natural a study

of boy-life as is that of the little girl of the characteristics of the

opposite sex. "Little Caprice" stands before us in scanty attire which

is not the beginning of her morning toilet, but is merely the result

of her caprice. But what does it all mean? If she knew that, or you,

or I, it would be no longer what it is--an inexplicable freak of the

child's mind. She has been left unobserved for a moment whilst playing

in a corner and found it amusing to take off her clothes, till she came

to the critical point, which the painter has seized with so much humour

and truth to life. Suddenly it strikes her that it is not very amusing

to be without one's clothes, but she does not wish to put her things

on by herself, partly for the simple reason that she does not know

how to do it, and also because she does not know whether she really

wishes to be dressed again. Oh, misery! oh, aggravation! she wants to

do neither one thing nor the other. In fact, she does not know exactly

what she wants--a state of mind which, when she grows to womanhood,

will doubtless very often be repeated.

[Illustration: "LITTLE CAPRICE."

_From the Painting by Elisa Koch._

The Strand Magazine, Vol. 27, February 1904, No. 159. · 第 24 / 72 题