“L’amont” can be acted well in pantomime by representing an old deaf
man, and his young wife; the old man with spectacles on nose, sitting
in a large chair, reading the newspaper, his young wife standing behind
the chair. A low tap is heard at the door. She starts and listens; the
door opens slyly and discovers a young man. She starts with delight,
but points to the old man, motioning the young man to go. He makes
gestures of despair; then appears to have a sudden thought, bows, and
retires. Soon a loud knock is heard; she goes to the door, and returns
with a letter, giving it to the old man; he reads, shakes his head,
and hands it to her; she looks at it, runs for his hat and coat, and
motions him to go. He leaves at one door, while _L’Aman_ enters at
another. Then they act a lover-like scene, and the curtain drops.
_Table._ She again appears with sleeves rolled up, apron on,
rolling-pin in hand, making cakes, the young lover standing by, and now
and then eating one of the cakes. They hear a heavy step, and the lover
runs for a hiding-place. At last he springs under the table, and she
pulls a table cloth down around it, and goes on rolling cakes. In comes
the old man, hobbling along. He looks around and suspects something,
and begins a strict search. Thus ends that scene.
_Lamentable._ The same actors appear, but the table is turned over,
and, behold! the old man has seized the young lover, and is brandishing
aloft a heavy cane, while the young wife appears, weeping bitterly.
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