1.--SHAKESPEARE READING CLUBS.

Some clubs read Shakespeare alone. It is most certainly a noble

study, and one we can never weary of. Few can hope ever to excel in

delineating Shakespeare. Therefore it is well, if we meet together

for social enjoyment as well as improvement, to have a variety of

plays, such as Sheridan Knowles’ plays. Also, it is an admirable way

of learning to converse easily in German and French to read plays in

the different languages. In reading these plays, the parts, in the

beginning, should be given to different members.

The librettos of many excellent plays can be bought for a very small

sum, such as “Ion,” “Hunchback,” “William Tell,” “Love’s Sacrifice,”

and many other excellent old plays. These small books are less

cumbersome to carry around. It is well before the club meets to read

any play, to have each person read over his or her part, so as to be

able to comprehend the character. Therefore the play to be read at

each reading should be given out at the close of every meeting, and

the parts selected, each member having an equal share. Such clubs are

far more agreeable to its members, and less likely to cause unpleasant

rivalries, than clubs for private theatricals, as private actors are

often jealous, for human nature, alas! is weak.

We have known of some very successful clubs, where discord and jealousy

never appeared, and where harmony reigned. We will give the manner of

proceeding adopted by one of them, as it may assist in the formation

of others. The club was started by some young ladies, with a view

of making home and winter evenings agreeable to their brothers. A

committee was chosen to form a code of laws. Each one was to subscribe

a small sum to purchase the librettos of their plays. The following

rules were signed by all the members:--

1. Each member of the club must take his or her turn in choosing a

play, and in giving out the rôle of characters.

2. Every member must take the characters given him, and do his best,

unless he can exchange parts with some other member, with the consent

of the one who selected the play.

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