LOGIC

The Stoics had a tremendous reputation for logic. In this department

they were the successors or rather the supersessors of Aristotle. For

after the death of Theophrastus the library of the Lyceum is said to

have been buried underground at Scepsis until about a century before

Christ, So that the Organon may actually have been lost to the world

during that period. At all events under Strato the successor of

Theophrastus who specialized in natural science the school had lost

its comprehensiveness. Cicero even finds it consonant with dramatic

propriety to make Cato charge the later Peripatetics with ignorance

of logic! On the other hand Chrysippus became so famous for his logic

as to create a general impression that if there were a logic among

the gods it would be no other than the Chrysippean.

But if the Stoics were strong in logic they were weak in rhetoric.

This strength and weakness were characteristic of the school at all

periods. Cato is the only Roman Stoic to whom Cicero accords the

praise of real eloquence. In the dying accents of the school as we

hear them in Marcus Aurelius the imperial sage counts it a thing to

be thankful for that he had learnt to abstain from rhetoric, poetic,

and elegance of diction. The reader however cannot help wishing that

he had taken some means to diminish the crabbedness of his style. If

a lesson were wanted in the importance of sacrificing to the Graces

it might be found in the fact that the early Stoic writers despite

their logical subtlety have all perished and that their remains have

to be sought for so largely in the pages of Cicero. In speaking of

logic as one of the three departments of philosophy we must bear in

mind that the term was one of much wider meaning than it is with us.

It included rhetoric, poetic, and grammar as well as dialectic or

logic proper, to say nothing of disquisitions on the senses and the

intellect which we should now refer to psychology.

Logic as a whole being divided into rhetoric and dialectic: rhetoric

was defined to be the knowledge of how to speak well in expository

discourses and dialectic as the knowledge of how to argue rightly in

matters of question and answer. Both rhetoric and dialectic were

spoken of by the Stoics as virtues for they divided virtue in its

most generic sense in the same way as they divided philosophy into

physical, ethical, and logical. Rhetoric and dialectic were thus the

two species of logical virtue. Zeno expressed their difference by

comparing rhetoric to the palm and dialectic to the fist.

Instead of throwing in poetic and grammar with rhetoric, the Stoics

subdivided dialectic into the part which dealt with the meaning and

the part which dealt with the sound, or as Chrysippus phrased it,

concerning significants and significates. Under the former came the

treatment of the alphabet, of the parts of speech, of solecism, of

barbarism, of poems, of amphibolies, of metre and music--a list which

seems at first sight a little mixed, but in which we can recognise

the general features of grammar, with its departments of phonology,

accidence, and prosody. The treatment of solecism and barbarism in

grammar corresponded to that of fallacies in logic. With regard to

the alphabet it is worth noting that the Stoics recognised seven

vowels and six mutes. This is more correct than our way of talking of

nine mutes, since the aspirate consonants are plainly not mute. There

were, according to the Stoics, five parts of speech--name,

appellative, verb, conjunction, article. 'Name' meant a proper name,

and 'appellative' a common term.

There were reckoned to be five virtues of speech--Hellenism,

clearness, conciseness, propriety, distinction. By 'Hellenism' was

meant speaking good Greek. 'Distinction' was defined to be 'a diction

which avoided homeliness.' Over against these there were two

comprehensive vices, barbarism and solecism, the one being an offence

against accidence, the other against syntax.

The famous comparison of the infant mind to a blank sheet of paper,

which we connect so closely with the name of Locke, really comes from

the Stoics. The earliest characters inscribed upon it were the

impressions of sense, which the Greeks called "phantasies." A

phantasy was defined by Zeno as "an impression in the soul."

Cleanthes was content to take this definition in its literal sense,

and believe that the soul was impressed by external objects as wax by

a signet ring. Chrysippus, however, found a difficulty here, and

preferred to interpret the Master's saying to mean an alteration or

change in the soul. He figured to himself the soul as receiving a

modification from every external object which acts upon it just as

the air receives countless strokes when many people are speaking at

once. Further, he declared that in receiving an impression the soul

was purely passive and that the phantasy revealed not only its own

existence, but that also of its cause, just as light displays itself

and the things that are in it. Thus, when through sight we receive an

impression of white, an affection takes place in the soul, in virtue

whereof we are able to say that there exists a white object affecting

us. The power to name the object resides in the understanding. First

must come the phantasy, and the understanding, having the power of

utterance, expresses in speech the affection it receives from the

object. The cause of the phantasy was called the "phantast," _e.

g._ the white or cold object. If there is no external cause, then

the supposed object of the impression was a "phantasm," such as a

figure in a dream, or the Furies whom Orestes sees in his frenzy.

How then was the impression which had reality behind it to be

distinguished from that which had not? "By the feel" is all that the

Stoics really had to say in answer to this question. Just as Hume

made the difference between sense-impressions and ideas to lie in the

greater vividness of the former, so did they; only Hume saw no

necessity to go beyond the impression, whereas the Stoics did.

Certain impressions, they maintained, carried with them an

irresistible conviction of their own reality, and this, not merely in

the sense that they existed; but also that they were referable to an

external cause. These were called "gripping phantasies." Such a

phantasy did not need proof of its own existence, or of that of its

object. It possessed self-evidence. Its occurrence was attended with

yielding and assent on the part of the soul. For it is as natural for

the soul to assent to the self-evident as it is for it to pursue its

proper good. The assent to a griping phantasy was called

"comprehension," as indicating the firm hold that the soul thus took

of reality. A gripping phantasy was defined as one which was stamped

and impressed from an existing object, in virtue of that object

itself, in such a way as it could not be from a non-existent object.

The clause "in virtue of that object itself" was put into the

definition to provide against such a case as that of the mad Orestes,

who takes his sister to be a Fury. There the impression was derived

from an existing object, but not from that object as such, but as

coloured by the imagination of the percipient.

The criterion of truth then was no other than the gripping phantasy.

Such at least was the doctrine of the earlier Stoics, but the later

added a saving clause, "when there is no impediment." For they were

pressed by their opponents with such imaginary cases as that of

Admetus, seeing his wife before him in very deed, and yet not

believing it to be her. But here there was an impediment. Admetus did

not believe that the dead could rise. Again Menelaus did not believe

in the real Helen when he found her on the island of Pharos. But here

again there was an impediment. For Menelaus could not have been

expected to know that he had been for ten years fighting for a

phantom. When, however, there was no such impediment, then they said

the gripping phantasy did indeed deserve its name, for it almost took

men by the hair of the head and dragged them to assent.

So far we have used "phantasy" only of real or imaginary impressions

of sense. But the term was not thus restricted by the Stoics, who

divided phantasies into sensible and not sensible. The latter came

through the understanding and were of bodiless things which could

only be grasped by reason. The ideas of Plato they declared existed

only in our minds. Horse, man, and animal had no substantial

existence but were phantasms of the soul. The Stoics were thus what

we should call Conceptualists.

Comprehension too was used in a wider sense than that in which we

have so far employed it. There was comprehension by the senses as of

white and black, of rough and smooth, but there was also

comprehension by the reason of demonstrative conclusions such as that

the gods exist and that they exercise providence. Here we are

reminded of Locke's declaration: "'Tis as certain there's a God as

that the opposite angles made by the intersection of two straight

lines are equal." The Stoics indeed had great affinities with that

thinker or rather he with them. The Stoic account of the manner in

which the mind arrives at its ideas might almost be taken from the

first book of Locke's _Essay_. As many as nine ways are

enumerated of which the first corresponds to simple ideas--

(1) by presentation, as objects of sense

(2) by likeness, as the idea of Socrates from his picture

(3) by analogy, that is, by increase or decrease, as ideas of giants

and pigmies from men, or as the notion of the centre of the earth,

which is reached by the consideration of smaller spheres.

(4) by transposition, as the idea of men with eyes in their breasts.

(5) by composition, as the idea of a Centaur.

(6) by opposition, as the idea of death from that of life.

(7) by a kind of transition, as the meaning of words and the idea of

place.

(8)by nature, as the notion of the just and the good

(9)by privation, as handless

The Stoics resembled Locke again in endeavoring to give such a

definition of knowledge as should cover at once the reports of the

senses and the relation between ideas. Knowledge was defined by them

as a sure comprehension or a habit in the acceptance of phantasies

which was not liable to be changed by reason. On a first hearing

these definitions might seem limited to sense knowledge but if we

bethink ourselves of the wider meanings of comprehension and of

phantasy, we see that the definitions apply as they were meant to

apply to the mind's grasp upon the force of a demonstration no less

than upon the existence of a physical object.

Zeno, with that touch of oriental symbolism which characterized him,

used to illustrate to his disciples the steps to knowledge by means

of gestures. Displaying his right hand with the fingers outstretched

he would say, "That is a phantasy," then contracting the fingers a

little, "That is assent," then having closed the fist, "That is

comprehension," then clasping the fist closely with the left hand, he

would add, "That is knowledge."

A notion which corresponds to our word concept was defined as a

phantasm of the understanding of a rational animal. For a notion was

but a phantasm as it presented itself to a rational mind. In the same

way so many shillings and sovereigns are in themselves but shillings

and sovereigns, but when used as passage money they become fare.

Notions were arrived at partly by nature, partly by teaching and

study. The former kind of notions were called preconceptions; the

latter went merely by the generic name.

Out of the general ideas which nature imparts to us, reason was

perfected about the age of fourteen, at the time when the voice--its

outward and visible sign--attains its full development, and when the

human animal is complete in other respects as being able to reproduce

its kind. Thus reason which united us to the gods was not, according

to the Stoics, a pre-existent principal, but a gradual development

out of sense. It might truly be said that with them the senses were

the intellect.

Being was confined by the Stoics to body, a bold assertion of which

we shall meet the consequences later. At present it is sufficient to

notice what havoc it makes among the categories. Of Aristotle's ten

categories it leaves only the first, Substance, and that only in its

narrowest sense of Primary Substance. But a substance or body might

be regarded in four ways--

(1) simply as a body

(2) as a body of a particular kind

(3) as a body in a particular state

(4) as a body in a particular relation.

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