Chapter I

IN WHICH THE READER IS TAKEN BACK A FEW WEEKS IN POINT OF TIME, AND DOWN

SEVERAL STEPS IN THE SOCIAL SCALE

It was on a balmy day in early Spring that Loveday had first met Miss Le

Pettit. Loveday had gone to fetch the milk. For Loveday's aunt, Senath

Strick, with whom she lived, was a shiftless, unthrifty woman, never

able to keep prosperous enough to own a cow for as long as the beast

took between calvings, and the times when Loveday had a fragrant,

soft-eyed animal to cherish were mercifully rare. Mercifully, for

Loveday, though she appeared sullen, had ever more sensibility than was

good for one in her position, and each time Aunt Senath was forced to

sell the cow, Loveday behaved as though she had as good a right to sit

and cry herself silly as any young lady with whom nothing was more

urgent than to spoil fine cambric with salt water.

This, then, was a period of poverty with the Strick family, and Loveday

was sent to fetch the evening milk from the farm at the crest of the

hill. On the way, she came upon Cherry Cotton and Primrose Lear, seated

upon a granite stile, their heads together over something Cherry held in

her lap. Cherry heard approaching footsteps, and whipped her apron over

the object she and her friend had been so busily discussing. Loveday was

hurt rather than angered by the unkind action, for there was a reason,

connected with Primrose, why she had felt a tender curiosity as to what

the two girls were guarding so closely. Yet she was aware of bitterness

also--for it was ever so when she appeared. Maids ceased their gossip,

boys laughed and pointed after her. She was "different."

Not in being a love-child, there were plenty of them in the village, but

their parents generally married later, and even if they did not, then

the female partner in crime would be one of the unmentionable women

about whom other people talk so much.... She would live by the harbour

plying a trade which allowed her to have a love-child or so without it

being an occasion for undue remark, or, if she did not descend to those

depths where no one expects anything better and censure consequently

ceases through ineffectiveness, then at least everyone knew the author

of her fall to be an honest, loutish Englishman, no worse than most of

his neighbours.

Loveday was without either of these two rights to existence. Her mother

had been a respectable girl till her fall, and, as far as anyone was

aware, since, for she had died of the fruit of her guilty connection,

and though her portion was doubtless hell-fire, there is nothing to

show that one cannot keep respectable even under such disquieting

circumstances. The elder Loveday had clung obstinately to her

self-respect under circumstances which her neighbours had tried to

render nearly as trying on earth. She had died, as she had lived,

impenitent and only crying for the foreigner who had seduced her,

while he was then lying, had she but known it, in the lap of his first

mistress, the sea, who, perhaps from jealousy at his straying, had taken

him forcibly into her embrace on the same night that Loveday the younger

was born.

Old Madgy, the midwife, who was also more than suspected of being

somewhat of a witch, declared that the expectant mother _did_ know

it--that she had been made aware, through a supernatural happening, of

the loss of her lover, and that that was why the babe saw the light in

such undue haste, and the mother took her departure almost as swiftly

to that place where alone she could ever hope to rejoin him. For, as

evening drew on, Madgy, having called to see how Loveday did, though

nothing was thought of yet for a clear week, found her in the dairy

(the Stricks had not yet fallen on that poverty which came to their roof

under Aunt Senath's shrewish management) standing as one wisht beside

the great red earthen pan of scalded cream.

"And 'ee can b'lieve me or no as it like 'ee, my dears," old Madgy would

say to many a breathless circle in a farm kitchen during the intervals

of her duties overstairs, "but there was the cream in the pan a-heavin'

up an' down in gurt waves, like a rough sea, and her staring at 'en like

one stricken, as she was poor sawl, sure enough. Eh, it was sent for a

sign to her, and a true sign, for that avenen' her man was drowned on

his way to her, with his fine cargo of oil and onions and all. And there

was the cream heavin' in waves for a sign of the rough seas that took

him, though wi' us the skies was fair and the water in the bay as smooth

as silk."

A story that filled simple souls in kitchens with awe, but naturally was

treated more scornfully in drawing-rooms, where it was felt that signs

and portents would hardly be sent to inform a cottage girl of the death

of an onion-seller. For, after all, that is what he amounts to, and the

horrid secret is out.... An onion-seller ... the very words stink in

the nostrils and are fatal to romance.

Fatal to romance in the minds of the fastidious, fatal to respectability

in those of the common people, for only foreigners sold onions. Strange

men with rings in their ears and long, dark curls like a woman's, and an

eye that was at once bold and soft.

Loveday the younger had that eye, save that it had never learned from

life to be bold, and her face was milken white instead of showing the

blown roses of the other girls, though the back of her slender neck was

stained a faint golden brown as by the inherited memories of sun. She

was most immodestly "different," and even the Vicar's lady, who had

charitably seen to her baptism, had difficulty in bringing herself to

believe the girl could be a Christian.

Cherry and Primrose stared up at her as she stood with the red jar in

her hand, and, seeing her look so black, so white, so thin, they leant

their yellow heads together and drew their two aprons closely over their

plump laps.

Seen thus, fronted by Loveday, they seemed amazingly alike, because of

the completeness of her differing, yet a longer look showed that, in

spite of their sleek, fair heads and rounded shoulders, there was

between them the deepest division there can be between women.

Cherry was a maid, thoughtless, blowsy, still untouched enough for

wonder; Primrose had been a wife, though only seventeen, these three

months; in another three was to be a mother. Her eyes, blue as her

friend's, showed an even greater assurance, because it was based on

positives and not on a mere negation. Dark-circled as those eyes were,

her glance, as it passed over Loveday, was the more merciless, because

it came from behind the shelter of a ring-fence.

The White Riband; Or, A Young Female's Folly · 第 2 / 24 章