_Silence_ is the note struck by the Great Pyramids of Geza.

DEMOCRACY--

FALSE OR TRUE?

A Prologue

and Dream

BY

SIR WILLIAM BLAKE RICHMOND

K.C.B., R.A.

London - - - Cecil Palmer

Oakley House Bloomsbury Street WC1

Printed at

The Morland Press Ltd

190 Ebury Street

London

SW1

Dedicated to the honest working classes of

England, rich and poor, by one of

themselves

FIRST

EDITION

1920

COPY

RIGHT

DEMOCRACY

§ 1

It is a dangerous, but agreeable, game to play the prophet, perhaps

unwise; but while admitting that, I am going to do so, not because

I feel sure, but because I want to sift my own thoughts. I may be

told “why not do so in private?” I’ve done that already. Probably it

does not matter what an old man says, “He is a weather beaten block

waiting for axe or fire.” Whatever Ideals are mine, there are few

which are in agreement with the fashion of to-day. Still I am capable

of looking forward. I’ve looked back a great deal in my life, and

been a humble student of “Cause and Effect.” Young enough to believe,

even though it lies distant from hence, in Utopia, and I make bold

to say so. I still believe in the human race. I still believe in a

capacity for repentance and change of direction from bad to a better

state of things. It is likely that the desirable, according to my

philosophy, would be the undesirable to many, perhaps, just now, most

people! Nevertheless I mean to state it.

William Morris made a delightful story, “News from Nowhere”; he

thought that Socialism would realise his Ideal, perhaps it might;

anyway Socialism is a pleasanter word than Individualism, it suggests

“_Thou_,” the other cries “_I_.” _Thou_ has not been in the air of

late. _I_ has been so, and prominently; of this, more presently!

Some great and wise men have spent considerable energies in building

Utopia. Jesus Christ, Moses, Hamurrabbi, and Mohammed, Plato, Sir

Thomas More, and, when I come to think of it, all leaders of thought

have played with the bricks of that entertaining place. I imagine

that the folk, who think at all, form a picture of their preference,

which includes the future with the present. Seemingly, the future

has a habit of taking care of itself; that is possibly a fatalistic

fallacy! What _will_ be done in the future is in the making of the

present. The flower is forming out of sight. We have no reason for

knowing what kind of being the man of the future, even of the near

future, is to be. One thing, however, is pretty certain; he will be

as good or evil, ignorant or learned, as he chooses. We might reason

together for a year as to the meaning of _Good_ and _Evil_. To clear

the way I will state now that I am a firm believer in Free Will, in

as far as conduct is concerned. We have to die; that is a physical

law as that we live is; but we can retard even the supreme victor,

death, by effort of Will. To wish ardently is half way to obtaining.

If we wish wickedly we are on the road to wickedness. For those who

thus wish I have no words but these, “It is a bad habit, reverse it.”

The foundation of good is to wish _Well_ and nobly, and Will strongly

by action. Belief in Free Will is an incentive to industry, courage

and stability. It includes _Hope_, the sister of Faith and Charity

and courage to proceed through the thorny way of Life; Industry to

make life happy; and Stability to maintain effort however adverse

circumstances may be to it, and Hope to make us cling to the dream

and to realise it in Vision if not yet in fact, which urged us at the

outset. Did “Free Will,” in the abstract, exist before we came hither

and will it continue after we go hence? I suggest that Free Will

is eternal, that God is All Free Will; when He breathed His spirit

into man’s body He imparted it to him. Plato’s sublime allegory of

the soul driving her chariot, directing her horses antagonistic Eros

and Himeros, proclaims the potentiality and immortality of the Soul.

If matter does not die but is converted into other matter, can the

Soul, created before matter, die? What the conversion of matter and

Soul is, is beyond our thinking. But what does concern us is how we

use the soul during its pilgrimage within the body! Its temporary

home must be split up to effect an escape for the eternal organism.

Perhaps death is really Life! Is it reasonable to believe that a live

thing contains a dead one? If it is not so the soul was alive before

it was environed by matter, and continues to live after its temporary

shell is broken up and its particles are driven by Time hither and

thither in dust.

The brain is matter, it is as wax, impressionable. From the

first instant of its creation to its last effort it is receiving

impressions. It dies as all matter dies. But do the impressions die?

Instinct and reason say Nay. As far as they have exercised authority

for good or evil upon the individual they do so reflectively upon a

generation and progressively to succeeding generations. Philosophy

tells us there is no waste in nature. If there is none as regards

matter, is there likely to be as regards the soul which has been

pre-existing and will be post-existing? If that is so and Free

Will accepts and acts, brain impressions are immortal! Did the

soul enter the body unasked? Does it leave unasked? A child under

reprimand said, pathetically “I did not ask to be born,” that child

was obviously alluding to her inclination. The child inadvertently

spoke as a fatalist; it was a way of saying “I could not help what I

did.” Before the soul enters the body is it an individual or only an

atmosphere? Had it experience or not? Where has it been before? Has

the soul a memory? These questions we all know have received answers

from metaphysical and philosophic minds.

From the dawn of man’s intelligence, whenever that was, until to-day,

mankind has yearned for an answer. A great philosopher and friend

of mine, the Bishop of Durham, Dr. Westcott, said to me “Now-a-days

there is nothing more difficult than to say bravely I _do not_

know.” Yes, I accept that modest statement from a great man but I

cannot help casting about for an answer! The Truth is somewhere,

perhaps in Utopia, even at the bottom of a well. There is something

on a different plane than sophistry, poetical rhapsody. There is a

great deal to be said for emotion, it is our strongest instinct.

Reading Indian, Egyptian, Greek and Christian philosophy are we not

drawn into the atmosphere of Rhapsody and Fancy? Even into a land

of dreams if so we please to call Ideals. However they may urge

Reason against Emotion, none of the great philosophers succeed in

doing it themselves. If they did they would fall quite flat, because

we who read are creatures of emotional instincts. All the great

philosophers, though they wrote in prose, were poets, not by choice

but necessity. Absolutely materialistic philosophy is, happily, rare.

It may lay hold of certain minds for a time, but being contrary to

our higher instincts its grip is only partial, unsatisfying and

ephemeral. The great philosophers live in a land of Dreams or Ideals,

a land from which mankind is always as substance. We want the dreams

to come True as children do after hearing a fairy story. Plato,

Confucius, Buddha, Aristotle, Paul, Kant, Hegel, Spinoza, even Comte

were idealists, builders of Utopia. They tried their minds in a

furnace of difficulties, their chief effort was to reconcile emotion

and reason.

They tried to account for _Feeling_ by Reason. However far Reason may

travel, there is a point where it is arrested; speculation starts

afresh. It is the poetry in all mythology, not its probability, which

is neither here nor there, which touches the human heart; it is that

which detains us and holds us fast. It is the poetry of Love that

underlies the exquisite verse of Apulius. The story of the Soul of

Love it is. French novels, marvellously clever, tell us the other

side. I back Apulius’ story of Cupid and Psyche to outlive most of

them. It is the abstract poetry of the wanderings of Osiris, not the

philosophy built upon it, that engrosses us. The myth of the Delphic

oracle, an inspired pastoral, clings when the Delphic oracle is no

more. Goats and sheep skipping in rhapsody, their shepherd afterwards

giving way to the _mania_ of prophecy, enchanted by the voice of

Apollo from a bubbling stream, have more to say for us than the

oracle said to the Greeks afterwards in a stately temple. There is

something instinctively true in the first emotion, something untrue

in the political use made of it by priests and politicians. It is

not the political use made of Nature myths which we admire, but the

imagination of a highly endowed temperament from which they sprang in

the golden age of emotional invention, unrestrained by reason, yet

having at the root a _True Ideal_. Psyche personated the soul! The

poets have answered our question more simply than the philosophers,

who have ploughed over the ground already sown with beautiful

flowers, and not seldom have sown weeds on it.

The Churches have added nothing to the beauty of the Christian

story. In their efforts to codify it and convert its simplicity

into dogmatic and puzzling creeds, upon acceptance of which or not

depends the salvation or damnation of the human race, they have not

improved or better interpreted the amazing mystery which threads its

way in and out among a tapestry of exquisite design. In their effort

to materialise the spiritual or Ethos of the story they have often

played havoc with it. As a wondrous story full of humanity it has

passed through the fire of sophism, politics and Churchcraft, and

remains as it was--a product of simple poetical mystical inspiration,

and as such it will always touch the world. Whoever wrote the first

chapter of Genesis was a great poet who has inspired multitudes, not

by his science, which was _nil_, but by a poetic truth incomparably

delightful and mythically _true_, It inspired M. Angelo, Raphael,

and a host of great artists. Milton expanded and retold it in his

immortal verse. It has supplied inspiration to musicians, and

scientific men have done battle among themselves and over a Poem.

Thus have they done it honour. If in details what is related breaks

down under the cold light of science, what does that matter? The soul

survives. The allegory is complete, the parable is untouched. If

the mighty scenes portrayed with simple dignity and unapproachable

reserve do not accord with the teachings of science, does that

matter? Not one whit! The story is the same, as Homer’s tale of the

Siege of Troy is the same, whoever wrote it or when it was written.

Whether the “Iliad” was put together by travelling minstrels’ stories

edited by Homer or his invention has nothing to do with its value as

a poem. The history of the Jews, as related in the Bible, is full of

strange and direct dealings with miraculous events which no science

or sense can accept. What does it matter that the historian made a

blunder in astronomy? It was not his business. We all know that the

sun did not stand still for Joshua. The historian wrote for patriots,

not for astronomers. To him the earth was stationary and flat, the

sun rising and setting each day. Even now, with all our science, we

talk of the setting and rising of the sun because it looks like that.

To the people of that time the stars were as lamps slung from the

blue vault of heaven, not at all a bad figure of the truth, they look

so to us, and to-day Arabs speak of them as “lamps.”

§ 2

A new star, the story of the birth of Christ tells, guided the kings

to the manger, where lay a girl-mother and her newborn child. She,

one “of the people,” her reverent custodian a carpenter. That was

what they went to see, and the new star was their guide. We need

not take that literally; it is far more beautiful symbolically,

figuratively, poetically: a new light was dawning upon a worn out

faith, a new symbol of the Spirit of God arose, and not out of a

palace or as a child of kings, but from a manger, from a straw bed,

from a girl of the people and a craftsman. Not only did the three

kings come thither guided by light in their hearts, but simple

mountain shepherds too from their sheepfolds came. An angel of the

heavenly host, three Oriental kings, a few shepherds, a maid, a

carpenter, and a little child were the first actors in a great drama

that has moved the world for two thousand years.

A shepherd, a flock of goats, a bubbling fountain form the _dramatis

personæ_ of the myth of Apollo’s oracle at Delphi. From that sprang

the Pithea and the thousands of votive statues for which Delphi

became famous. Its temples and universities, its priests and

politicians degraded the myth to a level of lies and deceit. “God set

a bow in the sky for a sign.” How does it affect the promise that we

know how the bow came there? We remember the promise in the poem. We

are not concerned with the structure of the bow. Even now in these

materialist days wherever we see the rainbow we recall God’s promise

which, made or not made to mankind _in fact_, is so told in the poem.

Plato’s allegory in the “Phædrus” of the chariot of the soul, the

antagonistic steeds Love and Desire, Eros and Himeros, struggling for

supremacy, taken literally or judged from a scientific aspect, is

nonsense; as a parable it is one of the truest, as a poem one of the

most beautiful in Greek literature.

Apollo came over the mountains. The singer, minstrel, and healer

came, bringing music from Olympus. We picture the Sun God lighting up

the dense forests as he journeyed through them on the crests and edge

of a mountain range. We can hear in our spiritual ears sweet music

from his golden lyre, see the rivers as the Sun God passes over them,

sparkling with amethyst diamond and silver as the light from him,

the giver of light, kisses their surface. This is the figure of the

Dorian invasion that the poets, not the scientists, present!

We still think of Apollo as the primitive author and forerunner of

all that Greece became. When the Persians were on their way to invade

Greece, Datis, the admiral of the great fleet, steered clear of the

island of Delos, the birthplace of Apollo, for fear of vengeance

from the God of Light, whom they worshipped. Even to-day Delos is a

_sacred island_ where once a year Christian Mass is said by Roman

and Greek priests upon an ancient altar to Apollo that I myself have

seen. The myth of Apollo is still alive in poetry if it is dead in

prose! The imagination still responds to it if reason does not accept

it as a literal truth.

It surely was not the reverberation of the trumpets’ blasts from the

hosts of Joshua which overthrew the walls of Jericho. Taken literally

it is a ridiculous statement; figuratively, a very impressive one.

The power of martial music is great; it stimulates courage, quickens

the pulse, and inspires mad valour, which it urges until every

obstacle in the way of a triumphant army is overthrown: an impressive

metaphor so taken, but taken as a literal fact it is silly.

The power of music as an influence to calm a people maddened by lust

of war is told by the poet. It is related by a Greek historian that

one hundred harpists were sent to Sparta from Ionia to make gentle,

seductive, sedative music to a wild people who knew it not, knowing

only war. It prevailed! Their war instincts slept under the calming

influence of Apollo’s art.

Strictly speaking, the event related may never have happened. As

a poetical presentation of the power of music it is true! Was not

the madness of Saul temporarily abated by the harpist David? The

foregoing illustrations illustrate the range of art as a direct

influence upon men in diametrically opposite directions.

That the Divine Spirit is very near, is even in our midst, is related

in Genesis. “God walked in the garden in the cool of the day,”

so sang the poet. The idea of God as subject to heat or cold is

almost comical. The poet has anthropomorphised a mystery. To God he

gives the feelings of the thing he has created, that is the way he

presents God--God as very near to man and sharing his comforts and

discomforts. The primitive poet made nonsense poetic sense.

The nearness of the spiritual world has been well said by a

spiritual poet, “Heaven is only a foot above our heads.” How near,

after all, is the Ideal to the Real, if we could only see; and yet we

can feel it in our subconscious state to be so.

Now let us see for a moment how closely in touch Divinity is with

agricultural life, how much it was in favour of it, how the gods were

close to it, becoming even a part of it, not only by the benediction

of it, but unison with it. Obviously, the gods thought well of labour

and the labourer both loved and feared the gods.

As, to the Hebrew poet, God walked in the garden in the cool of the

day, so to the Greek, “Speak low in the noontide, for then the gods

sleep.” The mythical instances presented are only a few of many which

occur in classical mythology. And be it remembered that we inherit

Greek mythology. It is far nearer than we are apt to think to what

are still primitive instincts, and specially so to those who till

and sow the land, follow the plough, who guard our flocks, and being

an out-of-door-living people are (may be mysteriously) in touch with

mother Nature and the gods who watch over her.

Æneas, the father of the Latin races (and as such not so distantly

related to the British) was the son of the _herdsman_ Anchises,

whom Venus chose to be the father of her son. The goddess chose her

lover from the fields; not from a palace. Goat-footed Pan, the god

of all, is the shepherds’ god, who initiated beautiful Paris, the

chosen judge of beauty. Paris, a shepherd in the Italian upland,

was the lover of beautiful Ænone, whom he deserted for licentious

Venus. He did himself no good by casting off Ænone, his companion.

Venus made game of him! Demeter, one of the most ancient of the

circle of deities of Olympus, saved a child’s life from the fire;

he was Triptolemus, afterwards the inventor of the plough. Demeter

was the goddess of corn, the protectress of agriculture. Her child

Persephone, carried away to the shades, where she was protected

in winter, rose from thither as the almond blossoms heralded the

approach of spring. Persephone was goddess of springtime, of its

blossoms and flowers. The soul of the Greeks is read in their

mythology. It is read also in her history. Athena was the protectress

of Attica, and specially of Athens. It was she that brought the olive

there, the origin of much wealth to the people, and it still is.

When Paul preached from the “Areopagus” he faced the Acropolis of

Athens, half a mile away. Over the top of the wall which contained

the sacred buildings Paul saw the head of the golden spear of Athena

gleaming from the bronze statue by Phidias of the virgin goddess,

a beacon for ships as they passed the dangerous coast of Sunium to

make for the harbour of Phaleron. Within that bronze effigy was a

soul of the Athenian people as the statue was a symbol of it. Paul

was not preaching anything new; he was concentrating a worship whose

expansion, having left much of original simplicity behind, was giving

way. Another primitive form of belief was taking root in monotheism,

in which both shepherds and kings had taken a leading part. Apollo

the Healer was to give way before the child of a Nazarene peasant and

a humble carpenter. The _Cross_ was to be the future beacon for a

while until a new faith shall grow out of the old again.

§ 3

Wisdom was symbolised by the owl, which crowned the helmet of the

goddess Wisdom worshipped by the Greeks in the effigy of their

protectress. The little Athenian owl still haunts the Acropolis. I

have seen and heard it often there, and never without a thrill. Its

plaintive cry proclaims the eternity of things and the never-changing

voice of nature. As the owl hoots there so sings our nightingale in

England’s woods. We too are reminded of the immortality of the soul

of nature, perhaps also of the soul within us, and of its importance

as the only part we can call immortal. Nearer to God are the songs of

birds, the voices of the winds, even the wild utterances of beasts

of the forest than the shrieks of machinery of which industrialism

is so proud. Yes! All human makings are subject to destruction.

The bronze Athena has gone. The golden and ivory statue of Athena

is gone with the effigy of the owl. The shell has been broken, its

parts are scattered, but the primitive faith within them lives

although it has undergone change. Athens is not dead, saved from

the brutal Turk she may become regenerate, she may again shine as

a light to Europe, but if not that exactly, the light she shed may

fix upon another city and shine there, so strange and mysterious are

the comings and goings of nations! Recent discovery in Crete goes

far to prove some fountain-head of truth in every ancient myth. Old

Minos speaks! The myth of Theseus and the Minotaur is explained. The

labyrinth he made is there now, and a Cretan civilization of 4,000

years ago has been revealed, and what a Civilisation! a very noble

art going hand in hand with “modern” economies and created in a

primitive age, as we call it. Knossos was well drained by drainpipes

almost the same as would be turned out by a “company” to-day. Alas,

the multitudes of inscriptions discovered in Crete have not yet been

read. A key to the script has not yet been found. It may appear at

any moment, and then who shall say what marvels it may tell us! Our

much-praised civilisation may be found to be but a feeble echo of

a past one. We are mighty clever, we moderns, not seldom in making

unpleasant discoveries and using useful ones to the annoyance of

many and destruction of better things. We have electric light, great

scientists have given it us, but the keenest witted have not yet

discovered how the tombs of the kings in Egypt were lit. We know

that neither oil or tallow provided light in those dark miles of

caves and chamber walls covered with pictures in delicate relief and

exquisitely coloured.

Fresh as the day they were finished, these monuments to the skill,

industry and genius of Egyptian craftsmen 4,000 years ago stand as

an example to us moderns, who at present show no signs of handing

their genius down even to a dozen generations. Had they electric

light? It is quite possible. It is evident whatever artificial light

they used _was smokeless_, because the ceiling and walls are not

discoloured. What was the meaning of all this superb beauty of labour

and craftsmanship? It was not to gain applause, because after years

of labour each tomb was hermetically sealed and a stone was placed at

the entrance. Their labour was an expression of their noble religion.

Their respect for the great dead who must find silence in their tombs

while their souls reached higher and higher levels in their spiritual

kingdom till such time as, purified, they were to be one in the soul

of Osiris. These people worked for a great Ideal, for the Utopia they

ever held in view, _without advertisement_, probably with little

reward. To them the soul grew always in dignity and beauty, visiting

the body from time to time in silence.

_Silence_ is the note struck by the Great Pyramids of Geza. A

national religion, profoundly spiritual, which in the service it

demanded from Art and Craftsmanship must BE PERFECT. Their art and

craftsmanship tell us this. They were content to give the best only.

They worshipped the Great Spirit by matter. They made their arts to

sing of the noble elevation of the soul from sphere to sphere till

it became perfected. Therein is the _soul_ of the ancient Egyptians,

which they imparted to the Greeks, and which Moses learned and tried

to hand on to the Hebrews. We modern workmen will do well to ponder

on these things awhile, and to take many a lesson from “the poor

pagans.” Poor pagans? Rather were they a most enlightened people,

with whom, by comparison, we moderns are barbarians. They may have

had all, or at least the greater part of what science has given to

us. It is an ignorant cry that calls them Poor Pagans. There was more

soul in ancient Egypt than in Europe to-day! We worship matter, very

often very nasty matter, so long as it provides wealth which we

are not yet civilised enough to know how to use. What England needs

is a little _more_ soul, not less! A great deal more faith, a great

deal more belief in the dignity of labour, a great deal more will to

choose the best and discard the worst, a higher Ideal of honour, and

a deeper sense of responsibility to after-coming generations. Much

more widespread and intensified determination to leave behind us

things so noble that they may bear some comparison with the labour

of the poor Pagan! The spirit of which I write was _here_ once. We

need not cross the Channel to find it. Wiltshire contains it. The

soul of our ancestors is in the very stones of the great monoliths

of Stonehenge, the primitive British temple to the sun, which,

alas, we do not worship but wipe out in material progress of crude

industrialism.

§ 4

Our primitive ancestors were driven by an ardent worship of the Power

within the Sun. Like the Greeks they must set up a great temple to

the Giver of Life, who made their crops ripen, who was to them an

ocular vision of an unravelled mystery, the Prime Author of All! of

Him who holds our destinies, our life and death in the palm of His

hand! That is what urged them. No commercial spirit came between them

and a great Ideal for which to labour and make manifest.

They fetched huge monoliths from Normandy. Frail crafts bore them

over the rough sea to the shore of England, whence they were

dragged to their destination. Do we think that such a tremendous,

so dangerous an enterprise as this, was carried out under no higher

motive than an industrial company?

There probably was some Oriental blood in this ancient folk of

England. All Art, indeed all Science, had its birth place in the

land of the “Rising Sun.” Like the Chaldeans, the race that made

Stonehenge were astronomers. Upon a certain morning and at a certain

hour of the year they knew the rising sun would hit a certain spot.

They knew the exact direction of the ray that would do so. There they

placed their altar to the God of Light, the All Beneficent One! We

know now that some centuries before the Roman conquest of England

the south of the island was highly civilised, but who by is not

clear. They must have been a highly artistic people, possibly Kelts,

possibly a race which had been or was in touch with Mykene, because

the metal work that has survived time partakes of the character of

both Keltic and Mycenian craftsmanship. Whoever they were, they

brought art to savage islanders; hence they sowed the seeds of their

ideals and of perfect craftsmanship, to fructify in those days of

England’s greatness before the weed of Industrialism and the darkness

it shed over the country had become a poisonous fetish. Of that grim

subject more presently. The Mithra myth came here from the East

and nearly won as a religion of blood sacrifice. But a stronger

prevailed--the first created thing, Love. The Jews and Romans

crucified Jesus Christ. They thought thus to obliterate His teaching,

to wipe out the Ideal He taught, the Utopia He would erect--a kingdom

of the soul that He would revive in the materialistic Roman decay.

They did kill His body, but His immortal soul survives. They killed

Him as King of the Jews, but left Him living as Monarch of the human

race. The eggshell may be broken without killing the embryo within

it. Love, pure love, so sought for in religions, so nobly conceived

by the “poor pagan” Socrates, took hold of the hearts of primitive

Christians, as the Delphic myth of Apollo of the primitive Greeks,

and God’s forgiveness of man’s rashness and brutality when He set

the bow in the sky as a sign of mercy, not only to Hebrews but the

whole world. Salvation by blood sacrifice is a crude idea; Salvation

through Love is a noble one.

§ 5

The Germans in the late war thought to destroy the soul of France by

battering down the precious casket whose every stone was a living

symbol of her chivalrous, kingly history. Brute force, employing

every engine of industrialism, every energy of materialistic science,

was to prevail. The noblest craftsmanship employed in the flowering

time of French history and for generations, being the expression of

a sensitive people deeply attached to Beauty, was shivered to atoms

recklessly and triumphantly by the cannon of a hypocrite nation which

claimed the first place in the history of the modern world. If Matter

could ever overcome Soul, Germany would have succeeded; Germany would

have broken the pride of Flemish commerce and her traditions as an

organiser of it by the destruction of Ypres. The priceless books

in Louvain, written and illuminated by pious scholars and patient

craftsmen, the brutes burnt or stole with as ignorant a rapacity as a

herd of monkeys. Again, they sought to destroy the soul of France by

turning thousands of acres of productive country and fruit gardens so

essentially a vital part of the commerce of France, making a fruitful

land a desert. They tried (but in vain) to kill the soul of France by

subjecting villagers, men, women and children to torture; like wild

beasts to smash the modesty of pure women, even those dedicated to

spiritual lives; then, the lust satisfied, they slaughtered them.

The clumsy minded Teuton misjudged its prey. They judge according

to their own low standard of honour; force, brute force, as against

strength of character, chivalry and patriotism: a standard fit only

to be carried in the ranks of savages, but this time carried under

the disguise of “Kultur,” a word which now is a stigma, one which

includes all that is most vile and reprehensible in a people who

employed fine natural faculties to invent every possible device for

the destruction of life. Not a stone did Germany’s scientific men

leave unturned to discover the earth’s hidden sources of destructive

elements. They abused their fine faculties, they perverted their

invention, Industrialism ran riot. Scientific force was used in full

measure by the Germans for annihilation. The Emperor--the worst of

the horde of savages--gave his encouragement to every bestial act

committed by his depraved people. If such depravity was to succeed

or could succeed, Germany would have done so. First in science,

first in organisation, she seemed invincible. Her Industrialism was

perfected, her system organised with the precision of clockwork.

If _materialism_ at the expense of every other consideration can

succeed, Germany would have done so. But no! A nation may kill

its own soul, but God will not permit it to kill another. It is

indeed a lesson. Germany had killed its soul. It had set up Moloch

where God had been. Iron, steel, explosives, every poison upon

the Pharmacy List, every evil pulsation of the heart were German

weapons. The countries she laid waste will revive, their soul has

been strengthened by tribulation, and the would-be conqueror will

lick the dust for a century. France will grow strong again, she will

recultivate her fields and orchards, and rebuild her villages, towns

and churches.

§ 6

In their vulgar vanity the Germans said: “What would matter the

destruction of Rheims Cathedral, of Ypres Town Hall, of Laon, indeed,

of all that the world esteems as Art in France? We, the only nation

of Kultur, can build better. What does the destruction of the library

of Louvain matter? We can create a fresh one; anyhow, we can steal

all the best books therefrom.” Poor deluded people! A people without

taste, possessed of no artistic genius, devoid of the sense of

beauty! All the cathedrals in Germany put together are not worth one

bay of Chartres, one tower of Rheims, or one arcade of Ypres Town

Hall. German architecture is as hard as steel, as unemotional as

iron, and, like her people, dull and soulless. Art is the mirror of

a nation. German Art at its best is brutal as her people have been.

The nineteenth century Minotaurs are in a direct line from the hordes

of barbarians who laid Italy waste, who burned Rome, and spread

horrors wherever their footsteps trod. William II. hates England more

than France. As long as England holds the sea Germany cannot master

the world. After France, England’s turn would have come had German

materialism succeeded.

§ 7

Think of it, craftsmen and builders, and all of us who value the soul

of England! Think of it, farmers, agricultural labourers, and all who

live on and by the land! Your cities would be desolate wastes, your

land poisoned, your women ravished, your children spiked by bayonet

thrusts, your old men and women shot or tortured. That is what would

have happened had Germany’s materialism prevailed! Having done this,

would the soul of England been slain. No!! No conqueror ever killed

the soul of a country conquered. A country commits suicide, that’s

the way its soul is killed, and that is the way Germany destroyed

herself.

A country may poison itself, degrade itself by self-indulgence and

greed to the lowest level; it may kill in itself every good for which

it has been favoured, and so kill its soul; but slain by a foreign

power--never! The thought of what might have happened to us, and

which was nearer happening than many of us will allow, should set

us thinking of England’s mighty past. Setting the success of her

commerce aside, do we quite value at their true value the legacy

of riches which our ancestors have bequeathed? Do we esteem as we

should the builders of our cathedrals, the _unrivalled_ beauty of the

English parish and village church? Do we esteem at their due English

craftsmen (the first in the world) and what noble work they left us?

Do we value the great creative minds of our predecessors? I sometimes

wonder if we are forgetting the very things which illustrate the

beauty of the English soul in a rush after materialism, which seems

to pay a momentary interest. Are we travelling, or have we been

travelling along a road which has proved the road to ruin of Germany?

I think sometimes we have been. Are we permitting Industrialism

to kill our souls? I am not sure we are not! But more of that

presently. What saved England in the four years of her great danger

and trial? Her Government did not. It was not officialdom that

prevented our ruin, it was that the heart of England was still sound,

notwithstanding grievous temptations to break it. Notwithstanding

false doctrines of Equality taught by ignorant extremists, our

workmen still saw straight according to their ancient traditions as

yet unbroken, as yet deaf to “catch words” from noisy rhetoric out of

the mouths of ignorant and mischievous leaders inflated by vanity and

rendered blind by egotism and desire for power over a more ignorant

but clear-thinking workman.

§ 8

The English workman is still “_au cœur_” _honest_; he cannot help it;

tradition of honesty flows in his veins still. If he _is_ ignorant,

the direction of his instincts is honest. He was the best and most

highly respected workman in Europe; other nations envied him. An

English cabinet, an English knife, English cloth, English needlework

were the envy of every foreigner. Why was the praise of English

workmanship so highly praised and prized by other nations? Because

her workmen were the most honest and skilled in Europe. I say “were.”

Are they so still? No! But they may again become so if they are true

to their noble tradition and to themselves, and no longer permit evil

counsel to draw them away by specious and plausible promises.

The noble instincts of the English craftsman I am old enough to

remember. Once, and not so long ago, his work was his conscience,

he believed in it and did it with all his might. It was a habit of

mind which ruled him and made him _free_. Why do I write “free”?

Because being an honest workman, he did not fear competition. He had

an ideal, which was to give the best labour for a good wage. He was

simple, he took pride in his work. He had his Utopia, which was to

labour to the enth of his power to do honour to himself, his family

and country. Good work was encouraged then and commanded the market

of the world! Economically, irrespective of honour, the workman was

right. The best work will always command the best market in the long

run. Honesty was the motto on the standard of the Englishman. He

had an image in his mind and up to it he strove to arrive. He liked

perfection and strove to reach it. In that sense he was an artist

plus craftsman, an imaginative worker distinct from a machine. To

have told a bricklayer he must only lay a given number of bricks a

day, or that doing bad work was good for all-round trade, would have

been to insult him. So his work had a soul in it; the pleasure he

took in its doing was reflected. It was a pleasure to regard it. I

remember hundreds of workmen like that when I was a boy, men with

whom one could make friends, in whom there was good fellowship and no

mistrust. There was a bond of union. We were workmen; he and I were

only differentiated by the nature of Trade; he of the plough, the

shovel, the saw or what not, I of the pencil, brush or scalpel, that

was all.

We had the same soul and sense of honour, he to drive a straight

furrow, dig a good trench, I to do a good drawing or picture. My

fellow-workmen, if they think for themselves, and they are quite

capable to do that, will recognise that to preach “equality” is

one thing; it sounds attractive; it is, in fact, a mare’s nest, a

will-o’-the-wisp; it is unreachable, in the first place; in the

second, if it were reached, to-morrow would provide _inequality_.

Were the scales of Fate adjusted every morning, in the evening they

would be unbalanced. If it were possible to attain equality it would

ruin the world; it would paralyse effort; it would reduce mankind to

a system of self-indulgence, lassitude, and, finally, to imbecility.

Giving up that word as hopeless, we will retain one of the popular

triad--“Liberty,” as including “Fraternity.” Yet while we urge

“liberty” we must beware of its caricature, “licence,” the arch-enemy

of Fraternity and Liberty. Licence is, in fact, the grossest form of

tyranny. We might, indeed, exclude the term “liberty,” which includes

Fraternity, which excludes Licence.

§ 9

And now we come to an important point of our argument. Labour has

permitted itself to become a slave. Individual workers are not FREE.

They have given their souls, or shall we say their freedom, to men

of their own class, who, having a smattering of education, assume

power as their leaders. Anyway, so they began, but time has shown

them more _drivers_ than leaders. Trade union leaders make a show of

fraternity. One asks, for information: Is coercion a sign of it any

more than a sign of liberty? Obedience to national law is one thing,

to class law is another. Having gone far, class leaders assume the

right to absorb capital, _i.e._, to hand it over to Labour. Were that

to arrive would the nation as a whole be in a better way? Surely the

same difficulty would occur which distresses advanced democrats.

Capital would be still a bugbear to extremists, but in the hands of a

class that has had no experience of its use, that has no traditions

of expenditure. In the period of exercise to gain some experience

capital would be wasted; it might be gambled away or spent in hours

of idle self-indulgence. Where, then, would Labour be? Doubtless

starving. Ignorant but ambitious leaders, to please their followers

whom they have coerced, would advocate a purely class and selfish

policy which might lead to civil war, of all wars the one which is

certainly soul-killing. When brothers fall out and set to kill each

other, where is Fraternity, where is the human family, private as

well as public, concentrated or extended? It is lost! A nation is but

a family on an enlarged scale.

In the concluding years of the 18th century France groaned under

civil war, and came very near ruin. What followed upon the French

Revolution? Autocratic government under Napoleon! It was the only

way out of a grievous mess of anarchy, rapine and chaos. Most of

the authors of the Revolution sooner or later suffered as they

had made others suffer, under the guillotine. The most prominent

agitators fell as victims to their cruelties and misdeeds. The people

sacrificed those who were once their adored leaders. They suffered

the death penalty from the very people that had inflamed the party of

disorder. Anarchy never succeeds. Its leaders always suffer in the

end, and by the hands of their dupes whom they pretended to benefit;

justice invariably follows injustice; that is a law as certain as

that to-morrow succeeds to-day.

§ 10

If the French Revolution does not teach us the inevitable punishment

for anarchy, Russia’s _débâcle_ surely should. Militarism has only

changed places there. Having been in the hands of one party, it is

now in another. Tyranny has changed places, that is all! Educated

men, that is to say, men who have studied cause and effect through

the teaching of past history, know that certain results follow

action. That is to say, situations change places. The student of

history, like a chess player, is aware that the move of a pawn may

be the turning-point in a game. Anarchy is a monster that breeds

quickly; her whelps carry the poison of rabies which, after

infecting a small circle, increases by leaps and bounds. When it

has become unmanageable, when men’s passions have led them out of

the bounds of reason, militarism must be resorted to. When reason

and peaceful persuasion cease to avail, powder and shot have to be

used, and sometimes unmercifully! Uneducated men are led by passion,

educated by reason. Are we sure that anarchy is not being bred here?

If so, has it shown itself? Trades unions were useful in times past,

they sought for justice, they achieved something, and up to a point

it was good. Like many movements beginning well and founded upon

justice, it has overstepped the mark. That which began justly is

ending unjustly. Peaceful order has grown to tyranny. Is it consonant

with the English character to be told how much or how little our

workman may labour? The workmen of England who have given themselves

over to the tyranny of trades unions are rendered slaves to them.

Leaders of trade unions encourage dishonesty, but that is not all,

they encourage a small output when a large one is an absolute

necessity if England is to retain her place as a leading country

in Europe. An “output” scrapped will mean treasure to Germany. If

English labour declines, German labour will gain ascendancy here;

that is certain. After the financial strain to which England has been

subjected by the war, increased production is imperative. Strikes

arrest production, and thus are harmful to the whole community. If

they are permitted _ad lib._, what will be the result? Each strike

costs millions to trade. What must the end be? Bankruptcy of the

nation! Who will suffer? Labour will suffer first, because if capital

is unobtainable labour cannot be paid for.

§ 11

If wages reach an extravagant sum, capital will not find the money

to pay them. Again, who then will suffer? Labour, of course. These

are truisms, but, being so, have they reached the ears and minds

of Labour? Trades union leaders keep from the sheep they drive the

knowledge of the butcher’s knife; they only tell their dupes what

they (ignorant of the first laws of political economy) wish to hear.

They flatter them with the hope that capital will finally be in their

hands, that they are to govern the country, which is only to move

while it drags the chariot of Labour. Our workmen are not prepared

to rule, they are not mentally equipped to do so; their outlook, at

present, is far too narrow. They see in government good only when it

legislates for the advantage of their class, forgetting that there

are other and equally important classes to be considered. And when

speaking of Labour there is only one which appears to dominate in

their minds, Industrialism as separate from Agriculture. The spread

of Industrialism has pushed Agriculture aside; it has done even more,

it has destroyed it in many parts of England. Agriculture must take

precedence of Industrialism if we are to live on our own produce.

The war ought to have taught us that, but has it? I have lived long

enough to have seen the agriculture of our dear country productive

and the people, relatively to now, content; when squalor was a far

rarer spectacle than now. In great cities, alas, it must always be,

for cities are artificial monstrosities where both wealth and poverty

thrive in extremes, where idlers congregate and vice expands. But in

country towns of reasonable dimensions and villages squalor had no

abiding place when agriculture was the employment of the majority

before the Juggernaut of Industrialism had begun its disastrous

progress. There was work for all on the land.

§ 12

I remember the arrival of a threshing machine into “the street” of

one of the most attractive villages in Kent, Otford. It was greeted

with stones; the people did not want the noisy, smoking monster

which was to take pleasant and healthy labour from so many. And

they were right! The flail no longer threshes, reapers no longer

reap, the sickle and scythe are rarely seen in the fields now, the

plough is rarely drawn by oxen and horses. Machinery does it all now,

and hundreds of thousands of agricultural labourers have had their

work grabbed from them. Who can wonder, then, that Agriculture is

understocked while Industrialism is overstocked? Hundreds of miles

of corn-growing land are in disuse, waste land, once glowing with

golden corn; a land of ashes and unproductive has taken its place.

Where orchards stretched for miles once, flowering and fruiting

abundantly, hideous factories have risen, belching out foul smoke

destructive to man, beasts and vegetation. Where once copses, even

small forests were, now a few skeletons, black and blasted, remind us

of the beauty that _was_ and the devastation that _is_. Rivers and

lakes which once sparkled with clean water under a bright sun, whose

pools were filled with salmon and trout, have become little better

than sewers. A greasy scum thickens the once glittering surface, and

not a fish can live in its natural element, and, moreover, the water

is poisoned, so we may not drink it. The spread of Industrialism

means the spread of poison--poisoned land, water, and air, which, if

not checked now, will cause serious deterioration of the health of

England. When England was mainly agricultural, rosy-cheeked maidens

and well-bronzed youths attested a healthy, vigorous life. Now,

under Industrialism, the girls and youths are pale, sad-looking, and

unhealthy. Why? Agricultural life is _natural_, industrial life is

_artificial_! Of what use is money to a nation deprived of vigour and

health? Rather is it an incubus than an incentive to real progress.

Ill-health means idleness, slackness and inefficiency. Nothing can

compensate for its departure.

But it is not the body only that suffers; it is the soul of the

nation that is in danger. Discontent is caused by mental distress,

unsatisfied and perfectly justified longings which are inherited

or spontaneous are blunted. Be the purse full of gold, be every

physical sense gratified thereby, the hunger of the soul for more

enlightenment, for more joy, for higher enterprise will continue, and

the whole being, even that part which is physical, will suffer. The

atmosphere of factory life is bleaching bodies and souls wherever it

is in the ascendant; the people become hollow-cheeked, their manners

surly, their wits atrophied. They are not _free_, they are slaves

to Plutus. So sensitive to environment is the mind of man, even at

the simplest and least initiated, that it grows in harmony with its

employment. In constant touch with machinery a man becomes like his

machine! Iron enters in his soul. He becomes a kind of bolt or screw,

a wedge or wheel. No wages, however high, can compensate for what

industrial life has robbed. The greater cities and towns hardly know

of the fields of Enna or the paradise that God made. They think, if

they think at all, that the filthy air they breathe, the hideous

smoke under whose canopy they exist but don’t live, is “alright,” and

that there is nothing else.

Democracy—false or true? · 第 1 / 13 段