INTRODUCTION.

The spirit of reform which was developed during the early part of the

sixteenth century brought about a desire on the part of young men of

means to travel on the continent of Europe. This was for the purpose of

making themselves acquainted with the politics, social life, literature,

art, science, and commerce of the various nations of the same,

especially of France, Spain, and Italy. These young Englishmen on their

return introduced into the society in which they mixed not only the

politenesses of these countries, but the wit of Italy, and the character

of the poetry which was then in vogue in Southern Europe. Among these

travellers during the reign of Henry the Eighth were Sir Thomas Wyatt

and the Earl of Surrey. These courtiers possessed the poetical faculty,

and therefore paid special attention to literary form. As a result they

introduced the Sonnet of the Petrarchan type into England. The amorous

verse of the inhabitants of these sunny climes took hold of the young

Englishmen. Many men of rank and education, who did not regard

themselves as of the world of letters, penned pleasant verse, much of it

being of an amatory character based upon that of the Italians. During

the reign of "Good Queen Bess" England was full of song. Of the writers

of love verses William Watson occupied a very high, probably the

highest, position during the time of Elizabeth. A glance at the Table of

Contents of this volume will show that some of the best poets who were

born between the years 1503 and 1679 have handed down to us poetical

contributions of this character.

Of the Elizabethan amatory verses only a small portion has been

transmitted to us. That which possessed least literary merit did not

long survive, and, no doubt, some of considerable merit has been lost

too. The best has been preserved. Selections from these, arranged in

chronological order, appear in this anthology. Richard Tottel printed

his "Miscellany" in 1557. It is to this work, and to Richard Edwards'

"Paradise of Dainty Devices," issued nineteen years later, that much of

the best poetical literature of the sixteenth century has come down to

us. The first-named passed through eight editions during thirty years:

the last issue being dated 1587.

From the amatory verses produced by seventy-one writers during the reign

of Henry the Eighth and down to those of the early Georges one hundred

and thirteen appear in this love anthology. The limitation of space

prevents further biographical particulars being given than the years of

birth and death, which will be found in the Table of Contents. As

writers do not always agree in this respect, "The Dictionary of National

Biography" has been taken as the authority.

Whatever labour has been bestowed on the preparation of this anthology

has not been in bulking it out to its present dimensions, but rather in

keeping it within the prescribed limits; and, at the same time,

furnishing these best examples of the love verses of the numerous

authors who have been requisitioned for the purpose of this volume of

"Tudor and Stuart Love Songs."

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