Women on Horseback

Every woman ought to know how to ride. It is the most healthy of

exercises; and in a life of vicissitudes she may some day find it the

only method of travel--perchance the only method of saving her life.

The first element of enjoying horse exercise is good riding. Good

riding is an affair of skill, a collection of trifles, which, if

thoroughly mastered, makes the rider feel thoroughly secure.

A man or a boy may learn to ride by practice; that is, he may tumble

off and on until experience not only gives him confidence, but

security and even elegance. It is not so with a woman. Her seat is

artificial; she must be taught how to keep it; for though she may have

a father or brother who has "good hands," and who can show her how to

handle reins and humor her horse's mouth, he cannot teach her to sit

in her saddle because he cannot sit in it himself.

The horse which a lady rides should be up to her weight, well-trained,

and docile, for a woman on horseback has little to help her but her

hand and her whip. If the flap of the saddle be large, the pressure of

the left leg is almost useless, and the folds of her riding dress very

often interfere with the discipline of the spur.

The whip is therefore her chief reliance, and its management is of

great importance. As it is really to supply the place of a man's right

leg and spur, it should be stiff and real, however light and

ornamental. The skin of the hippopotamus makes one both light and

severe. There is little difficulty in using it on the right side of

the horse, but to use it on the near side is a matter of both skill

and caution. Remember, first, never to strike a horse over any part of

the head or neck; second, if necessary to strike him on the forehand,

quietly lift the whip to an upright position, then let it firmly and

suddenly descend along the shoulder and instantly return to the

upright position; third, to strike the near hindquarter properly

requires a firm and graceful seat. Pass the right hand gently behind

the waist, as far as possible, without distorting in the least the

position of the body, and strike by holding the whip between the first

two fingers and thumb. This action ought to be performed without

disturbing either the position or action of the bridle hand.

As the riding dress of a gentleman should never be groomish, so that

of a lady should never be fast or flashy. The hat should sit tightly

to the head, for the hands are needed for reins and whip, and cannot

safely be continually occupied in its adjustment. The plainer it is,

the more ladylike; but if plumes are used, then those of the cock,

pheasant, peacock, or heron, are most suitable. The habit, if for real

use, may be lined a foot deep with leather. In English hunting

counties light vests are sometimes worn in bright weather, and in

winter, over-jackets of sealskin. It is well to remember that it is

the chest and back which need double protection, both during and

after hard riding. Skirts are seriously in the way. The snug flannel

under-dress and the pantalets of the same cloth as the habit are all

that is necessary. Light, high boots are a great comfort in riding

long distances, and almost equally good are gaiters of heavy cloth,

velvet, or corduroy.

The saddle ought always to have what is called the hunting-horn on the

left side; yet however common it is in the North, I never saw it on a

saddle in Texas during ten years. The right-hand pommel is in the way,

and the best saddles have now only a flat projection in its place. It

prevents the rider from putting the right hand as low as a restive

horse requires it, and young and timid riders are apt to get a habit

of leaning on it.

The value of the hunting pommel is very great. If the horse leaps

suddenly up, it holds down the left knee, and makes it a fulcrum to

keep the right one in its proper place. In riding down steep places it

prevents sliding forward, and assists greatly in managing a hard

puller. A rider cannot be thrown on it, and it renders it next to

impossible that she should be thrown on the other pommel; besides, it

gives the habit and figure a much finer appearance.

But it is necessary for every lady to have this pommel as carefully

fitted to her person as her habit is. Not only see the saddle in

progress, but _sit on it_. A chance saddle may seem to suit; so also,

if a No. 4 shoe is worn, a ready-made 4 may be wearable; but as a shoe

made to fit the wearer's foot is always best, so also is a saddle that

is adjusted to the rider's proportions.

A stirrup may be an advantage, if the foot is likely to weary; but

since the general introduction of the third pommel it is not necessary

to a woman in the way that it is to a man. A woman, also, is very apt

to make it a lever for "wriggling" about in her saddle,--a habit that

is not only very ungraceful, but which gives many a horse a sore back,

which a firm, quiet seat never does.

Reins should not be given to a learner; her first lessons should be on

a led horse. The best horsewomen in England have been taught how to

walk, canter, gallop, trot, and leap without the assistance of reins.

I do not advocate the plan for general use, but I do know that

learners are apt to acquire the habit of holding on by the bridle.

When the hand is trusted with reins, hold them in both hands. One

bridle and two hands are far better than two bridles and one hand. The

practice of one-handed riding originated in military schools; for a

trooper has a sword or lance to carry, and riding-schools have usually

been kept by old soldiers. But who attempts to turn a horse in harness

with one hand? Don't hold the reins as if you were afraid of letting

them go again, for this not only gives a "dead" hand, but compels the

rider's body to follow the vagaries of the horse's head. Lightly and

smoothly, "as if they were a worsted thread," hold the reins; and from

the time the horse is in motion till the ride is finished, never cease

a gentle sympathetic feeling upon the mouth. Women generally attain a

"good hand" easier than men. In the first place, it is partly natural

and spontaneous; in the second, they do not rely so much upon their

physical strength and courage. A man in the pride of his youth is apt

to despise this manipulation.

Many riders say it is better for a woman to use only the curb; but if

she does this, all chance of learning "hand" is gone. I say, let her

use the reins in both hands, slackening or tightening according to the

pace she wishes, and the horse's eagerness. If she succeeds in this,

and never keeps "a dead pull," she is a long way toward being a good

horsewoman. As to turning, there is no better rule than Colonel

Greenwood's simple maxim: "When you wish to turn to the right, pull

the right-hand rein stronger than the left"--and _vice versa_.

All women should learn to canter before learning to trot. It is a much

easier pace, and helps to give confidence. To canter _with the right

foreleg leading_, make an extra bearing on the right rein, and a

strong pressure with the left leg, heel, or spur; at the same time

bring the whip across the near forehand of the horse. If he hesitates,

pass the hand behind the waist and strike the near hindquarter.

To canter _with the left foreleg leading_, the extra bearing must be

made on the left rein, by turning up the little finger toward the

right shoulder, and using the whip on the right shoulder or flank.

Never permit the horse to choose which foreleg shall lead; make him

subject to your will and hand; and it is a good plan to change the

leading leg when in a canter. In all movements remember to keep the

bridle arm close to the body, and do not throw the elbow outward. The

movements of the hand must come from the wrist alone, and the bearings

on the horse's mouth be made by gently turning upward the little

finger, at the same time keeping the hand firmly closed upon the

reins.

The horse is urged to trot by bearing equally on both reins, and using

the whip gently on the _right_ flank. Sit well down in the saddle, and

rise and fall with the action of the horse, springing lightly from the

in-step and the knee. Nothing is uglier than rising too high, and

besides its awkward, ungraceful appearance, it endangers the position.

If the horse strikes into a canter of his own accord, bring him at

once to a halt and begin again, or bear strongly on both reins till he

resumes his trot, or else break the canter by bearing strongly on the

rein opposite to his leading leg. Always begin at a gentle pace, and

never trot a moment after either fear or fatigue is felt.

The horsemanship of a lady is never complete until she has learned to

leap; for even if she intend nothing beyond a canter in the park,

horses will leap at times without permission. When a horse rises to a

leap, lean _well forward_, and bear gently on the mouth. When he makes

the spring, strike the right flank (if necessary). As he descends,

_lean backward_, pressing the leg firmly against the hunting pommel,

and bearing the bridle strongly on the mouth. Collect the horse with

the whip, and urge him forward at speed.

I shall now say a few words about mounting and dismounting, though

every tyro imagines these to be the easiest of actions. In mounting,

stand close to the horse, with the right hand on the middle pommel,

the whip in the left hand, and the left hand on the groom's right

shoulder. Do not scramble, but spring, into the saddle; sit well down,

and let the right leg hang over the pommel _a little back_, for if the

foot pokes out, the hold is not firm. Lean rather back than forward,

firm and close from the hips downward, flexible from the hips upward.

The reins must be held apart a little above the level of the knee. In

dismounting, first take the right leg from its pommel, then the left

from the stirrup. See that the dress is clear from all the pommels,

especially the hunting one; let the reins fall on the horse's neck,

place the left hand on the right arm of the groom, and the right hand

on the hunting-pommel, and descend to the ground on the balls of the

feet.

I have one more subject to notice. It is this: If a woman is to go out

riding, no matter who may be her chaperon, nor whether it be in the

park or the hunting field, she ought to know _how to take care of

herself_; not with obtrusive independence, but with that modest,

unassuming confidence which is the result of a perfect acquaintance

with all that the situation demands.

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