FARRANT. My dear Trebell, if your name comes out at the inquest--

TREBELL. If it does!... whose has been the real offence against Society ...

hers or mine? It's I who am most offended ... if I choose to think so.

BLACKBOROUGH. You seem to forget the adultery.

TREBELL. Isn't Death divorce enough for her? And ... oh, wasn't I right?...

What do you start thinking of once the shock's over? Punishment ... revenge

... uselessness ... waste of me.

FARRANT. [_With finality._] If your name comes out at the inquest, to talk

of anything but retirement from public life is perfect lunacy ... and you

know it.

HORSHAM _comes back from the passage. He is a little distracted; then

the more so at finding himself again in a highly-charged atmosphere._

HORSHAM. He's gone off with Wedgecroft.

TREBELL. [_Including_ HORSHAM _now in his appeal._] Does anyone think he

knows me now to be a worse man ... less fit, less able ... than he did a

week ago?

_From the piano-stool comes_ CANTELUPE'S _quiet voice._

CANTELUPE. Yes, Trebell ... I do.

Waste: A Tragedy, In Four Acts · 第 37 / 58 题