CHAPTER XXVI

The garden was dark. Only the bloom of a cherry tree and a line of

lilies planted the length of the pergola showed white against the gloom.

The waning moon hardly touched the top of the garden wall now, but fell

full on the palace windows and the tower.

No light was to be seen. The last guest had departed. The Princess

Caesarini was grand enough lady to have her own ways in spite of those

of the world; and one of them was to be in bed by two o’clock.

The question was, where should I find St. Hilary? I should look for him

first, of course, in the tower. It was barely possible that he had

waited for me. Scarcely half an hour had passed since I left the palace.

He was seated on the parapet, quietly smoking. He greeted me grimly.

“Well, you have made a nice mess of things. I should have known that

failure is always the result of one’s mixing up business and sentiment.

There can be no search for the casket to-night. Come, let’s be going.”

“Nonsense, St. Hilary,” I cried sharply. “You know very well we shall

finish our search to-night. It is natural that you should feel some

annoyance–not with me, but with circumstances. I promised you I would

not betray myself; but could you have lain quiet in my place?”

“Of course I could,” he mumbled.

“As to there being no further search, why did you wait here if you

intended to relinquish it? Why did you not go on with it alone? You have

waited, hoping I should return.”

“But you deliberately told the duke that you were hiding, waiting for a

chance to find the casket. At least you hinted as much. He understood

you to mean that. For aught we know he has put the palace on its guard.”

“Yes,” I answered angrily, “I told him that–deliberately. What else

could I do? He must have guessed. But after discovering me, would he

think it likely that I should return to continue the search? No. He has

seen me leave the palace. He has followed me, or had me followed, to my

rooms. He thinks that I am in bed. I am certain that no one has followed

me here. He has seen me go out of the palace. He has not seen me return.

There is the matter in a nutshell.”

“But has he seen me go out?” demanded St. Hilary.

“Are you sure he knows you were at the ball?”

“Ah, that’s the question. I think we ought to fling up our search for

to-night.”

“I do not. The finding of that casket is my only chance for happiness

now. Where is the key?”

“It is quite useless. It unlocks the outer door of the passage, but the

inner door defies this key and some skeleton keys I have with me.

Confound these old Italian locks! That round window over your head is

the only chance. If you give me a leg up, I think I can pry it open and

squeeze through.”

So that was why he had waited! He had attempted, then, to carry on the

search without me; he had waited for me only because he had found my

help absolutely necessary. Suddenly, I mistrusted St. Hilary. It seemed

difficult for his mind to work in normal grooves. Deceit and lying were

as natural to him as breathing. And yet, with one exception, he had been

fair and generous with me. Was it only to discard me when I was of no

further use?

“But where does the window lead?” I demanded.

“We must take our chances as to that. I am the slighter. Let me go

through first.”

I stooped down and braced my arms against the wall. He lightly sprang on

my shoulders. I felt him strain and tug at the casement. Then I heard a

crack. Waiting a moment to be sure that the slight noise had not aroused

any one, he spurned my shoulders, and leaped upward. For an instant his

body hovered comically in mid-air. Then it disappeared.

I stood motionless against the wall, listening with all my ears. Five

minutes passed, and I began to wonder if he had deserted me, when his

head appeared through the window.

“I am standing on a bench. Jump, and catch my hands. This is the only

chance to get into the palace that I can see.”

I measured the window with my eye. I kicked a bit of mortar from between

two stones in the wall. Edging my toe in, I sprang up. Twice I failed to

reach his outstretched arms, but the third time I was successful. A

strenuous minute, and I stood panting beside him.

We entered a draughty passage. St. Hilary went confidently to the door

at the end, and pushing it open, he struck a match. We were in an

anteroom. Huge presses ran up to the ceiling on three of the walls. The

fourth wall was paneled, and in spite of my excitement, or perhaps

because of it, I saw that it was covered with names carved in the oak.

In other days this had undoubtedly been the page’s room. And now I had

another proof of St. Hilary’s keenness. He opened the door of what I

supposed to be one of the presses, and we were in the sala. The air was

yet heavy with the smell of perfume and crushed flowers.

“Shall I light one of these candles?” I whispered. “Is it safe?”

He nodded, and I took one of the candles from its sconce. St. Hilary

stood by the great fireplace, where two lions crouched.

“These must be the two lions of the eighth landmark,” I said.

I held the candle high above my head. As the light flared, vague

spectral forms seemed to spring out of the darkness and to vanish. Our

shadows, gigantic and monstrous, danced grotesquely on the polished

floor. In a dozen mirrors our figures were dimly reflected.

“The ninth hour?” demanded St. Hilary hoarsely.

“_And Joseph said, Behold, I have dreamed a dream, and behold, the sun

and moon and the eleven stars made obeisance to me_,” I answered.

He clutched my arm. He pointed far above the mantel.

At first I did not understand. In front of us yawned the great

fireplace. Two bowed and wearied giants supported the hooded marble

mantel, their feet braced fantastically against the two crouching lions.

The polished breasts and thighs of the figures glowed in the faint

candle-light. Above, the space from the mantel to the very ceiling was

filled with paneling, dark and somber with age and smoke, all richly and

delicately carved, a design infinitely confusing with its entwined and

intricate figures. A medley of chariots and horses, armored warriors and

banners, all impossibly crowded together, like a frieze in a Greek

temple–that is my vague impression of the carving.

“The sun and the moon and the eleven stars,” muttered St. Hilary, still

pointing.

Suddenly I understood. It was the scene of Joshua going forth to battle,

commanding the sun and moon to stand still. On the right shone the sun,

its rays naively depicted; on the left shone the moon. Joshua held a

banner in his hand, and on the banner were eleven stars.

“There must be a spring concealed in the paneling. If we strike one of

those stars––”

St. Hilary did not finish his sentence. He carried a console table

toward the mantel. For once I was the quicker. I caught the mantel,

braced myself on one of the giants, and so lifted myself up on it.

I struck each of the stars in turn sharply with my palm.

“Here–the dagger,” cried St. Hilary, and taking the dagger he wore from

his belt he tossed it up to me. Again I struck each of the stars with

the hilt of the dagger. One moment I was staring at the paneling; the

next, the paneling to the right of the chimney had slid noiselessly up

and I was looking into a square hole big enough to admit one’s body.

A clock somewhere in the palace struck the hour of four.

“It is the hour,” I whispered, staring down at St. Hilary. “We are to

inherit Time’s legacy at last.”

St. Hilary did not answer. He was scrambling up on the table.

I waved him back imperatively. His lack of self-control restored mine.

Now that I was here I had no intention of giving way to him.

“Get down,” I cried. “Are you mad? One of us must keep watch. Before I

crawl up into the shaft I shall lower the paneled door. Push away the

table there. If any one should come––”

The sentence died on my lips. His sallow face, lighted by the feeble

flicker of the candle, was flushed with intense excitement. One thinks

of the taper as standing before holy altars, shining on meek-eyed

Madonnas and saints. But the candle he held before him revealed

something of the cunning greed of the miser in his glittering eyes,

something of the fierce desire of the madman. He stood perfectly

motionless, gazing upward at the ceiling. One might have thought he was

in a trance.

“St. Hilary! St. Hilary!” I cried, shocked at this display of emotion.

“What is it, man?”

His lips tried hard to speak, but no words came from them. Then he

pointed upward to the beams above his head. I followed his tense gaze.

Then I understood his strange excitement.

As in all Venetian palaces, the ceiling of this _sala grande_ was made

of massive beams stretching from wall to wall. The space between these

sunken beams was covered with boards nailed on top of them.

In one of these sunken beams da Sestos had hidden the casket. I could

see it as I stood on the mantel, just out of my reach.

The spring that had released the paneling must have opened at the same

time a tiny door at the side of this beam. As I moved my candle, I

caught the gleam of shining metal. We had found the casket. The last

three scenes of the hours, then, were meaningless.

I crawled into the shaft. I stood erect. My head was on a level with a

space hardly more than a foot high between the ceiling of the sala and

the floor of the apartment above. I drew myself painfully along this

narrow interstice, St. Hilary’s dagger in one hand and the candle in the

other. When I had reached what I thought to be the location of the

casket, I brushed the dust away, and I saw several brass nails driven

into the boards, forming a small circle. I struck at the circle with the

sharp dagger until I could thrust my arm through the aperture I had

made. I felt along the beam immediately below, and I touched the cold

metal. My fingers traveled lovingly over its smooth surface. Slowly and

carefully I drew the casket from its hiding-place. It was

heavy–incredibly heavy. Very faintly I heard St. Hilary utter a cry of

joy. I closed the little door of the beam, then I lowered myself into

the shaft again, the precious casket clasped in both my hands. But the

shaft was too narrow for me to leave it and still hold the casket. I

must hand it first to St. Hilary. I stooped down and held it out. I had

heard him step from the table to the mantel.

“Here it is, St. Hilary,” I said hoarsely.

It was clutched, brutally, out of my lingering grasp. A sharp blow

struck my hand, then there was darkness. The paneled door had been

closed. I heard the spring click as it shut tight. St. Hilary had played

me false. Too late I thought of my distrust of him.

I pulled myself up into the shaft again to fetch the dagger I had left

on the floor above. I struck the paneling along the edge of the top

until I had located the spring. Then I hacked at the hard board till I

felt it give way. I raised it cautiously and stepped out on the mantel.

It had taken me half an hour to free myself.

The Clock and the Key · 第 26 / 30 章