CHAPTER IV

It stood on a stone shelf built out from the wall as high as one could

reach.

“Tut, tut, a broken-down clock,” cried St. Hilary contemptuously.

“Nothing could be more useless and uninteresting,” and he blew out the

candle.

We trooped into the sala again.

“And now, Duke, having thoroughly explored your house beautiful, even to

the recesses of the hidden and mysterious chamber, I’m quite prepared to

make you an offer at your convenience.”

“There is all the time in the world for that, Mr. St. Hilary,” replied

the duke impatiently. “The ladies have not yet chosen their souvenirs.

What gift will you honor me by accepting?” He turned to Jacqueline.

She hesitated, and looked at Mrs. Gordon.

“My dear Jacqueline,” encouraged her aunt, “I am sure Mr. St. Hilary

will not make his offer much less for anything that you might choose.”

“No,” said the dealer, making figures in his note-book, “I have quite

decided on the sum. Let me recommend to your notice this faience

pitcher. I assure you it is rare. You can see for yourself that it is

beautiful.”

“If it is really of no value in itself,” said Jacqueline, disregarding

St. Hilary’s pitcher, “there is nothing that appeals to me more than

that steel box. Mr. St. Hilary’s story has quite touched my

imagination.”

“It is already yours. And now what will madame choose?”

“Could I examine that decrepit old clock in the hidden room again? I

happen to be making a collection of clocks.”

“Then you can make no mistake about this superb specimen in Sienna

marble,” urged the dealer.

“But, like Jacqueline,” smilingly protested Mrs. Gordon, “I prefer

something that has a touch of mystery about it. And that old clock, shut

up in the darkness there, one knows not how many years, ought to have a

history.”

“But it is so very, very old,” cried old Luigi deprecatingly. “It has

not gone for two hundred years.”

“That hardly makes it less interesting,” I said dryly. “Let us see the

clock by all means.” The reluctance of both St. Hilary and Luigi had

struck me as being rather strange.

“Your Excellency surely does not mean to give it away? It is an heirloom

of the family,” expostulated old Luigi obstinately.

“I have told you to bring it out,” commanded the duke.

Very reluctantly the old man entered the little chamber.

“It is too heavy,” he cried from within. “I can not lift it.”

Duke da Sestos and myself went to his assistance. Together we carried it

to the sala and placed it on the center-table. The slight jar set a

number of bells ringing in musical confusion.

Certainly it was unique–at least I had never seen anything like it.

Imagine an oblong box of bronze, about as long as one’s arm, and

three-quarters as high. Around three sides of this box ran a little

platform, heavily gilded. Immediately above this platform were twelve

doors, three at either end, and six at the face. It was almost bare of

ornament, except that on the top had been three figures. The heads and

arms of all three were now broken off.

“Its very simplicity and ugliness interest one,” cried Mrs. Gordon with

enthusiasm. “And those twelve doors certainly mean that it is an

automaton, do they not, Mr. St. Hilary? One can imagine the stiff little

figures that appear, each at its hour, and at their respective

doors–kings with their crowns of gold, ginger-bread Virgins, prelates

with their miters, and armored knights. Each figure in its hour does its

devoirs, I suppose, and disappears again.”

“At every shake of the table,” said Jacqueline, “its bells clang

angrily. You might think it was offended at being disturbed after its

long sleep of two hundred years.”

“Yes,” confessed the duke, looking at the clock thoughtfully, “it awakes

a fantastic note that will strike in the fancy of the most dull. Think

what stories of love and intrigue it has listened to! What deeds of

revenge and hate it has looked down upon! At what hours of agony and

ecstasy have those bells not chimed? What death-knells to hopes, what

peals of love and happiness!”

Jacqueline had been turning the clock slowly around. Suddenly she sank

on her knees to examine it more closely, and read aloud:

Se mi guardi con cura,

Se mi ascolti con attenzione,

E se, nell’ intendermi, tu Sei cosi acorto com’ io lo sono nel dirti–

T’ arridera la Fortuna.

“Will you translate it for me, please?”

“‘If you guard me carefully, if you listen to me diligently, if you are

as clever in understanding me as I am in telling you, Fortune will smile

on you,’” translated the duke.

“The delicious braggart!” cried Mrs. Gordon delightedly. “Now what do

you think that brave promise means, Mr. St. Hilary?”

“Pooh, pooh, madame! It promises too much to mean anything. ‘Early to

bed and early to rise, makes a man healthy and wealthy and wise.’ ‘Time

is money’–there are a score of proverbs as vague and as meaningless.”

“Oh, but you mustn’t cast any aspersions on my dear clock. Perhaps Luigi

can read the riddle more cleverly. Do you know if there is any legend

connected with the clock?”

The old man hesitated.

“Come, come, speak up,” said the duke roughly.

“Ah, yes, your Excellency,” replied the old man. “But I implore you not

to sell or give away the clock. You will always regret it. Good luck

goes with the clock, your Excellency.”

“But the motto,” urged Mrs. Gordon. “Has it any meaning?”

“Yes, yes, signora. It means that each hour brings its own gift, if one

can only understand. One may never suffer, not hunger nor cold, not

poverty nor disappointment, if one can only read the secret of each

hour. For at every hour something wonderful is told. And the clock is a

charm against the Evil One. My father told me, and his father told him.

Yes; we have guarded it carefully in that quiet room. It has stood there

as long as I can remember. And now your Excellency will give it away!

Misfortune will come; I know it.”

“Be still, imbecile. Madame, shall I have the clock taken to my launch

for you?”

“Oh, don’t deprive the old man of his charm against the evil eye, aunt,”

said Jacqueline lightly, half pitying, half mocking the old servant’s

distress.

“I would remind Miss Quintard that it is I who am deprived of the charm,

if there is any, and not Luigi,” laughed the duke.

“I would be the last one to bring you ill fortune,” jested Mrs. Gordon.

Then very slowly, “But I intend to bring you good fortune, not to take

it away from you.”

“I am hoping precisely for that,” said the duke gravely, and looked at

Jacqueline.

Jacqueline was still kneeling before the clock.

“How I should like to know what you really mean, foolish legend,” she

said wistfully.

I leaned on the table and stooped toward her.

“If one were to run down that legend, it would require patience and

perseverance enough to satisfy even you, would it not, Jacqueline?” I

asked lightly.

She smiled, but seeing that I was half in earnest, became serious.

“Yes,” she said slowly, “I believe it would.”

“Then, Jacqueline, when I begin my legends of Venice, shall I take up

first the legend of this old clock?”

“Do,” she said carelessly. “Aunt would thank you, I know.”

I walked over to the window, and looked gloomily without. I had hoped

Jacqueline was in earnest when she suggested that I should write a book

on the legends of Venice. But now that I wished to take her desire

seriously, she was evidently inclined to laugh at me.

“Will you clap your hands for the servant in my launch to come up?”

asked the duke. “I wish him to carry the clock down for Mrs. Gordon.”

“One moment, please,” said St. Hilary. “I am collector enough to

understand Mrs. Gordon’s enthusiasm. But being a dealer as well as a

collector, I cannot allow this enthusiasm to interfere with my

pocket-book. I know, Mrs. Gordon, you would never forgive me if I did

not say that my sneers at the value of the clock were the pretense of

the dealer who depreciates a thing that he may get it the cheaper. The

clock, madame, is a valuable antique. The value of the things in this

palace will be lowered considerably if it is not included in its

contents.”

There was an awkward pause. The duke reddened with anger.

“In that case,” said Mrs. Gordon, greatly embarrassed, “I could not

dream, of course––”

“Mr. St. Hilary,” said the duke coldly, “the clock is not for sale to

you at any price. Madame, you will not offend me by refusing?”

Mrs. Gordon gazed at her niece in perplexity.

“You would find it rather difficult to carry it about with you in

Europe,” said Jacqueline lamely.

“Yes, I am afraid I should,” declared Mrs. Gordon with alacrity.

“If you will entrust the task to me, I shall be charmed to have it

packed and sent to America for you,” volunteered St. Hilary. He seemed

eager to atone for his ill-timed remarks of a moment before.

“But Mr. Hume tells me he is going to write a book on the legends of

Venice,” interrupted Jacqueline. “A moment ago, aunt, he suggested that

he might be able to discover one about this very clock, and I encouraged

him to try. Why not let Mr. Hume take care of it during our travels?”

I professed my willingness joyfully, and though it was evident that

neither the duke nor St. Hilary welcomed Jacqueline’s suggestion, the

clock was soon placed in a gondola I summoned.

To its chimes the fortunes of da Sestos and myself were to dance

merrily.

The Clock and the Key · 第 4 / 30 章