CHAPTER XIV

[1]Comparing the English church with the German, Horder exclaims: “The

Puritans, indeed, had in their midst a finer poet than Luther, but

they never introduced even Milton’s superb renderings of certain

of the Psalms into their worship. What a use Luther would have put

Milton to, if he had been a member of his church! What songs he

would have written! Aye, what music, too!”

[2]“Thus the psalms have been at once an inspiration and a bondage:

_an inspiration_ in that they have kindled the fire which has

produced the hymnody of the entire church; _a bondage_, because,

by stereotyping religious expression, they robbed the heart of the

right to express in its own words the fears, the joys, the hopes

that the Divine Spirit had kindled in their souls.” (W. Garrett

Horder, in _The Hymn Lover_.)

[3]Thomas Wright in his recent _Life of Isaac Watts_ remarks: “Earlier

in this work I referred to Watts’ enthusiasm for, and his

indebtedness to, John Mason, who deserves rather than any other

writer the name of the Father of the Modern Hymn. If there had not

been a Mason there would never have been a Watts.”

The Singing Church: The Hymns It Wrote and Sang · 第 13 / 20 章