"'I do not know that I shall have the courage to

send this letter. Everything was said when I told

you that I love you, for that one word holds it

all and there is nothing more. As you can take

your heart in the hollow of your hand and hold it,

it is so small a thing; so the one word 'love'

holds everything that can be said, or given, or

hungered for, or prayed for and denied.

"'And if, sometimes, in the starlight, we dream of

the sun, we must remember that both sun and stars

are God's. Past the unutterable leagues that

divide us now, one day we shall meet again,

purged, mayhap, of earthly longing for earthly

love.

"'But Heaven, for me, would be the hour I held you

close again. I should ask nothing more than to

tell you once more, face to face and heart to

heart, the words I write now: I love you--I love

you--I love you.'"

[Sidenote: A Discovery]

Roger put down the book and stared fixedly at the fire. Barbara's face

was very pale and the light had gone from her eyes.

"Roger," she said, in a strange tone, "Constance was my mother's name.

Do you think----"

He was startled, for his thought had not gone so far as her intuition.

"I--do--not--know," he said.

"They knew each other," Barbara went on, swiftly, "for the two families

have always lived here, in these same two houses where you and I were

born. It was only a step across the road, and they----"

[Sidenote: A Barrier]

She choked back a sob. Something new and terrible seemed to have sprung

up suddenly between her and Roger.

The blood beat hard in his ears and his own words sounded dull and far

away. "It is dated June third," he said.

"My mother died on the seventh," said Barbara, slowly,

"by--her--own--hand."

They sat in silence for a long time. Then, speaking of indifferent

things, they tried to get back upon the old friendly footing again, but

failed miserably. There was a consciousness as of guilt, on either side.

Roger tried not to think of it. Later, when he was alone, he would go

over it all and try to reason it out--try to discover if it were true.

Barbara did not need to do this, for, with a woman's quick insight, she

knew.

Secretly, too, both were ashamed, having come unawares upon knowledge

that was not meant for them. Presently, Roger went home, and was glad to

be alone in the free outer air; but, long after he was gone, Barbara sat

in the dark, her heart aching with the burden of her father's doubt and

her dead mother's secret.

VII

An Afternoon Call

The rap at the Norths' front door was of the sort which would impel the

dead to rise and answer it. Before the echo of the imperative summons

had died away, Miriam had opened it and admitted Miss Mattie.

[Sidenote: Bein' Neighbourly]

"I was sewin' over to my house," announced the visitor, settling herself

comfortably, "and I surmised as how you might be sewin' over here, so

I thought we might as well set together for a spell. I believe in bein'

neighbourly."

Barbara smiled a welcome and Miriam brought in a quilt which she was

binding by hand. As she worked, she studied Miss Mattie furtively, and

with an air of detachment.

"I come over on the trail Roger has wore in the grass," continued Miss

Mattie, biting off her thread with a snap. "He's organised himself into

sort of a travellin' library, I take it, what with transportin' books at

all hours back and forth. After I go to bed, Roger lets himself out and

sneaks over here, carryin' readin' matter both ways. But land's sake,"

she chuckled, "I ain't carin' what he does after I get sleepy. I was

never one to stay up after nine o'clock for the sake of entertainment.

If there's sickness, or anythin' like that, of course it's a different

matter.

"Roger's pa was always a great one for readin', and we've both inherited

it from him. Roger sits with his books and I sit with my paper, and we

both read, never sayin' a word to each other, till almost nine o'clock.

We're what you might call a literary family.

[Sidenote: "Jewel of a Girl"]

"I'm just readin' a perfectly beautiful story called _Margaret Merriman,

or the Maiden's Mad Marriage_. Margaret must have been worth lookin' at,

for she had golden hair and eyes like sapphires and ruby lips and pearly

teeth. I was readin' the description of her to Roger, and he said she

seemed to be what some people would call 'a jewel of a girl.'

"Margaret Merriman's mother died when she was an infant in arms, just

like your ma, Barbara, and left her to her pa. Her pa didn't marry

again, though several was settin' their caps for him on account of him

bein' young and handsome and havin' a lot of money. I suppose bein' a

widower had somethin' to do with it, too. It does beat all how women

will run after a widower. I suppose they want a man who's already been

trained, but, speakin' for myself, I've always felt as if I'd rather

have somethin' fresh and do my own trainin'--women's notions differ so

about husbands.

[Sidenote: Training Husbands]

"Just think what it would be to marry a man, thinkin' he was all

trained, and to find out that it had been done wrong. You'd have to

begin all over again, and it'd be harder than startin' in with absolute

ignorance. The man would get restless, too. When he thought he was

graduated and was about ready to begin on a post-graduate course, he'd

find himself in the kindergarten, studyin' with beads and singin' about

little raindrops.

"Gettin' an idea into a man's head is like furnishin' a room. If you can

once get a piece of furniture where you want it, it can stay there until

it's worn out or busted, except for occasional dustin' and repairin'.

You can add from time to time as you have to, but if you attempt to

refurnish a room that's all furnished, and do it all at once, you're

bound to make more disturbance than housecleanin'.

"It has to be done slow and careful, unless you have a likin' for rows,

and if you're one of those kind of women that's forever changin' their

minds about furniture and their husband's ideas, you're bound to have a

terrible restless marriage.

"Roger's pa was fresh when I took him, but, unbeknownst to me, he'd done

his own furnishin', and the pieces was dreadful set and hard to move.

Some of 'em I slid out gently and others took some manouverin', but

steady work tells on anythin'. He was thinkin' as I wanted him to about

most things, though, when he died, and that's sayin' a good deal, for he

didn't die until after we'd been married seven years and three months

and eighteen days. If he wasn't really thinkin' right, he was pretendin'

to, and that's enough to satisfy any reasonable woman.

[Sidenote: The Will]

"Margaret Merriman's pa died when she was at the tender age of ten, and

he left all his money to a distant relation in trust for Margaret, the

relative bein' supposed to spend the income on her. If Margaret died

before she was of age, the relative was to keep it, and if she should

marry before she was of age, the relative was to keep it, too. But,

livin' to eighteen' and marryin' afterwards, it was all to be

Margaret's, and the relative wasn't to have as much as a two-cent stamp

with the mucilage licked off.

"This relative was a sweet-faced lady with a large mole on her right

cheek. Margaret used to call her 'Moley,' when she was mad at her, which

was right frequent. Her name was Magdalene Mather and she'd been married

three times. She was dreadful careless with her husbands and had mislaid

'em all. Not bein' able to find 'em again, she just reckoned on their

bein' dead and was thinkin' of marryin' some more.

[Sidenote: Keeping Margaret Young]

"Seems to me it's a mistake for anybody to marry more'n once. In one of

Roger's books it says somethin' about a second marriage bein' the

triumph of hope over experience. Magdalene Mather was dreadful hopeful

and kept thinkin' that maybe she could get somebody who would stay with

her without bein' chained up. Meanwhile it was to her interest to keep

little Margaret as young as possible.

"Margaret thought she was ten when she went to live with Magdalene, but

she soon learned that it was a mistake and she got to be only seven in

less'n half an hour. Magdalene put shorter dresses on her and kept her

in white and gave her shoes without any heels, and these little short

socks that show a foot or so of bare leg and which is indecent, if

fashionable.

"Margaret's birthdays kept gettin' farther and farther apart, and as

soon as the neighbours begun to notice that Margaret wasn't agin' like

everybody else, why, Magdalene would just pack up and go to a new place.

"She didn't go to school, but had private teachers, because it was in

the will that she was to be educated like a real lady. Any teacher who

thought Margaret was too far advanced for her age got fired the minute

it was spoke of, and pretty soon Margaret got onto it herself. She used

to tell teachers she liked to say that she was very backward in her

studies, and tell those she didn't like that Aunty Magdalene would be

dreadful pleased to hear that she was improvin' in her readin' and

'rithmetic and grammar.

"Meanwhile Nature was workin' in Margaret's interest and she was growin'

taller and taller every day. The short socks had to be took off because

people laughed so, and Magdalene had to let her braid her hair instead

of havin' it cut Dutch and tied with a ribbon. When she was eighteen,

she thought she was thirteen, and she was wearin' dresses that come to

her shoe tops, and her hair in one braid down her back, and dreadful

young hats and no jewels, though her pa had left her a small trunk full

of rubies and diamonds and pearls. Magdalene was wearin' the jewels

herself. They were movin' around pretty rapid about this time, and goin'

from city to city in order to find better teachers for 'the dear child'

as Magdalene used to call her.

[Sidenote: The Conductor]

"One day, soon after they'd gone to a new city, Margaret was goin' down

town to take her music lesson. She went alone because Magdalene was laid

up with a headache and wanted the house quiet. When the conductor come

along for the fare, Margaret was lookin' out of the window, and,

absent-minded like, she give him a penny instead of a nickel.

"The conductor give it back to her, and asked her if she was so young

she could go for half fare, and Margaret says, right sharp, when she

give him the nickel, 'It's not so long since I was travellin' on

half-fare.'

"The conductor says: 'I'd hate to have been hangin' up by the thumbs

since you was,' says he. Of course this made Margaret good and mad, and

she says to the conductor, 'How old do you think I am?'

"The conductor says: 'I ain't paid to think durin' union hours, but

I imagine that you ain't old enough to lie about your age.'

[Sidenote: Ronald Macdonald]

"Just then an old woman with a green parrot in a big cage fell off the

car while she was gettin' off backwards as usual, and Margaret didn't

have no more chance to fight with the conductor. She saw, however, that

he was terrible good lookin'--like the dummy in the tailor's window. It

says in the story that 'Ronald Macdonald'--that was his name--was as

handsome as a young Greek god and, though lowly in station, he would

have adorned a title had it been his.'

"Margaret got to doin' some thinkin' about herself, and wonderin' why it

was she didn't seem to age none. And whenever she happened to get onto

Ronald Macdonald's car, she noticed that he was awful polite and

chivalrous to women. He waited patiently when any two of 'em was

decidin' who was to pay the fare and findin' their purses, and sayin',

'You must let me pay next time,' and he would tickle a cryin' baby

under the chin and make it bill and coo like a bird.

"Did you ever see a baby bill? I never did neither, but that's what it

said in the paper. I suppose it has some reference to the expense of

their comin' and their keep through the whoopin' cough stage and the

measles, and so on. There don't neither of you know nothin' about it

'cause you ain't married, but when Roger come, his pa was obliged to

mortgage the house, and the mortgage didn't get took off until Roger was

out of dresses and goin' to school and beginnin' to write with ink.

[Sidenote: Fine Manners]

"Let me see--what was I talkin' about? Oh, yes--Ronald Macdonald's fine

manners. When a woman give him five pennies instead of a nickel, he was

always just as polite to her as he was to anybody, and would help her

off the car and carry her bundles to the corner for her, and everything

like that. Of course Margaret couldn't help noticin' this and likin' him

for it though she was still mad at him for what he said about her age.

"One morning Margaret give him a quarter so's he'd have to make change,

and while he was doin' it, she says to him, 'How nice it must be to ride

all day without payin' for it.'

"'I'm under age,' says Ronald Macdonald, with a smile that showed all

his beautiful teeth and his ruby lips under his black waxed mustache.

"'Get out,' says Margaret, surprised.

"'I am, though,' says Ronald, confidentially. 'I'm just nineteen. How

old are you?'

"'Thirteen,' says Margaret, softly.

"'Don't renig,' says Ronald. 'I think we're pretty near of an age.'

"When Margaret got home, she looked up 'renig' in the dictionary, but it

wasn't there. She was too smart to ask Magdalene, but she kept on

thinkin'.

[Sidenote: Chance Acquaintances]

"One day, while she was goin' down in the car, two men came in and sat

by her. They was chance acquaintances, it seemed, havin' just met at the

hotel. 'Your face is terrible familiar to me,' one of the men said.

'I've seen you before, or your picture, or something, somewhere. Upon my

soul, I believe your picture is hung up in my last wife's boudoir.'

"'Good God,' says the other man, turnin' as pale as death, 'did you

marry Magdalene Mather, too?'

"'I did,' says the first man.

"'Then, brother,' says the second man, 'let us get off at the next

corner and go and drown our mutual sorrow in drink.'

"After they got off, Margaret went out to Ronald, and she says to him:

'There goes two of my aunt's husbands. She's had three, and there's two

of 'em, right there.'

"'Well,' says Ronald, 'if Aunty ain't got a death certificate and two or

three divorces put away somewhere, she stands right in line to get

canned for a few years for bigamy. You don't look like you had an aunt

that was a trigamist,' says he.

"Margaret didn't understand much of this, but she still kept thinkin'.

One day while Magdalene was at an afternoon reception, wearin' all of

Margaret's jewels, Margaret looked all through her private belongings to

see if she could find any divorces, and she come on a family Bible with

the date of her birth in it, and her father's will.

[Sidenote: Facts of the Case]

"Soon, she understands the whole game, and by doin' a small sum in

subtraction, she sees that she is goin' on nineteen now. She's afraid to

leave the proofs in the house over night, so she wraps 'em up in a

newspaper, and flies with 'em to her only friend Ronald Macdonald, and

asks him to keep 'em for her until she comes after 'em. He says he will

guard them with his life.

"When Margaret goes back after them, havin' decided to face her aunt and

demand her inheritance, Ronald has already read 'em, but of course he

don't let on that he has. He convinces her that she ought to get married

before she faces her aunt, so that a husband's strong arm will be at

hand to defend her through the terrible ordeal.

"Margaret thinks she sees a way out, for she has been studyin' up on law

in the meantime, and she remembers how Ronald has told her he is under

age, and she knows the marriage won't be legal, but will serve to

deceive her aunt.

[Sidenote: The Climax]

"So she flies with him and they are married, and then when they confront

Magdalene with the will, and the family Bible and their marriage

certificate, and tell her she is a trigamist, and they will make trouble

for her if she don't do right by 'em, Magdalene sobs out, 'Oh, Heaven, I

am lost!' and falls in a dead faint from which she don't come out for

six weeks.

"In the meantime, Margaret has thanked Ronald Macdonald for his great

kindness, and says he can go now, as the marriage ain't legal, he bein'

under age and not havin' his parents' consent. Ronald gives a long, loud

laugh and then he digs up his family Bible and shows Margaret how he is

almost twenty-five and old enough to be married, and that women have no

patent on lyin' about their ages, and that he is not going away.

"Margaret swoons, and when she comes to, she finds that Ronald has

resigned his job as a street-car conductor, and has bought some fine

clothes on her credit, and is prepared to live happy ever afterward. He

bids eternal farewell to work in a long and impassioned speech that's so

full of fine language that it would do credit to a minister, and there

Margaret is, in a trap of her own makin', with a husband to take care

of her money instead of an aunt. Next week, I'll know more about how it

turns out, but that's as far as I've got now. Ain't it a perfectly

beautiful story?"

Miriam muttered some sort of answer, but Barbara smiled. "It is very

interesting," she said, kindly. "I've never read anything like it."

[Sidenote: Going the Rounds]

"It's a lot better'n the books you and Roger waste your time over,"

returned the guest, much gratified; "but I can't lend you the papers,

cause there's five waitin' after the postmaster's wife, and goodness

knows how many of them has promised others. I don't mind runnin' over

once in a while, though, and tellin' you about 'em while I sew.

"It keeps 'em fresh in my memory," she added, happily, "and Roger is so

busy with his law books he don't have time to listen to 'em except at

supper. He reads law every evening now, and he didn't used to. Guess he

ain't wasting so much time as he was. Been down to the hotel yet?" she

asked, inclining her head toward Miriam.

"Once," answered Miriam, reluctantly.

[Sidenote: Gossip]

"There ain't many come yet," the postmaster's wife tells me. "There's a

young lady at the hotel named Miss Eloise Wynne, and every day but

Saturday she gets a letter from the city, addressed in a man's writin'.

And every afternoon, when the boy brings the hotel mail down to go out

on the night train, there's a big white square envelope in a woman's

writin' addressed to Doctor Allan Conrad, some place in the city. The

envelope smells sweet, but the writin' is dreadful big and

sploshy-lookin'. Know anything about her?" Miss Mattie gazed sharply at

Miriam over her spectacles.

"No," returned Miriam, decisively.

"Thought maybe you would. Anyhow, you don't need to be so sharp about

it, cause there's no harm in askin' a civil question. My mother always

taught me that a civil question called for a civil answer. I should

think, from the letters and all, that he was her steady company,

shouldn't you?"

"It's possible," assented Barbara, seeing that Miriam did not intend to

reply.

"There's some talk at the sewin' circle of gettin' you one of them hand

sewin' machines," continued Miss Mattie, "so's you could sew more and

better."

Barbara flushed painfully. "Thank you," she answered, "but I couldn't

use it. I much prefer to do all my work by hand."

"All right," assented Miss Mattie, good-humouredly. "It ain't our idea

to force a sewin' machine onto anybody that don't want it. We can use

some of the money in gettin' a door-mat for the front door of the

church. And, if I was you, I wouldn't let my pa run around so much by

himself. If he wants to borrow a dog to go with him, Roger would be

willin' to lend him Judge Bascom's Fido. If the Judge wasn't willin',

Roger would try to persuade him. Lendin' Fido would make law easier for

Roger and be a great help to your pa.

"I must go, now, and get supper. Good-bye. I've enjoyed my visit ever so

much. Come over sometime, Miriam--you ain't very sociable. Good-bye."

The two women watched Miss Mattie scudding blithely over the trail

which, as she said, Roger had worn in the grass. Miriam looked after her

gloomily, but Barbara was laughing.

"Don't look so cross, Aunty," chided Barbara. "No one ever came here who

was so easy to entertain."

"Humph," grunted Miriam, and went out.

[Sidenote: Relief]

But even Barbara sighed in relief when she was left alone. She

understood some of Roger's difficulties of which he never spoke, and

realised that the much-maligned "Bascom liver" could not be held

responsible for all his discontent.

She wondered what Roger's father had been like, and did not wonder that

he was unhappy, if his nature was in any way akin to his son's. But her

mother? How could she have failed to appreciate the beautiful old father

whom Barbara loved with all the passion and strength of her young

heart!

[Sidenote: The Secret]

"He mustn't know," said Barbara to herself, for the hundredth time.

"Father must never know."

VIII

A Fairy Godmother

[Sidenote: The Postponed Visit]

As cool and fresh as the June morning of which she seemed a veritable

part, Miss Eloise Wynne, immaculately clad in white linen, opened the

little grey gate. It was a week later than she had promised to come, but

she had not been idle, and considered herself justified for the delay.

Miriam opened the door for her and introduced Barbara. Eloise smiled

radiantly as she offered a smooth, well-kept hand. "I know I'm late,"

she said, "but I think you'll forgive me for it a little later on.

I want to see all the lingerie--every piece you have to sell."

"Would you mind coming upstairs?" asked Barbara.

"No, indeed."

The two went up, Barbara slowly leading the way. Miriam remained

downstairs to make sure that the blind man did not come in unexpectedly

and overhear things which he would be much happier not to know.

"What a lot of it," Eloise was saying. "And what a wonderful old chest."

[Sidenote: Dainty Wares]

Trembling with excitement, Barbara spread forth her dainty wares. Eloise

was watching her narrowly, and, with womanly intuition, saw the dire

need and the courageous spirit struggling against it.

"Just a minute, please," said Barbara; "I'd better tell you now. My

father is blind and he does not know we are poor, nor that I make these

things to sell. He thinks that they are for myself and that I am very

vain. So, if he should come home while you are here, please do not spoil

our little deceit."

Barbara lifted her luminous blue eyes to Eloise and smiled. It was a

brave little smile without a hint of self-pity, and it went straight to

the older woman's heart.

"I'll be careful," said Eloise. "I think it's dear of you."

"Now," said Barbara, stooping to peer into the corners of the deep

chest, "I think that's all." She began, hurriedly, to price everything

as she passed it to Eloise, giving the highest price each time. When she

had finished, she was amazed at Miss Wynne's face--it was so full of

resentment.

"Do you mean to tell me," asked Eloise, in a queer voice, "that you are

asking _that_ for _these_?"

The blue eyes threatened to overflow, but Barbara straightened herself

proudly. "It is all hand work," she said, with quiet dignity, "and the

material is the very best. I could not possibly afford to sell it for

less."

"You goose," laughed Eloise, "you have misunderstood me. There is not a

thing here that is not worth at least a third more than you are asking

for it. Give me a pencil and paper and some pins."

[Sidenote: Higher Prices]

Barbara obeyed, wondering what this beautiful visitor would do next.

Eloise took up every garment and examined it critically. Then she made a

new price tag and pinned it over the old one. She advanced even the

plainest garments at least a third, the more elaborate ones were

doubled, and some of the embroidered things were even tripled in price.

When she came to the shirtwaist patterns, exquisitely embroidered upon

sheerest handkerchief linen, she shamelessly multiplied the price by

four and pinned the new tag on.

"Oh," gasped Barbara; "nobody will ever pay that much for things to

wear."

"Somebody is going to right now," announced Eloise, with decision. "I'll

take this, and this, and this," she went on, rapidly choosing, "and

these, and these, and this. I'll take those four for a friend of mine

who is going to be married next week--this solves the eternal problem of

wedding-presents--and all of these for next Santa Claus time.

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