CHAPTER V

QUIMPER

'C'était à la campagne

Près d'un certain canton de la basse Bretagne

Appelé Quimper Corentin.

On sait assez que le Destin

Adresse là les gens quand il veut qu'on enrage.

Dieu nous préserve du voyage.'

So says La Fontaine. The capital of Cornouailles is a strange mixture

of the old world and the new. There the ancient spirit and the modern

meet. The Odet runs through the town. On one side is a mass of rock 70

metres high, covered by a forest so dark and dense and silent that in

it one might fancy one's self miles away from any town. As one wanders

among the chestnuts, pines, poplars, and other trees, a sadness falls,

as if from the quiet foliage in the dim obscurity. On the other side

of the narrow river is a multitude of roofs, encircled by high walls

and dominated by the two lofty spires of the cathedral. Gray and full

of shadows is the quiet little town, with its jumble of slanting roofs

and its broken lines.

Quimper seems to have changed but little within the last six years. We

arrived as the sun was setting. A warm light gilded the most ordinary

objects, transforming them into things of beauty. We flashed by in the

hotel omnibus, past a river resembling a canal, the Odet. The river

was spanned by innumerable iron-railed bridges. The sky was of a fresh

eggshell blue, with clouds of vivid orange vermilion paling in the

distance to rose-pink, and shedding pink and golden reflections on the

clear gray water, while a red-sailed fishing-boat floated gently at

anchor. A wonderful golden light bathed the town. You felt that you

could not take it all in at once, this glorious colouring--that you

must rush from place to place before the light faded, and see the

whole of the fine old town under these exceptional circumstances,

which would most probably never occur again. You wanted to see the

water, with its golden reflections, and the warm light shining on the

lichen-covered walls, on the gardens sloping down to the river, on the

wrought-iron gateways and low walls over which ivy and convolvulus

creep, on the red-rusted bridges. You wanted to see the cathedral--a

purple-gray mass, with the sun gilding one-half of the tower to a

brilliant vermilion, and leaving the other half grayer and a deeper

purple than ever. You wanted to see the whole place at once, for very

soon the light fades into the gray and purple of night.

My first thought on waking next morning in the 'city of fables and

gables,' as Quimper is called, was to see my old convent--the dear old

convent where as a child I spent such a happy year. Only twelve more

months, and the nuns will be ousted from their home--those dear women

whom, as the hotel proprietress said with tears in her eyes, 'fassent

que du bien.' How bitterly that cruel Act rankles, and ever will

rankle, in the hearts of the Breton people!

'On dit que la France est un pays libre,' said my hostess; 'c'est une

drôle de liberté!'

The inhabitants of Quimper were more bitter, more rebellious, than

those of any other town, for they greeted the officers with stones and

gibes. And no wonder. The nuns had ever been good and generous and

helpful to the people of Quimper. I remember well in the old days what

a large amount of food and clothing went forth into the town from

those hospitable doors, for the Retraite du Sacré Coeur was a rich

Order.

It was with a beating heart and eager anticipation that I knocked at

the convent door that morning, feeling like a little child come home

after the holidays. I heard the sound of bolts slipped back, and two

bright eyes peeped through the grille before the door was opened by a

Sister in the white habit of the Order. I knew her face in an instant,

yet could not place it. Directly she spoke I remembered it was the

Sister who changed our shoes and stockings whenever we returned from a

walk.

I asked for the Mother Superior. She had gone to England. I asked for

one of the English nuns. She also had gone. Names that had faded out

of my mind returned in the atmosphere of the convent. Yes: three of

the nuns I had named were still at the convent. What was my name? the

Sister asked. Who was I?

I gave my name, and instantly her face lit up.

'Why, it is Mademoiselle Dorothé!' she exclaimed, raising her hands

above her head in astonishment. 'Entréz, mademoiselle et madame,

entréz!'

[Illustration: THE VEGETABLE MARKET, QUIMPER]

Through all these years, among all the girls who must have passed

through the convent, she remembered me and bade me welcome. In the

quiet convent so little happens that every incident is remembered and

magnified and thought over.

We were taken upstairs and shown into a bare room with straight-backed

chairs--a room which in my childish imagination had been a charmed and

magic place, for it was here that I came always to see my mother on

visiting days. We had not long to wait before, with a rustle and

clinking of her cross and rosary, Mère B. appeared, a sweet woman in

the black dress and pointed white coif that I knew so well. She had

always been beautiful in my eyes, and she was so still, with the

loveliness of a pure and saintly life shining through her large brown

eyes. Her cheeks were as soft and pink as ever, and her hands, which I

used to watch in admiration by the hour, were stretched out with joy

to greet me.

'O la petite Dorothé!' she cried,'quel bonheur de vous revoir! Est-ce

vraiment la petite Dorothé?'

As I sat watching her while she talked to my mother, all the old

thoughts and feelings came back to me with a rush. I was in some awe

of her: I could not treat her as if she were an ordinary person. All

the old respectful tricks and turns of speech came back to me, though

I imagined I had forgotten them. My mother was telling Mère B. of how

busy I had been since I had left the convent--of the books I had

written and all about them;--but I felt as small and insignificant as

the child of ten, and could only answer in monosyllables--'Oui, ma

mère,' or 'Non, ma mère.'

At our request, we were shown over the convent. Many memories it

brought back--some pleasant, some painful; for a child's life never

runs on one smooth level--it is ever a series of ups and downs. We

were taken into the refectory. There was my place at the corner of the

table, where at the first meal I sat and cried because, when asked if

I would like a _tartine_ instead of pudding, I was given a piece of

bread-and-butter. Naturally, I had thought that _tartine_ meant a

tart. And there was the very same Sister laying the table, the Sister

who used to look sharply at my plate to see that I ate all my fat and

pieces of gristle. She remembered me perfectly. Many were the tussles,

poor woman, she had had with me.

Mère B. showed us the chapel, where we used to assemble at half-past

six every morning, cold and half-asleep, to say our prayers before

going into the big church. Many were the beautiful addresses the

Mother Superior had read to us; many were the vows I had made to be

really very good; many were the resolves I had formed to be gentle and

forbearing during the day--vows and resolves only to be broken soon.

We wandered through the garden between the beds of thyme and mint and

late roses, and Mère B. spoke with tears in her eyes of the time when

they would have to leave their happy convent home and migrate to some

more hospitable land. 'It is not for ourselves that we grieve,' she

said: 'it is for our poor country--for the people who will be left

without religion. Personally, we are as happy in one country as in

another.'

I picked a sprig of sweet-smelling thyme as I passed, and laid it

tenderly between the pages of my pocket-book. If the garden were to be

desecrated and used by strangers, I must have something to remember it

by.

What memories the dear old convent garden brought back to me! There

was the gravelled square where we children skipped and played and sang

Breton _chansons_ all in a ring. There was the avenue of scanty

poplars--not so scanty now--down which I often paced in rebellious

mood, gazing at the walls rising high above me, longing to gain the

farther side and be in the world. Outside the convent gates was always

called 'the world.' There was the little rocky shrine of the Virgin--a

sweet-faced woman in a robe of blue and gold, nursing a Baby with an

aureole about His head. Many a time I had thrown myself on the bench

in front of that shrine in a fit of temper, and had been slowly calmed

and soothed by that gentle presence, coming away a better child, with

what my mother always called 'the little black monkey' gone from my

back.

Very soon the convent atmosphere wraps itself about you and lulls you

to rest. You feel its influence directly you enter the building. You

are seized by a vague longing to stay here, just where you are, and

leave the world, with its ceaseless strivings and turmoils and unrest,

behind you. Yet how soon the worldly element in you would come to the

fore, teasing you, tormenting you back into the toils once more! It

was with a feeling of sorrow and a sensation that something was being

wrenched from me that I bade good-bye to sweet Mère B. at the garden

gate, with many embraces and parting injunctions not to forget the

convent and my old friends.

[Illustration: OUTSIDE THE CATHEDRAL, QUIMPERLE]

Wherever one goes in Quimper one sees the stately cathedral, that

wondrous building which, with its two excellent pyramids and gigantic

portal, is said to be the most beautiful in all Brittany. It would

take one days and days to realize its beauty. The doorway itself is as

rich in detail as a volume of history. There are lines of sculptured

angels joining hands over the porch, Breton coats of arms, and the

device of Jean X.--'Malo au riche duc.' There are two windows above

the doorway, crowned by a gallery, with an equestrian statue of the

King of Grallon. According to tradition the cathedral must have been

built on the site of the royal palace.

There are many legends about the church of St. Corentin. One is that

of a man who, going on a pilgrimage, left his money with a neighbour

for safety. On returning, the neighbour declared that he had never had

the money, and proposed to swear to the same before the crucifix of

St. Corentin. They met there, and the man swore. Instantly three drops

of blood fell from the crucifix to the altar, which, the legend runs,

are preserved to this day.

It is also said that there is in the fountain of Quimper a miraculous

fish, which, in spite of the fact that St. Corentin cuts off half of

it every day for his dinner, remains whole.

A quaint ceremony is held at the cathedral on the Feast of St. Cecile.

At two o'clock the clergyman, accompanied by musicians and choir-boys,

mounts a platform between the great towers, and a joyous hymn is sung

there, on the nearest point to the sky in all Quimper. It is a strange

sight. Scores of beggars gather round the porch of the cathedral--the

halt, the lame, the blind, and the diseased--all with outstretched

hats and cups.

[Illustration: BY THE SIDE OF A FARM]

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