VI

After breakfast I was watching from my cell some sparrows that had

nested inside the prison walls, high up on top of the large windows

facing the tiers. I dropped some bread crumbs on the floor of the

gallery, and some on my cell floor, to induce the little birds to come

in.

At first they were afraid to trust themselves inside the bars of my

cell; but they kept fluttering about nervously outside, keeping up an

incessant twitter and chatter that sounded quite musical to my ears.

Finally they grew bolder, and recklessly they flew into my cell, first

peeping at me, with bended heads as if they would ask: "Are we really

safe here from capture or treachery of any kind?" And hastily picking up

the crumbs, they flew out to inform their companions of the god-send of

fat bread crumbs in a large, barred room, instead of the poor hunting in

the prison courtyard.

Then they came back fearlessly, and thanked me with quick little nods of

their pretty heads, and sidelong trusting looks from their black beads

of eyes; with low, graceful courtesies and a cheerful piping song.

And then one morning a keeper who had been attracted by the noise,

shooed the birds away and swore in a gruff voice, warning me that it was

against the rules to throw crumbs on the floor, as well as to keep

bread in my pockets or in my cell.

Once a week the prisoners are privileged to wait in line to see the

warden, to protest against any injustice, to recount a grievance, or to

ask a favor.

Like a dozen or more I stood waiting for the quick-lunch justice of the

Czar of the penitentiary. After a while he appeared, accompanied by a

tall young secretary who jotted down our names and the details of the

business on hand. Walking slowly, with bent shoulders, hands behind his

back, the warden seemed to be about seventy-five years old. His face was

furrowed with irregular, meaningless wrinkles, and he had small shifty

eyes, with white hair and a white beard. He had a habit of staring at

the convict who was speaking to him, and suddenly bending one ear toward

the speaker as if he were partially deaf.

The warden's answers came quickly, in the jerky, high pitched voice of

the Sistine Chapel cantors, and often breaking under the strain of

anger. A convict suffering from locomotor ataxia, leaning on a walking

stick, hanging on to a companion, begged for permission to get a pair of

crutches ... his mother would get them for him.

"What for?" queried the warden, innocently.

"Because I can't walk with this stick," answered the convict.

"Then why don't you get a cab!" said the warden. And he snickered and

then coarsely guffawed.

Again he furiously upbraided another petitioner.

"Where do you think you are? At the Waldorf-Astoria? Next thing they'll

be asking me to get them flowers, candy and theatre tickets. I am here

to see that you are punished. See?"

After having thus vented his spleen he uttered some alleged witticism at

the expense of the helpless convict, and showed a great appreciation of

his own humor, uncovering a row of yellow, brown, half-decayed teeth in

a sneering grin most unpleasant to behold.

My turn came, and I asked for an extra blanket, as the cold was intense

and the metal springs of the bed offered no protection against it. This

it seemed was also against the rules. When I suggested that as he was

the warden he could make and unmake the rules, he did not answer, but

asked irrelevantly how I liked his hotel?

I answered that it was preferable to the castle of San Juan de Ulloa in

Vera Cruz.

He looked puzzled, then he smiled as if he saw the point.

"We'll take care of you," he repeated twice, waving a thin, wrinkled,

old hand.

A Modern Purgatory · 第 18 / 46 题