CHAPTER XIX.

Balbilla and her companion, Publius Balbinus and other illustrious

Romans, Favorinus the sophist, and a numerous suite of chamberlains and

servants, were to accompany the Empress by water, while Hadrian set forth

on his land journey with a small escort to which he added a splendid

array of huntsmen. Before he reached Memphis, in crossing the Libyan

desert, through which his road lay, he had killed a few lions and many

other beasts of prey, and here he had once more found Antinous the best

of sporting companions. Cool headed in danger, indefatigable on foot,

content and serviceable in all circumstances, the young fellow seemed to

Hadrian to be a comrade created by the gods themselves for his special

delectation. When Hadrian was in the humor to brood and be silent the

whole day long, he never disturbed him by a word; but in these moods the

Emperor found his favorite's society indispensable, for the mere

consciousness of his presence soothed him.

Antinous too, was happy on these occasions, for he felt that he was of

some use to his venerated master and could thus alleviate the burden

which had never ceased to weigh on his own soul ever since the crime he

had committed. Besides, he preferred dreaming to talking, and the

exercise in the open air preserved him from listless lassitude.

In Memphis Hadrian was detained a whole month, for there he was expected

to visit the Egyptian temples with Sabina, who had arrived before him,

and to submit to many ceremonials invested with the regalia of the

Pharaohs. Sabina often felt as if she must faint when, crowned with the

ponderous vulture-headed fillet of the Queens of Egypt, weighed down with

long robes and golden ornaments, she was conducted with her husband, in

procession, through all the rooms, over the roof and finally into the

holiest place of some vast sanctuary. What senseless ceremonials they

had to go through in the course of these long circuits, and how many

sacrifices had they to attend! When she returned from these visitations

she was utterly exhausted, and indeed, it was no small exertion to

undergo so many fumigations with incense and so many aspersions, to

listen to so many litanies and hymns, to parade through such endless

halls and while being elevated to the rank of celestial beings, to be

crowned with so many crowns in turn and decorated with all kinds of

fillets and symbolic adornments.

Her husband set her a good example, however; through all the ceremonials

he displayed the whole grave majesty of his nature, and among the

Egyptians behaved as one of themselves. He even took pleasure in the

mystical lore of the priests, with whom he often held long conversations.

As at Memphis, so in all the principal temples of the great cities to the

southward, the Imperial pair accepted the homage of the hierarchy and the

honors due to divinity. Wherever Hadrian granted money for the extension

of a temple, he was required to perform the ceremony of laying a stone

with his own hand. But he always found time to hunt in the desert, to

manage the affairs of state, and to visit the most interesting monuments

of past times, and at Memphis especially, the city of the dead, with the

Pyramids, the great Sphinx, the Serapeum and the tombs of the Apis.

Before quitting the city he and his companions consulted the oracle of

the sacred bull. The fairest future was promised to Balbilla; the bull

to whom she had to offer a cake, with her face averted, had approved of

her gift and had touched her hand with his moist muzzle. Hadrian was

left in ignorance as to the sentence of the priests of Apis, for it was

given to him in a sealed roll with an explanation of the signs it

contained; but he was solemnly adjured not to open them before at

least half a year had elapsed.

It was only in the cities that Hadrian met his wife, for he pursued his

journey by land and she hers by water. The boats almost invariably

reached their destination sooner than the land-travellers, and when they

at last arrived, there was always a grand festival to welcome them, in

which however Sabina but rarely took part. Balbilla proved herself all

the more eager to make their arrival pleasant by some kindly surprise.

She sincerely reverenced Hadrian, and his favorite's beauty had an

irresistible charm for her artist's soul. It was a delight to her only

to look at him; his absence troubled her, and when he returned she was

always the first to greet him. And yet the bright girl troubled herself

about him neither more nor less than the other ladies in Sabina's train;

only Balbilla asked nothing of him but the pleasure of looking at him and

rejoicing in his beauty.

If he had dared to mistake her admiration for love and to have offered

her his, the poetess would have indignantly brought him to his bearings;

and yet she gave unqualified expression to her admiration of the

Bithynian's splendid person, and indeed with rather remarkable

demonstrativeness.

When the travellers made their appearance again after a prolonged absence

Antinous would find in the room in the ship where he was to live flowers,

and choice fruits sent by her, and verses in which she had sung his

praises. He put it all aside with the rest and only esteemed the donor

the less; but the poetess knew nothing of these sentiments in her

beautiful idol, and indeed troubled herself very little about his

feelings. She had hitherto found no difficulty in keeping within the

limits of what was becoming. But lately there had been moments in which

she had owned to herself that she might be carried away into overstepping

these limits. But what did she care for the opinion of those around her,

or about the inner life of the Bithyman, whose external perfection of

form was all that pleased her. She did not shrink from the possibility

of arousing hopes in him which she never could nor intended to fulfil,

for the idea did not once enter her mind; still she felt dissatisfied

with herself, for there was one person who might disapprove of her

proceedings, one who had indeed in plain words reprehended her fancy for

doing honor to the handsome boy with offerings of flowers, and the

opinion of that one person weighed with her more than that of all the

rest of the men and women she knew, put together.

This one was Pontius the architect; and yet, strangely enough, it was

precisely her remembrance of him that urged her on from one folly to

another. She had often seen the architect in Alexandria, and when they

parted she had allowed him to promise to follow her and the Empress, and

to escort them at any rate for a part of their voyage up the Nile. But

he came not, nor had he sent any report of himself, though he was alive

and well, and every express that overtook them brought documents for

Caesar in his handwriting.

So he, on whose faithful devotion she had built as on a rock, was no less

self-seeking and fickle than other men. She thought of him every day and

every hour; and as soon as a vessel from the north cast anchor within

sight, she watched the voyagers as they disembarked to detect him among

them. She longed for Pontius as a traveller who has lost his way sighs

for a sight of the guide who has deserted him; and yet she was angry with

him, for he had betrayed by a thousand tokens that he esteemed and cared

for her, that she had a certain power over his strong will--and now he

had broken his word and did not come.

And she? She had not been unmoved by his devotion, and had been gentler

to this grandson of her father's freed slave than to the best-born man

of her own rank. And in spite of it all Pontius could spoil all the

pleasure of her journey and stay in Alexandria instead of following

in her wake. He could easily have intrusted his building to other

architects--the great metropolis was swarming with them! Well, if he did

not trouble himself about her she certainly need care even less about

him. Perhaps at last, at the end of their travels he might yet come, and

then he should see how much she cared for his admonitions.

But she sighed impatiently for the hour when she might read him all the

verses she had addressed to Antinous, and ask him how he liked them. It

gave her a childish pleasure to add to the number of these little poems,

to finish them elaborately, and display in them all her knowledge and

ability. She gave the preference to artificial and massive metres; some

of the verses were in Latin, others in the Attic, and others again in the

Aeolian dialects of Greek, for she had now learnt to use this, and all to

punish Pontius--to vex Pontius--and at the same time to appear in his

eyes as brilliant as she could. She belauded Antinous, but she wrote for

Pontius, and for every flower she gave the lad she had sent a thought to

the architect, though with a curl on her lips of scornful defiance.

But a young girl cannot be always praising the beauty of a youth in new

and varied forms with complete impunity, and thus there were hours when

Balbilla was inclined to believe that she really loved Antinous. Then

she would call herself his Sappho, and he seemed destined to be her

Phaon. During his long absences with the Emperor she would long to see

him--nay, even with tears; but, as soon as he was by her side again, and

she could look at his inanimate beauty and into his weary eyes, when she

heard the torpid "Yes" or "No" with which he replied to her questions,

the spell was entirely broken and she honestly confessed to herself that

she would as soon see him before her hewn in marble as clothed in flesh

and blood.

In such moments as these her memory of the architect was particularly

fresh, and once, when their ship was sailing through a mass of lotos

leaves, above which one splendid full-blown flower raised its head, her

apt imagination, which rapidly seized on everything noteworthy and gave

it poetic form, entwined the incident in a set of verses, in which she

designated Antinous as the lotos-flower which fulfils its destiny simply

by being beautiful, and comparing Pontius to the ship which, well

constructed and well guided, invited the traveller to new voyages in

distant lands.

The Nile voyage came to an end at Thebes of the hundred gates, and here

nothing that could attract the Roman travellers remained unvisited. The

tombs of the Pharaohs extending into the very heart of the rocky hills,

and the grand temples that stood to the west of the city of the dead,

shorn though they were of their ancient glory, filled the Emperor with

admiration. The Imperial travellers and their companions listened to the

famous colossus of Memnon, of which the upper portion had been overthrown

by an earthquake, and three times in the dawn they heard it sound.

Balbilla described the incident in several long poems which Sabina caused

to be engraved on the stone of the colossus. The poetess imagined

herself as hearing the voice of Memnon singing to his mother Eos while

her tears, the fresh morning dew, fell upon the image of her son, fallen

before the walls of Troy. These verses she composed in the Aeolian

dialect, named herself as their writer and informed the readers--among

whom she included Pontius--that she was descended from a house no less

noble than that of King Antiochus.

The gigantic structures on each bank of the Nile fully equalled Hadrian's

expectations, though they had suffered so much injury from earthquakes

and sieges, and the impoverished priesthood of Thebes were no longer in a

position to provide for their preservation even, much less for their

restoration. Balbilla accompanied Caesar on a visit to the sanctuary of

Ammon, on the eastern shore of the Nile. In the great hall, the most

vast and lofty pillared hall in the world, her impressionable soul felt a

peculiar exaltation, and as the Emperor observed how, with a heightened

color she now gazed upward, and then again, leaning against a towering

column, looked at the scene around her, he asked her what she felt,

standing in this really worthy abode of the gods.

"One thing--above all things one thing!" cried the girl. "That

architecture is the sublimest of the arts! This temple is to me like

some grand epode, and the poet who composed it conceived it not in feeble

words but formed it out of almost immovable masses. Thousands of parts

are here combined to form a whole, and each is welded with the rest into

beautiful harmony and helps to give expression to the stupendous idea

which existed in the brain of the builder of this hall. What other art

is gifted with the power of creating a work so imperishable and so far

transcending all ordinary standards?"

"A poetess crowning the architect with laurels!" exclaimed the Emperor.

"But is not the poet's realm the infinite, and can the architect ever get

beyond the finite and the limited?"

"Then is the nature of the divinity a measurable unit?" asked Balbilla.

"No, it is not; and yet this hall gives one the impression that the very

divinity might find space in it to dwell in."

"Because it owes it existence to a master-mind, which while it conceived

it stood on the boundary line of eternity. But do you think this temple

will outlast the poems of Homer?"

"No; but the memory of it will no more fade away that of the wrath of

Achilles or the wanderings of the experienced Odysseus."

"It is a pity that our friend Pontius cannot hear you," said Hadrian.

"He has completed the plans for a work which is destined to outlive me

and him and all of us.

"I mean my own tomb. Besides that I intend him to erect gates, courts and

halls in the Egyptian style at Tibur, which may remind us of our travels

in this wonderful country. I expect him to-morrow."

"To-morrow!" exclaimed Balbilla, and her face fired with a scarlet flush

to her very brow.

The Emperor — Volume 10 · 第 2 / 7 章