CHAPTER V.

It has been intelligently remarked, that, in writing travels by land

or by sea, the traveller has only to jot down everything just as it

occurs, and he will be sure to produce a book worth reading. This rule

may be excellent in theory; but, gentle reader, it will not do. Only

look here. I have not jotted down one tithe of the incidents of the

first ten hours since we left harbour; and see what a long yarn it

makes. A man who, in travelling, really registered everything, would

yarn away at the rate of a quarto a week.

There _is_, however, an observation which is much more to the purpose;

namely, that one day at sea is very like another. This we certainly

found out, in our voyage from Falmouth to Lisbon. For, with the

exception of changes in wind and weather, little occurred to vary our

daily existence; at least till we got off Oporto, and took in fresh

passengers. During the first night after we left Falmouth, the wind got

round to the S.W. We had three days of it, regular Channel weather:

thick, cloudy, squally--much rain--the ship pitching, labouring,

creaking, straining, groaning--going every way but the way we wanted

to go--all the passengers, except Joey, more or less indisposed--and

nobody pleased but the skipper, who whistled a perpetual "Yankee

doodle" rondo, and seemed to exult in our miseries. "I calculate,"

said Joey, "if this lasts much longer, we shall come to anchor in the

Downs." For want of anything to relate, and for the benefit of the

reader, should he cross "the Bay," I shall here beg leave to say a few

words respecting that horrid malady to which landsmen are subject on

board ship, and respecting my own mode of dealing with it. _Experto

crede._

My case resembles that of many other persons; _i.e._, in foul weather

on board ship, you do not, we will say, at once get thoroughly ill;

but certain disagreeable sensations, quite sufficient to call a man's

attention to himself, such as giddiness, prostration of strength, awful

depression of the whole system, and still more awful sensations at the

pit of the stomach, induce the painful consciousness that you are very,

very far from well, and in some danger of being worse before you are

better. In this state of the case, the "indication," as the doctors

say, is to keep off daddy Neptune's last outrage, the detested crisis.

Don't give ear to the good-natured friend who says, "You had better be

ill at once, and get it over." That may do very well in a sail from

West Cowes to Allum Bay; but it won't answer if you are a fortnight

at sea. You may be "ill at once," if you please; but don't be certain

"you'll get it over;" if once you begin, you may go on for a week. Keep

well, then, if you can.

Now, as long as you can keep your legs, and keep on deck, you can

generally effect this. In your berth, also, in a recumbent posture,

you may manage to escape the dire catastrophe. The real difficulty is

this: that, in passing from one of these states to the other, _e.g._,

in turning in at night, or turning out in the morning, in all human

probability you become a miserable victim. You must dress--you must

undress--and, in the course of doffing or donning, ten to one your

worst apprehensions become a reality. What, then, is the remedy? Now,

don't stare, but be advised. Till you are fairly seasoned, which you

probably will be in three or four days if you do as I tell you, don't

doff or don at all. Keep on deck all day, get thoroughly cold, tired,

and drowsy, rush below at night, throw yourself on your mattress as

you are, go to sleep at once. In the morning, the moment you turn out,

rush on deck. No shaving; no titivating. You must wash, must you?

Go forwards, then; wash in the open air; wash anywhere but below.

"Beastly, though, to go day after day without a change." Beastly, I

admit; but not so beastly as day after day of convulsive paroxysms and

horrid heavings; and, depend upon it, if once you begin, there is no

telling how long it may last. Whereas follow my plan, and in three or

four days you are all right--you are seasoned--the ship may dance a

polka, and you not the worse for it. You may then go below, and stay

below, with perfect impunity--treat yourself to a grand universal scrub

and a clean shirt--and, if you are a shaver, shave--only remember you

are shaving on board ship, and mind you don't cut off your nose. After

all, it's a matter of taste, I admit: and tastes are various. If you

consider a three-days' shirt, and a rough chin, greater evils than

vomitory agonies, and spasms of the diaphragm, why, do as you like;

shave, titivate, change, your linen, and retch your heart up.

During the three days of foul weather, wind S.W., I contrived to keep

about, by following the method indicated above. On the fourth, the

wind returned to the N.W., with an occasional brash of rain; and we

were again able to hold our course. I was then myself again, past the

power of sea-sickness; and could walk the deck with Joey, cast accounts

with Gingham, sit out the dinner without declining soup, respectfully

ogle the lovely Juno, and occasionally extort a giggle. On the morning

of this same day, impelled by curiosity, I approached the berth where

lay deposited the unhappy Capsicum, and drew his curtain. Ah! is that

Capsicum? Alas, how changed! He looked like death. I spoke to him.

His lips moved, but his voice was inaudible. I felt his pulse. It was

scarcely perceptible. He was in a state of collapse!

Deeming the exigency cogent, I fetched Mr Staff-surgeon Pledget.

Pledget, after due examination, pronounced it a serious case,

prescribed a restorative, departed to compound, and soon came back with

it--only about half a pint. With some difficulty, poor Capsicum was

got up in his berth, and the restorative was got down. Anticipating

recalcitration, Pledget had come provided with a small _horn_. Having

swallowed the dose, Capsicum found his voice. "Ah me!" he feebly

whined, with a look of inexpressible horror and disgust, and his hand

pressed upon the pit of his stomach; "ah me! is it an aperient?" Then,

in a low and indignant growl, "Never took physic before, in all my

life." He lay back on his bolster, with closed eyes, in feeble and

sulky silence. Pledget withdrew, and I remained.

Presently, reopening his eyes, he cautiously looked around. "Is that

fellow gone?" he whispered. I nodded. "Look in the cabin," he whispered

again.

"Gone on deck," said I; "not quite right yet, himself. Do you want him?

Shall I call him back?"

"No, no; nonsense! I say, you mix me a glass of _that_--you know

what--the same you took yourself t'other night."

I hesitated. There was no doubt in the world it would do him a deal of

good. But then he was under treatment; he was _medically_ ill. What was

I to do?

He looked at me appealingly, coaxingly, touchingly. "I'd do as much for

you," said he.

There was no standing that. I clancularly gave my orders to the

steward. The steward grinned, and brought the materials. In due time

the mixture was made; and, in a very short time after, the patient had

stowed it away. "I shall get up," said he. "Just help me out." I sent

the steward to request the aid of Joey.

By unshipping the board at the side, we got Capsicum out of his crib,

far more easily than we had got him in. But, alas, his legs doubled

under him; he was helpless as an infant, and almost fainted away. At

length we managed to dress him; and seated him in full fig at the cabin

table, with his enormous snuff-box open before him. At dinner, that

day, he managed the wing of a chicken and a slice of tongue. Couldn't a

currant dumpling, though--was set against it by the wine sauce. Pledget

had the credit of the cure.

I omit to relate, _in extenso_, how we were chased by what we took for

an American sloop of war, but what proved to be an English frigate;

how the arm-chest was got upon deck when we expected to be brought

to action; and how the muskets were found, like poor Capsicum,

stuck--rusted together into a mass, for want of looking after; how

badly the said frigate threw her shot, sending the first, which ought

to have gone ahead of us, slap through our topsail, and the second,

which should have been a more direct communication, half a quarter of a

mile wide; how the Major and Captain Gabion saw the said shot as they

were coming, while I saw nothing but the splash in the water; how our

leisure hours were solaced by two combative drakes, shut up together

in the same coop, which fought incessantly, day and night, from the

beginning to the end of the voyage--if you held a lantern to them in

the dark, they were still fighting; how, when one hen laid an egg,

the others pecked at it, and gobbled it up; how the skipper was rude

to everybody on board--to the Major, it appeared, grossly so. These

particulars, with many others, I defer to my quarto edition.

Yet let me not omit the skipper's confidence to Joey; how _he_ thought

passengers should be victualled on board ship. "Fust, good flabby

pea-soup, as thick as batter--plenty on it--let 'em blow out their

jeckits with that. When it's took away, why, then perpose a glass of

bottled porter all round. Fust dinner aboard; won't it make some on 'em

bolt?"

Perhaps, my dear madam, the best way of giving you a general idea of

our voyage, will be to present you with a description of our mode of

life from day to day. The rule with our military friends was, to take

fun out of everything; and they proved themselves perfect adepts in all

the means and methods, thereto available; hoaxing, quizzing, shaving,

imitating, trotting, cajoling, bamboozling. Pledget could not make it

out--wondered what it all meant; and one day gravely asked me, if I

could explain the nature and cause of laughter. Laughter he viewed as a

psychological problem; we had plenty on board; but he could not solve

it. The best thing was, that Pledget himself caught the infection at

last, and began to laugh. It was curious to watch the first stirrings

of nascent humour in Pledget's mind. Towards the close of the voyage he

had actually, though by slow degrees, concocted a joke; and, had our

passage been to the West Indies, and not to Lisbon, he would perhaps

have got so far as to try it on. The victim of the said joke was to

be Capsicum. Capsicum's birth at Macao, and breeding at Canton, had

transpired through Joey. Pledget's primary idea was, that Capsicum

might possibly have a penchant for a dish of stewed puppies. This

bold, ingenious, and comical conception, as he fed on it from hour to

hour, and from day to day, in about three days' time began to grow in

his mind; and, as it grew, it ramified. From one thing to another, at

length it came to this: that, with my co-operation, Joey's, and the

steward's, Capsicum was to be persuaded that a batch of puppies had

actually been littered on board. Capsicum, kept momentarily cognisant

of the progress of Pledget's plot, by the treachery of those to whom

it was confided, was prepared to humour the joke, whenever Pledget

commenced operations. Pledget, big with his own idea, walked the deck

for hours together, rubbing his hands in an ecstasy, and laughing till

he whimpered. When Joey or I took a turn, he was soon by our side,

screeching in a rapidly ascending gamut, with pungent delight, and much

cachinnation, "Puppies! puppies! Oh, sir, won't they be nice? Poor old

Capsicum!--puppies! puppies!"

The day before we made the coast of Spain, I was fairly "trotted." You

must know, I fancied in those days I could sing. Item, my dear father

had brought home, from the Peninsula, some very pretty Portuguese airs,

of the kind called modinhas--which modinhas I had at my fingers' ends.

Now, there are two very distinct ideas, which young people are apt to

confound. If they happen to know a pleasing song, they fancy themselves

pleasing singers: often quite the reverse; the finer the song, the

fouler the butchery. I wish singing was visible, and not audible; for

then we could keep it out by shutting our eyes. Well, this is how it

was: leaning, as I was wont, over the ship's side, my face to the

horizon, my back to the company, I won't pretend to say that I exactly

sang for their benefit: oh no; I sang, as I had right to do, for my

own amusement; though I certainly did sing loud enough to be heard,

without being listened to. Presently by my side leaned Captain Gabion.

I ceased. He hummed a mellifluous song of Lusitania.

"Pity the Lisbon music-sellers don't print their music," said he;

"Write it all. Quite a fuss, sometimes, to get a song you fancy."

"That explains something I never understood before," said I. "All the

songs I have received from Portugal are in manuscript. Pray, what is a

modinha, strictly speaking?"

"Why, a modinha," replied he, "in common parlance, means any song

that you happen to like. Modinha: a little mode; a little fashion;

any little fashionable song. But the grand, regular music of the

Portuguese--oh! that's magnificent--their church music for instance.

You must know, once a-year, in one of the Lisbon churches, they sing

a grand mass for the souls of deceased musicians. Of course, on such

an occasion, all the living forces of the musical world are put in

requisition. The last time I was at Lisbon, I attended--advise you,

as a musical man, to do the same. Oh! wasn't that a grand harmonious

crash? Extraordinary fellows, some of those singing monks and friars!

Fancy one whole side of an immense church, from the floor to the roof,

a grand bank of chorus-singers, as high as Shakspeare's Cliff; each

bellowing like a bull; yet each with a voice as finely modulated as the

richest violoncello, touched by a master's hand. Then there was one

fellow, a bass, who stood up to sing a solo. Never heard anything like

that. He struck off, deep down in his throat--yes, sir; and deeper down

in the scale, too, than I ever heard any man go before--with a grand

magnificent double shake, like--like--like the flutter of an eagle.

Then down--down--down the villain dropped, four notes lower, and gave

such another. I advised him to go to England. His name was Naldi. But

let me see--oh--we were talking about modinhas. Why, sir, the fact

is this--if you want to hear what I call the vernacular basis of the

modinha, you must go up among the hills, a few leagues out of Lisbon."

"I suppose," said I, "my best plan will be to go by the mail."

"Yes," replied he; "any one in Lisbon will show you the booking office:

unless, by the bye, you prefer palanquin, in which case I would

advise you to order relays of black bearers from Jigitononha; or, you

might do it on two donkeys. Well, sir; when you're up there in the

mountains, among the goats, wolves, wild buffaloes and rhododendrons,

the altitude about corresponding to latitude 66° N. in Europe, and

to--let me see--latitude--say latitude 50° in the United States--of

course you'll feel hungry. Step into the first hotel. But I'd advise

you--don't order three courses; you'll find it come expensive; better

rough it with something light--say a beef-steak and a bottle of port.

That buffalo beef, capital. Port--let me see--are you particular in

your port? Better ask for the Algarve sort. Well, sir; after you have

dined, just step out into the village--walk into the first wine-shop.

You'll probably find half-a-dozen peasants there--big, muscular,

broad-chested, good-humoured-looking fellows--goatherds and all that

kind of thing. Look out for the chap with the guitar--you'll be sure to

find him in the wine-shop; order a quart tumbler of wine--just taste

it yourself--then hand it to him--and tell him to play. The moment he

has tossed off the tipple, he begins tinkling. The other six fellows

stand up; throw back their shoulders; bulge out their chests; and begin

smirking, winking their little black eyes, snapping their fingers,

and screwing their backs in such an extraordinary manner as you never

beheld--all in cadence to the guitar. That's the first access of the

musical oestrum. The guitar goes on--strum--strum--strum--a low

monotonous jingle, just two or three chords. That's the accompaniment

to the singing that's about to begin. At length, one of the fellows

commences--air and words both extempore; perhaps something amatory,

_Minha Maria, minha querida_; or, it may be, something satirical, if

they see anything quizzable--something about yourself. While that first

fellow is singing, the chap next him stands, still winking, screwing,

smirking, snapping his fingers; and begins, as soon as the other has

done. So it goes on, till all the half-dozen have had their turn.

But the curious thing is this: though all the songs are different,

different in the _tema_, different in the style, different in the

compass of voice, different in the pitch, different in the words, the

same accompaniment does duty for all: the chap with the guitar goes on,

just tinkling the same chords, till the whole is finished. Then, if

you want it _da capo_, give him another tumbler of wine. If you've had

enough, why, then, you know, you can just fork out a moidore or two,

tell them to divide it, and take your leave,--that is, if you don't

want to see the fight for the money: but that's not worth your while;

mere rough and tumble, with a little knifing. Only mind; don't give

dollars or patacas. They prefer gold."

I really thought I was now trotting Captain Gabion, who was a musical

amateur. Villain! he was operating to clap the saddle on me, in a way

I little suspected. "Then," said I, "each of these fellows, I suppose,

has sung a modinha."

"Why, no; not exactly that, neither," said the Captain. "I'll tell you.

Curious sort of music it is, though; the national music, in fact. When

you see one of those big athletic fellows expanding his chest, sucking

his breath, his whole pulmonary region heaving, labouring with the

song he is going to sing, why, of course you'd expect him to break out

like a clap of thunder. But, instead of that, forth comes from his big

throat a very mouse-like issue of those mountain throes; an attenuated

stream, not altogether unmusical though, of growling, grunting,

squeaking cadences--for the compass of their voices is perfectly

astonishing--a string of wild and rapid trills, very short notes,

very long notes, mostly slurred, never _staccato_; and, if you should

happen to notice, similar, in its intervals, to the music of Scotland.

With your musical knowledge, of course you understand what I mean by

intervals. Well, sir; that sort of mountain music is what I call the

national basis of the Portuguese modinha. Take one of those wild airs,

arrange it scientifically, with suitable symphonies, accompaniment, and

all that sort of thing--no difficulty to _you_--the modinha is then

complete."

This was by no means a bad theory of the modinha of those days; an

Italian graft upon the native stock; a scientific modification of the

music of the peasantry; so wild, so expressive, so sweet, so thrilling,

never have I heard songs to compare with those old modinhas. Once,

at a party in the house of a Lisbon lady, we persuaded her married

daughter to sing; a round, fat, rosy-brunette little dump of a woman,

famous for singing modinhas. She kindly took her guitar, spat in her

handkerchief, and gave us them in such style as I have never but once

heard since--and then the fair vocalist was not a Portuguese. What rich

expression, what rises and falls, what rapid execution, what accurate

intonation, what power, what tenderness, what point, in that soft,

flexible, delicate, yet rich, full, brilliant, and highly-cultivated

voice! Alas, the modinha of that day is rapidly passing into oblivion.

It has yielded in Lisbon society to a new style of songs, still called

modinhas, the words generally native, as they used to be; but the

music, _modern_ Italian--utterly destitute of sentiment; a constant

straining at effect, and a constant failure.

"I understand," said I, "that in every part of the Peninsula you meet

with a kind of songs that may be called local."

"Yes," said the Captain; "all, if I may so say, provincial; all

peculiar; all highly characteristic; and all excellent. Even the

occasional songs are good as compositions; that is to say, songs which

refer to politics, passing events, and so forth. Did you ever hear

this?" He gave _Ya vienen los Ingleses_.

"Very pleasing, and very lively," said I. "This is in the same style."

I began to strike up _Quando el Pepe José_.

"Don't let's have any more Spanish," said the Captain. "Sing something

Portuguese." I gave _Os soldados do comercio_.

"Quite humorous," said he, "but very pleasing music. This is the

Portuguese national song." He gave _Eis, Principe excelso_.

"Some of the satirical songs," said I, "are very well set." I gave

_Estas senhoras da moda_. The Captain, I observed, looked at his watch.

Little dreamt I the traitor was working against time.

"This, now," said he, "is what may be called the sentimental style;

short, but expressive, like the serious epigram of the Greek

Anthology." He gave _Tu me chamas tua vida_.

"The finest I have heard, though," said I, "in that style, is the

Spanish song--"

"No, no," said the Captain; "give us something Portuguese; something by

an old Padre. They are the fellows that knock off the best modinhas." I

gave _Fui me confessar_.

The conclusion of this my third song was followed by loud shouts of

laughter, a general clapping of hands, and cries of "Encore! encore!

bravo! viva! encore! encore!" I turned, and stood the centre of a

semicircle! Around me were ranged the delighted, applauding passengers;

the Colonel, the Major, Capsicum, Pledget, Gingham, Mr Belvidere, Joey,

and, oh! leaning on Joey's arm, the lovely Juno; the whole Party, at

my expense, in the highest possible state of hilarity. The skipper in

the background, leaning on the binnacle, stood surveying the whole

transaction with his face set in a sarcastic scowl, as though it had

first been cast in plaster of Paris, and then painted with red ochre.

Kitty's bonnet appeared on the level of the deck, projecting from the

cabin stairs. Near her, profuse in soft attentions, stood the Colonel's

flunkey, lavishing winks and winning simpers. Immediately above me,

in the shrouds, with his face downwards, like a monkey in a tree,

hung Snowball the nigger; his two eyes, full of wonder and delight,

gloating like a basilisk's, and projecting like a skinned rabbit's; his

mouth extended across his face in so broad a grin, you'd have thought

his throat had been cut from ear to ear. The applause having a little

subsided, each in turn paid me a compliment. Juno, the enchanting saucy

witch, dropped me a demure and very low curtsy, begged to thank me, and

precipitately put her handkerchief to her face. Gingham advised me to

cultivate my voice; begged to assure me I had very good taste, and only

wanted modulation, flexibility, accuracy, and execution, with a little

attention to time and tune, and care to avoid passing into the wrong

key--nay, had no doubt, if I took pains, I should some day acquire an

_ear_. Just when I was annoyed past bearing, Pledget, tittering with

ecstasy, whispered at my elbow, "Capital joke! the Captain did it

admirably. Almost as good as puppies!--puppies!--puppies!"

"Your compliment last, sir," said I, "comes in the proper place. Allow

me to designate it as it deserves--the ass's kick."

Pledget turned a little pale, and drew up; said something that seemed

to stick in his throat, about "lions roaring, and asses braying."

We were on the edge of a regular tiff. The general garrulity dropped

into a dead silence, and the whole party looked concerned. The Colonel

at once interposed, and insisted on our shaking hands. This operation

was performed accordingly, as in such cases provided, with immense

cordiality on both sides.

"Captain Gabion, I'll trouble you for a dollar," said the Major.

"No, no; I'll trouble _you_ for a dollar," replied the Captain.

"How do you make that out?" said the Major. "You've lost; that's

evident."

"What do you mean by lost?" said Captain Gabion. "Didn't I make Mr Y--

sing three songs within the given time? Hadn't I two minutes over, when

he finished the last? Weren't they all three Portuguese? I took good

care of that. Wasn't that our bet?"

"Yes, Captain; all right," said the Major. "But one of _your_ songs was

Spanish. That was an infringement."

"Didn't understand any condition of that sort," replied Captain Gabion.

"All the party heard the bet. Let the company decide."

One said one thing, one another. By common consent it was referred to

Gingham, who had held his tongue. Gingham decided that the Captain had

lost.

"Very well," said the Captain, "then I have had all my trouble for

nothing. Rather hard, though, to sing three songs yourself; get three

more out of a gentleman that has a particular objection to singing, in

forty minutes; and then have to pay a dollar besides. However, book it,

Major. Very kind of you, though, Mr Y--: equally obliged. Trust you'll

often favour us." We all went below to prepare for dinner; but I had

not heard the last of my singing.

We were now on the look-out for Cape Villano, and began to feel the N.

wind which blows down the W. coast of the Spanish Peninsula ten months

in the year. This wind, as you get further to the S., is generally

attended with a clear sky. But in our present latitude, meeting the

upper or S.W. current of air, which comes charged with the vapours

of the Atlantic, it produced incessant rain. The rain commenced, as

indeed rain often does commence, about three o'clock P.M., and kept us

below all the evening; obliging us also to lay-to till daybreak, as the

skipper did not like to run nearer in by night, with such weather.

From dinner to tea we managed to crack on, without finding the time

hang heavy on our hands. After tea the conversation was resumed, but in

the course of an hour or two began to flag; when Gingham enlivened it

by volunteering his services in brewing a bowl of punch. The offer was

received with tumultuous applause; except that Capsicum, who thought

nobody understood brewing so well as himself, politely expressed

a doubt as to Gingham's capabilities. Gingham avowed, with much

seriousness, that he "yielded in punch-making to no man." A discussion

arose, in the course of which I ventured to move, and it was carried,

that a bowl of punch should be brewed by each, and that the company

should award the palm after finishing both.

Capsicum brewed first. The materials were not wanting. The steward

brought rum, brandy, lemons, all the etceteras. Gingham, chivalrous in

his rivalry, tendered limes in lieu of lemons: "always took a few when

he travelled--got them in Pudding Lane." Capsicum's sense of honour

would have declined the limes; but the company ruled otherwise. The

bowl was brewed--a perfect nosegay--and stood smoking in the centre of

the table. In a very short time after, each man had his quantum before

him.

"Now, gentlemen," said the Colonel, (chairman,) "punch is nothing

without harmony. I beg leave to call on Mr Y-- for a song." Much

applause. "Hear! hear! hear! A song by Mr Y--! hear! hear! hear!"

I had not quite recovered the adventure of the morning, and was far

from disposed to sing. Had sung enough for one day--felt rather

hoarse--begged to decline--but all in vain: the company would take no

denial. I was obstinate. Joey began to talk of keelhauling; the Major

suggested the old mess fine, a sugared oyster; while a soft admonition

was heard in the distance, "The bird that can sing, and that won't

sing, must be made to sing."

Not to sing was just then a principle as fixed in my mind as any

theorem in the first six books of Euclid. The company became

peremptory. At length, tired of saying no, I rose, and begged leave to

ask the chairman whether, if I sang, I should have the usual privilege

of calling on any other gentleman present. The chairman hesitated to

reply. He saw his position: I might call upon _him_. I now had the best

of it. The chairman laughed, leaned over to Capsicum, and whispered a

remark about "generalship." Capsicum growled out something, of which I

could only distinguish "jockey" and "young fox."

I was still on my legs, and continued,--"Well, Mr Chairman, as my very

equitable proposal is not met so promptly as I anticipated, would it

not be better if the company resolve, instead of extorting a solitary

song from an individual who has already contributed largely this day

to the common stock of amusement," (_hear! hear! hear!_) "that every

person present should either sing a song, or tell a story?"

Blackwood's Edinburgh Magazine, Volume 66, No. 410, December 1849 · 第 3 / 7 章