RESENTMENT

It was a strange sensation to be free. It was still more strange that it

was not a sensation. It was a kind of numbness. She could only feel that

she didn't feel. In spite of her repeated silent assertions, "I'm free!

I'm free!" any consciousness of change eluded her.

It was true that there had been a moment like a descent into hell, from

which she thought she must come up another woman. Aunt Emily and the

lawyer had whirled her somewhere in a motor. Veiled as heavily as was

consistent with articulation, she had told a tale that seemed

abominable, though it was no more than a narrative of the facts. It

added to her sense of degradation to learn that one of the cheaper

dailies had published a snapshot of her taken as she was re-entering the

motor to come away. But even the horror of that moment passed, as

something too unreal to be other than a dream, and, except that she and

the children were staying with Aunt Emily instead of in their own home,

all was as before. All was as before to a disappointing degree--to a

degree that maddened her.

It maddened her because it brought no appeasement to that which for more

than a year had been her dominating motive--to do something to Chip that

would bring home to him a realizing sense of what he had done to her. It

was not that she wanted revenge. She was positive as to that. She wanted

only to make him understand. Hitherto he hadn't understood. She had seen

that in all his letters, right up to the moment when, driven to despair

by what seemed to her his moral obtuseness, she had implored him not to

write again. It was to help him to understand that which he was either

unable or unwilling to understand that she had so resolutely refused to

see him--partly that, and partly Aunt Emily. She would have died if it

hadn't been for Aunt Emily--died or given in; and the mere thought of

giving in frightened her.

It frightened her chiefly because she possessed the capacity to do it.

In a way it would be easier to do it than not--easier to do it, and yet

impossible to go on with the new situation thus created after it was

done. It would mean being back in the old home and resuming the old

life; there would be what people called a reconciliation. Chip would be

coming and going and whistling tunelessly all over the house. And the

awful thing about it would be that he had it in him to be as happy as if

this horrible thing had never taken place--happier, doubtless, because

it would be behind him. He would not have understood; she would have

ceased trying to make him understand; he would have so little seen the

significance of his own acts as to feel free to do the same thing all

over again.

So the impulse to go back frightened her with a fear that paralyzed her

longing. If he had said but once: "Edith, I know I've sinned against

you; I know I've made you suffer; I've broken the contract between us;

I'm repentant; forgive me," it might have been different. But he had

said nothing of the kind. His letters, beseeching though they were, only

aggravated her complaint against him. "What else could I do?... The poor

thing clung to me.... As far as it affected my devotion to you it might

have happened in another phase of creation." That was the amazing part

of it, that he should expect her to be content with such an explanation,

that he should try to deprive her of a wife's last poor pitiful

privilege, a sense of indignity. She was not only to condone what he had

done, but as nearly as possible she was to give it her approval.

As to this aspect of the case she might not have been so clear if it

hadn't been for Aunt Emily. Aunt Emily was very clear. She was clear and

just, without being wholly unsympathetic toward Chip. That is, she

pointed out the fact that Chip did no more than most men would do. He

was no worse than the average. He might even be a little better. But,

according to Aunt Emily, the man didn't live who was worthy of a really

good woman's love. It was foolish for a really good woman to put herself

at the disadvantage of casting her pearls before--well, Aunt Emily was

too much of a lady to say what; it was all the more foolish considering

the quantity of feminine tag-rag and bobtail quite good enough to be

wives.

Edith couldn't deny that her aunt had kept herself on an enviably high

plane of safety. She had her money to herself, and no heartaches. She

was respected, admired, and feared. By a little circle of adorers,

mostly composed of spinsters younger, poorer, and less advantageously

placed than herself, she was even loved. She was far from lonely; she

was far from having missed the best things in life. She was traveled,

well-read, philanthropic, and broad-minded. She was likewise tall,

stately, and dominant, with an early Victorian face to which a

mid-Victorian wig, kept in place by a band of plaits around the brow,

was not unbecoming. Nevertheless, Aunt Emily was entirely modern, modern

with that up-to-date femininity which with regard to men takes its key

from the bee's impulse toward the drone, stinging him to death once he

has fulfilled his functions.

It was a help to Edith that Aunt Emily could enter into the sufferings

entailed by an outraged love without being hampered by the weaknesses

inherent in the love itself. She could afford to be detached and

impartial bringing to bear on the situation the interest every

intelligent person takes in drama. For her participation Edith felt she

couldn't be too grateful to a relative on whom she had no urgent claim

beyond the fact that she was now her only one. Aunt Emily's clear vision

might, indeed, be said to have found the way through a tangle of

poignant conditions in which her own poor heart had been able to do

nothing but fumble helplessly.

It was a way of sorrows, and there had been no choice but to take it.

Chip had to be made to _feel_. Her whole being had become concentrated

on that result. From it she had expected not only realization for him,

but assuagement of longing for herself; and the latter hadn't come. She

could hardly see that anything had come at all. If it were not for Aunt

Emily she wouldn't have perceived that she had won a victory. Chip might

realize now; she didn't know; she probably would never know; it was

perhaps the impossibility of knowing that left her still unsatisfied. So

long as the thing had not yet been done she had enjoyed at least the

relief of action. She was challenging Chip, she was defying him; he was

making her some sort of response, even when it was made in silence. She

was _the_ one and he was _the_ other, and there was an interplay of

forces between them. Now all that was broken off; all that had come to

an end. She was still _the_ one; but there was no other. Where the other

had been there was a blank, an emptiness. Her heart when it cried out to

him produced the queer, creepy effect of a man talking to himself--there

was no one to hear or to answer. There was a needle but no pole; there

was a law of gravitation, but nothing to justify the power of

attraction.

She was dazed, lost, which was the reason why in the following autumn

she went abroad. She didn't know what else to do. Aunt Emily was rich

and kind; but there were limits to hospitality. One had to feel that

there was a world beneath one's feet, and Europe seemed to be there for

that purpose. Besides, it was easy to travel while the children were so

young. The lawyer conveyed to Chip her intention of taking them, and

returned with the father's consent. She was not bound to ask for this,

but she considered it courteous to do so. If while she did it he chose

to take the opportunity to recognize her continued existence by an

inquiry or a word--well, then, she said to herself with a sob, it was

there for him to make use of. But he didn't take it. He maintained the

silence on which he had fallen back ever since her final peremptory

letter requesting him not to write to her--she wondered if she had made

it more peremptory than she had intended!--and so she sailed away

without so much as a gift from him to the children. She could hardly

bear to look at the shore of the continent that held him as it faded out

of sight, so bitterly she resented what she now called his callousness.

When the cold weather came she established herself at Cap d'Ail, where

the lofty perch of the hotel above Monaco and the Mediterranean seemed

to lift her into a region of friendly, flowery peace. She enjoyed this

as much as she could enjoy anything. No echo of the past reached her

here, and it was an unexpected relief to be away from Aunt Emily's

bursts of triumph and felicitation. With a book she hardly looked at in

her hand she could sit at her window or on the terrace, soothed

incomprehensibly by the blue-green sweep of the immemorial sea beside

which so many other sad hearts had watched before her own. She felt

herself caught into a fellowship that included not only Hagar and

Hecuba, but myriads of unremembered women whose tears alone might have

filled this vast inland ocean--drawing a comfort that was not wholly

morbid from the reflection that there was an end even to the breaking of

hearts.

Here in this high, sequestered spot, which nevertheless preserved the

_mondanités_ to which she was accustomed, she would gladly have spent

the winter alone with her children and their governess had there not

arrived at the hotel a woman she had known for many years and who was in

a position oddly similar to her own. At school she had been Gertie

Cottle. In New York she was Mrs. Harry Scadding. She was now Mrs. G.

Cottle Scadding for purposes of exact identification. She also had

"freed herself"; she also had had a snapshot in the cheaper dailies; she

also traveled with two children. It was impossible for Edith not to meet

her and engage in amicable conversations, during which the lady talked

freely of her "case," discussing the merits and demerits of her "co-,"

as though that person had been a kind of partner.

She was a lively young woman, frank and amusing. Moreover, she knew the

people who made up Edith's small world, and Edith was lonely. While the

two sets of children played together the two mothers sat on the terrace

and talked. It was talk in which Edith was chiefly a listener, but a

listener who couldn't deny that she was entertained. She was

uncomfortable only when discerning compatriots appeared, and with

visible nods and smiles rated them as "two of a kind." It was a kind

over which she and Chip had smiled and nodded many a time during their

wanderings in Europe, never thinking that she herself should ever be

classed in the number.

She had been able to take the situation lightly then--this curious

situation of the "freed" American wife, with or without children,

drifting through Europe, aimless, and generally better off when

friendless. But she began to be sorry for the type. Instead of shrinking

from Gertie in the presence of the discerning compatriots, as she was at

first inclined to do, she made it a point to be seen with her,

championing the sisterhood of loneliness. There were moments when this

association might not have been discreet; but they were also moments in

which--so it seemed to Edith--discretion was not a part of valor. Once

or twice she accompanied her friend to Nice; once or twice to Monte

Carlo. On each of these occasions she found herself in a gathering of

cosmopolitan odds and ends in which she was not at ease; but

championship being new to her, she felt obliged to take its bitter with

its sweet. That it was mostly bitter gave her additional ground of

complaint against Chip. He had driven her to a kind of deterioration, a

deterioration she couldn't define, but of which, as of something noxious

in the atmosphere, she was conscious during every moment spent in her

friend's society.

She grew fanciful with regard to the other Americans in the hotel. She

imagined they slighted her, or disapproved of her, or watched her course

with misgiving. With a family of good, simple people, who apparently had

nothing to strive for with the restlessness which characterized the

social fag-ends whom she was now in the habit of meeting, she would have

been glad to establish relations; but she never got beyond an occasional

bow or smile, generally over some incident connected with the children.

Of one man she was afraid. She was afraid of him without knowing why,

except that he seemed to watch her rather pityingly. She resented the

pity; she resented his watching her at all. And yet....

If he hadn't been a grave man, evidently occupied with grave affairs,

her resentment might have become annoyance. In the circumstances it was

resentment modified by a little gratitude. She hardly understood her

gratitude unless it was for a hint of solicitude in a world where no one

seemed to bother about her any more. He did bother about her. She grew

sure of that. Not for an instant could she think of the quiet, rather

wistful, regard with which she caught him following her or the children

as being meant otherwise than kindly.

She had no idea who he was. All she could affirm from distant and

somewhat superficial observation was that he was Somebody--Somebody of

position, experience, and judgment--Somebody to respect. She thought,

too, that he must be Somebody of distinction, partly because he looked

it, and partly because he was served by a valet and a secretary

scarcely less distinguished than himself. All three were serious men

well into the forties. The valet was English, the secretary French, the

master American. She would not, however, have taken the last-named for a

fellow-countryman if she had not accidentally heard him speak. In regard

to externals he was as nearly as possible denationalized. He had

evidently lived a long time abroad, though he bore no one country's

special stamp. He roused her curiosity, even while the kind of interest

in herself which she attributed to him--with what she admitted were the

most shadowy of reasons--hurt her pride. It hurt it in a manner to make

her the more resolute in going her own way.

Not that it was a really reprehensible way. The worst that could be said

of it was that it brought her into contacts and promiscuities from which

she should have been kept free. Even so no great harm had been done,

especially in the case of a woman with her knowledge of the world. None

had been so much as threatened until the arrival on the scene of a young

Frenchman, a friend of Mrs. Scadding's. Edith then found it necessary to

submit to an introduction with daily, almost hourly, hazards of

encounter.

He was a young Frenchman like many hundreds of his kind, who might have

been a finished sketch in sepia. Sepia would have done justice to the

even tan of his complexion, to the soft-brown of his eyes, of his hair,

of his mustache, and rendered the rich chestnut which was oftener than

not his choice for clothes. Gertie flirted with him outrageously--there

was no other phrase for it. It was the kind of flirting one was obliged

to consider innocent, since the alternative would have been too

appalling. Edith opted for the innocent construction, lending an abashed

countenance to the situation out of loyalty to the sisterhood of

loneliness. It was a countenance that grew more abashed whenever, in the

process of lending it, her eye met that of the man who had constituted

himself, she was convinced, her silent guardian.

Fortunately, Mrs. G. Cottle Scadding took herself off to Italy, the

young Frenchman disappearing at the same time. It was a new proof to

Edith of the depth of need to which she had come down that she missed

them. She missed their frivolity and inconsequentiality because they

were the only interests she had. She was thrown back, therefore, on her

own desolation and on her memories of Chip.

She made the discovery with some alarm that Chip was becoming to her

more and more the center of a group of memories. She was losing him.

That is, she was losing him as an actuality; she was losing him as the

pivot round which her life had swung, even since her knowledge of his

great treason. She was no more appalled by the loss than by the

perception of her own volatility.

It was a perception that deepened when, some fortnight after Gertie's

departure, the young Frenchman reappeared. "He's come back on my

account," was Edith's instant reflection. She was indignant; and yet

something else stirred in her that was not indignation, and to which she

was afraid to give a name. Perhaps there was no name to give it. As far

as she could analyze its elements, they lay in the twin facts that she

was still young enough to be attractive to men and to find pleasure in

her attractiveness. It was a pleasure that raised its head timidly,

apologetically; but it raised it none the less.

It was a new and terrifying thought that Chip might not always be the

only man in her life. She had dedicated herself to him so entirely that

it was difficult to accept the idea that any part of her might have been

held in reserve for future possibilities. That her life should have been

blasted was bad enough; but that it should renew its vigor and put forth

shoots for a second bloom was frightful. Yet there was the fact that

such things happened. Women in her position even married again. _She_

might marry again. She never would--of course! But remarriage was among

the potentialities of the new conditions she had achieved. The full

comprehension of this liberty filled her with dismay.

Up to the present the knowledge that she possessed it had been theoretic

only. The young Frenchman brought home to her the fact that she could

act on it if she were ever so inclined. Not that he asked her to do so.

He had only reached the point of inviting her to dine with him at Monte

Carlo and look in at the gaming afterward. She declined this invitation

gently and without rancor toward him; but, in the idiom she used in

talking with him, it gave her to think.

It gave her to realize also. The moment was rich in revelations

concerning herself. She discovered she was a woman whom a relatively

strange man might invite to dine with him alone. She had passed out of

the fellowship of Hagar and Hecuba to enter that of Mrs. G. Cottle

Scadding. This had happened, she hardly knew how. She discovered,

moreover, that now that it had happened, she was scarcely shocked.

Somehow it seemed in the nature of things--these curious new things she

had created for herself--that she should be invited in this way to

Ciro's and that there might be similar incidents to follow. She

certainly was not shocked. Deep down in her heart something--was it

something feminine? or was it something broadly human?--was secretly

shamefully flattered. She couldn't blame the young fellow. She couldn't

blame Gertie--very much. She might blame herself for being drawn into

Gertie's company, and yet what other course could she have taken? She

had known Gertie since they were school-girls. When all was said and

done Gertie was as good as she--in whatever met the eye. One divorced

woman could hardly draw her skirts away from another. The longer she

reflected the more clearly she saw that she couldn't have done anything

but what she had done without becoming in her own eyes a hypocrite or a

prude, and so she had laid herself open to hearing those words, spoken

ever so respectfully, with a sympathy no American could have approached:

"Madame is so lonely. Madame is too much by herself. Wouldn't it

_distraire_ Madame to dine to-night, let us say, at Ciro's, or the Hotel

de Paris, and look in at the Casino afterward? Madame is always so sad."

The man was too insignificant for her wrath, but not so insignificant

that he couldn't be a warning. He was a warning that even if he failed

to touch her heart it was by no means certain that another man might not

succeed; and not long afterward a man did.

That was Sir Noel Ordway. She had met him almost at once after moving to

Cannes. She moved to Cannes practically on the advice of the

distinguished stranger who continued to follow her with eyes of

brooding concern. That is, what he said amounted to advice. It was, in a

measure, to show him that she appreciated an interest in which there was

an element that touched her profoundly that she accepted it.

She met him suddenly at one of the many turnings in the long flight of

steps that descend from the hotel at Cap d'Ail to the station, and what

there is in the way of town. She had never come abruptly face to face

with him before. She knew she colored and betrayed a ridiculous

self-consciousness. He, on his part, was unruffled and sedate, lifting

his hat with the somewhat rigid dignity that characterized all his

movements.

"Mrs. Chipman Walker, I think."

She acknowledged the words by a slight inclination. He mentioned his own

name, which she knew already.

"I've just been seeing some friends of yours," he went on, calmly, "at

Cannes. I've been lunching with the Misses Partridge."

"Oh, they're there?" It was to say something, no matter what, to cover

up her absurd confusion that she added, "They're friends of my aunt's."

"I, too, have the pleasure of knowing Miss Winfield, which will perhaps

excuse my self-introduction." She answered this by another slight

inclination, while he continued: "The Misses Partridge asked me to say

that they would be glad to see you, if you could ever make it convenient

to go over. They wished me to add that they'd come to see you, but that,

unfortunately, neither is quite well enough. You'd find them at the

Villa Victoire, on the Route de Fréjus."

She was murmuring something to the effect that she would go at once,

when he said in a tone that struck her as significant:

"It's very pleasant at Cannes--more so than here."

She didn't resent this, perhaps because her need was too great. Besides,

there was something about him--it might have been the tenderness of a

man who himself knew what suffering was--that put him outside the region

of resentments. She only said: "Indeed? Why?"

"You'll see that when you go. For one thing, it's further removed from

the atmosphere that comes up to us from--down there." He pointed toward

Monte Carlo. "In that way it's--healthier."

She knew that as she thanked him and passed on she smiled, and that she

did so from lightness of heart. Certainly her heart was less heavy. It

was less heavy because of his kindness, because of this indication that

some one cared what became of her. She felt so forsaken that almost

anybody's kindness would have had the same effect, almost anybody's care

for her welfare; and so she came to respond to the appeal of Noel

Ordway.

He sat beside her the first Sunday she lunched at the Villa Victoire.

The Misses Partridge "knew every one." Of few people in either

hemisphere could the expression be used with no more exaggeration.

Possessing little in the way of means, less in that of accomplishments,

and nothing at all in the line of looks, they had formed a vast circle

of acquaintance, chiefly by a hearty, unaffected interest in each

individual personality. No one, however unimportant, was ever forgotten

by them. Miss Rosamond, who looked like a coachman, spent her time in

correspondence, rounding up absent friends; Miss Gladys, who was thin

and angular, coursed whatever neighborhood they happened to be in,

getting the nice people to come and see them. For reasons not always

clear to the superficial the nice people came and sent others. No two

ladies ever received so many letters of introduction, or wrote them.

Their Sunday luncheons at Cannes were as famous as their Sunday dinners

in New York.

In New York Edith had fought shy of them, mainly because Chip didn't do

them justice. He spoke of them flippantly as "those two old flyaways,"

and would never go to their house. For this reason she herself went

rarely, though when she did she got a perception of broad social

inclusiveness which Chip could hardly appreciate. It was the only house

she knew of in which there were no "sets," and where one met the most

interesting people of all walks in life. She often wondered hew the

Misses Partridge, with their slight resources, physical and material,

accomplished it, envying them somewhat their success. She wondered less,

and envied them less, after she had seen them at Cannes.

Miss Rosamond's deep bass voice, the perfect expression of her red face

and man-like way of dressing, were the first influence in winning her.

"My dear, there's the very hotel for you close beside us, where we could

see you all the time. We stay there ourselves when we're opening and

closing the villa. Big garden for the children--runs right down to the

sea--and nothing but nice people of your own kind."

Edith couldn't help the suspicion that the distinguished stranger at Cap

d'Ail had inspired Miss Partridge's solicitude, but neither did she

resent this. Miss Gladys accompanied her to the hotel in question, to

bring her personal powers to bear on the proprietor, and to help in the

selection of rooms, so that next day Edith was able to move over. In

this way it happened that on the following Sunday she found herself

seated beside Sir Noel Ordway.

The luncheon party was again a collection of cosmopolitan odds and

ends--but with a difference. There was a foreign royalty with his

morganatic wife, the American wife of an English peer, two or three

notable Russians, a French painter of international fame, together with

some half-dozen English and Americans of no importance, among whom

Edith classed herself and the young Englishman beside her.

Between him and her the friendship ripened rapidly and unexpectedly. It

was so unexpectedly that it took her off her guard. It was beyond all

the possibilities her imagination could foresee that he should fall in

love with her--a woman who had had her tragic experience, of no great

beauty, the mother of two children. It was, in fact, through the

children that he made his approaches, in as far as he made them

intentionally. She judged that he didn't do that, that he was caught

unawares, like herself. He had merely expressed a "liking for kids," and

offered to take the youngsters for an outing in his motor-car on the

following day. The kids were to go with their governess; but when he

drove up to the door, and Edith had come out to see them off, it seemed

ridiculous that she shouldn't accompany them. Besides, the governess was

young and pretty, necessitating an elderly person for purposes of

propriety. It was partly, too, in thoughtlessness that Edith yielded to

his persuasion and, putting on a thick coat, jumped in with the rest.

He acted as his own chauffeur, and they drove up the new road through

the Esterels. Edith sat beside him, and as they talked little she was

able to observe him to better effect than on the previous day. She took

him to be a year or two younger than herself, tall and slight, with a

stoop he had probably acquired at Eton. She had understood from Miss

Partridge that he was delicate; and he looked it. The circumstance had

kept him from entering the army or going into diplomacy, sending him to

the Riviera for his winters. He was blue-eyed and blond, with a ragged

mustache too thin to conceal the rather pathetic line of the mouth. A

long, thin nose, with an upper lip so short that the flash of teeth was

visible even when the mouth was in repose, gave him the appearance of an

extremely aristocratic rodent.

The drive was repeated a day or two later, and longer excursions came

after that--to St. Raphael, to Valescure, and as far away as Mentone and

the Gorges du Loup. Edith couldn't help liking the young man, first for

his kindness to the children, and then for himself. For himself she

liked him because he was so simple, straightforward, and sincere.

He grew confidential as time went on, telling her of his home, his

mother, his sisters, his duties as squire and lord of the manor, and the

bore it was to be kept out of a profession and away from England at the

very moment of the hunting. He formed the habit of dropping in so

frequently to tea with her, in the little sun-pavilion of the hotel,

that she fancied the Misses Partridge, who were friends of Lady

Ordway's, began to look uneasy. She wondered if they had given the young

man all the information concerning her that was his due.

She made up her mind to ask. Once the fact was recognized it would be a

safeguard, in that any possibilities of their being other than friends

would be out of the way. He gave her the opportunity one afternoon in

March by asking where she thought of going after she left Cannes. The

children and the governess had had tea with them, but had strolled into

the garden. Other occupants of the sun-pavilion had also wandered out

among the pansy-beds and the blossoming mimosas. Edith took her time

before answering.

"I don't know," she said at last. "It's so hard for me to make plans.

You see, there's nothing to hinder me from going to Sweden,

Switzerland, or Spain; and when that's the case you're indifferent about

going anywhere." She waited a few seconds before saying, "You know about

me, don't you?"

"Rather," he said, promptly. "I've known that all along."

The reply was so downright that she was sorry she had raised the

subject. He seemed to imply that as far as he was concerned the

peculiarities in her situation were of no importance. As she was obliged

to say something, she could only express a measure of relief.

"I'm glad of that. I hoped Miss Partridge would tell you."

He startled her by saying, with the bluntness that was curiously, but

characteristically, at variance with the hesitations of his general

manner:

"You could get married again, couldn't you?"

"Oh no." She blushed helplessly.

"Oh, but you could."

She struggled to keep to the ground of mere discussion. "I could

legally; but I never should."

"Why?"

"Oh, for a lot of reasons I can't talk about."

"Then what did you do it for?"

She managed a smile, even if it was a forced and feeble one. She

understood what he meant by "it."

"I don't have to explain that, do I?"

"No, I suppose not." She hoped he was going to drop the subject, when he

lifted his head to look at her with his rather pathetic blue eyes, "Oh,

but I say, you're not serious in thinking you wouldn't, are you?"

"Perfectly serious. I should never look on the matter as admitting

discussion."

"Oh, but it does, you know."

"Not for me."

"Well, it might not for you, and yet might for--for other people."

She still forced an unsteady smile. "That's something I don't have to

worry about, at any rate. I've given up thinking of other people's

opinions."

"I don't mean other people in general--only in particular."

"I don't know any other people--in particular."

"Yes, you do. You know me."

"I only know you--like that." She snapped her fingers so as to give him

an idea of the entirely transitory nature of their acquaintance.

"That isn't the way I know you."

"Oh, you don't know me at all. You couldn't. You're too young. I belong

to another generation in point of time, and to ages ago in the matter of

experience."

"How old _are_ you?"

She told him.

"You're eighteen months older than I; but that's nothing. My mother was

four _years_ older than my father--nearer five. That sort of thing often

runs in families."

She sprang up. "There's Chippie tramping all over that flower--bed. How

_can_ Miss Chesley?"

The negligence of Miss Chesley enabled her to make her escape, and when

he rejoined her in the garden he accepted the diversion her ingenuity

had found. In a short time he took his leave with no more display of

emotion than on previous occasions.

But he left her troubled and shaken. He left her with the feeling that

the foundations of life, as she was leading it, were insecure. Where

she had thought she was strong and determined she began to see she was

weak and irresolute. She began to see herself as a woman with such an

instinctive need of protection that sooner or later she would accept

it--from some one. If from any one, why not from this man? She liked

him; she was sure of his goodness and kindness. He was already fond of

the children, and the children of him. Moreover, she could be a mother

to him, and he needed mothering, as any one could see. It might not be a

romantic marriage, but it could easily be an ideal one, as far as

anything ideal still lay within the range of her possibilities. It could

be ideal in the sense of a sincere affection both on his side and hers,

and a common life for perhaps higher aims than she had lived with Chip.

It would doubtless be the final stage to the process of making Chip

understand. She wouldn't marry--she couldn't--without some inner

reference to him, without a vital reference to him. If she did marry he

would know at last to what he had forced her. He would have forced her

to looking to another man for what she should have had from him--and

then he would be repentant. Surely he would be repentant then! If he

wasn't he would never be. All her efforts would have become in vain. She

would feel that for any good she had accomplished she might as well have

stayed with him. That thought choked her with its implication of agony

escaped--and bliss forfeited.

But it was looking too far ahead. Everything was looking too far ahead.

Noel Ordway had not asked her to marry him--and might never do so. She

might have scared him off. She hoped she had. That would be simpler. She

was not so inexperienced as to be without the knowledge that marriage

with him would raise as many difficulties as it would settle--perhaps

more. The day came when she had to point that out to him.

But it did not come at once. Nearly a week passed without his return.

For Edith it was a week of some disappointment, and a good deal of

relief. If she wasn't the happier for his absence, she was more at ease.

She could be at ease till the time came for moving on in one direction

or another, when she would be oppressed anew with the sense of her

helplessness. It became clearer to her that if she married at all it

would be to be taken care of.

The question was put formally before her at a moment when she was least

expecting it. It was an afternoon late in March when she was struggling

along the Boulevard du Midi, in the teeth of a warm west wind. On her

left children played in the sands or threw sticks or bruised flowers

into the huge breakers to see them rolled shoreward. On her right the

palms in the villa gardens bowed their heads eastward, while the mimosas

tossed their yellow branches wildly. Before her the Esterels formed a

jagged line of indigo flecked with red, above which masses of stormy

orange cloud broke along the edges into pink. It was still far from the

hour of sunset, though the glamour of sunset was gathering in the air.

She heard his step behind her scarcely an instant before he spoke.

"Oh, I say, Mrs. Walker, I want you to marry me."

The statement was so startling that in spite of all her preparatory

discussion with herself, she turned on him tragically. "For God's sake,

why?"

"Well, because I'm awfully fond of you, you know."

His expression touched her. There was no mistaking the kindliness in his

eyes, or the look of rather wan beseeching in his thin, pinched face. In

his golfing suit of Harris tweed he was not an unattractive figure, even

if he wasn't handsome.

Again her words had little relation to the things she had thought of

beforehand. Her heart was so much with him that she spoke with an

emotion she had never shown to him before.

"Even if you are, don't you see, dear friend, that you can't marry me?"

"Oh, but I can, you know."

She looked about her for a refuge where they could talk, finding it in a

rough shelter designed for the protection of nurses watching children

playing on the sands. It was empty for the moment, except for a tiny,

bare-legged girl of three or four crooning over a big doll. Edith led

the way. "Come over here." They sat down on a bench hacked with initials

and cleanly dirty with sand. The little girl at the other end of the

bench rolled her big eyes toward them with indifference, continuing to

croon to her doll:

"Dors, mon enfant; dors, dors; ta mère est allée au bal.... Dors, mon

enfant, dors; ta mère est au théâtre.... Tais-toi; tais-toi; ta mère

dîne au restaurant.... Dors, ma chérie, dors."

Edith plunged into her subject as soon as they were seated and turned

toward each other. "Tell me. If you married a divorced woman, wouldn't

your whole position in England be--be different?"

"I shouldn't care anything about that."

"That's not what I'm asking you. I'm asking you if there wouldn't be

ways in which it would be hard for you?"

The honesty in his eyes pierced her like a pain. "I shouldn't be

thinking about that, you know. I should be thinking about you."

"Well, then, aren't there ways in which it would be hard for me?"

"Not any harder than it is now. It's pretty hard, isn't it?"

The tears sprang into her eyes, but she knew she must control herself.

"Yes; but it's in the way of the ills I know. The ills I know not of

might be worse."

"Oh, well, they wouldn't be that, you know."

"What about your people?" She sprang the question on him suddenly.

"They'd be all right--in time."

The qualification was like a stab. She spoke proudly. "I'm afraid I

couldn't wait for that."

"You wouldn't have to wait for anything. They'd jolly well have to put

up with what I decided to do. I've got all the say, you know. I'm the

head of the family."

"Yes, _you_ might look at it in that way; but you can easily see what it

would be to me to enter a family where I wasn't wanted."

"That's a bit strong," he corrected. "They'd want you right enough, once

they knew you. It would only be the--the fact of--the--"

The Letter of the Contract · 第 20 / 53 题