CHAPTER XII

WITH MARY MALDEN

BY noon next day no word had been heard of Pauline. Loft called up her

New York home, and inquired, guardedly, as to conditions there. He

learned that Pauline’s aunt was not well, and was unusually nervous.

But as no definite cause was assigned for the lady’s nervousness and as

no undue curiosity was shown regarding Miss Fuller’s movements, Loft

concluded the quiet household had heard of no cause for alarm.

Without hope of much information he called up various mutual friends

and also her lawyer, but he could get no hint or trace of what had

become of his lost love.

Valentine Loft had ample opportunity to pursue his vaunted policy of

“Do nothing and all will be done,” but somehow, in this crisis the

maxim seemed to him to lose its force.

He remained away from the dining-room, lunching from a tray in the

library, and to him came Stella Lawrence.

“May I come in, Val, dear?” she said, trailing her scarves through the

half-open door.

“I suppose so,” he said, wearily; “but don’t chatter about Pauline,--I

can’t stand it.”

“No, I won’t. What are you going to do about her--about finding her, I

mean?”

“I’m just going to find her, that’s all. I shall never give up the

search and I must succeed, sooner or later.”

“Val,--why do you care for her so? If any one I loved ran away from me,

I shouldn’t try to get them back.”

“Stella, didn’t you hear me ask you not to talk of Pauline?”

“No, I won’t. Isn’t Miss Dwyer queer, Val?”

“Yes,--she doesn’t interest me. I’m very sorry for her, but she is a

good deal of a nuisance about.”

“And she gossips so. What do you suppose she said about Pauly?”

“I don’t care to hear.”

“Well, she said that Mr. Curran must have corresponded with Pauline

without knowing her personally,--and she sent him her picture and all

that.”

“Yes?”

“Don’t you care, Val? Don’t you care that Pauline knew that man before,

and told you she didn’t? Why, it proves Pauly a naughty fibber--or

should one say fibberess?”

Stella trailed across to Loft’s chair, and sat on the arm of it.

“You’d better forget her, Val. I know Pauline,--truly, she isn’t worthy

of you. Why,--listen,--I happen to know that she was in Mr. Curran’s

room that night,--and that she came out of it at half-past two in the

morning.”

Loft reached forward and pushed a bell button.

“Go back to your seat, Stella,” he said, “some one is coming.”

“I don’t care,” and Stella remained on the chair arm.

Loft rose, and in a moment Mrs. Jennings, the housekeeper, appeared.

“Mrs. Jennings,” Loft said, “Miss Lawrence is leaving on the four

o’clock train. Send Tessie to help her with her packing and instruct

Bates to have the little car ready.”

“Yes, sir,” and Mrs. Jennings went away.

“Val! How dare you? Are you driving me away? Me,--Stella?”

But Valentine Loft apparently neither saw nor heard her. He sat at a

desk and began to write some letters.

One more glance at his stony profile and Stella Lawrence knew she had

no choice as to her next step.

She went dejectedly from the room, her anger and indignation lost in a

deeper feeling of shamed regret.

Meeting Anna in the hall she told her she had had a telegram and had to

run away at once,--to another house party.

“And I’m glad to get away from this chamber of horrors,” she added.

“Are you staying on?”

“I don’t know.” Anna looked perplexed. “Now Ned says we’ll go and then

he stays on. We can go if we like--I mean the authorities won’t keep us

now.”

“Then I should think you’d go,” Stella said, lightly, as she trailed

off to her room to do her packing.

Valentine Loft sat alone until he heard the car depart with Stella in

it. Then he sent a message to the Countess asking an interview.

She came to him.

“We can be alone here,” she said, gently. “You poor boy, I wish I could

help you.”

“Perhaps you can, Countess,” he returned. “If so, it will be by utter

frankness. Did you see Pauline at all the night Mr. Curran died? I mean

after we had all said good-night.”

Countess Galaski looked straight at him.

“You want me to tell you?”

“I do.”

“Well, then, Val, it’s hard to say positively, but I did see a woman in

the hall that night,--who looked like Pauline. That’s all I’m prepared

to state.”

“Please state all you know. It will help me more, Countess, to know the

truth than to have my feelings spared.”

“Then, Valentine, I can only say that while I am ready to state it

was Pauline,--I would not be willing to swear to it. You see the

difference--? Were it a casual question, I should reply, ‘Yes, it was

Pauline.’ But if it is a weighty question, one on which other issues

hang, I will not say positively.”

“What made you think it was she?”

“The hall was dimly lighted, and I saw a vague figure of Pauline’s

height and general effect. She wore a dark gown and a cape that hung in

soft folds. It was such a cape as Pauline possesses, yet that is not

proof positive. Tessie could have worn that.”

“Tessie is much of Pauline’s figure.”

“Yes,--but, Val, you asked for the truth,--it wasn’t Tessie. It

was a woman of the world. She carried herself as such. She walked

stealthily,--but steadily,--and she went in at the door of Pauline’s

room.”

“Having come from Hugh Curran’s room?”

“That I can’t say. She came from that direction,--and I heard a door

close--that seemed to be his--oh, Valentine, don’t make me tell these

things! What do they mean?”

“That’s what I must find out, Countess. They mean strange things, I’ve

no doubt,--but they do _not_ mean that Pauline is in any way

implicated in the murder of Hugh Curran.”

“Oh, of course not--”

“Don’t say, ‘oh, of course not’!” Loft’s nerves were beginning to give

way.

“What shall I say?” The Countess looked bewildered.

“Say you know she couldn’t have been. For you do know it,--no one can

help knowing it. Now I want all the information I can get about these

circumstances, so I can unearth their explanation. Help me, Countess.”

Beneath her dictatorial manner, Countess Galaski carried a most kind

heart. She looked at Loft compassionately, and her sympathy went out to

him. But her judgment told her that candor was best.

“Then I will tell you, Valentine, what I had expected to tell no one.

Pauline,--for it was Pauline,--carried in her hand something that

glittered. Something that might have been that watch. Only for an

instant, when a straggling glint of light struck it, did I see it, and

then, clasping the thing in her hand, she went into her own room.”

Loft, his face stern and set, listened intently.

“Thank you, Countess,” he said, after a moment’s pause, “for telling

me. My only desire in life is to find Pauline and tell her I love her.

The watch, the picture in it,--even the distressing circumstances

of Hugh Curran’s death, are to me of no consequence compared to the

finding of Pauline.”

“And you deem her innocent?”

“Countess, I sent Stella away from the house for an aspersion on

Pauline’s innocence. I do not resent your speech,--only because I know

you deem her innocent yourself.”

“I do,” she returned, and if she hadn’t before, the implicit confidence

Loft felt swayed her own opinion.

“There are some things to be explained,” Loft admitted, “but they can

be explained only by Pauline herself. And, so, until I can ask her, I

put them aside. I do not speculate on their meaning.”

“But, Val, you must remember, there are outsiders who do not feel as

you do about it all. Who are ready to put the worst construction on

Pauline’s flight--”

“Of course, Countess, dear. Those are the people I have to circumvent,

whose plans I have to frustrate, whose guns I must spike. And I

shall do it,--why, I can do anything to save Pauline’s name from the

slightest stain,--to find again my darling--my love.”

He almost seemed to forget the Countess’ presence, as his firm, strong

mouth, set in determination and a glow of lovelight came into his fine

eyes.

“You’re centuries behind your time, Val,” she said, “you belong in the

age of chivalry. You’d tourney to the death for the woman you love.”

“Any real man would,” he returned, “though perhaps,” he looked a little

whimsical, “he wouldn’t say so much about it.”

“I’m an old woman, Val, dear,--you may confide your feelings to me as

much as you like.”

“Oh, I’m not ashamed of my desperate love for Pauly,--but declarations

of it naturally bore others. However, Countess, you’re so delightfully

understanding, that I let myself go. But, now as to this tale of yours?

You know a lot about--things in general,--can you trump up any reason

why Pauly should visit Hugh Curran in his room,--or why she should come

away with his watch?”

“None, unless,--” she hesitated, “unless she had given him the picture

long ago, in foolish flirtation,--and wanted to get it back,--and did

so.”

“Not good enough,”--she told me she had never seen him before. I

believe her. My theory is more toward her doing it all for somebody

else.

“Suppose somebody who had Pauline’s picture--long ago,--gave it to

Curran,--and she thought if I learned of it,--say it was Angel,--or

some equally dear friend, I’d be angry at him--or maybe it was a

woman--”

“Valentine, you’re drivelling. You can’t even voice the theory you’re

trying to pick out of the air. Now, stop surmising and mulling over

reasons or motives and stick to facts. Where do you think Pauline is?”

“I think she is staying with some dear and true friend, who lives

somewhere off the beaten paths, and that friend, sworn to secrecy, will

keep Pauly in hiding as long as she wishes to be kept. It’s an easy

guess,--where else could she be?”

“I daresay you’re right. How long will she stay there?”

“Until I can get to her,--or get a message to her to come to me.”

“Would she come?”

“If she could get the message. You see, she thinks,--bless her

heart,--that I’m upset over the miserable business,--and she must think

that the finding of the watch in her desk has been an unpardonable sin.

Silly darling! As if she could do an unpardonable thing--to me.”

“Then the question of Pauline’s whereabouts is at a deadlock.” The

Countess spoke seriously. “Do you realize what that means?”

“Lots of unpleasantness,--I’m sure. But it does not mean that she will

be found--by the authorities, until she gets good and ready. It’ll be

all I can do to find her.”

He sighed.

“How are you going to set about it?”

“Haven’t the slightest idea,--yet. But an inspiration will come to me

before long. You see, she’s not in the vicinity of New York City at

all. She’s up in northern New York or in New England.”

“Quite an area to search.”

“Yes,” he said, laconically.

And Valentine Loft was right.

In a tiny, elm-shaded New England village, Pauline Fuller was at that

moment sitting in a wicker chair on the back veranda of a pleasant

country home. And she looked sadly in need of the comfort and

consolation of the knowledge of her lover’s faith in her.

“And so you see, Mary,” she was saying, “I never want to see Val

again. I couldn’t hope for his forgiveness,--in his eyes it is

crime,--nothing less. No power could make him understand my motive,--or

see it all as I do. Oh, do you suppose they’ll send out detectives

after me,--and all that?”

“Don’t think about it, Pauline. At least, not now. We’ll have to think

pretty soon,--a lot,--but today, do rest and try to calm your nerves.”

“I’m not nervous,” Pauline declared, “I’m only wretchedly miserable.

Oh, why did I ever do it? I can’t live--Mary, I can’t _live_

without Val!”

“Well, dear, if you get yourself all worked up, you’ll have hysterics

and make a lot of trouble for me. Now, get your cape, we’re going for

a long ride in the country. And during the ride, you’re not to mention

these things. Then we’ll come home, have a nice cosy little dinner, and

after that we’ll sit down and thrash out the whole thing. You haven’t

told me all yet, you know.”

Mary Malden, an old school friend of Pauline’s mother, was a spinster,

and was of the type known as salt of the earth. She had been the first

one Pauline thought of in her mad flight, and she had done just exactly

what Loft had surmised. She had passed three stations on the road to

New York City, had left the train, turned around and retraced her

path, going on up, in the region of the Berkshire hills, and had found

a welcome in Mary Malden’s heart and home.

The house was a small one, though comfortable, but the heart was one of

the largest and kindest God ever made.

At first, Miss Malden would listen to no explanation, no word of

trouble,--she only took Pauline in as a mother would take a long lost

child.

And now, nearly twenty-four hours of coddling had restored Pauline’s

poise physically,--but her mind and soul were more perturbed than ever,

and she longed for the time when Mary would listen and advise.

During the drive in Miss Malden’s unpretentious little car, Pauline

tried to respond to her kind friend’s efforts at conversation, but it

was so difficult that her hostess left her to her own thoughts,--and

they were not pleasant ones.

“Why did I ever do it?” she asked herself over and over,--yet could

find no answer.

“Lassitude is rather becoming to you, Pauline,” Mary said, at last, in

a vain hope to rouse a fleeting interest in her appearance.

“Lassitude isn’t the word,” Pauline tried to smile. “I’m anything but

inert. I’ve energy enough--to--to sink a ship.”

“Use it then to pull yourself together. Look here, honey, if you have a

nervous collapse, or go into a decline,--or have some sort of foolish

psycho-neurasthenia,--or whatever the latest fad is,--I’ll pack you off

to a sanitarium. I can’t have invalids about. People in trouble are my

hobby, but people who are ill give me the creeps.”

“Not a bad idea, Mary,” Pauline said, “the sanitarium, I mean. Couldn’t

you commit me to some nice one where they keep patients in utter

seclusion? Tell them I’m a little bit irresponsible, you know,--a

trifle unbalanced,--and make them promise to keep it all confidential.

It could be done, I’m sure.”

“And it will be done, if you don’t brace up and behave yourself!

Moreover, I shan’t stop at a sanitarium, I’ll put you in an out-and-out

lunatic asylum--in a straight-jacket!”

“I rather wish you would. Say, in solitary confinement,--then the

police couldn’t get at me!”

“The police! Good heavens, girl, is it as bad as that?”

“Yes,” Pauline said, slowly, “as bad as that.”

And when at last they turned homeward, when at last dinner was over and

Pauline had told Mary all, all her pitiful story, Miss Malden agreed it

was as bad as that.

At Valhalla, matters seemed to be at a standstill.

Detective Kinney had taken on a new and somewhat blustering manner. He

dictated to everybody, except to Valentine Loft,--somehow, he couldn’t

quite compass that.

Angel Bob resented dictation.

“Make him stop, Val,” he said, after a few days of it; “I won’t be told

what to do and what not to do by a whipper-snapper of a detective that

can’t detect a single thing!”

“There doesn’t seem to be anything to detect,” Loft said, with an

abstracted air. “Except what has become of Pauly, and I’m going to

detect that myself.”

“So you’ve said, repeatedly. But she’s been gone five days now, and

you’ve made no headway. Can’t you get busy?”

“I’ve laid my plans,--they’re being carried out. They may work,

Angel,--and, Lord help me, they may not. If not,--the case is hopeless.”

“Unless Pauline returns of her own accord.”

“She never will. Now, Angel, don’t you stay here any longer

than you wish. The police have practically released us all from

surveillance,--that is, all except myself--”

“You! Since when have you been under suspicion?”

“Oh, Friend Kinney has trumped up a theory that Pauline stole the watch

because it was evidence of a disgraceful past, and that I killed Curran

because,--oh, I don’t know why,--to wipe out the same past, I suppose.”

“What rot.”

“What theory isn’t? Can you suggest, Angel, can you _invent_ a

sound theory of Hugh Curran’s death? Can you imagine a motive that

would fit the case or a method that would fit the facts? The police

have really shelved the thing,--though they don’t say so. Miss Dwyer

wants to go home and I don’t blame her. The Knoxes want to go,--at

least, Anna does. I’m not sure about Ned,--he’s so moody.”

“I say, Val,” Angel looked thoughtful, “you never suspected Ned,--did

you?”

“No, I never did. Nor you, nor Roly, nor myself! Perhaps I’m the most

likely suspect of the four, though.”

“Guess we’ll have to come back to old Meredith.”

“As likely as anybody, I suppose. But, you didn’t invent a theory.”

“Tell me how a real live murderer got in and out of a locked room and

I’ll do the rest of the theory,” Angel retorted, and the subject was

dropped.

A little later, Kinney appeared, bristling with excitement and swelling

with importance.

“I’ve had a report,--” he began, and paused; “I’d rather make it to you

alone, Mr. Loft.”

“Oh, go ahead,” Loft returned, with little show of interest. “Mr.

Baldwin is my friend, he may hear whatever you have to tell me.”

“The report is from Reno,” Kinney said, a little sullenly. “Shall I go

ahead?”

“From Reno?” Loft cried, startled out of his usual calm by this

unexpected disclosure.

“Yes, sir,” Kinney said, satisfied now with the sensation he was

creating. “A telegram from the man I sent out there to investigate the

circumstances of Mr. Hugh Dwyer’s divorce--some years ago.”

“Mr. Dwyer’s divorce,--has it any bearing on the case?” Loft said.

“I’ll read it to you,--no, you read it yourself.”

He handed over the yellow paper, and Angel noted that it was a long

telegram, perhaps a night letter.

Either Valentine Loft read very slowly, or he read the screed several

times, for it seemed to both Kinney and Bob that he would never raise

his eyes from the typewritten lines.

Watching closely, they saw his eyes return again and again to the top

and travel slowly across the lines to the bottom, only to repeat the

performance.

“What is it, Val?” Baldwin asked at last, unable to stand it longer.

Loft raised his eyes then and stared at Bob, unseeing.

“Tell me, old chap,” Angel persisted, longing to snatch the paper

himself.

Then the two men saw such an expression of agony in the dark eyes as

neither had ever before seen in mortal man.

An effort to speak proved futile; Valentine Loft was speechless.

With a sudden nervous jerk he tore the paper across and across, again

and again, until it was the tiniest scraps.

“That doesn’t matter,” Kinney said, comfortably, “we can get duplicates

from the office. It’s a report copied from the Reno records of Hugh

Dwyer’s divorce from his wife, nearly six years ago. His wife, whom he

had married about eight months previous, was Miss Pauline Fuller, of

New York City. The same lady we are now trying to locate. I hope we

shall be able to find her,--for more reasons than one.”

Feathers left around · 第 12 / 18 章