CHAPTER V.

"Monsieur le Marquis," said Duplessis, when the salon was cleared of all

but himself and the two friends, "Lemercier has confided to me the state

of your affairs in connection with M. Louvier, and flatters me by

thinking my advice may be of some service; if so, command me."

"I shall most gratefully accept your advice," answered Alain, "but I fear

my condition defies even your ability and skill."

"Permit me to hope not, and to ask a few necessary questions. M. Louvier

has constituted himself your sole mortgagee; to what amount, at what

interest, and from what annual proceeds is the interest paid?"

Herewith Alain gave details already furnished to the reader. Duplessis

listened, and noted down the replies.

"I see it all," he said, when Alain had finished. "M. Louvier had

predetermined to possess himself of your estate: he makes himself

mortgagee at a rate of interest so low, that I tell you fairly, at the

present value of money, I doubt if you could find any capitalist who

would accept the transfer of the mortgage at the same rate. This is not

like Louvier, unless he had an object to gain, and that object is your

land. The revenue from your estate is derived chiefly from wood, out of

which the interest due to Louvier is to be paid. M. Gandrin, in a

skilfully-guarded letter, encourages you to sell the wood from your

forests to a man who offers you several thousand francs more than it

could command from customary buyers. I say nothing against M. Gandrin,

but every man who knows Paris as I do, knows that M. Louvier can put, and

has put, a great deal of money into M. Gandrin's pocket. The purchaser

of your wood does not pay more than his deposit, and has just left the

country insolvent. Your purchaser, M. Collot, was an adventurous

speculator; he would have bought anything at any price, provided he

had time to pay; if his speculations had been lucky he would have paid.

M. Louvier knew, as I knew, that M. Collot was a gambler, and the chances

were that he would not pay. M. Louvier allows a year's interest on his

hypotheque to become due-notice thereof duly given to you by his agent--

now you come under the operation of the law. Of course, you know what

the law is?"

"Not exactly," answered Alain, feeling frostbitten by the congealing

words of his counsellor; "but I take it for granted that if I cannot pay

the interest of a sum borrowed on my property, that property itself is

forfeited."

"No, not quite that--the law is mild. If the interest which should be

paid half-yearly remains unpaid at the end of a year, the mortgagee has a

right to be impatient, has he not?"

"Certainly he has."

"Well, then, _on fait un commandement tendant de saisie immobiliere_,

viz: The mortgagee gives a notice that the property shall be put up for

sale. Then it is put up for sale, and in most cases the mortgagee buys

it in. Here, certainly, no competitors in the mere business way would

vie with Louvier; the mortgage at three and a half per cent. covers more

than the estate is apparently worth. Ah! but stop, M. le Marquis; the

notice is not yet served: the whole process would take six months from

the day it is served to the taking possession after the sale; in the

meanwhile, if you pay the interest due, the action drops. Courage, M. le

Marquis! Hope yet, if you condescend to call me friend."

"And me," cried Lemercier; "I will sell out of my railway shares to-

morrow-see to it, Duplessis--enough to pay off the damnable interest.

See to it, _mon ami_."

"Agree to that, M. le Marquis, and you are safe for another year," said

Duplessis, folding up the paper on which he had made his notes, but

fixing on Alain quiet eyes half concealed under drooping lids.

"Agree to that!" cried Rochebriant, rising--"agree to allow even my worst

enemy to pay for me moneys I could never hope to repay--agree to allow

the oldest and most confiding friends to do so--M. Duplessis, never!

If I carried the porter's knot of an Auverguat, I should still remain

gentilhomme and Breton."

Duplessis, habitually the driest of men, rose with a moistened eye and

flushing cheek--"Monsieur le Marquis, vouchsafe me the honour to shake

hands with you. I, too, am by descent gentilhomme, by profession a

speculator on the Bourse. In both capacities I approve the sentiment you

have uttered. Certainly, if our friend Frederic lent you 7000 Louis or

so this year, it would be impossible for you even to foresee the year in

which you could repay it; but,"--here Duplessis paused a minute, and then

lowering the tone of his voice, which had been somewhat vehement and

enthusiastic, into that of a colloquial good-fellowship, equally rare to

the measured reserve of the financier, he asked, with a lively twinkle of

his grey eye, "Did you never hear, Marquis, of a little encounter between

me and M. Louvier?"

"Encounter at arms--does Louvier fight?" asked Alain, innocently.

"In his own way he is always fighting; but I speak metaphorically. You

see this small house of mine--so pinched in by the houses next to it that

I can neither get space for a ball-room for Valerie, nor a dining-room

for more than a friendly party like that which has honoured me to-day.

_Eh bien_! I bought this house a few years ago, meaning to buy the one

next to it and throw the two into one. I went to the proprietor of the

next house, who, as I knew, wished to sell. 'Aha,' he thought, 'this is

the rich Monsieur Duplessis;' and he asked me 2000 louis more than the

house was worth. We men of business cannot bear to be too much cheated;

a little cheating we submit to--much cheating raises our gall. _Bref_--

this was on Monday. I offered the man 1000 louis above the fair price,

and gave him till Thursday to decide. Somehow or other Louvier hears of

this. 'Hillo!' says Louvier, 'here is a financier who desires a hotel to

vie with mine!' He goes on Wednesday to my next-door neighbour.

'Friend, you want to sell your house. I want to buy--the price?' The

proprietor, who does not know him by sight, says: 'It is as good as sold.

M. Duplessis and I shall agree.' 'Bah! What sum did you ask M.

Duplessis?' He names the sum; 2000 louis more than he can get elsewhere.

'But M. Duplessis will give me the sum.' 'You ask too little. I will

give 3000. A fig for M. Duplessis. I am Monsieur Louvier.' So when I

call on Thursday the house is sold. I reconcile myself easily enough to

the loss of space for a larger dining-room; but though Valerie was then a

child at a convent, I was sadly disconcerted by the thought that I could

have no _salle de bal_ ready for her when she came to reside with me.

Well, I say to myself, patience; I owe M. Louvier a good turn; my time to

pay him off will come. It does come, and very soon. M. Louvier buys an

estate near Paris--builds a superb villa. Close to his property is a

rising forest ground for sale. He goes to the proprietor: says the

proprietor to himself, 'The great Louvier wants this,' and adds 5000

louis to its market price. Louvier, like myself, can't bear to be

cheated egregiously. Louvier offers 2000 louis more than the man could

fairly get, and leaves him till Saturday to consider. I hear of this--

speculators hear of everything. On Friday night I go to the man and I

give him 6000 louis, where he had asked 5000. Fancy Louvier's face the

next day! But there my revenge only begins," continued Duplessis,

chuckling inwardly. "My forest looks down on the villa he is building.

I only wait till his villa is built, in order to send to my architect and

say, Build me a villa at least twice as grand as M. Louvier's, then clear

away the forest trees, so that every morning he may see my palace

dwarfing into insignificance his own."

"Bravo!" cried Lemercier, clapping his hands. Lemercier had the spirit

of party, and felt for Duplessis against Louvier much as in England Whig

feels against Tory, or vice versa.

"Perhaps now," resumed Duplessis, more soberly,--"perhaps now, M. le

Marquis, you may understand why I humiliate you by no sense of obligation

if I say that M. Louvier shall not be the Seigneur de Rochebriant if I

can help it. Give me a line of introduction to your Breton lawyer and to

Mademoiselle your aunt--let me have your letters early to-morrow. I will

take the afternoon train. I know not how many days I may be absent, but

I shall not return till I have carefully examined the nature and

conditions of your property. If I see my way to save your estate, and

give a _mauvais quart d'heure_ to Louvier, so much the better for you, M.

le Marquis; if I cannot, I will say frankly, 'Make the best terms you can

with your creditor.'" "Nothing can be more delicately generous than the

way you put it," said Alain; "but pardon me, if I say that the pleasantry

with which you narrate your grudge against M. Louvier does not answer its

purpose in diminishing my sense of obligation." So, linking his arm in

Lemercier's, Alain made his bow and withdrew.

When his guests had gone, Duplessis remained seated in meditation--

apparently pleasant meditation, for he smiled while indulging it; he then

passed through the reception-rooms to one at the far end appropriated to

Valerie as a boudoir or morning-room, adjoining her bed-chamber; he

knocked gently at the door, and, all remaining silent within, he opened

it noiselessly and entered. Valerie was reclining on the sofa near the

window-her head drooping, her hands clasped on her knees. Duplessis

neared her with tender stealthy steps, passed his arm round her, and drew

her head towards his bosom. "Child!" he murmured; "my child, my only

one!"

At that soft loving voice, Valerie flung her arms round him, and wept

aloud like an infant in trouble. He seated himself beside her, and

wisely suffered her to weep on, till her passion had exhausted itself;

he then said, half fondly, half chillingly: "Have you forgotten our

conversation only three days ago? Have you forgotten that I then drew

forth the secret of your heart? Have you forgotten what I promised you

in return for your confidence? and a promise to you have I ever yet

broken?"

"Father! father! I am so wretched and so ashamed of myself for being

wretched! Forgive me. No, I do not forget your promise; but who can

promise to dispose of the heart of another? and that heart will never be

mine. But bear with me a little, I shall soon recover."

"Valerie, when I made you the promise you now think I cannot keep, I

spoke only from that conviction of power to promote the happiness of a

child which nature implants in the heart of parents; and it may be also

from the experience of my own strength of will, since that which I have

willed I have always won. Now I speak on yet surer ground. Before the

year is out you shall be the beloved wife of Alain de Rochebriant. Dry

your tears and smile on me, Valerie. If you will not see in me mother

and father both, I have double love for you, motherless child of her who

shared the poverty of my youth, and did not live to enjoy the wealth

which I hold as a trust for that heir to mine all which she left me."

As this man thus spoke you would scarcely have recognized in him the old

saturnine Duplessis, his countenance became so beautified by the one soft

feeling which care and contest, ambition and money-seeking, had left

unaltered in his heart. Perhaps there is no country in which the love of

parent and child, especially of father and daughter, is so strong as it

is in France; even in the most arid soil, among the avaricious, even

among the profligate, it forces itself into flower. Other loves fade

away: in the heart of the true Frenchman that parent love blooms to the

last. Valerie felt the presence of that love as a divine protecting

guardianship. She sank on her knees and covered his hand with grateful

kisses.

"Do not torture yourself, my child, with jealous fears of the fair

Italian. Her lot and Alain de Rochebriant's can never unite; and

whatever you may think of their whispered converse, Alain's heart at this

moment is too filled with anxious troubles to leave one spot in it

accessible even to a frivolous gallantry. It is for us to remove these

troubles; and then, when he turns his eyes towards you, it will be with

the gaze of one who beholds his happiness. You do not weep now,

Valerie!"

PREFATORY NOTE. (BY THE AUTHOR'S SON.)

The Parisians and Kenelm Chillingly were begun about the same time, and

had their common origin in the same central idea. That idea first found

fantastic expression in The Coming Race; and the three books, taken

together, constitute a special group distinctly apart from all the other

works of their author.

The satire of his earlier novels is a protest against false social

respectabilities; the humour of his later ones is a protest against the

disrespect of social realities. By the first he sought to promote social

sincerity, and the free play of personal character; by the last, to

encourage mutual charity and sympathy amongst all classes on whose

interrelation depends the character of society itself. But in these

three books, his latest fictions, the moral purpose is more definite and

exclusive. Each of them is an expostulation against what seemed to him

the perilous popularity of certain social and political theories, or a

warning against the influence of certain intellectual tendencies upon

individual character and national life. This purpose, however, though

common to the three fictions, is worked out in each of them by a

different method. The Coming Race is a work of pure fancy, and the

satire of it is vague and sportive. The outlines of a definite purpose

are more distinctly drawn in Chillingly-a romance which has the source of

its effect in a highly-wrought imagination. The humour and pathos of

Chillingly are of a kind incompatible with the design of The Parisians,

which is a work of dramatised observation. Chillingly is a romance; The

Parisians is a Novel. The subject of Chillingly is psychological; that

of The Parisians is social. The author's object in Chillingly being to

illustrate the effects of "modern ideas" upon an individual character,

he has confined his narrative to the biography of that one character.

Hence the simplicity of plot and small number of dramatis personae;

whereby the work gains in height and depth what it loses in breadth of

surface. The Parisians, on the contrary, is designed to illustrate the

effect of "modern ideas" upon a whole community. This novel is

therefore panoramic in the profusion and variety of figures presented by

it to the reader's imagination. No exclusive prominence is vouchsafed to

any of these figures. All of them are drawn and coloured with an equal

care, but by means of the bold broad touches necessary for their

effective presentation on a canvas so large and so crowded. Such figures

are, indeed, but the component features of one great Form, and their

actions only so many modes of one collective impersonal character-that of

the Parisian Society of Imperial and Democratic France;-a character

everywhere present and busy throughout the story, of which it is the real

hero or heroine. This society was doubtless selected for characteristic

illustration as being the most advanced in the progress of "modern

ideas." Thus, for a complete perception of its writer's fundamental

purpose, The Parisians should be read in connection with Chillingly, and

these two books in connection with The Coming Race. It will then be

perceived that, through the medium of alternate fancy, sentiment, and

observation assisted by humour and passion, these three books (in all

other respects so different from each other) complete the presentation of

the same purpose under different aspects; and thereby constitute a group

of fictions which claims a separate place of its own in any thoughtful

classification of their author's works.

One last word to those who will miss from these pages the connecting and

completing touches of the master's hand. It may be hoped that such a

disadvantage, though irreparable, is somewhat mitigated by the essential

character of the work itself. The aesthetic merit of this kind of novel

is in the vivacity of a general effect produced by large swift strokes of

character; and in such strokes, if they be by a great artist, force and

freedom of style must still be apparent, even when they are left rough

and unfinished. Nor can any lack of final verbal correction much

diminish the intellectual value which many of the more thoughtful

passages of the present work derive from a long, keen, and practical

study of political phenomena, guided by personal experience of public

life, and enlightened by a large, instinctive knowledge of the human

heart.

Such a belief is, at least, encouraged by the private communications

spontaneously made, to him who expresses it, by persons of political

experience and social position in France; who have acknowledged the

general accuracy of the author's descriptions, and noticed the suggestive

sagacity and penetration of his occasional comments on the circumstances

and sentiments he describes.

The Parisians — Volume 08 · 第 5 / 5 章