BEYOND THE WALL OF SLEEP, by H. P. Lovecraft. Collected by A

ARKHAM HOUSE:

THE FIRST 20 YEARS

1939-1959

A History

and Bibliography

prepared

by August Derleth

ARKHAM HOUSE: Publishers

Sauk City, Wisconsin 1959

Though it was not immediately foreseen, Arkham House had its inception

in the death of Howard Phillips Lovecraft on March 15, 1937. The

first word of Lovecraft’s death came in a letter from the late Howard

Wandrei, then in New York, a letter I read on my way into the marshes

below Sauk City, where I had intended to spend an afternoon reading

Thoreau’s _Journal_. Instead, I sat at a railroad trestle beside the

brook and considered ways and means of putting together Lovecraft’s

best works and bringing them out in book form.

I was under no illusions about the difficulty of persuading a New York

publisher to bring out such a collection, for, in the broadest sense,

Lovecraft was relatively obscure, he wrote in a vein for which there

has never been too large an audience, and all his previous submissions

of book manuscripts to publishers like Putnam, Knopf and others had

been futile--though it should be said in favor of the publishers and

their readers that Lovecraft, certain of their failure, customarily

submitted dog-eared, hardly legible manuscripts, which were certainly

enough to discourage all but the most hardy reader.

Once back at my typewriter later that afternoon, I wrote Donald Wandrei

that something should be done to keep Lovecraft’s work in print; he

replied that collecting only the stories, as I had thought to do, was

not enough--all the work should be collected and eventually published,

including the marvellously instructive and entertaining letters. I

lost no further time in collecting and arranging the stories, which

were put into typescript by my then secretary, Alice Conger, and

immediately submitted to Charles Scribner’s Sons. Scribner’s were at

that time my own publishers, and, while sympathetic to the project and

cognizant of the literary value of Lovecraft’s fiction, rejected the

manuscript because the cost of producing so bulky a book, combined with

the public’s then sturdy resistance to buying short story collections

and the comparative obscurity of H. P. Lovecraft as a writer, made

the project financially prohibitive. Simon & Schuster, to whom the

manuscript was next submitted, likewise rejected, for similar reasons.

It was at this point that the idea of publishing the omnibus under an

imprint of our own occurred to me and took hold. I wrote again to

Donald Wandrei, setting forth my plan. Both of us were impecunious

writers--and how rare is the writer who is not!--but I was at that time

building a home for which a local bank had advanced a considerable loan

(not, however, without four times the amount of the loan in collateral,

as is the invariable custom of banks), and it occurred to me that there

was one manifest course open to a would-be publisher--to advertise for

advance prepaid orders, and to pay off the printer from the sum of my

loan. To this, Donald Wandrei added what small sum he could scrape

together at that time, at great personal sacrifice; and, with the full

co-operation of Lovecraft’s surviving aunt, Mrs. Annie E. Phillips

Gamwell, and Robert H. Barlow, the project took shape.

There was never any question about the name of our publishing house.

_Arkham House_ suggested itself at once, since it was Lovecraft’s

own well-known, widely-used place-name for legend-haunted Salem,

Massachusetts, in his remarkable fiction; it seemed to us that

this was fitting and that Lovecraft himself would have approved it

enthusiastically. And, once the project had been decided upon, there

was never any question about the printer chosen to do it--we turned

at once to the nearest, most widely-known printer--the George Banta

Company of Menasha, Wisconsin, whose plant was only a hundred miles

distant.

But by this time two years had elapsed since Lovecraft’s death, and by

the time initial announcements of the work appeared in _Weird Tales_,

offering prepaid advance-ordered copies of _The Outsider and Others_--a

title selected because it had been once mentioned by Lovecraft himself

as a possible title for a collection of his work, and because Lovecraft

was in a very real sense, as well as in his own concept of himself, an

outsider in the twentieth century--the book was being made ready for

publication, Donald Wandrei was reading proof, and labels were being

printed for shipment of copies. Advance-ordered, prepaid copies of the

book were offered at $3.50 the copy, in contrast to the published price

of $5.00 for the omnibus, of which 1,268 copies were delivered to me in

late 1939.

Incredible as it may seem to today’s ardent searchers for that first

Lovecraft collection, orders at $3.50 the copy came in very slowly.

By publication, only 150 prepaid orders had come in. To the sum thus

collected, Donald Wandrei added $400.00; the remainder of the not

small sum was lifted, much to the horror of the local bankers, from

my loan (though it was soon replaced--not out of earnings from sales,

but out of my personal income from various writing projects). The book

did not lack publicity; our venture was given generous space in the

_Publishers’ Weekly_ and other trade media, though it was so thoroughly

ignored locally that even today, after two decades, not one in fifty

persons in Sauk City and the area of the village could identify Arkham

House if asked to do so by an outsider.

_The Outsider and Others_ sold with discouraging slowness.

Nevertheless, it seemed to me, judging by the enthusiasm shown by

buyers, that there might be a market for small editions of books in

the general field of fantasy, perhaps with emphasis on the macabre

or science-fiction. To that end, I prepared early in 1941 a slender

collection of my own best stories in the genre and submitted them,

according to my contractual obligations, to Charles Scribner’s Sons.

Up to this time there had been no thought of publishing through Arkham

House the work of anyone but H. P. Lovecraft; it remained for William

C. Weber of Scribner’s to suggest that my collection, _Someone in the

Dark_, ought properly to be published under the Arkham House imprint,

since a specialized house could very probably do better with such a

book than could Scribner’s.

After much soul-searching, I took Weber’s advice, and brought out

_Someone in the Dark_ at $2.00 the copy. This had the additional effect

of keeping the Arkham House imprint before the public eye while other

Lovecraft works were in preparation. When the initial costs of the

second Arkham House book were met before those of _The Outsider and

Others_, I began to explore the possibility of publishing further books

in the field. Despite the fact that because of his induction into the

U. S. Army, where he served four years, Donald Wandrei was forced to

sever all but the most cursory connection with Arkham House in 1942,

that year saw publication of the third Arkham House title, Clark Ashton

Smith’s _Out of Space and Time_, at $3.00 the copy.

The three-dollar price seemed to be the most satisfactory one; the

publishers could honestly show that $2.00 was too little, and readers

had complained that $5.00 was too much for a book in 1939--though some

of those same plaintiffs, having refused _The Outsider and Others_

at $5.00, paid $25.00 and $35.00 for it ten years later, even $50.00

and $65.00. Yet the $5.00 price had to be maintained for the omnibus

collections, and in 1943 the second Lovecraft omnibus, _Beyond the Wall

of Sleep_, was published in an edition limited by wartime restrictions

to but 1,217 copies.

The first quartet of books to bear the imprint of Arkham

House--published from 1939 to 1944--though getting off to a slow

selling start with the initial Lovecraft title, had by the end of 1943

gained such momentum that it was obvious that few if any of these books

would be left for sale by the end of 1944. _The Outsider and Others_

took four years to sell out its only printing, and actually, what with

overhead and other costs, it took approximately that long to return

our initial investment. But by 1944 it was manifest that there was

a distinct--if relatively small--market for collections of weird,

fantastic, science-fiction short stories, and I determined to publish

as many such collections as possible, with emphasis on the hitherto

unpublished, but not scorning works long out of print.

Pushing ahead, I commissioned Frank Utpatel, the Wisconsin artist who

had done the illustrations for Lovecraft’s _The Shadow Over Innsmouth_

in 1936, to design a house colophon. This made its first appearance in

our next book, Donald Wandrei’s _The Eye and the Finger_. In addition

to this title, three other Arkham House titles appeared in 1944; they

were Henry S. Whitehead’s _Jumbee and Other Uncanny Tales_; Clark

Ashton Smith’s _Lost Worlds_, and _Marginalia_, by H. P. Lovecraft,

with contributions by others. By the end of 1945, the Arkham House list

had been augmented by the addition of my own Something Near; Robert

Bloch’s _The Opener of the Way_; the first Arkham House fantasy novel,

Evangeline Walton’s _Witch House_; J. Sheridan LeFanu’s _Green Tea

and Other Ghost Stories_; and _The Lurker at the Threshold_, a novel

suggested in notes and fragments written by Lovecraft, finished by

myself.

The year 1945 was also the year in which Arkham House introduced two

allied imprints--Mycroft & Moran, specializing in off-trail sleuthing

tales, the first of which was my own _“In Re: Sherlock Holmes”--The

Adventures of Solar Pons_, a collection of pastiches of Sherlock

Holmes published at the urging of Vincent Starrett, who wrote the

introduction for the volume, and Ellery Queen, who was to write the

introduction for the later _The Memoirs of Solar Pons_; and Stanton

& Lee, which concentrated on reprints or on collections of comic

cartoons, principally those by the late Clare Victor Dwiggins, and

which made its bow with Dwig’s _Bill’s Diary_, the Derleth-Dwig

juvenile for pixilated adults, _Oliver_, _the Wayward Owl_, and a new

printing of my Scribner novel, _Evening in Spring_, from the Scribner

plates. The Mycroft & Moran imprint came straight out of the Holmes

canon--from Mycroft Holmes, Sherlock’s illustrious brother, and Colonel

Sebastian Moran, the second most dangerous man in London. The house

colophon was designed as a deerstalker by Ronald Clyne. Stanton & Lee

took rise from the names of two friends, one an employee; its colophons

were designed by Howard Wandrei--which appeared only in _Evening in

Spring_--and by Ronald Clyne.

Publication of the initial LeFanu collection, of stories long out of

print in America, marked the beginning of Arkham House’s importation

of titles from abroad. Since many of the best writers in the genre

were British, it seemed to me necessary to add to our list such names

as would bring prestige to the Arkham House imprint. Thus, the year

1946 witnessed publication of four British importations--Algernon

Blackwood’s last book of new work, _The Doll and One Other_; A. E.

Coppard’s _Fearful Pleasures_; H. Russell Wakefield’s _The Clock

Strikes Twelve_, and an omnibus reprint of four novels--William Hope

Hodgson’s _The House on the Borderland and Other Novels_; as well as

three books by members of the Lovecraft circle of writers who, like

him, contributed primarily to _Weird Tales_ in earlier years--Frank

Belknap Long’s _The Hounds of Tindalos_; Robert E. Howard’s _Skull-Face

and Others_; and Henry S. Whitehead’s _West India Lights_, together

with the first Arkham House science-fiction novel, the popular

_Astounding Science-Fiction_ serial, _Slan_, by A. E. Van Vogt.

The year 1946 was in a sense a year of publishing instruction. It

was not until that year, for example, that I finally learned what

the average size of a printing ought to be--not 4,000, which some

of our books had run, but 2,000, with occasional printings of up to

3,000. By that year the limited space in my home was being taken up

by Arkham House stock, despite the fact that books sold rapidly.

The experiences of that year also demonstrated conclusively that a

small publishing business like Arkham House could afford very little

overhead. Indeed, had it not been for the pouring into Arkham House of

$25,000 of personal income from my writing over the first ten years,

the House could not have survived. I had come to publishing without any

previous experience, other than a limited editorial stint with Fawcett

Publications, with which I had been associated briefly in 1930-31; and

I had to learn step by step, often painfully, invariably expensively.

In 1946, production costs had begun to rise also, still further cutting

into any possible profit margin, since the price of Arkham House books

remained fixed.

Nevertheless, despite increased costs of publication, Arkham House in

1947 released Lady Cynthia Asquith’s _This Mortal Coil_; Ray Bradbury’s

first distinguished collection, _Dark Carnival_ (later revised and

issued under the Ballantine imprint as _The October Country_); Carl

Jacobi’s _Revelations in Black_; my own anthology of fantastic and

macabre poetry, _Dark of the Moon_; Fritz Leiber Jr.’s _Night’s Black

Agents_; and, under the Mycroft & Moran imprint, William Hope Hodgson’s

_Carnacki, the Ghost-Finder_, a far more comprehensive collection than

the British edition of almost forty years before, since it contained

three new stories, two never before printed, discovered among Hodgson’s

manuscripts by his sister.

In 1948, in addition to the publication of five titles, Arkham House

brought out its only illustrated book, Seabury Quinn’s _Roads_, with

pictures by Virgil Finlay, and inaugurated the publication of a

literary quarterly, _The Arkham Sampler_, devoted to matters fantastic,

publishing fiction, poetry, letters, articles, bibliographical data,

_et alia_, to sell at $1.00 the copy. This venture, however, was

ill-fated; it was begun in a falling market and at a time of greatly

increased production costs, and, while the subscription to the first

four issues readily met costs, that for the second year, 1949, failed

to do so, and the magazine--which was taking an inexcusably large

amount of the editor-publisher’s time--was reluctantly discontinued,

since Arkham House could not publish it at a loss of both time and

money.

The close of the first decade of publishing saw a substantial number of

Arkham House titles out of print--_The Outsider and Others_, _Someone

in the Dark_, _Out of Space and Time_, _Beyond the Wall of Sleep_, _The

Eye and the Finger_, _Jumbee and Other Uncanny Tales_, _Lost Worlds_,

_Marginalia_, _Something Near_, _The Opener of the Way_, _Slan_, _Green

Tea and Other Ghost Stories_--and selling for fantastic prices in the

out-of-print shops. Recent titles had doubled in value, and the rare

first Arkham House book had been reported as sold at $100.00 for a

pristine copy. In addition, adjunctive books prepared by the editor

for release under the Rinehart imprint out of New York--anthologies

like _Sleep No More_, _Who Knocks?_ and _The Night Side_--were likewise

out of print, and others, prepared for Pellegrini & Cudahy, were being

reprinted--_The Sleeping and the Dead_, _Strange Ports of Call_, _The

Other Side of the Moon_. Most significant of all, by 1950 almost a

dozen other small houses had mushroomed into existence to follow

the lead of Arkham House, and several major publishing houses were

bringing out science-fiction.

Nevertheless, it was evident that the crest of the wave of interest

in fantasy had been reached, and that the recession was certain to

follow. Arkham House therefore prepared, after but two books in 1949,

to hedge the ambitious program announced in that year. A cautious,

if predominantly optimistic conservatism prevailed; had it been

otherwise, Arkham House would certainly have shared the fate of most

of its imitators, which, lacking any real editorial guidance from

people widely-read in the field, spewed forth many books of no merit

whatsoever, cluttered the market, and succeeded in turning away

potential buyers from the field in general.

When, in the mid-fifties, Arkham House began to resume a publishing

schedule, production costs were so high that the price range could no

longer be held. The entry of competitive publishers in the genre had

had one other unhappy effect which directly influenced the decision

in regard to prices--whereas, heretofore, between 400 and 600 patrons

of Arkham House sent in prepaid orders for each announced title, thus

enabling Arkham House to meet printer’s bills within a reasonable time

and assure the continuance of a publishing program, such advance-order

patrons had now been reduced to between 100 and 200, not enough to

give permanence to any program. A disproportionate share of sales was

now being made through the trade which, however welcome, meant the

introduction of middlemen--wholesalers and retailers--into what had

been primarily a publisher-reader mail order operation. This resulted

in a vital slashing of potential income in the face of a very high and

increasing production cost, so that the old $3.00 price could be held

only for collections of verse or very slender collections of stories,

while other books had to go to $3.50 and $4.00, and even, in some

cases, to $5.00, though the $4.00 price was to become the average.

All Arkham House books--together with those under the Mycroft & Moran

and Stanton & Lee imprints--have been printed and bound by the George

Banta Company, with the exception of _The Arkham Sampler_, which was

produced by the Howe Printing Company of Prairie du Chien, Wisconsin,

and _Night’s Yawning Peal_ and _Tales from Underwood_, which were

published jointly with Pellegrini & Cudahy of New York, an arrangement

which did not work out satisfactorily and was soon terminated. All

Arkham House books were printed from type set and broken down after but

one printing, except for _The Memoirs of Solar Pons_, which was plated,

for use as a selection of The Unicorn Mystery Book Club.

For Arkham House jackets, various artists have been called upon,

chiefly, however, Ronald Clyne of New York, and Frank Utpatel of

Wisconsin. Among other artists who designed jackets for Arkham House

were Frank Wakefield, Howard Wandrei, Virgil Finley, Robert F.

Hubbell, George Barrows, Hannes Bok, Audrey Johnson, R. Taylor, and

Gary Gore.

During its first twenty years, Arkham House cancelled publication plans

for certain books. Among these were J. Sheridan LeFanu’s novel, _The

House by the Churchyard_, and the anthology, _The Death Fetch and Other

Gothic Tales_, edited by Stephen Grendon, both of which would have

proved too costly to bring out, and would, on the basis of interest

expressed, have sold far too slowly to warrant publishing. Among these

also were the late Henry Kuttner’s _Mimsy Were the Borogoves_ and C.

L. Moore’s _Shambleau and Other Tales_, which were announced, but not

published because authors and publisher could not agree on contractual

terms. Certain other announced titles--A. E. Van Vogt’s _Away and

Beyond_ and _The World of Null-A_, and Fritz Leiber Jr.’s _Gather,

Darkness!_ and _Conjure Wife_, were released to other publishers who

could do more for them.

Arkham House faces the coming years with confidence. Added to the

bibliography which is appended, Arkham House hopes and expects to

publish, among others, the following books within the coming years:

THE ABOMINATIONS OF YONDO, by Clark Ashton Smith

INVADERS FROM THE DARK, by Greye La Spina

THE TRAIL OF CTHULHU, by August Derleth

STRAYERS FROM SHEOL, by H. Russell Wakefield

PLEASANT DREAMS, by Robert Bloch

SELECTED LETTERS, by H. P. Lovecraft

THE HORROR FROM THE HILLS, by Frank Belknap Long

THE PURCELL PAPERS, by J. Sheridan LeFanu

MR. GEORGE AND OTHER ODD PERSONS, by Stephen Grendon

TIME BURIAL, by Howard Wandrei

THREE TALES, by Walter de la Mare

RADIANT MAN, by Donald Wandrei

TALES OF SCIENCE AND SORCERY, by Clark Ashton Smith

HALF IN SHADOW, by Mary Elizabeth Counselman

PORTRAITS BY MOONLIGHT, by Carl Jacobi

XELUCHA AND OTHERS, by M. P. Shiel

STRANGE GATEWAYS, by E. Hoffmann Price

LONESOME PLACES, by August Derleth

THE GREEN ROUND, by Arthur Machen

WORSE THINGS WAITING, by Manly Wade Wellman

BLACK MEDICINE, by Arthur J. Burks

COLONEL MARKESAN AND LESS PLEASANT

PEOPLE, by August Derleth and Mark Schorer

COLLECTED POEMS, by Donald Wandrei

THE WIND IN THE CEDARS, by August Derleth

SELECTED POEMS, by Clark Ashton Smith

COLLECTED POEMS, by H. P. Lovecraft

THE WATCHERS OUT OF TIME, by H. P. Lovecraft and August Derleth

and, under the Mycroft & Moran imprint,

THE REMINISCENCES OF SOLAR PONS, by August Derleth

PRINCE ZALESKI & CUMMINGS KING MONK, by M. P. Shiel

THE CASEBOOK OF SOLAR PONS, by August Derleth

and Stanton & Lee,

EVERETT TRUE, by A. D. Condo

Bibliography

THE OUTSIDER AND OTHERS, by H. P. Lovecraft. Collected by August

Derleth and Donald Wandrei. Arkham House, Sauk City, Wisconsin, 1939.

pp. xiv., 553. $5.00. 1,268 copies printed. Contents: _Howard Phillips

Lovecraft: Outsider_, by August Derleth & Donald Wandrei / _Dagon_ /

_Polaris_ / _Celephais/Hypnos_ / _The Cats of Ulthar_ / _The Strange

High House in the Mist_ / _The Statement of Randolph Carter_ / _The

Silver Key_ / _Through the Gates of the Silver Key_ / _The Outsider_

/ _The Music of Erich Zann_ / _The Rats in the Walls_ / _Cool Air_

/ _He_ / _The Horror at Red Hook_ / _The Temple_ / _Arthur Jermyn_

/ _The Picture in the House_ / _The Festival_ / _The Terrible Old

Man_ / _The Tomb_ / _The Shunned House_ / _In the Vault_ / _Pickman’s

Model_ / _The Haunter of the Dark_ / _The Dreams in the Witch-House_

/ _The Thing on the Doorstep_ / _The Nameless City_ / _The Lurking

Fear_ / _The Call of Cthulhu_ / _The Colour out of Space_ / _The

Dunwich Horror_ / _The Whisperer in Darkness_ / _The Shadow over

Innsmouth_ / _The Shadow out of Time_ / _At the Mountains of Madness_

/ _Supernatural Horror in Literature_.

SOMEONE IN THE DARK, by August Derleth. Arkham House, Sauk City,

Wisconsin, 1941. pp. 335. $2.00. 1,115 copies printed. Contents: _When

the Night and the House Are Still_ / _Glory Hand_ / _Compliments of

Spectro_ / _A Gift for Uncle Herman_ / _McGovern’s Obsession_ / _Three

Gentlemen in Black_ / _Muggridge’s Aunt_ / _Bramwell’s Guardian_ /

_Joliper’s Gift_ / _Altimer’s Amulet_ / _The Shuttered House_ / _The

Sheraton Mirror_ / _The Wind from the River_ / _The Telephone in the

Library_ / _The Panelled Room_ / _The Return of Hastur_ / _The Sandwin

Compact_.

OUT OF SPACE AND TIME, by Clark Ashton Smith. Arkham House, Sauk

City, Wisconsin, 1942. pp. xii., 370. $3.00. 1,054 copies printed.

Contents: _Clark Ashton Smith: Master of Fantasy_, by August Derleth &

Donald Wandrei / _The End of the Story_ / _A Rendezvous in Averoigne_

/ _A Night in Malnéant_ / _The City of the Singing Flame_ / _The

Uncharted Isle_ / _The Second Interment_ / _The Double Shadow_ / _The

Chain of Aforgomon_ / _The Dark Eidolon_ / _The Last Hieroglyph_ /

_Sadastor_ / _The Death of Ilalotha_ / _The Return of the Sorcerer_

/ _The Testament of Athammaus_ / _The Weird of Avoosl Wuthoqquan_

/ _Ubbo-Sathla_ / _The Monster of the Prophecy_ / _The Vaults of

Yoh-Vombis_ / _From the Crypts of Memory_ / _The Shadows_.

BEYOND THE WALL OF SLEEP, by H. P. Lovecraft. Collected by August

Derleth and Donald Wandrei. Arkham House, Sauk City, Wisconsin, 1943.

pp. xxix., 458. $5.00. 1,217 copies printed. Contents: _By Way of

Introduction_, by August Derleth & Donald Wandrei / _Autobiography:

Some Notes on a Nonentity_ / _The Commonplace Book_ / _History and

Chronology of the_ Necronomicon / _Memory_ / _What the Moon Brings_

/ _Nyarlathotep_ / _Ex Oblivione_ / _The Tree_ / _The Other Gods_ /

_The Quest of Iranon_ / _The Doom That Came to Sarnath_ / _The White

Ship_ / _From Beyond_ / _Beyond the Wall of Sleep_ / _The Unnamable_

/ _The Hound_ / _The Moon-Bog_ / _The Evil Clergyman_ / _Herbert

West--Reanimator_ / _The Dream-Quest of Unknown Kadath_ / _The Case

of Charles Dexter Ward_ / _The Crawling Chaos_ (with Elizabeth

Berkeley) / _The Green Meadow_ (with Elizabeth Berkeley) / _The Curse

of Yig_, by Zealia Brown-Reed / _The Horror in the Museum_, by Hazel

Heald / _Out of the Eons_, by Hazel Heald / _The Mound_, by Zealia

Brown-Reed / _The Diary of Alonzo Typer_, by William Lumley / _The

Challenge from Beyond_ (with C. L. Moore, A. Merritt, Robert E.

Howard, and Frank Belknap Long) / _In the Walls of Eryx_ (with Kenneth

Sterling) / _Ibid_ / _Sweet Ermengarde_ / _Providence_ / _On a Grecian

Colonnade in a Park_ / _Old Christmas_ / _New England Fallen_ / _On

a New England Village Seen by Moonlight_ / _Astrophobos_ / _Sunset_

/ _A Year Off_ / _A Summer Sunset and Evening_ / _To Mistress Sophia

Simple,_ _Queen of the Cinema_ / _The Ancient Track_ / _The Eidolon_

/ _The Nightmare Lake_ / _The Outpost_ / _The Rutted Road_ / _The

Wood_ / _Hallowe’en in a Suburb_ / _Primavera_ / _October_ / _To a

Dreamer_ / _Despair_ / _Nemesis_ / _Psychopompos_ / _The Book_ /

_Pursuit_ / _The Key_ / _Recognition_ / _Homecoming_ / _The Lamp_ /

_Zaman’s Hill_ / _The Port_ / _The Courtyard_ / _The Pigeon-Flyers_ /

_The Well_ / _The Howler_ / _Hesperia_ / _Star-Winds_ / _Antarktos_

/ _The Window_ / _A Memory_ / _The Gardens of Yin_ / _The Bells_ /

_Night-Gaunts_ / _Nyarlathotep_ / _Azathoth_ / _Mirage_ / _The Canal_

/ _St. Toad’s_ / _The Familiars_ / _The Elder Pharos_ / _Expectancy_ /

_Nostalgia_ / _Background_ / _The Dweller_ / _Alienation_ / _Harbour

Whistles_ / _Recapture_ / _Evening Star_ / _Continuity_ / _Yule

Horror_ / _To Mr. Finlay_ / _To Clark Ashton Smith_ / _Where Once Poe

Walked_ / _Christmas Greeting to Mrs. Phillips Gamwell_ / _Brick Row_

/ _The Messenger_ / _The Cthulhu Mythology: a Glossary_, by Francis T.

Laney / _An Appreciation of H. P. Lovecraft_, by W. Paul Cook.

THE EYE AND THE FINGER, by Donald Wandrei. Arkham House, Sauk City,

Wisconsin, 1944. pp. xiii., 344. $3.00. 1,617 copies printed.

Contents: _Introduction_ / _The Lady in Gray_ / _The Eye and the

Finger_ / _The Painted Mirror_ / _It Will Grow on You_ / _The Tree-Men

of M’Bwa_ / _The Lives of Alfred Kramer_ / _The Monster from Nowhere_

/ _The Witch-Makers_ / _The Nerveless Man_ / _Black Fog_ / _The

Blinding Shadows_ / _A Scientist Divides_ / _Earth Minus_ / _Finality

Unlimited_ / _The Crystal Bullet_ / _A Fragment of a Dream_ / _The

Woman at the Window_ / _The Messengers_ / _The Pursuers_ / _The Red

Brain_ / _On the Threshold of Eternity_.

JUMBEE AND OTHER UNCANNY TALES, by Henry S. Whitehead. Arkham House,

Sauk City, Wisconsin, 1944. pp. xii., 394. $3.00. 1,559 copies

printed. Contents: _Henry S. Whitehead_, by R. H. Barlow / _Jumbee_ /

_Cassius_ / _Black Tancrède_ / _The Shadows_ / _Sweet Grass_ / _The

Black Beast_ / _Seven Turns in a Hangman’s Rope_ / _The Tree-Man_ /

_Passing of a God_ / _Mrs. Lorriquer_ / _Hill Drums_ / _The Projection

of Armand Dubois_ / _The Lips_ / _The Fireplace_.

LOST WORLDS, by Clark Ashton Smith. Arkham House, Sauk City,

Wisconsin, 1944. pp. 419. $3.00. 2,043 copies printed. Contents: _The

Tale of Satampra Zeiros_ / _The Door to Saturn_ / _The Seven Geases_

/ _The Coming of the White Worm_ / _The Last Incantation_ / _A Voyage

to Sfanomoë_ / _The Death of Malygris_ / _The Holiness of Azédarac_

/ _The Beast of Averoigne_ / _The Empire of the Necromancers_ / _The

Isle of the Torturers_ / _Necromancy in Naat_ / _Xeethra_ / _The Maze

of Maal Dweb_ / _The Flower-Women_ / _The Demon of the Flower_ / _The

Plutonian Drug_ / _The Planet of the Dead_ / _The Gorgon_ / _The

Letter from Mohaun Los_ / _The Light from Beyond_ / _The Hunters from

Beyond_ / _The Treader of the Dust_.

MARGINALIA, by H. P. Lovecraft. Collected by August Derleth and Donald

Wandrei. Arkham House, Sauk City, Wisconsin, 1944. pp. x., 377. 2,035

copies printed. Contents: _Foreword_, by August Derleth & Donald

Wandrei / _Imprisoned With the Pharaohs_, by Houdini / _Medusa’s

Coil_, by Zealia Brown (Reed) Bishop / _Winged Death_, by Hazel Heald

/ _The Man of Stone_, by Hazel Heald / _Notes on the Writing of Weird

Fiction_ / _Some Notes on Interplanetary Fiction_ / _Lord Dunsany

and His Work_ / _Heritage or Modernism; Common Sense in Art Forms_ /

_Some Backgrounds of Fairyland_ / _Some Causes of Self-Immolation_ /

_A Guide to Charleston, South Carolina_ / _Observations on Several

Parts of North America_ / _The Beast in the Cave_ / _The Transition

of Juan Romero_ / _Azathoth_ / _The Book_ / _The Descendant_ / _The

Very Old Folk_ / _The Thing in the Moonlight_ / _Two Comments_ /

_His Own Most Fantastic Creation_, by Winfield Townley Scott /

_Some Random Memories of H. P. L._, by Frank Belknap Long / _H. P.

Lovecraft: An Appreciation_, by T. O. Mabbott / _The Wind That Is in

the Grass: A Memoir of H. P. Lovecraft in Florida_, by R. H. Barlow

/ _Lovecraft and Science_, by Kenneth Sterling / _Lovecraft as a

Formative Influence_, by August Derleth / _The Dweller in Darkness_,

by Donald Wandrei / _To Howard Phillips Lovecraft_, by Clark Ashton

Smith / _H. P. L._, by Henry Kuttner / _Lost Dream_, by Emil Petaja /

_To Howard Phillips Lovecraft_, by Francis Flagg / _H. P. Lovecraft_,

by Frank Belknap Long / _Elegy: In Providence the Spring ...,_, by

August Derleth / _For the Outsider: H. P. Lovecraft_, by Charles E.

White / _In Memoriam: H. P. Lovecraft_, by Richard Ely Morse. With

illustrations, photographs, drawings by Lovecraft, and reproduction of

_Lament for H. P. L._, by Alfred Galpin.

SOMETHING NEAR, by August Derleth. Arkham House, Sauk City, Wisconsin,

1945. pp. 274. 2,054 copies printed. Contents: _A Thin Gentleman with

Gloves_ / _Mr. Ames’ Devil_ / _A Wig for Miss Devore_ / _Mrs. Corter

Makes Up Her Mind_ / _Pacific 421_ / _Headlines for Tod Shayne_ /

_No Light for Uncle Henry_ / _Lansing’s Luxury_ / _Carousel_ / _Lady

Macbeth of Pimley Square_ / _Here, Daemos!_ / _McElwin’s Glass_ /

_An Elegy for Mr. Danielson_ / _The Satin Mask_ / _Motive_ / _The

Metronome_ / _The Inverness Cape_ / _The Thing That Walked on the

Wind_ / _Ithaqua_ / _Beyond the Threshold_ / _The Dweller in Darkness_.

THE OPENER OF THE WAY, by Robert Bloch. Arkham House, Sauk City,

Wisconsin, 1945. pp. xi., 309. $3.00. 2,065 copies printed. Contents:

_By Way of Introduction_ / _The Cloak_ / _Beetles_ / _The Fiddler’s

Fee_ / _The Mannikin_ / _The Strange Flight of Richard Clayton_ /

_Yours Truly, Jack the Ripper_ / _The Seal of the Satyr_ / _The Dark

Demon_ / _The Faceless God_ / _The House of the Hatchet_ / _The Opener

of the Way_ / _Return to the Sabbath_ / _The Mandarin’s Canaries_ /

_Waxworks_ / _The Feast in the Abbey_ / _Slave of the Flames_ / _The

Shambler from the Stars_ / _Mother of Serpents_ / _The Secret of

Sebek_ / _The Eyes of the Mummy_ / _One Way to Mars_.

WITCH HOUSE, by Evangeline Walton. Arkham House, Sauk City, Wisconsin,

1945. pp. 200. $2.50. 2,949 copies printed.

GREEN TEA AND OTHER GHOST STORIES, by J. Sheridan Le Fanu. Arkham

House, Sauk City, Wisconsin, 1945. pp. x., 357. $3.00. 2,026 copies

printed. Contents: _Foreword_, by August Derleth / _Schalken the

Painter_ / _Squire Toby’s Will_ / _Green Tea_ / _Wicked Captain

Walshawe, of Wauling_ / _Carmilla_ / _The Sexton’s Adventure_ / _Madam

Crowl’s Ghost_ / _Sir Dominick’s Bargain_ / _The Vision of Tom Chuff_

/ _Ultor De Lacy_ / _Dickon the Devil_ / _The House in Aungier Street_

/ _Mr. Justice Harbottle_ / _The Familiar_.

THE LURKER AT THE THRESHOLD, by H. P. Lovecraft and August Derleth.

Arkham House, Sauk City, Wisconsin, 1945. pp. 196. $2.50. 3,041 copies

printed.

THE HOUNDS OF TINDALOS, by Frank Belknap Long. Arkham House, Sauk

City, Wisconsin, 1946. pp. 316. $3.00. 2,602 copies printed. Contents:

_A Visitor from Egypt_ / _The Refugees_ / _Fisherman’s Luck_ /

_Death-Waters_ / _Grab Bags Are Dangerous_ / _The Elemental_ / _The

Peeper_ / _Bridgehead_ / _Second Night Out_ / _The Dark Beasts_ /

_Census Taker_ / _The Ocean Leech_ / _The Space-Eaters_ / _It Will

Come to You_ / _A Stitch in Time_ / _Step into My Garden_ / _The

Hounds of Tindalos_ / _Dark Vision_ / _The Flame Midget_ / _Golden

Child_ / _The Black Druid_.

THE DOLL AND ONE OTHER, by Algernon Blackwood. Arkham House, Sauk

City, Wisconsin, 1946. pp. 138. $1.50. 3,490 copies printed. Contents:

_The Doll_ / _The Trod_.

THE HOUSE ON THE BORDERLAND AND OTHER NOVELS, by William Hope Hodgson.

Arkham House, Sauk City, Wisconsin, 1946. pp. xi., 639. $5.00. 3,014

copies printed. Contents: _William Hope Hodgson, Master of the Weird

and Fantastic_, by H. C. Koenig / _The Boats of the “Glen Carrig”_ /

_The House on the Borderland_ / _The Ghost Pirates_ / _The Night Land_

/ _Bibliography_, by A. Langley Searles.

SKULL-FACE AND OTHERS, by Robert E. Howard. Arkham House, Sauk City,

Wisconsin, 1946. pp. x., 475. $5.00. 3,004 copies printed. Contents:

_Foreword_, by August Derleth / _Which Will Scarcely Be Understood_

/ _Robert Ervin Howard: A Memoriam_, by H. P. Lovecraft / _A Memory

of R. E. Howard_, by E. Hoffmann Price / _Wolfshead_ / _The Black

Stone_ / _The Horror from the Mound_ / _The Cairn on the Headland_ /

_Black Canaan_ / _The Fire of Asshurbanipal_ / _A Man-Eating Jeopard_

/ _Skull-Face_ / _The Hyborian Age_ / _Worms of the Earth_ / _The

Valley of the Worm_ / _Skulls in the Stars_ / _Rattle of Bones_ /

_The Hills of the Dead_ / _Wings in the Night_ / _The Shadow Kingdom_

/ _The Mirrors of Tuzun Thune_ / _Kings of the Night_ / _The Phoenix

on the Sword_ / _The Scarlet Citadel_ / _The Tower of the Elephant_ /

_Rogues in the House_ / _Shadows in Zamboula_ / _Lines Written in the

Realization that I Must Die_.

WEST INDIA LIGHTS, by Henry S. Whitehead. Arkham House, Sauk City,

Wisconsin, 1946. pp. 367. $3.00. 3,037 copies printed. Contents:

_Black Terror_ / _West India Lights_ / “_Williamson_” / _The Shut

Room_ / _The Left Eye_ / _Tea Leaves_ / _The Trap_ / _The Napier

Limousine_ / _The Ravel_ Pavane / _Sea Change_ / _The_ _People

of Pan_ / _The Chadbourne Episode_ / _Scar Tissue_ / “--_In Case

of Disaster Only_” / _Bothon_ / _The Great Circle_ / _Obi in the

Caribbean_.

FEARFUL PLEASURES, by A. E. Coppard. Arkham House, Sauk City,

Wisconsin, 1946. pp. xiii., 301. $3.00. 4,033 copies printed.

Contents: _Foreword_ / _Adam and Eve and Pinch Me_ / _Clorinda Walks

in Heaven_ / _The Elixir of Youth_ / _Simple Simon_ / _Old Martin_ /

_The Bogie Man_ / _Polly Morgan_ / _The Gollan_ / _The Post Office and

the Serpent_ / _Crotty Shinkwin_ / _Ahoy, Sailor Boy!_ / _Gone Away_

/ _Rocky and the Bailiff_ / _Ale Celestial?_ /_The Fair Young Willowy

Tree_ / _Father Raven_ / _The Drum_ / _Cheese_ / _The Homeless One_ /

_The Kisstruck Bogie_ / _The Tiger_ / _The Gruesome Fit_.

THE CLOCK STRIKES TWELVE, by H. Russell Wakefield. Arkham House, Sauk

City, Wisconsin, 1946. pp. xi., 248. $3.00. 4,040 copies printed.

Contents: _Why I Write Ghost Stories_ / _Into Outer Darkness_ / _The

Alley_ / _Jay Walkers_ / _Ingredient X_ / “_I Recognized the Voice_” /

_Farewell Performance_ / _Not Quite Cricket_ / _In Collaboration_ / _A

Stitch in Time_ / _Lucky’s Grove_ / _Red Feathers_ / _Happy Ending?_ /

_The First Sheaf_ / _Masrur_ / _A Fishing Story_ / _Used Car_ / _Death

of a Poacher_ / _Knock! Knock! Who’s There?_

SLAN, by A. E. Van Vogt. Arkham House, Sauk City, Wisconsin, 1946. pp.

216. $2.50. 4,051 copies printed.

THIS MORTAL COIL, by Cynthia Asquith. Arkham House, Sauk City,

Wisconsin, 1947. pp. 245. $3.00. 2,609 copies printed. Contents: _In

a Nutshell_ / _The White Moth_ / _The Corner Shop_ / “_God Grante That

She Lye Stille_” / _The Playfellow_ / _The Nurse Never Told_ / _The

Lovely Voice_ / _The First Night_ / _The Follower_.

DARK OF THE MOON: Poems of Fantasy and the Macabre, edited by August

Derleth. Arkham House, Sauk City, Wisconsin, 1947. pp. xvi., 418.

$3.00. 2,634 copies printed. Contents: _Introduction_, by August

Derleth / _The Twa Corbies_ / _A Lyke-Wake Direg_ / _William and

Marjorie_ / _The Wee Wee Man_ / _The Wife of Usher’s Well_ / _Fair

Eleanor_, by William Blake / _Address to the Deil_, _Tam o’ Shanter_,

_Death and Doctor Hornbook_, by Robert Burns / _Kilmeny_, by James

Hogg / _The Eve of St. John_, by Sir Walter Scott / _Kubla Khan_,

_Phantom_, by Samuel Taylor Coleridge / _The Lake of the Dismal

Swamp_, by Thomas Moore / _The Hand of Glory_, by Richard Harris

Barham / _The Erl King_, by Johann Wolfgang von Goethe / _La Belle

Dame Sans Merci_, by John Keats / _The Haunted House_, _The Dream

of Eugene Aram_, _Pompey’s Ghost_, _The Ghost_, by Thomas Hood /

_The Phantom-Wooer_, _The Ghosts’ Moonshine_, by Thomas Lovell

Beddoes / _The Phantom Ship_, _The Legend of Rabbi Ben Levi_, _The

Ghosts_, by Henry Wadsworth Longfellow / _The Raven_, _Dream-Land_,

_Ulalume_, by Edgar Allan Poe / _Rizpah_, by Alfred Lord Tennyson

/ _A Lowland Witch Ballad_, by William Bell Scott / _The Legend of

the Glaive_, by J. Sheridan Le Fanu / _The Weird Lady_, _The Sands

of Dee_, by Charles Kingsley / _Keith of Ravelston_, by Sydney

Thompson Dobell / _The Witch Bride_, _The Fairies_, by William

Allingham / _The Flying Dutchman_, by Charles Godfrey Leland / _The

Lost Steamship_, _The Three Gannets_, _The Demon of the Gibbet_, by

Fitz-James O’Brien / _Sister Helen_, by Dante Gabriel Rossetti /

_Goblin Market_, _The Ghost’s Petition_, by Christina Rossetti / _The

City of Dreadful Night_, by James Thomson / _The Wind_, by William

Morris / _The Highwayman’s Ghost_, by Richard Garnett / _The Ballad

of Judas Iscariot_, by Robert Buchanan / _The Song of the Ghost_,

by A. P. Graves / _A Glimpse of Pan_, _The Witch of Erkmurden_, by

James Whitcomb Riley / _A Windy Night_, _Roads_, _An April Ghost_,

_Bitters_, by Lizette Woodworth Reese / _The True Lover_, by A. E.

Housman / _Lazarus_, by José Asunción Silva / _All Souls’ Night_, _The

Fair Little Maiden_, _The Fetch_, _The Fairy Thorn-Tree_, by Dora

Sigerson Shorter / _Luke Havergal_, by Edwin Arlington Robinson / _The

Superstitious Ghost_, by Arthur Guiterman / _The Listeners_, _The

Little Green Orchard_, _The Ghost_, by Walter de la Mare / _A Dracula

of the Hills_, _The Paper in the Gate-Legged Table_, _Haunted_, by

Amy Lowell / _The Witch of Coös_, by Robert Frost / _The Little Dead

Child_, by Josephine Daskam Bacon / _Dave Lilly_, by Joyce Kilmer

/ _The Sorceress of the Moon_, by William Rose Benet / _221B_,

_Changeling_, _Visitation_, _Legend_, _Gooseflesh_, _Extraordinary

Visit_, _Sea Story_, by Vincent Starrett / _Lonesome Water_, _Old

Christmas_, by Roy Helton / _Psychopompos_, _Fungi from Yuggoth_

(_The Book_, _Pursuit_, _The Key_, _Recognition_, _Homecoming_,

_The Lamp_, _Zaman’s Hill_, _The Port_, _The_ _Courtyard_, _The

Pigeon-Flyers_, _The Well_, _The Howler_, _Hesperia_, _Star-Winds_,

_Antarktos_, _The Window_, _A Memory_, _The Gardens of Yin_, _The

Bells_, _Night-Gaunts_, _Nyarlathotep_, _Azathoth_, _Mirage_,

_The Canal_, _St. Toad’s_, _The Familiars_, _The Elder Pharos_,

_Expectancy_, _Nostalgia_, _Background_, _The Dweller_, _Alienation_,

_Harbour Whistles_, _Recapture_, _Evening Star_, _Continuity_),

_The Messenger_, _The Ancient Track_, by Howard Phillips Lovecraft

/ _The Warning_, by Robert P. Tristram Coffin / _The Eldritch

Dark_, _Warning_, _The Hashish-Eater_, _Nightmare_, _Outlanders_,

_Nyctalops_, _Shadows_, _The Envoys_, _Fantaisie d’Antan_, _In

Thessaly_, _Resurrection_, by Clark Ashton Smith / _The Owls_, by

Timeus Gaylord / _The Orchard Ghost_, by Mark Van Doren / _Werewolf_,

by Arthur Inman / _Metropolitan Nightmare_, _Nightmare Number Three_,

by Stephen Vincent Benét / _The Goblin Tower_, _In Mayan Splendor_,

_Sonnet_, _A Knight of La Mancha_, _On Reading Arthur Machen_, _The

Abominable Snow Men_, _The Horror on Dagoth Wold_, by Frank Belknap

Long / _Just Then the Door_, by Merrill Moore / _Forgetful Hour_,

_The Specter’s Tale_, _The Haunted Stairs_, by Yetza Gillespie / _The

Snake_, _The Dreamer in the Desert_, by Francis Flagg / _Strange_,

_Forest God_, _Tree Woman_, _The Wolves of Egremont_, by Dorothy

Quick / _The Harp of Alfred_, _Futility_, _The Singer in the Mist_,

_Solomon Kane’s Homecoming_, _Moon Mockery_, _The King and the Oak_,

_Recompense_, _Always Comes Evening_, _The Ghost Kings_, _The Last

Hour_, _Which Will Scarcely Be Understood_, _Lines Written in the

Realization That I Must Die_, by Robert Ervin Howard / _Sonnets of

the Midnight Hours_ (_After Sleep_, _Purple_, _The Hungry Flowers_,

_The Eye_, _The Torturers_, _The Statues_, _The Old Companions_, _The

Head_, _In the Attic_, _The Cocoon_, _The Metal God_, _The Little

Creature_, _The Pool_, _The Prey_, _The Rack_, _Escape_, _Capture_,

_In the Pit_, _The Bell_, _The Ultimate Vision_), by Donald Wandrei

/ _Weldon House_, _Lois Malone_, _Ted Birkett_, _Bart Hinch_, _The

Shores of Night_, _Man at the Window_, _Stranger in the Night_, _Mark

of Man--Mark of Beast_, by August Derleth / _Sonnet of the Unsleeping

Dead_, by Anthony Boucher / _Fox Hunters of Hell_, by Byron Herbert

Reece / _Dreams of Yith_, by Duane W. Rimel / _Nostalgia_, _Echidna_,

by Mary Elizabeth Counselman / _Changeling_, _Wood Wife_, _In the

Shadows_, _The Path Through the Marsh_, _The Tenants_, _All-Saints’

Eve_, _The Ballad of the Jabberwock_, _Heard on the Roof at Midnight_,

by Leah Bodine Drake / _Wayfarers_, _Two Hunters_, by Harvey Wagner

Flink / _Star Gazer_, _Death at Sea_, _The Goats of Juan Fernandez_,

by Coleman Rosenberger.

DARK CARNIVAL, by Ray Bradbury. Arkham House, Sauk City, Wisconsin,

1947. pp. 313. $3.00. 3,112 copies printed. Contents: _The Homecoming_

/ _Skeleton_ / _The Jar_ / _The Lake_ / _The Maiden_ / _The Tombstone_

/ _The Smiling People_ / _The Emissary_ / _The Traveler_ / _The Small

Assassin_ / _The Crowd_ / _Reunion_ / _The Handler_ / _The Coffin_ /

_Interim_ / _Jack-in-the-Box_ / _The Scythe_ / _Let’s Play “Poison”_ /

_Uncle Einar_ / _The Wind_ / _The Night_ / _There Was an Old Woman_ /

_The Dead Man_ / _The Man Upstairs_ / _The Night Sets_ / _Cistern_ /

_The Next in Line_.

REVELATIONS IN BLACK, by Carl Jacobi. Arkham House, Sauk City,

Wisconsin, 1947. pp. 272. $3.00. 3,082 copies printed. Contents:

_Revelations in Black_ / _Phantom Brass_ / _The Cane_ / _The Coach on

the Ring_ / _The Kite_ / _Canal_ / _The Satanic Piano_ / _The Last

Drive_ / _The Spectral Pistol_ / _Sagasta’s Last_ / _The Tomb from

Beyond_ / _The Digging at Pistol Key_ / _Moss Island_ / _Carnaby’s

Fish_ / _The King and the Knave_ / _Cosmic Teletype_ / _A Pair of

Swords_ / _A Study in Darkness_ / _Mive_ / _Writing on the Wall_ /

_The Face in the Wind_.

NIGHT’S BLACK AGENTS, by Fritz Leiber, Jr. Arkham House, Sauk

City, Wisconsin, 1947. pp. x., 237. $3.00. 3,084 copies printed.

Contents: _Foreword_ / _Smoke Ghost_ / _The Automatic Pistol_ /

_The Inheritance_ / _The Hill and the Hole_ / _The Dreams of Albert

Moreland_ / _The Hound_ / _Diary in the Snow_ / _The Man Who Never

Grew Young_ / _The Sunken Land_ / _Adept’s Gambit_.

THE ARKHAM SAMPLER, 1948, Volume I, Number One: Winter, 1948. Arkham

House, Sauk City, Wisconsin, 1948. pp. 100. $1.00. 1,200 copies

printed. Contents: _Messrs. Turkes and Talbot_, by H. Russell

Wakefield / _History and Chronology of the Necromicon_, by H. P.

Lovecraft. Together with some pertinent paragraphs by August Derleth

/ _Lamia_, _The Nameless Wraith_, _The City of Destruction_, by Clark

Ashton Smith / _A Little Anthology_, edited by Malcolm Ferguson

/ _Mara_, by Stephen Grendon / _A Hornbook for Witches_, by Leah

Bodine Drake / _Checklist: The_ _Carvings of Clark Ashton Smith_ /

_The Dream-Quest of Unknown Kadath_, Part I, by H. P. Lovecraft /

_Two Novels and an Anthology_, _From the Fan Presses_, _The Shasta

Checklist_, by August Derleth / _Through a Glass Darkly_, _A Thorne

off the Old Smith_, by Robert Bloch / _Three Anthologies_, by John

Haley / _Short Notices_ / _Editorial Commentary_.

THE ARKHAM SAMPLER, 1948, Volume I, Number Two: Spring, 1948. Arkham

House, Sauk City, Wisconsin, 1948. pp. 100. $1.00. 1,200 copies

printed. Contents: _A Damsel with a Dulcimer_, by Malcolm Ferguson /

_Hellenic Sequel_, by Clark Ashton Smith / _A Group of Letters_, by

H. P. Lovecraft / _The Blindness of Orion_, by Clark Ashton Smith /

_West Country Legends_, collected by Robert Hunt / _The Wind in the

Lilacs_, by Stephen Grendon / _Unhappy Ending_, by Leah Bodine Drake

/ _Fantasy on the March_, by Fritz Leiber, Jr. / _On the Cthulhu

Mythos_, by George T. Wetzel / _On “The Lurker at the Threshold”_, by

August Derleth / _From a Letter_, by Clark Ashton Smith / _A Memoir

of Lovecraft_, by Rheinhart Kleiner / _The Dream-Quest of Unknown

Kadath_, Part 2, by H. P. Lovecraft / _Ghosts in Great Britain_, _The

Macabre in Pictures_, by August Derleth / _Top-Notch Science Fiction_,

by John Haley / “_Deliver Us from Evil_”, by Robert Bloch / _Short

Notices_ / _Editorial Commentary_.

THE ARKHAM SAMPLER, 1948, Volume I, Number Three: Summer, 1948. Arkham

House, Sauk City, Wisconsin, 1948. pp. 100. $1.00. 1,200 copies

printed. Contents: _A Kink in Space-Time_, by H. Russell Wakefield

/ _Night in the City_, by Geraldine Wolf / _The_ _Novels of M. P.

Shiel_, by A. Reynolds Morse / _No Stranger Dream_, _On the Mount

of Stone_, by Clark Ashton Smith / _The Loved Dead_, by C. M. Eddy,

Jr. / _Howard Phillips Lovecraft_, by Samuel Loveman / _A Letter to

E. Hoffmann Price_, by H. P. Lovecraft / _Old Wives’ Tale_, by Leah

Bodine Drake / _Strangers from Hesperus_, by Norman Markham / _Further

West Country Legends_, collected by Robert Hunt / _The Dream-Quest

of Unknown Kadath_, Part 3, by H. P. Lovecraft / _Dr. Keller’s

Stories_, by John Haley / _Wit and Satire_, _Studies in Murder_, by

August Derleth / _Gremlins_, by Leah Bodine Drake / _Short Notices_ /

_Editorial Commentary_.

THE ARKHAM SAMPLER, 1948, Volume I, Number Four: Autumn, 1948. Arkham

House, Sauk City, Wisconsin, 1948. pp. 100. $1.00. 1,200 copies

printed. Contents: _The Sign_, by Lord Dunsany / _Providence: Two

Gentlemen Meet at Midnight_, by August Derleth / _A Note on Aubrey

Beardsley_, by Malcolm Ferguson / _Only to One Returned_, by Clark

Ashton Smith / _A Spell Useful Near Water_, by Peter Viereck / _Nut

Bush Farm_, by Mrs. J. H. Riddell / _The Unknown Land_, by Leah

Bodine Drake / _The Dream-Quest of Unknown Kadath_, Conclusion, by

H. P. Lovecraft / _Change of Heart_, by Robert Bloch / _Anterior

Life_, by Charles Baudelaire, translated by Clark Ashton Smith / _The

Machen Collection_, _Books of Magical Lore_, by August Derleth /

_John Campbell’s Stories_, by John Haley / “_The World Is My Idea_,”

by Robert Bloch / _A Cosmic Novel_, by Clark Ashton Smith / _Short

Notices_ / _Editorial Commentary_.

THE TRAVELLING GRAVE AND OTHER STORIES, by L. P. Hartley. Arkham

House, Sauk City, Wisconsin, 1948. pp. 235. $3.00. 2,047 copies

printed. Contents: _A Visitor from Down Under_ / _Podolo_ / _Three, or

Four, for Dinner_ / _The Travelling Grave_ / _Feet Foremost_ / _The

Cotillon_ / _A Change of Ownership_ / _The Thought_ / _Conrad and the

Dragon_ / _The Island_ / _Night Fears_ / _The Killing Bottle_.

THE WEB OF EASTER ISLAND, by Donald Wandrei. Arkham House, Sauk City,

Wisconsin, 1948. pp. 191. $3.00. 3,068 copies printed.

THE FOURTH BOOK OF JORKENS, by Lord Dunsany. Arkham House, Sauk City,

Wisconsin, 1948. pp. 194. $3.00. 3,118 copies printed. Contents:

_Making Fine Weather_ / _Mgamu_ /_The Haunting of Halahanstown_ / _The

Pale-Green Image_ / _Jorkens Leaves Prison_ / _The Warning_ / _The

Sacred City of Krakovlitz_ / _Jorkens Practises Medicine and Magic_ /

_Jarton’s Disease_ / _On the Other Side of the Sun_ / _The Rebuff_ /

_Jorkens’ Ride_ / _The Secret of the Sphinx_ / _The Khamseen_ / _The

Expulsion_ / _The Welcome_ / _By Command of Pharaoh_ / _A Cricket

Problem_ / _A Life’s Work_ / _The Ingratiating Smile_ / _The Last

Bull_ / _The Strange Drug of Dr. Caber_ / _A Deal with the Devil_ /

_Strategy at the Billiards Club_ / _Jorkens in Witch Wood_ / _Lost_ /

_The English Magnifico_ / _The Cleverness of Dr. Caber_ / _Fairy Gold_

/ _A Royal Dinner_ / _A Fight with Knives_ / _Out West_ / _In a Dim

Room_.

ROADS, by Seabury Quinn. With Illustrations by Virgil Finlay. Arkham

House, Sauk City, Wisconsin, 1948. pp. 110. $2.00. 2,137 copies

printed.

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