29. unmeet: unsuitable.

THE GLADNESS OF NATURE

b. hang-bird: the American oriole, which hangs its nest from a branch.

8. wilding: the wild bee which belongs to no hive.

To THE FRINGED GENTIAN

No description of this flower can give an adequate idea of its beauty.

The following account, from Reed's "Flower Guide, East of the Rockies,"

expresses the charm of the flower well: "Fringed Gentian because of its

exquisite beauty and comparative rarity is one of the most highly prized

of our wild flowers." "During September and October we may find these

blossoms fully expanded, delicate, vase-shaped creations with four

spreading deeply fringed lobes bearing no resemblance in shape or form to

any other American species. The color is a violet-blue, the color that

is most attractive to bumblebees, and it is to these insects that the

flower is indebted for the setting of its seed.... The flowers are wide

open only during sunshine, furling in their peculiar twisted manner on

cloudy days and at night. In moist woods from Maine to Minnesota and

southwards."

This guide gives a good colored picture of the flower as do Matthews'

"Field Guide to American Wildflowers" and many other flower books.

8. ground-bird: the vesper sparrow, so called because of its habit of

singing in the late evening. Its nest is made of grass and placed in a

depression on the ground.

11. portend: indicate by a sign that some event, usually evil, is about

to happen.

16. cerulean: deep, clear blue.

SONG of MARION'S MEN

4. Marion, Francis (1732-1795), in 1750 took command of the militia of

South Carolina and carried on a vigorous partisan warfare against the

English. Colonel Tarleton failed o find "the old swamp fox," as he named

him, because the swamp paths of South Carolina were well known to him.

See McCrady, "South Carolina in the Revolution," for full particulars of

his life.

21. deem: expect.

30. up: over, as in the current expression, "the time is up."

41. barb: a horse of the breed introduced by the Moors From Barbary into

Spain and noted for speed and endurance.

49. Santee: a river in South Carolina.

32. throes: agony.

44. Compare this final thought with the solution in "To a "Waterfowl."

THE CROWDED STREET

32. throes: agony

44. Compare this final thought with the solution in "To a Waterfowl."

THE SNOW-SHOWER

All the New England poets felt the charm of falling snow, and several

have written on the theme. In connection with this poem read Emerson's

"Snow-Storm" and Whittier's "The Frost Spirit." The best known of all is

Whittier's "Snow-Bound "; the first hundred and fifty lines may well be

read here.

9. living swarm: like a swarm of bees from the hidden chambers of the

hive.

12. prone: straight down.

17. snow-stars: what are the shapes of snowflakes

20. Milky way: the white path which seems to lead acre. The sky at

night and which is composed of millions of stars.

21. burlier: larger and stronger.

35. myriads: vast, indefinite number.

37. middle: as the cloud seems to be between us and the blue sky, so the

snowflakes before they fell occupied a middle position.

ROBERT of LINCOLN

"Robert of Lincoln" is the happiest, merriest poem written by Bryant. It

is characteristic of the man that it should deal with a nature topic. In

what ways does he secure the merriment?

Analyze each stanza as to structure. Does the punctuation help to

indicate the speaker?

Look up the Bobolink in the Bird Guide or some similar book. How much

actual information did Bryant have about the bird? Compare the amount of

bird-lore given here with that of Shelley's or Wordsworth's "To a

Skylark." Which is more poetic? Which interests you more?

THE POET

5. deem: consider. Compare with the use in the "Song of Marion's Men,"

1.21.

8. wreak: carry them out in your verse. The word usually has an angry

idea associated with it. The suggestion may be here of the frenzy of a

poet.

26. unaptly: not suitable to the occasion.

30. Only in a moment of great emotion (rapture) should the poet revise a

poem which was penned when his heart was on fire with the idea of the

poem.

38. limn: describe vividly.

54. By this test where would you place Bryant himself? Did he do what

he here advises? In what poems do you see evidences of such a method?

Compare your idea of him with Lowell's estimate in "A Fable for Critics,"

ll. 35-56.

ABRAHAM LINCOLN

In connection with this poem the following stanza from "The Battle-Field"

seems very appropriate:

"Truth, crushed to Earth, shill rise again;

The eternal years of God are hers;

But Error, wounded, writhes with pain,

And dies among his worshippers."

The American people certainly felt that Truth was Brushed to Earth with

Lincoln's death, but believed that it would triumph.

FRANCIS SCOTT KEY (1780-1843)

Born in Maryland, he graduated from St. John's College, Md., and

practiced law in Frederick City, Md. He was district attorney for the

District of Columbia during the War of 1812 and while imprisoned by the

British on board the ship Minden, Sept. 13, 1814, he witnessed the

British attack on Fort McHenry and wrote this national anthem.

THE STAR-SPANGLED BANNER

30. Why is this mentioned as our motto?

JOSEPH RODMAN DRAKE (1795-1820)

The "Culprit Fay" is so much better than American poetry had previously

been that one is at first disposed to speak of it enthusiastically. An

obvious comparison puts it in true perspective. Drake's life happened

nearly to coincide with that of Keats.... Amid the full fervor of

European experience Keats produced immortal work; Drake, whose whole life

was passed amid the national inexperience of New York, produced only

pretty fancies."

--BARRETT WENDELL.

Born in New York, he practiced medicine there. He died of tuberculosis

at the age of twenty-five, and left behind him manuscript verses which

were later published by his daughter. "The Culprit Fay," from which

selections are here given, is generally considered one of the best

productions of early American literature.

THE AMERICAN FLAG

6. milky baldric: the white band supposed by the ancients to circle the

earth and called the zodiac. He may here mean the Milky Way as part of

this band.

46. careering: rushing swiftly.

47. bellied: rounded, filled out by the gale.

56. welkin: sky.

THE CULPRIT FAY

25. ising-stars: particles of mica.

30. minim: smallest. What objection may be made to this word?

37. Ouphe: elf or goblin.

45. behest: command.

78. shandy: resembling a shell or a scale.

94. oozy: muddy.

107. colen-bell: coined by Drake, probably the columbine.

114. nightshade: a flower also called henbane or belladonna. dern:

drear.

119. thrids: threads, makes his way through.

160. prong: probably a prawn; used in this sense only in this one

passage.

165. quarl: jelly fish.

178. wake-line: showing by a line of foam the course over which he has

passed.

193. amain: at full speed.

210. banned: cursed as by a supernatural power.

216. henbane: see note on line 114.

223. fatal: destined to determine his fate.

245. sculler's notch: depression in which the oar rested.

255. wimpled: undulated.

257. athwart: across.

306. glossed: having gloss, or brightness.

329. This is only the first of the exploits of the Culprit Fay.

The second quest is described by the monarch as follows

"If the spray-bead gem be won,

The stain of thy wing is washed away,

But another errand must be done

Ere thy crime be lost for aye;

Thy flame-wood lamp is quenched and dark,

Thou must re-illume its spark.

Mount thy steed and spur him high

To the heaven's blue canopy;

And when thou seest a shooting star,

Follow it fast, and follow it far

The last feint spark of its burning train

Shall light the elfin lamp again."

FITZ-GREENE HALLECK (1790-1867)

"The poems of Halleck are written with great care and finish, and

manifest the possession of a fine sense of harmony and of genial and

elevated sentiments."

--ENCYCLOPEDIA BRITANNICA.

Born in Guilford, Conn., he was the closest friend of Drake, at whose

death he wrote his best poem, which is given in this collection. "Marco

Bozzaris" aroused great enthusiasm, which has now waned in favor of his

simple lines, "On the Death of Joseph Rodman Drake."

MARCO BOZZAARIS

Marco Bozzaris (c. 1790-1823) was a prominent leader in the struggle for

Greek liberty and won many victories from the Turks. During the night of

August 20, 1823, the Greeks won a complete victory which was saddened by

the loss of Bozzaris, who fell while leading his men to the final attack.

13. Suliote: a tribe of Turkish subjects of mixed Greek and Albanian

blood, who steadily opposed Turkish rule and won for themselves a

reputation for bravery. They fought for Grecian independence under Marco

Bozzaris.

16-22. These lines refer to the military history of Greece. See

Encyclopedia Britannica--article on Greece (Persian Wars subtitle) for

account of the Persian invasion and battle of Plataea.

79. What land did Columbus see first? Where did he from? Why then is

he called a Genoese?

107. pilgrim-circled: visited by pilgrims as are shrines.

JOHN HOWARD PAYNE (1791--1802)

Born in New York, he graduated from Union College and later went on the

stage. He was appointed U.S. Consul to Tunis, where he died. He is now

best remembered by "home Sweet Home" from one of his operas.

EDGAR ALLAN POE (1809-1849)

"Small as the quantity of his true verse is, it more sustains his

peculiar genius in American eyes than does his prose; and this is because

it is so unique. He stands absolutely alone as a poet, with none like

him."

--GEORGE E. WOODBURY

Born in Boston, he spent most of his literary years in New York. His

parents, both actors, died when he was still a little child, and he was

adopted by Mr. Allan, who educated him in Europe. He served as literary

editor and hack writer for several journals and finally died in poverty.

TO HELEN

"To Helen" is said to have been written in 1823, when Poe was only

fourteen years old. It refers to Mrs. Jane Stith Stanard, the mother of

one of his school friends, whose death was a terrible blow to the

sensitive lad. This loss was the cause of numerous poems of sorrow for

death and permanently influenced his work.

2. Nicean: Nicaea, the modern Iznik in Turkey, was anciently a Greek

province.

2. Nicean barks: the Greek ships that bore the wanderer, Ulysses, from

Phaeacia to his home. Read "The Wanderings of Ulysses" in Gayley's

Classic Myths, Chapter XXVII.

7. hyacinth: like Hyacinthus, the fabled favorite of Apollo; hence

lovely, beautiful.

8. Naiad: a nymph presiding over fountains, lakes, brooks, and wells.

14. Psyche, a beautiful maiden beloved of Cupid, whose adventure with

the lamp is told in all classical mythologies.

ISRAFEL

Israfel, according to the Koran, is the angel with the sweetest voice

among God's creatures. He will blow the trump on the day of

resurrection.

2. The idea that Israfel's lute was more than human is taken from

Moore's "Lalla Rookh," although these very words do not occur there. The

reference will be found in the last hundred lines of the poem.

12. levin: lightning.

26. Houri: one of the beautiful girls who, according to the Moslem

faith, are to be companions of the faithful in paradise.

LENORE

13. Peccavimus: we have sinned.

20. Avaunt: Begone! Away!

26. Paean: song of joy or triumph.

THE COLISEUM

10. Eld: antiquity.

14. See Matthew 26: 36-56.

16. The Chaldxans were the world's greatest astrologers.

26-29. Poe here uses technical architectural terms with success.

plinth: the block upon which a column or a statue rests.

shafts: the main part of a column between the base and the capital.

entablatures: the part of a building borne by the columns.

frieze: an ornamented horizontal band in the entablature.

cornices: the horizontal molded top of the entablatures.

32. corrosive: worn away by degrees; used figuratively of time.

36. At Thebes there is a statue which is supposed to be Memnon, the

mythical king of Ethiopia, and which at daybreak was said to emit the

music of the lyre.

EULALIE.--A SONG

19. Astarte: the Phoenician goddess of love.

THE RAVEN

41. Pallas: Greek goddess of wisdom.

46-47. Night's Plutonian shore: Pluto ruled over the powers of the lower

world and over the dead. Darkness and gloom are constantly associated

with him; the cypress tree was sacred to him and black victims were

sacrificed to him. Why does the coming of the raven suggest this realm

to the poet?

50. relevancy: appropriateness.

80. Seraphim: one of the highest orders of angels

82. respite and nepenthe: period of peace and forgetting.

89. balm in Gilead. See Jeremiah 8: 22; 46: 11 and Genesis 37: 25.

93. Aideen, fanciful spelling of Eden.

106. This line has been often criticized on the ground that a lamp could

not cause any shadow on the floor if the bird sat above the door. Poe

answered this charge by saying: "My conception was that of the bracket

candelabrum affixed against the wall, high up above the door and bust, as

is often seen in English palaces, and even in some of the better houses

of New York."

What effect does this poem have upon you? Work out the rhyme scheme in

the first and second stanzas. Are they alike? Does this rhyme scheme

help to produce the effect of the poem? Have you noticed a similar use

of "more" in any other poem? Point out striking examples of repetition,

of alliteration. Are there many figures of speech here?

TO HELEN

This Helen is Mrs. Whitman.

15. parterre: a flower garden whose beds are arranged in a pattern and

separated by walks.

48. Dian: Roman goddess representing the moon.

60. elysian: supremely happy.

65. scintillant: sending forth flashes of light.

66. Venuses: morning stars.

THE BELLS

"The Bells" originally consisted of eighteen lines, and was gradually

enlarged to its present form.

10. Runic: secret, mysterious.

11. Why does Poe use this peculiar word? Compare its use with that of

"euphony," 1. 26, "jangling," 1. 62, "moLotone" 1. 8'3.

26. euphony: the quality of having a pleasant sound.

72. monody: a musical composition in which some one voice-part

predominates.

88. Ghouls: imaginary evil beings of the East who rob graves.

ELDORADO

6. Eldorado: any region where wealth may be obtained is abundance;

hence, figuratively, the source of any abundance, as here.

21. "Valley of the Shadow" suggests death and is a fitting close to

Poe's poetic work.

HENRY WADSWORTH LONGFELLOW (1807-1882)

"His verse blooms like a flower, night and day;

Bees cluster round his rhymes; and twitterings

Of lark and swallow, in an endless May,

Are mingling with the tender songs he sings.

Nor shall he cease to sing--in every lay

Of Nature's voice he sings--and will alway."

--JAMES WHITCOMB RILEY.

Born in Portland, Maine, he graduated from Bowdoin College in 1825 and

went abroad to prepare himself to teach the modern languages. He taught

until 1854, when he became a professional author. During the remaining

years of his fife he lived quietly at Craigie House in Cambridge and

there he died.

The poems by Longfellow are used by permission of, and by special

arrangement with, Houghton Mifflin Company, authorized publishers of his

works.

HYMN To THE NIGHT

"Night, thrice welcome."

"Night, undesired by Troy, but to the Greeks

Thrice welcome for its interposing gloom."

-COWPER, TRANS. OF ILIAD VIII, 488.

21. Orestes-like. Orestes, the son of Agamemnon and Clytemnestra,

avenged the death of his father by killing his mother. The Furies chased

him for many years through the world until at last he found pardon and

peace. The story is told in several Greek plays, but perhaps best in

AEschylus' "Libation Pourers" and "Furies"

A PSALM of LIFE

"I kept it," he said, "some time in manuscript, unwilling to show it to

any one, it being a voice from my inmost heart."

7. "Dust thou art": quoted from Genesis 3:19, "Dust thou art, and unto

dust shalt thou return."

10. Pope in Epistle IV of his "Essay on Man" says: "0 happiness! our

being's end and aim." How does Longfellow differ with him?

THE SKELETON IN ARMOR

The Skeleton in Armor. "The following Ballad was suggested to me while

riding on the seashore at Newport. A year or two previous a skeleton had

been dug up at Fall River, clad in broken and corroded armor; and the

idea occurred to me of connecting it with the Round Tower at Newport,

generally known hitherto as the Old Windmill, though now claimed by the

Danes as a work of their early ancestors."

19. Skald: a Scandinavian minstrel who composed and sang or recited

verses in celebration of famous deeds, heroes, and events.

"And there, in many a stormy vale,

The Scald had told his wondrous tale."

--SCOTT, Lay of the Last Minstrel, can. 6, St. 22.

20. Saga: myth or heroic story.

28. ger-falcon: large falcon, much used in northern Europe in falconry.

38. were-wolf: a person who had taken the form of a wolf and had become

a cannibal. The superstition was that those who had voluntarily become

wolves could become men again at will.

42. corsair: pirate. Originally "corsair" was applied to privateers off

the Barbary Coast who preyed upon Christian shipping under the authority

of their governments.

49. "wassail-bout": festivity at which healths are drunk.

53. Berserk. Berserker was a legendary Scandinavian hero who never wore

a shirt of mail. In general, a warrior who could assume the form and

ferocity of wild beasts, and whom fire and iron could not harm.

94. Sea-mew: a kind of European gull.

110. Skaw: a cape on the coast of Denmark.

159. Skoal!: Hail! a toast or friendly greeting used by the Norse

especially in poetry.

THE WRECK of THE HESPERUS

On Dec. 17, 1839, Longfellow wrote in his journal: "News of shipwrecks

horrible, on the coast. Forty bodies washed ashore near Gloucester, one

lashed to a piece of the wreck. There is a reef called Norman's Woe,

where many of these took place; among others the schooner Hesperus."

On Dec. 30 he added: "Sat till one o'clock by the fire, smoking, when

suddenly it came into my head to write the Ballad of the schooner

Hesperus, which I accordingly did. Then went o bed, but could not sleep.

New thoughts were running in my mind, and I got up to add them to the

ballad. It was three by the clock."... "I feel pleased with the ballad.

it hardly cost mean effort. It did not come into my mind by lines but by

stanzas."

In a letter to Mr. Charles Lanman on Nov. 24, 1871, Mr. Longfellow said:

"I had quite forgotten about its first publication; but I find a letter

from Park Benjamin, dated Jan. 7, 1840, beginning...as follows:--

"'Your ballad, The Wreck of the Hesperus, is grand. Enclosed are twenty-

five dollars (the sum you mentioned) for it, paid by the proprietors of

The New World, in which glorious paper it will resplendently coruscate on

Saturday next.'"

11. flaw: a sudden puff of wind.

14. Spanish Main: a term applied to that portion of the Caribbean Sea

near the northeast coast of South America, including the route followed

by Spanish merchant ships traveling between Europe and America.

37-48. This little dialogue reminds us of the "Erlkonig," a ballad by

Goethe.

66. See Luke 8: 22-25.

60. Norman's Woe: a reef in", W. Glouster harbor, Mass.

70. carded wool. The process of carding wool, cotton, flax, etc.

removes by a wire-toothed brush foreign matter and dirt, and leaves it

combed out and cleansed.

THE VILLAGE BLACKSMITH

7. Crisp, and black, and long. Mr. Longfellow says that before this

poem was published, he read it to his barber. The man objected that

crisp black hair was never long, and as a result the author delayed

publication until be was convinced in his own mind that no other

adjectives would give a truer picture of the blacksmith as he saw him.

39-42. Mr. Longfellow's friends agree that these lines depict his own

industry and temperament better than any others can.

IT IS NOT ALWAYS MAY

No hay pajaros en los nidos de antano. Translated in lines 12 and 24.

8. freighted: heavily laden.

EXCELSIOR

Mr. Longfellow explained fully the allegory of this poem in a letter to

Mr. Henry T. Tuckerman. He said: "This (his intention) was no more than

to display, in a series of pictures, the life of a man of genius,

resisting all temptations, laying aside all fears, heedless of all

warnings, and pressing right on to accomplish his purpose. His motto is

Excelsior, 'higher.' He passes through the Alpine village,--through the

rough, cold paths of the world--where the peasants cannot understand him,

and where his watchword is 'an unknown tongue.' He disregards the

happiness of domestic peace, and sees the glaciers--his fate--before him.

He disregards the warnings of the old man's wisdom.... He answers to

all, 'Higher yet'! The monks of St. Bernard are the representatives of

religious forms and ceremonies, and with their oft-repeated prayer

mingles the sound of his voice, telling them there is something higher

than forms and ceremonies. Filled with these aspirations he perishes

without having reached the perfection he longed for; and the voice heard

in the air is the promise of immortality and progress ever upward."

Compare with this Tennyson's "Merlin and The Gleam," in which he tells

his own experience.

7. falchion: a sword with a broad and slightly curved blade, used in the

Middle Ages; hence, poetically, any type of sword.

THE DAY IS DOUR

26. In this stanza and the two following Longfellow describes what his

poems have come to mean to us and the place they hold in American life.

Compare with Whittier's "Dedication" to "Songs of Labor," Il. 26-36.

WALTER VON DER VOGELWEIDE

Walter von der Vogelweide: the most celebrated of medieval German lyric

poets, who lived about the year 1200. He belonged to the lower order of

"nobility of service." He livedin Tyrol, then the home of famous

minnesingers from whom he learned his art.

4. Walter von der Vogelweide is buried in the cloisters adjoining the

Neumunster church in Wurtzburg, which dates from the eleventh century.

10. The debt of the poet to the birds has been dwelt upon in many poems,

the best known of which are Shelley's "Skylark" and Wordsworth's "To the

Cuckoo."

27. War of Wartburg. In 1207 there occurred in this German castle, the

Wartburg, a contest of the minstrels of the time. Wagner has

immortalized this contest in "Tannhauser," in which he describes the

victory of Walter von der Vogelweide over all the other singers.

42. Gothic spire. See note on "The Builders" 11. 17-19.

THE BUILDERS

17-19. The perfection of detail in the structure and sculpture of Gothic

cathedrals may be seen in the cathedrals of Chartres and Amiens.

Numerous beautiful illustrations may be found in Marriage, "The

Sculptures of Chartres Cathedral," and in Ruskin, "The Bible of Amiens."

SANTA FILOMENA

Santa Filomena stands for Miss Florence Nightingale, who did remarkable

work among the soldiers wounded in the Crimean War (1854-56). This poem

was published in 1857 while the story of her aid was fresh in the minds

of the world.

42. The palm, the lily, and the spear: St. Filomena is represented in

many Catholic churches and usually with these three emblems to signify

her victory, purity, and martyrdom. Sometimes an anchor replaces the

palm.

THE DISCOVERER OF THE NORTH CAPE

King Alfred's Orosius. Orosius, a Spaniard of the fifth century A.D.,

wrote at the request of the church a history of the world down to 414

A.D. King Alfred (849-901) translated this work and added at least one

important story, that of the voyages of Ohthere and Wulfstan. The part

of the story used by Longfellow may be found in Cook and Tinkers's

Translations from Old English Prose, in Bosworth's, and in Sweet's

editions.

2. Helgoland: an island in the North Sea, belonging to Prussia.

42. Hebrides: islands west of Scotland.

90. a nameless sea. They sailed along the coast of Lapland and into the

White Sea.

96-100. Alfred reports simply, "He says he was one of a party of six who

killed sixty of these in two days."

116. The original says: "He made this voyage, in addition to his purpose

of seeing the country, chiefly for walruses, for they have very good bone

in their teeth--they brought some of these teeth to the king--and their

hides are very good for ship-ropes."

SANDALPHON

Selections from American poetry, with special reference to Poe, Longfellow, Lowell and Whittier · 第 13 / 15 段