I smiled down on her. “It must be your fancy,” I said.

“It does not seem so,” she replied. “I feel as if I had been here

before, and often, or for a long time.” She paused; then she said: “Do

let me go into the house. There ought to be a room there--a room--I seem

almost to see it. Come! Let us go in.”

She took my hand and drew me towards the hall door. The servants were

carrying in the luggage, and there was a certain amount of confusion and

noise, but she did not seem to notice it. She was intent on something; I

could not tell what.

“Do show me the house, Ronald--the drawing-room, and--and--there is

another room I wish to see.”

“You shall see them all, dear,” I said. “You are excited. It is natural

enough. This is the drawing-room.”

She glanced round it hastily.

“And now the others!” she exclaimed.

I took her to the dining-room, the library, and the various apartments

on the ground-floor.

She scarcely looked at them. When we had finished exploring, “Are these

all?” she asked, with a wavering accent of disappointment.

“All,” I answered.

“Then--show me the rooms upstairs.”

We ascended the shallow oak steps, and passed first into the apartment

in which my grandmother had died.

It had been done up since then, refurnished, and almost completely

altered. Only the wide fireplace, with its brass dogs and its heavy

oaken mantelpiece, had been left untouched.

Margot glanced hastily round. Then she walked up to the fireplace, and

drew a long breath.

“There ought to be a fire here,” she said.

“But it is summer,” I answered, wondering.

“And a chair there,” she went on, in a curious low voice, indicating--I

think now, or is it my imagination?--the very spot where my grandmother

was wont to sit. “Yes--I seem to remember, and yet not to remember.”

She looked at me, and her white brows were knit.

Suddenly she said: “Ronald, I don’t think I like this room. There is

something--I don’t know--I don’t think I could sit here; and I seem to

remember--something about it, as I did about the terrace. What can it

mean?”

“It means that you are tired and overexcited, darling. Your nerves are

too highly strung, and nerves play us strange tricks. Come to your own

room and take off your things, and when you have had some tea, you will

be all right again.”

Yes, I was fool enough to believe that tea was the panacea for an

undreamed-of, a then unimaginable, evil.

I thought Margot was simply an overtired and imaginative child that

evening. If I could believe so now!

We went up into her boudoir and had tea, and she grew more like

herself; but several times that night I observed her looking puzzled and

thoughtful, and a certain expression of anxiety shone in her blue eyes

that was new to them then.

But I thought nothing of it, and I was-happy. Two or three days

passed, and Mar-got did not again refer to her curious sensation of

pre-knowledge of the house and garden. I fancied there was a slight

alteration in her manner; that was all. She seemed a little restless.

Her vivacity flagged now and then. She was more willing to be alone than

she had been. But we were old married folk now, and could not be always

in each other’s sight. I had a great many people connected with the

estate to see, and had to gather up the tangled threads of many affairs.

The honeymoon was over. Of course we could not always be together.

Still, I should have wished Margot to desire it, and I could not hide

from myself that now and then she scarcely concealed a slight impatience

to be left in solitude. This troubled me, but only a little, for she was

generally as fond as ever. That evening, however, an incident occurred

which rendered me decidedly uneasy, and made me wonder if my wife were

not inclined to that curse of highly-strung women--hysteria!

I had been riding over the moors to visit a tenant-farmer who lived at

some distance, and did not return until twilight. Dismounting, I let

myself into the house, traversed the hall, and ascended the stairs. As I

wore spurs, and the steps were of polished oak and uncarpeted, I walked

noisily enough to warn anyone of my approach. I was passing the door

of the room that had been my grandmother’s sitting-room, when I noticed

that it stood open. The house was rather dark, and the interior was dim

enough, but I could see a figure in a white dress moving about inside.

I recognised Margot, and wondered what she was doing, but her movements

were so singular that, instead of speaking to her, I stood in the

doorway and watched her.

She was walking, with a very peculiar, stealthy step, around the room,

not as if she were looking for anything, but merely as if she were

restless or ill at ease. But what struck me forcibly was this, that

there was something curiously animal in her movements, seen thus in a

dim half-light that only partially revealed her to me. I had never

seen a woman walk in that strangely wild yet soft way before. There was

something uncanny about it, that rendered me extremely discomforted; yet

I was quite fascinated, and rooted to the ground.

I cannot tell how long I stood there. I was so completely absorbed in

the passion of the gazer that the passage of time did not concern me

in the least. I was as one assisting at a strange spectacle. This white

thing moving in the dark did not suggest my wife to me, although it

was she. I might have been watching an animal, vague, yet purposeful of

mind, tracing out some hidden thing, following out some instinct quite

foreign to humanity. I remember that presently I involuntarily clasped

my hands together, and felt that they were very cold. Perspiration broke

out on my face. I was painfully, unnaturally moved, and a violent desire

to be away from this white moving thing came over me. Walking as softly

as I could, I went to my dressing-room, shut the door, and sat down on a

chair. I never remember to have felt thoroughly unnerved before, but now

I found myself actually shaken, palsied. I could understand how deadly

a thing fear is. I lit a candle hastily, and as I did so a knock came to

the door.

Margot’s voice said, “May I come in?” I felt unable to reply, so I got

up and admitted her.

She entered smiling, and looking such a child, so innocent, so tender,

that I almost laughed aloud. That I, a man, should have been frightened

by a child in a white dress, just because the twilight cast a phantom

atmosphere around her! I held her in my arms, and I gazed into her blue

eyes.

She looked down, but still smiled.

“Where have you been, and what have you been doing?” I asked gaily.

She answered that she had been in the drawing-room since tea-time.

“You came here straight from the drawing-room?” I said.

She replied, “Yes.”

Then, with an indifferent air which hid real anxiety, I said:

“By the way, Margot, have you been into that room again--the room you

fancied you recollected?”

“No, never,” she answered, withdrawing herself from my arms. “I

don’t wish to go there. Make haste, Ronald, and dress. It is nearly

dinner-time, and I am ready.” And she turned and left me.

She had told me a lie. All my feelings of uneasiness and discomfort

returned tenfold.

That evening was the most wretched one, the only wretched one, I had

ever spent with her.

*****

I am tired of writing. I will continue my task to-morrow. It takes me

longer than I anticipated. Yet even to tell everything to myself brings

me some comfort. Man must express himself; and despair must find a

voice.

The Return Of The Soul 1896 · 第 9 / 25 题