PART III

CHILDREN OF THIS

JEAN, A PORTRAIT

She was remarkable in the first place because she never rode in a

perambulator like other children; either she walked--on bare, shapely,

pink feet--or her own personal attendant, Elspeth (a very tall woman

indeed), carried her in a plaid slung over one of her broad shoulders.

Elspeth despised the “bit barrows” of the other nurses, and was quite

strong enough to have carried Jean’s mother as well as Jean. “She will

go barefoot,” Elspeth would say, “till she iss seven, and when she iss

a woman she will walk like a queen, and not like a hen!”

Jean, if possible, went bareheaded as well as “barefoot,” and perhaps

that is the reason why her hair is so abundant, so curly, so full of

golden light that in the sunshine it almost makes you blink. Moreover,

her eyes are big and blue. Sunshine and rain, and kind fresh winds have

tinted her face with the loveliest warm browns and pinks; she is not

yet five years old, and she can dance the sword dance! It is really a

great sight to see Jean’s pink feet twinkling in and out between two

unsheathed swords of her father’s, and he is a proud man.

Yet there never was such a “girly” girl as Jean.

She has an enormous family of dolls--for her adorers all bring dolls,

and _they_ are as the sands of the sea in number--she takes a motherly

interest in them all, both dolls and adorers, but her inseparable

companion is one “Tammy,” an ancient and dirty-faced rag soldier; with

arms and legs resembling elongated sausages, a square body, no feet,

and a head shaped like a breakfast “bap.” Not an attractive personality

to the uninitiated, but he and Jean were as Ruth and Naomi. It is

something of a sorrow to her that the exigencies of Tammy’s figure do

not admit of a kilt, just as she puzzled all last summer in sorrowful

surprise that her father never once donned the uniform she so admires.

Jean’s people live at a house on the Terrace, which has at the back a

shady old-fashioned garden with a big square lawn in the centre. There

Jean’s brothers, Colin and Andrew, played cricket, while Jean fielded

or drilled her dolls under the trees. In the evening, after dinner,

there would be a sound of men’s voices and an occasional thrum of the

banjo under those same trees, and a cheerful clink of glasses, while

men with brown faces and trim, well-set heads laughed and rejoiced in a

coolness that concealed no malaria.

Jean’s father had a reprehensible habit of bringing her, wrapped in a

blanket, out into the garden at ten o’clock at night, when she would

be handed about from knee to knee like a superior sort of refreshment.

To be fetched out of bed in this fashion would have been upsetting

to some children, but Jean, with an adorable sleepy smile, would make

herself agreeable for half an hour or so, and when carried back and

tucked into bed--always by her father--fell asleep again directly,

and never seemed a scrap the worse. On such occasions she was always

expected to sing. She never sang anything but Scottish songs--mournful

or martial, mostly Jacobite, and her repertory was enormous. While

other children were learning “Little Jack Horner,” or “Hey diddle

diddle!” Jean, thanks to Elspeth, learned “Hey Johnny Cope,” or “Cam’

ye by Athol,” and her voice was as the voice of Katherine of France,

“broken music,” for her voice was music, and her English broken.

Sometimes a belated passer-by would wait outside to listen in wonder to

someone singing in the clearest baby voice:

Sing Hey, my bra’ John Hielandman,

Sing Ho, my bra’ John Hielandman,

and at the end of each refrain she always kissed her father, for

there was no one in the world to match with him in Jean’s eyes.

She absolutely declined to sing the last verse after that day upon

which she discovered what “hanging” meant, Colin and Andrew having

suspended Tammy from the apple tree. At times, Jean could raise her

voice otherwise than in song, and on that occasion the whole Terrace

resounded with her shrieks.

Next door there dwelt a very grumpy gentleman. With that easy

confidence in a neighbor’s neighborliness generally manifested by

people who have lived much abroad, Jean’s father, on taking up his

quarters, had written asking permission to put some wire-netting on

the top of the party wall to prevent cricket balls going over. To his

immense surprise he received a curt and discourteous refusal, which

terminated in a warning to the effect that, if balls did come over,

there they would have to stay, as the writer would in no circumstances

have boys running in and out of his house, and there was no back

entrance. Of course balls went over; but Colin and Andrew found an

unexpected ally in Mr. Knagg’s housekeeper, who threw the balls back

again without consulting him; and Mr. Knagg felt rather aggrieved that,

as yet, he had found no cause for complaint. Complaint in some form or

other was as the breath of life to him; he had gone to law with so many

of his fellow-townsmen that his society was no longer sought after, and

his exceedingly clean steps were untrodden by strangers. He intended at

first to complain that the banjo-playing in the garden disturbed him at

his studies, when he happened to hear Jean sing “This iss no my plaid,”

and somehow he gave up the idea.

Colin and Andrew possessed a “mashie” each, and a game of “putting

golf.” It was reserved for Sunday afternoons as being of a quiet and

decorous nature.

But one Sunday afternoon Andrew forgot to “putt,” and gave his ball

a drive that lifted it high over the wall into the next garden. Now,

the wall was too high to climb; besides, the fear of Mr. Knagg was

upon them, and the housekeeper was out--they had seen her go. They had

only two balls, and it was yet a long two hours off teatime. Father and

mother were both out. They retired to consult Jean under the trees.

“If he wasn’t such an old beast, I’d go and ask for it myself,” growled

Andrew.

“You wouldn’t get it if you did,” said Colin the practical.

“Why shouldn’t Jean go? He’d give it to her,” suggested Andrew, who had

noted the weakness of his sex where Jean was concerned.

“Of course he would. You must go, Jean. Hurry up!”

“What, all on my lonely?” exclaimed Jean in pained astonishment.

“Oh, we’ll come with you to the door and ring the bell for you, and

then cut away before he can open it. Then you ask him nicely. Come on,

Jean!”

She seldom long opposed her brothers. She had what Elspeth called a

“tender head,” and strongly objected to having her hair pulled. Between

them they marched her up the flagged path to Mr. Knagg’s front door,

rang loudly, and departed precipitately.

Maighda, the great deerhound who shared with Elspeth the guardianship

of Jean, rose from amidst the company of dolls, where she had been

reposing, and walking gravely into the front garden, jumped the iron

fence, and joined Jean at the top of the steps.

Jean clasped Tammy firmly with one arm and coiled the other round

Maighda’s neck as the door opened rather noisily to disclose an

irate-looking little gentleman in gold-rimmed _pince-nez_.

“If you please,” began Jean, in a still, small voice, “there iss a wee

ball-y wass putted into your garden--will I get it?”

Mr. Knagg stood staring at his strange visitors, while Jean rubbed one

pink foot over the other and Maighda sniffed at him dubiously. Tammy,

with his customary reserve, betrayed no emotion whatever.

“Come!” said Mr. Knagg shortly, holding out his hand. As Jean

disappeared Colin and Andrew flew into the back garden and swarmed up

an apple tree, whence they surveyed their sister’s proceedings with

interest.

“Wonder why men are so much decenter to girls than to us?” mused Andrew.

“Oh, well; his housekeeper likes us best, anyway. Everyone’s got their

cranks.”

“Fore,” cried a clear little voice, and the ball fell with a soft

“plop” at the foot of the apple tree.

“She throws very well for a girl,” said Colin as he dropped onto the

grass. “Let’s finish the game.”

“What do you mean by ‘fore’?” asked Mr. Knagg.

“Heads, you know,” said Jean; but her host was more puzzled than ever,

for he had not even a bowing acquaintance with the royal and ancient

game. They stared at each other in silence for a minute, then Jean,

remembering that one of the most important precepts of her clan was to

accept no service without rendering some return, said shyly: “Will I

sing you a song?”

“Pray do!” exclaimed Mr. Knagg; and his eyeglasses flew off his nose,

he frowned so hard.

“My love’s in Germanie--send him hame! send him hame! My love’s in

Germanie--send him hame!” Jean only sang three verses. Elspeth never

taught her the last two, and when the last notes full of longing had

died away, she added cheerfully: “But he iss at home just now.”

“Who is?”

“My father. Nearly all my songs iss about father.”

“Really!” ejaculated Mr. Knagg, and blew his nose noisily. “So that’s

Scotch?”

“All my songs iss Scottish. I promised Elspeth, and I will know them

all some day. Goot-bye!” and Jean, settling Tammy more comfortably on

her arm, prepared to depart. As she spoke she had lifted her face to be

kissed, and Mr. Knagg kissed her.

“He iss a dull man,” said Jean confidentially to Colin; “but he was

douce enough to me.”

The man in question sat in his favorite chair and read his Sunday

newspaper upside down. It was thirty-five years since he had kissed a

child!

Colin and Andrew were at school, father and mother had gone out in the

dog-cart, taking Maighda with them for the run, Elspeth was ironing

frocks, and Jean entertaining Tammy and all the dolls at tea on the

lawn. Suddenly she threw back her head and listened--no one had such

quick ears as Jean--the color rushed to her face, and she scampered

across the grass, round by the side of the house, and out at the garden

gate; bareheaded, with flying rosy feet, she raced to the end of the

terrace, and as she ran the sound which so excited her grew louder. It

was the pipes!

Would she find “the regiment,” she wondered? Had it come to show what

Elspeth called “this wee stuck-up bit towney” what real John Hielandman

were like? Jean pictured the frowning castle and windy Esplanade, the

steep, stony street, flanked by tall grey houses, down which “the

regiment” “in tartan plaid and philabeg” swept with swinging steps.

That was the setting in which she knew her father’s men. How would they

look in this trim Southern town? And would she dare to stop them to ask

after her friends?

No, it was not a march the piper was playing, and very soon she

discovered that there was no regiment--only a solitary piper playing

the “Keel Row,” with a crowd of unkempt children following him.

Jean pushed in among the children, who made way for this hatless,

shoeless person in some astonishment.

“He iss not the ‘Forty-second,’ nor the ‘Gordons,’ nor the ‘Seaforth,’”

said Jean to herself, “and why will he wear two tartans?” Then, pulling

at the piper’s kilt, she cried shrilly, above the skirl of the pipes:

“Can you play ‘Oran an Aoig’?”

The piper took the chanter out of his mouth, and smiled down at the

eager, upturned face, asking: “_Wot_, my dear?”

“‘Oran an Aoig,’” repeated Jean eagerly.

“Sorry I cawn’t oblige you, but I never ’eard tell of that toon,” and

the “Keel Row” sounded with renewed and aggressive vigor.

Jean loosed her hold of the kilt and turned to go. There was something

uncanny in the speech of this piper, and as she looked more closely,

a certain incongruity in his uniform which chilled and disappointed

her. The children, however, having recovered from their surprise at her

sudden appearance in their midst, decided to have some fun with Jean,

and she speedily discovered that to be the only shoeless person in a

heavily shod crowd is to be in a most unpleasant minority. Also, she

had never been alone in the street before.

Mr. Knagg heard the pipes on his way home to lunch, and having the

greatest abhorrence of all street noises, holding that they were, every

one, “disturbing to the peace of His Majesty’s lieges,” was hurrying

across the road to expostulate with the perpetrator of this new outrage

upon his ears, when he caught sight of a familiar shining in the very

middle of that rabble of children. He laid about him with his white

cotton umbrella, presently emerged from the crowd, bearing a very

tearful Jean in his arms, and hailed a cab. The cab and the dog-cart

drove up to Jean’s door at the same moment. Mr. Knagg left Jean on the

pavement and stalked into his house.

“I said he was a douce man,” sobbed Jean, in the safe shelter of her

father’s arms; “but it wass a pittence piper, not one of ours at all.”

They say that she felt the deception even more than the bruises on her

toes. Her father never managed to thank Mr. Knagg though he called

three times.

* * * * *

“Of course the master’s gone to the war with the regiment. He only got

six months’ leave, after all, and Miss Jean talks and sings about him

all day long, and the mistress just listens. But she says if Master

Colin and Master Andrew were older, she’d send them, too; for there’s

aye been some of our family for the men to follow.” Elspeth left

Mr. Knagg’s housekeeper standing at the wire fence, for she “never

encouraged clash.”

In the wintry days her neighbors saw less of Jean, as play in the

garden was impossible. But even then the pink feet splashed bravely

through the puddles and over the wet stones.

One evening about six, just as Mr. Knagg was turning into the Terrace,

a newspaper boy, shouting with raucous voice, proclaimed: “Serious

British Reverse!” “’Ighland regiment trapped and cut to pieces!” The

old gentleman darted across the road, crying: “Stop that infernal din,

and I’ll buy every rag you’ve got! Don’t come down here again, mind!”

He hurried down the Terrace with a great bundle of pink papers under

his arm. Just outside his own house he paused and looked up. Jean’s

nursery window was open at the top, the curtains were not drawn, and

the room was full of rosy light. Suddenly a child’s voice soared into

the stillness:

He’s as brave as brave can be;

Send him hame, send him hame!

He’s as brave as brave can be;

Send him hame!

Mr. Knagg took off his hat and bent his head.

THE DOLL’S-HOUSE FLAGS (1917)

To begin with the youngest.

“Me an’ the war’s the same age,” said Jasper, for Jasper was born on

August 4th, 1914.

Perhaps that was why he manifested such a decided and independent

disposition almost from his earliest months.

It may have been that everybody was so busy he was more thrown upon his

own resources than are babies in more leisurely times. But whatever the

reason, he ran about when he was one, talked fluently--if in somewhat

impressionistic fashion--when he was eighteen months old, and by the

time he was two he had attained very definite characteristics.

Barbara came next, four long years older than Jasper. She had a round,

rosy face and kind brown eyes that readily filled with tears, and her

little heart overflowed with love and pity for the wounded.

Alison was quite old when war broke out. She could remember times when

sweets “were nothing so very much--everybody eat them,” when “gentlemen

often had _two_ eggs for breakfast and lots of other things as well,”

when “Mummy could buy anything she liked in shops, and nearly everybody

had motors.”

Alison was six when Jasper was born.

Tall and pale was Alison, with straight black hair that reached her

waist. She took the war very seriously indeed, and was implacable in

her conviction that nothing else mattered. She was even rather shocked

that mummy could take comfort in the thought that it would probably be

over before Jasper was old enough to join up.

Then there was George.

He was an American and the same age as Alison and lived quite near,

though after the unfriendly fashion of London, they might never have

known him but that it happened his mummy and theirs worked at the same

hospital.

He was an “only,” and when they first knew him went as a day boy to

a preparatory school quite a long way off; but as time went on and

transport of every kind became more crowded and difficult, he came to

do lessons with Alison and Barbara.

Nothing made Barbara so happy as to be allowed to visit the “dear poor

ones” in the hospital where mummy worked; but when she first saw the

blind soldiers from St. Dunstan’s and they were explained to her, it

seemed as though she really could not bear the knowledge. The children

lived on the south side of Regent’s Park, and Nannie always took them

there for their walks.

“Will they never be able to see?” she would ask piteously.

“I fear not in this life,” was Nannie’s invariable answer.

“Not anything? Ever?”

“Nothing at all. But they are very brave, Miss Barbara; _they_ don’t

cry.”

For days after when Barbara met them in Regent’s Park, her mouth would

go down at the corners, and though she did not actually cry she was,

as nurse said, “queer and quiet” for a long time afterward. Their

inexorable doom weighed on her little soul, and even her serene faith

in a kind God and protecting angels and the “tender Shepherd” of her

prayers was somewhat shaken that such a cruel thing could be. Ah! if

they could only have met _Him_! He would have “touched their eyes”

and all would have been well. Perhaps some day---- In the meantime

the fairies--and she believed in them as firmly as in the heavenly

hierarchy itself--came to her aid, and by some process of reasoning she

decided that the blinded soldiers were under an enchantment. That a

wicked ogre, a German ogre, had taken away their sight (even as trolls

and cruel step-mothers and evilly disposed fairies blinded her favorite

heroes in the “Tales from the Norse”), but that some day a kind fairy

or wise, friendly beast would put them in the way of getting their eyes

back again. Surely among all the animals in the Zoo there would be one

who knew exactly under what tree in the Park the healing dew might be

found.

She never spoke of the St. Dunstan’s men as blind, but as the “poor

enchanted ones,” to distinguish them from the “dear poor ones” of the

hospital, and she would never speak of “Blindman’s Buff,” but always of

“Enchanted Buff.”

Jasper had learned to salute and was immensely proud of himself. Every

man in khaki or hospital blue that came in his way, from brass-hats to

the most newly joined recruits, received his respectful and ecstatic

salutation. Two-foot-six in a white Persian lamb coat and white gaiters

would stand rigidly to attention and bring up a diminutive hand clad in

a white glove smartly to his forehead. If the man he desired to honor

happened to be in hospital blue, he then kissed his hand to express

affection as well as respect. When the warrior in question perceived

Jasper he invariably returned the courtesy with _empressement_.

Generals were most punctilious in this matter, and when Jasper saw

one coming he would trot forward, plant himself firmly in the line

of vision of the eyes under the brass hat, and, rosy and triumphant,

wait till Nannie came up, announcing proudly: “I t’luted ’im _and_ he

t’luted me.”

Everyone smiled upon Jasper. He was so small and round and earnest,

and his absurd hair curled around the edge of his cap in the most

entrancing fashion. He knew he was popular and enjoyed it amazingly.

Therefore was he surprised and chilled when one day, having as usual

trotted ahead of Nannie, he stopped opposite two blue soldiers resting

on a seat in the park and they took not the slightest notice of him.

They seemed to be looking right at him as he stood at salute, but they

neither “t’luted,” nor did they smile or speak.

Jasper kissed his hand.

Still no response.

He kissed his hand, and blew the kiss right at them.

Puzzled, he looked from one to the other. They weren’t asleep. Their

eyes were wide open, and their faces kind and patient, but they didn’t

seem a bit glad to see him.

They just took no notice--no notice at all. And Nannie came up with the

pram.

“I t’luted ’em,” he said in rather trembling tones, quite unlike his

usual strong treble, “but they don’t seem to like me.”

“Eh, what?” said one of the men suddenly. “What’s that?”

Nannie said something hurriedly in a low voice. “He’s only two and a

bit,” she added. Then, “It’s too cold for you to be sitting there. Have

you lost your bearings?”

“That’s about it,” said the man who had first spoken. “Perhaps you’ll

put us on our way. It’s time we were getting back.”

“We’ll go with you. Give him your hand, dear, and bring him along.”

“I _did_ t’lute ’em,” Jasper said again, feeling that an important

ceremony had somehow been scamped.

Both the men stood up, and the one who had spoken to Nannie jogged his

friend with his elbow, saying: “And so do we salute you, young man,”

and they both did.

The man put down his hand and touched the top of Jasper’s Persian lamb

cap, and laughed:

“What a big man!” he said.

And hand in hand they followed Nannie to St. Dunstan’s.

* * * * *

“Now you know what it’s like for the poor enchanted ones,” Barbara

said, taking her hands from Jasper’s eyes.

Jasper looked very solemn. “Poor ’chanted ones,” he echoed; “I’ll

t’lute ’em and kiss my hand _and_ kirtsey ne’st time I meet ’em.”

“You talk to them, my dear,” said sensible Nannie; “they’ll like that

better than all your salutin’s.”

This Jasper was most ready to do at great length in his little high

voice that the poor enchanted ones came to recognize a long way off.

But all the same he never failed to “t’lute and kiss his hand _and_

kirtsey.” No signs of respect and affection could be too much, Barbara

said.

“It’s the worst thing of all, so we must love them most.”

Fairies and angels were inextricably mixed up in Barbara’s mind, and

when her mother came to kiss her good-night on Christmas Eve, she

murmured sleepily: “I simply can’t ’astinguish between God and Father

Christmas, so I mus’ just let it alone.”

Even the toys were much affected by the war. Jasper’s Teddy Bear wore

an expression not unlike the pathetic puzzled look of his brethren

in the Mappin Circle, now that nobody threw them buns, sat they on

their tails never so pleadingly. Alison had made him the brassard of a

special constable, and he always wore it when he went out with Jasper

in the pram. The lady dolls had all become V.A.D.’s or bus conductors

or window-cleaners, and one quite recent acquisition was a land girl.

As for the doll’s house, it wore a martial yet festive air, for the

flags of all the allies were stuck in a tight band of string with which

Alison had bound it thrice just under the roof.

It was not a new doll’s house. In fact as doll’s houses go it was

almost venerable. It had belonged to grannie’s mother, and was built in

the early part of Queen Victoria’s reign. Unlike modern doll’s houses,

it did not open in front. In front it was square and solid, with two

large windows on either side of the door, which had glass panels, and

actually opened and shut, and there were three oblong windows on the

next floor. The roof was made of real little slates, with chimneys at

either end of it. The ground floor was a shop, with two black counters

that could be taken out and dusted, and the walls were fitted with

innumerable shelves and cupboards. It was a silversmith’s shop, and

on the brass plates under the windows were, on one, “David Strachan,

Silversmith and Jeweler,” on the other, “By Appointment to Her Majesty

Queen Victoria.” By which it could be seen that it was a Scottish

jeweler’s shop, for nobody called “Strachan” could be of any other

nationality. Moreover, there were tiny toddy-ladles of various sizes

among the stock-in-trade.

Daddy used to tell the children an entrancing serial story about the

inhabitants of this wonderful house, whereof most of the plenishings

remained in their original form, though Mr. and Mrs. Strachan, the two

shop assistants, and the baby, had been renewed from time to time,

but always as nearly as possible resembling their predecessors. Thus

it came about that Mr. Strachan had side-whiskers--daddy painted them

himself--a stock and peg-top trousers, and Mrs. Strachan a crinoline

and an amazingly slender waist; while Jenny, the maid, who slept in

a box-bed in the kitchen, had a mob-cap and always wore her sleeves

rolled up. The bedroom of Mr. and Mrs. Strachan was much bemuslined,

and the parlor had green rep chairs and a round table.

“It’s all of our doll’s house,” Barbara used to say. “It doesn’t belong

to anyone partickler. Grannie said so.”

“George’s, too,” Jasper always added. He couldn’t bear George to be

left out of anything.

And perhaps because George was an American he was a little less on his

dignity than an English boy of the same age. He didn’t despise girls,

he treated them in a comradely fashion that Alison and Barbara greatly

appreciated. And Jasper adored him, for George realized that a person

might be not quite three, with nether garments so abbreviated as to

be almost indistinguishable from petticoats, with woolly gaiters and

shoes so small they refused to make a martial tramp, however much one

tried--and yet the said person might possess the most boyish soul in

the world.

Therefore was George made free of the doll’s house, and assisted Alison

with the serial story which she had taken over since that day, early

in the war, when daddy went with his Territorial battalion to France.

It was on New Year’s Day in 1917 that George brought Alison the

American flag for the doll’s house. It was a beautiful little silk one,

and he had selected it himself at Selfridge’s.

“I’d like Mr. Strachan should have it,” he said. “We want the allies to

win. You bet we do.”

But Alison shook her head. “I’m sorry,” she said. “I hate not to take

it--I’ll have it myself if you like, but it can’t go on the house. Not

yet it can’t. America’s not in, you see.”

“After all,” said George, “we’ve done a good bit, haven’t we? Look at

my dad--he’s been driving an ambulance--he gave it himself--ever since

the beginning of the war, and he’s been wounded.”

“I know,” Alison answered, “I know all that, but”--and her grave

little face was set like a flint--“you’re not in it yet, you’re not

_fighting_, and only countries that are fighting _with_ us can have

their flags on the doll’s house. Mr. Strachan’s most partickler about

that. My daddy’s been wounded twice.”

“Wouldn’t he have it at the back?” Barbara suggested. She couldn’t bear

people to be hurt, and George looked very much hurt.

“No, thank you,” he said haughtily. “If it can’t be put with the

others, you needn’t have it at all. It’s a great flag.”

“I know,” said Alison, “and I’m awfully sorry. Mr. Strachan would love

it the minute you’re really in ... but till you are----”

“We’re in right enough,” George said bitterly, “in up to the neck.

Mother says so. It’s only the President hasn’t said ‘Go’ yet--you know

what Governments are, ‘waiting and seeing,’ and all that rot. Look at

your own! And everybody getting killed all the time.”

“I know,” Alison said. “But that’s what makes the difference. We _are_

getting killed, all the time, even here in London.”

George put the little flag in his pocket. “I came to wish you a happy

New Year, Alison,” he said with an effort to speak pleasantly. “I’ll

have to get you something else. There’s some little silver things for

the shop for you, Barbara, and a machine-gun for Jasper. Perhaps the

partickler Mr. Strachan wouldn’t mind having that on his roof to fire

at the Huns when they come over.”

“Won’t you let me keep the flag?” Alison asked. “Then if ever

America....”

“If ever,” George interrupted scornfully. “That’s all you know about

it. If you’ll wait you’ll jolly well see this time. And you won’t wait

long!”

But he kept the flag in his pocket; and that night he put it in an

envelope to keep it clean.

George was right. She didn’t have to wait so very much longer, for on

April 6th, America declared war on Germany, and he appeared directly

after breakfast waving a Stars and Stripes large enough to have covered

the doll’s house like a tablecloth, so they hung it out of the nursery

window instead, and Jasper “t’luted” it when he went out in his pram.

And Alison got the little flag from George and put it between that of

England and France on the doll’s house, and he further presented the

Strachans with two little khaki gunners to man the gun on the roof, for

there were rumors to the effect that London would get it particularly

hot that summer. The Huns were so angry about America.

That very morning great-uncle Jasper came to see the children, and gave

each of them, including George, a bright new half-crown.

Jasper was much pleased with his, and refused to be parted from it

even after Nannie had dressed him to go out. He declared he would hold

it exceedingly tight and not “jop” it. Nannie had taken him with her

down to the kitchen to get the list of wanted groceries from cook,

and before you could say “knife” he had raced into the scullery,

mounted a chair, and thrust the new half-crown down into one of the

divisions of the knife-machine, proclaiming triumphantly that it was

“a bid money-box.” And there the half-crown remains to this day unless

somebody has been demobilized who understands Kent’s knife-machines.

Nannie hated to take Jasper to shops instead of the Park, but she

had to do it sometimes because things had to be got and there was no

one else to fetch them; besides, the “pram was handy for parcels.”

He thoroughly enjoyed these expeditions and certainly cheered up the

shopping of other people.

That morning when they arrived at the grocer’s there was the usual

tired, cross-looking throng of housewives bearing string bags,

irascible old gentlemen with leather ones, and the inevitable slate

with the restrictive announcement: “No Matches. No Jam. No Bacon. No

Tea. No Cheese. No Lard.”

“Tut, tut,” muttered Nannie. “No cheese again!”

“No tzeeze adain,” Jasper instantly repeated, but in ringing tones that

might have indicated glorious news, and everybody laughed.

“Bless his heart,” said Nannie when she got home, “he does his bit as

well as anybody.”

Alison was always ready enough to take care of Jasper, and was

thoroughly trustworthy as regards letting no harm befall him; but she

looked upon such “minding” in the light of “war work,” and her methods

were somewhat austere.

She was annoyed that he should constantly interrupt mummy when she

read aloud the latest war news from _The Times_ by frivolous calls for

admiration of his clock-work rabbit, and that mummy never failed to

respond. And Alison was positively shocked that he could go on playing

absorbedly with the said rabbit even when mummy read to them a letter

from daddy in France.

She forgot that, for Jasper, daddy was chiefly known as a picture in

a frame that stood on a table by mummy’s bed, whereof he kissed the

glass, making a smudge on it, every night when he had said his prayers;

whereas the familiar rabbit was furry and comforting to carry, and went

across the floor in a succession of exciting hops when it was wound up.

After all, Jasper was but a very little boy.

As for Barbara, she followed where Jasper led. Barbara was no sort of

use for minding. Yet she could devise most delightful games, and gave

dolls’ tea-parties when all the vanished delicacies that used to grace

such festivities before the war appeared again. So lavish was she with

chocolate éclaires and cream buns and “white and pink sugar cakes” that

Alison, the conscientious, was moved to expostulate, exclaiming: “What

about the rationing, Barbara?”

“There’s no war in fairyland,” Barbara answered serenely, “and this is

a fairy tea, so you can have as many lumps of sugar as ever you like.”

Jasper was a cause of anxiety at these functions, because he _would_

put a whole plate in his mouth at once. The V.A.D. doll fell over

backward, she was so shocked. Such voluptuous gastronomic joys as

chocolate éclaires and cream buns woke no responsive thrill in Jasper’s

breast, for he had never either seen nor tasted one or the other, so

when called upon to pretend to eat something, he seized the nearest

thing of handy size.

* * * * *

The children’s house had a basement, but George’s mother lived in a

beautiful Willet house that had none, so that autumn he and his mother

and their maids used to run over “to spend the raid” with Jasper’s

household when the first maroons sounded.

After the Zeppelin raids the doll’s house had been brought down from

the nursery to a room in the basement where there was a gas fire,

and the children used to play with it and enact many thrilling dramas

while the raids were going on. As George had prophesied, London got it

particularly hot during the harvest moon of 1917, with five raids in

eight nights.

They had all just got back from a holiday in the country and, with the

exception of Barbara, who was gun-shy and hated the noise, they really

felt the strain far less than the grown-ups.

Jasper usually slept most of the time in his mother’s arms, but after

a particularly loud crash would rouse himself to murmur with sleepy

complacency: “That was a good one. We got ’em that time.”

But Barbara, when the barrage was unusually deafening and prolonged,

remarked rather piteously: “How it must ’asturb the poor angels!”

It was during the very last raid of all, in May of the following

year, that something happened to the doll’s house. It was on a Sunday

night, and the maroons didn’t start till eleven o’clock. George and

his household hurried over as soon as he had got some clothes on, and

Jasper woke up and was very talkative and cheerful. Arrayed in a blue

dressing-gown and bed-shoes, he ran about the room, interfering with

George and his sisters in their arrangement of the Strachan family, and

shouting lustily in concert with the louder crashes.

He wasn’t often allowed to touch the interior of the doll’s house,

for his methods were too Bolshevist, and he was inclined to instigate

conduct wholly opposed to the characters of so _douce_ and respectable

a family.

That night Barbara insisted that Jeannie, the maid, and the baby should

take refuge under one of the counters, while Mr. and Mrs. Strachan and

the shop assistants crouched behind the other.

It happened that just then Jasper had developed a mania for collecting

smooth, round stones, and Alison had suggested he should form an

ammunition dump to supply the Strachans’ machine-gun. This dump he

was allowed to build near the stumpy little low oak table on casters

that had supported the doll’s house from the time it was first built.

Mummy had carefully explained to him that he must on no account throw

the stones _at_ anything, because Jasper came of three generations of

left-hand bowlers, and had already shown that he could throw a ball in

the direction he wanted it to go. So far he had never thrown a stone

either at things or people, for he was a kind little soul and no more

disobedient than the generality of small boys of three. But he carried

a stone in his hand all day long unless Nannie discovered it and took

it from him. He liked the feel of it, its smoothness, its roundness,

its vast potentialities.

That night he had been shooed away from the doll’s house half a dozen

times, for Alison and George were absorbed in a thrilling play in which

the Strachans captured a German spy who was guiding enemy air-craft by

means of forbidden lights.

Just as the “Archies” were barking their loudest, and an unmistakable

bomb dropped somewhere, Jasper, on the other side of the room, gave a

whoop and let fly the stone he had in his left hand straight at the

doll’s-house roof. It took one of the wooden chimneys broadside on

and broke it clean off, narrowly missing the massed heads of his two

sisters and George, which were luckily almost inside the house absorbed

in the spy drama.

It also cracked some of the neat little slates on the roof.

There was a general consternation and excitement, and Jasper scurried

across the room to secure another stone from the dump, when he would

have undoubtedly had a shot at the other chimney had not Nannie caught

him and held him tight.

Then it was that Alison astonished her family, for instead of demanding

instant and condign punishment for her destructive little brother, she

danced about the room and burst into poetry, shouting at the top of her

voice:

The Strachans are in the War Zone, their house has been hit,

They’ve caught a bad spy and they’re all done their bit.

“She’s a most onaccountable child, Miss Alison,” said Nannie to cook

next day; “she was actually sorry that the stone didn’t go right

through the roof, an’ you’d have thought she’d have gone on ever so ...

anyway, it kept them from caring much about the raid.”

CONCERNING CHRIS AND EASTER (1916)

Easter is the only girl, a sort of happy afterthought at the end of

a long family of five boys, with six years between her and her next

brother.

Chris is the only precious child, born after a good many years of

marriage to devoted and adoring parents.

Easter doesn’t think much of boys. They are common as blackberries in

her family and she is keenly sensible of her own distinction in having,

as she puts it, “chosen to come as a girl.”

Thus it came about that her mental attitude struck Chris with something

of a shock; not wholly unpleasant; stimulating; the tingle of

resentment tempered by a thrill of amused surprise. It was so odd and

new to meet anyone who felt like that.

Besides, till he came to live in Easter’s village he had been rather

lonely, and she supplied a felt want. Especially had this been so

in the last two bewildering years, for his parents had seemed less

absorbed in him than was quite dutiful. And for the last year his

father had vanished altogether to that mysterious place that swallowed

up so many pleasant and familiar folk; that overshadowing, omnipotent,

vastly extending region known as “the front.”

Easter, on her part, welcomed the society of Chris. She, too, was

lonely by reason of the very same cause as Chris. Little girls were

scarce in that village and Easter’s mother was busy all day long with

war work of one sort and another, and owing to the same cause Chris’s

governess, Miss Radley, only gave him her society during the bare hours

of lessons, which lessons had for some time been shared by Easter.

Now Easter was much better at lessons than Chris; much quicker, in

most things far more intelligent and receptive. Only in arithmetic did

Chris shine, and in this subject he had soared away from Easter and did

abstruse calculations in the end of the book all by himself with Miss

Radley.

Easter was born on an Easter Day, and this year she was eight years

old. Chris was born on Christmas Day, and last Christmas he was eight.

Therefore, in spite of his prowess in arithmetic, he maintains that he

is a year older than Easter.

“Weren’t you born in 1908?” he demands sternly.

“Ye-es,” answers Easter, “on an Easter Sunday. They _were_ so pleased.”

“And I,” says Chris, “was born in 1907. Take seven from eight and what

remains?”

“One, but it isn’t a real, whole one,” Easter objects.

No one knows this better than Chris, but he stoutly maintains: “A

year’s a year, and you’re either born in it or you’re not--so there.”

However, in spite of this and many other differences of opinion, they

had decided to get married when they came to what Easter’s nurse calls

“a suitable age.”

As a rule Chris follows blindly where Easter leads, giving in to her

stronger will and considerably stronger body, though not always without

protest.

Easter is tall for her age and very muscular. She has a gentle,

early-Victorian, regularly featured, delicately tinted face, with a

high forehead, abundant curly, fair hair, and large pathetic blue

eyes that are entirely misleading. In fact, her appearance is as

unlike her real character as it is possible for such an extremely

agreeable exterior to be. She looks all softness and gravity and gentle

melancholy. Whereas she is a ruthless and determined young person

who cares nothing for “moral suasion” and less for punishments and

penalties, provided she gets her own way.

Chris, on the contrary, is soft-hearted and easily ruled through his

affections. He would rather not be disobedient and troublesome unless

such breakings of the law are expressly commanded by Easter.

But to be called a “muff” is more than he can bear, and rather than

Easter should think this of him he will offend his whole dynasty of

friends.

* * * * *

Chris and Easter were sitting under a hedge brilliant with scarlet hips

and cloudy with “traveler’s joy.” The hedge topped a fairly steep

bank, with a ditch full of muddy water at the bottom of the bank.

A heated argument was in progress as to the names of their eight

daughters. Easter had already chosen the names, and they ran as

follows: Irene, Semolina, Rosalind, Majorca, Minorca, Vinolia, Larola,

and Salonica. Chris objected to Semolina and Vinolia.

“I hate semolina,” he observed gloomily, “almost as bad as I hate rice.”

“But it sounds so much nicer.”

“And Vinolia, too--greasy stuff you smear on chapped legs.”

“It’s got a lovely smell,” said Easter.

“And why,” demanded Chris, who was in a bold and captious mood, “should

there be eight of ’em? Why can’t there be some boys?”

“I won’t have boys, I tell you,” Easter declared firmly. “Girls are far

prettier.”

“_Are_ they?” asked Chris incredulously. “I’ve never seen any pretty

ones.”

Instead of asking “Where are your eyes?” Easter said huffily, in

life-like imitation of nurse: “That’s as it may be. Anyway they wear

far prettier clothes.”

“You don’t,” Chris pointed out.

Easter looked down at her extremely short and faded navy-blue skirt,

at her long legs stuck out in front of her, at her muddy boots, at the

large hole in the knee of her stocking. Save for the said skirt she

was dressed almost exactly like Chris, in muffin cap, reefer and brass

buttons.

“Sometimes I do,” she maintained; “but anyway, Irene, Semolina, and

Rosalind, and Majorca, and Minorca, and Vinolia, and Larola, and

Salonica will all have lovely frocks, silk ninon, with sashes. Chris,

they’ll be perfectly sweet, and we’ll make them walk two and two in

front of us to church.”

“I tell you,” Chris declared, unmoved by this entrancing vision, “that

I don’t _want_ so many daughters. I don’t like them, I don’t want ’em

and I won’t have ’em.”

“Then,” Easter ejaculated in breathless tones that should have warned

him, “I shan’t marry you.”

“I don’t care,” the callous Chris announced. “The country wants men. I

heard my daddy say so the last time he was home. There’s far too many

women as it is. They can’t fight.”

“Can’t they?” the indignant Easter exclaimed ironically, and giving

Chris a vigorous and wholly unexpected push, rolled him down the steep

bank and into the ditch with a mighty splash; and then, adding insult

to injury, she dug her heels into the wet grass, and taking off with

skill and surety, jumped over his prostrate body on to the road,

whereupon she ran away, laughing derisively.

Chris got most uncommonly wet, for the bottom of the ditch was slimy

and soft. Even after he had struggled to his feet they slipped about

and sank in far over the tops of his boots. And when he did manage to

scramble up the bank to the road, he certainly looked a deplorable

object, covered with mud and green slime and with water oozing from

every bit of him. He stamped his feet and rubbed them on the wet grass

that bordered the road without much visible betterment.

There was no going back through the village in such a plight, so

he climbed the first five-barred gate he saw and started on a long

cross-country journey that was to bring him home by unfrequented ways.

He found the unfrequented ways, for he didn’t meet a soul, but he lost

his bearings altogether. The wind got up and there followed cold, gusty

showers of rain and hail. He felt chilled and miserable and dreadfully

tired. Field after field he traversed and yet found no familiar

landmarks, till, having toiled uphill over a heavy ploughed field, he

reached a road that stood fairly high, and below him on the far horizon

he recognized the square tower of his own church. He plodded on and on

till at last he trotted wearily up his own drive, and there he saw that

not only Miss Radley but the three maids were all gathered on the steps

of the front door. The moment Miss Radley saw him she ran toward him,

exclaiming:

“Oh, Chris! Where _have_ you been? We were getting so anxious. Do you

know it’s half-past five? My dear boy, how wet you are! Come in and get

changed at once.”

The maids went back into the house when they saw Chris, and Miss Radley

hurried him in and upstairs, not even waiting to make him wipe his feet.

“We’ve been so anxious,” she repeated. “I went to Easter’s, and she

said you’d parted ever so long ago. Why did you go off by yourself like

that?”

Chris was half in, half out of his sailor blouse by this time, and

mumbled something about having got tired of Easter.

Miss Radley didn’t worry him much with questions, nor did she comment

severely upon his dirty state. She was extraordinarily kind and got her

hands all over mud in helping him to take off his boots; and it was

not until he was lying luxuriously in a hot bath that it struck him

as odd that his mother didn’t come to him. All the time, too, he had

the feeling that Miss Radley wanted to tell him something and yet she

couldn’t seem to begin.

“Where’s mummy?” he asked at last. “Isn’t she back yet? I wish she’d

come and talk to me.”

Miss Radley looked queerly at him, almost as though she were going to

cry. “Chris dear,” she said, and waited for quite a long time, “mummy

has had to go away....”

“Away! For the night? Where to? Why?”

“Chris dear”--again Miss Radley seemed to find it difficult to go

on--“she had a telegram, just after you went out, from the War Office,

asking her to go at once. Your father is in a hospital at Boulogne,

very ill ... wounded.”

“Dangerously wounded?” asked Chris, who was familiar with war terms.

Miss Radley nodded, and two tears ran down her cheeks. “That’s what it

said.”

“I think,” said Chris, “I’d like to get out of this bath now.”

When he was dressed he didn’t seem to want the long-delayed tea, even

though there was a beautiful brown egg and lovely buttered toast. In

spite of the hot bath and a bright fire in the schoolroom he felt

horrid, cold trickles running down his back all the time. He was

extremely tired, too, yet only conscious of one overwhelming want--to

be taken on his mother’s knee and comforted. Miss Radley took him on

hers and sat with him right in front of the fire. She was very kind and

told him how sorry mummy had been to go off in such a hurry without

saying good-bye, but there was just one train that would reach London

that night if she caught it at the junction; and the squire, Easter’s

father, had driven her himself in his motor, and they just managed; and

she was crossing to France that night in charge of a brother officer of

dad’s--she had her passport long ago.

Every now and then Miss Radley lightly touched his face, which was

very hot, and then she would hold his hand, which was very cold.

Half-asleep, Chris would murmur from time to time, “dangerously

wounded,” but somehow he couldn’t feel about it as he knew he ought to

feel. Though he adored his daddy, all he felt was this overpowering

ache of longing for his mother.

Easter’s scornful refusal to have any boys in her family had hurt him

very much. He felt lonely and pushed out, somehow; and he badly wanted

the one person who never failed in her appreciation of little boys,

even if they were thin and small and not particularly good looking, and

could not run so fast as ... certain little girls. He was conscious of

being all these undesirable things, and yet he was convinced it was a

great and glorious thing to be a boy, even if Easter didn’t think so.

Once, after a long and acrimonious discussion with her on this very

subject, he had said to his mother: “I choosed to come as a boy, didn’t

I?”

“God chose,” said his mother gravely.

“Me and God settled it together,” Chris announced complacently, and his

mother got up suddenly and looked in a cupboard for something she never

found.

In Chris’s mind God and Father Christmas were inextricably mixed up.

He had no fear of either one or the other. Both were beneficent and

considerate and ready to give people their choice both as to presents

or other things.

Yet when he was put to bed that night he couldn’t dream of pleasant,

soothing things, but was pursued by eight strong daughters in

embroidered ninon frocks and pink sashes, who formed themselves into

a solid phalanx and drove him to the edge of an awful precipice, and

were just pushing him over ... when he would wake to find Miss Radley

standing beside his bed, looking anxious and troubled, shading a candle

with her hand.

* * * * *

The war had not touched Easter very nearly. Her mother had forbidden

nurse to talk about it to her; and her father (judging her

sensitiveness wholly from her gentle, Early-Victorian appearance) was

careful to keep all frightening or depressing news from her as far

as was possible. All her life she had been sheltered and adored and

spared and spoiled. Her brothers, being so much older, had “given

in” to her from the very first, and although the two eldest were

fighting--one in the navy, the other in the army--their doings did not

seem to affect her particularly. And of the three still at school she

had, of late, seen very little, for in the holidays they were always

doing O.T.C. training, or making munitions somewhere.

Yet one thing had impressed her during the last two years. She was

always hearing that some of their acquaintances had “lost” a son, a

brother, or a husband. They did not talk of “killed” or “missing” to

Easter; but they did speak of this continual and mysterious “loss,” and

with the queer secretive puzzledom of childhood she never asked people

outright what they meant by the phrase.

It worried her, this continual losing. She never heard that these

lost ones got found again. Suppose she herself got lost in this

irretrievable way? How dreadful it would be. What would her family do?

In justice to Easter one must allow that the thought of her people’s

consternation quite overshadowed any possibly unpleasant consequences

to herself.

She had never discussed the question with Chris, who knew a lot

about the war and wanted to talk about it to the exclusion of more

interesting topics--such as daughters. But this was easily overruled.

Moreover, Easter’s mother had decided that far too much was said about

the war in Chris’s hearing, and she had asked Miss Radley to warn him

not to talk about it to Easter lest it should upset her.

Miss Radley had her own opinion of Easter’s sensibility. She had not

taught the children for six months without discovering which was the

more susceptible and imaginative. But she did as she was bid, and Chris

had done his best to obey in his turn. Perhaps in a lofty masculine way

he was rather proud that he should be allowed to know things closely

hidden from the domineering Easter, and was therefore the less anxious

to share his knowledge with her.

He whole-heartedly admired Easter. She was so strong, so good at

things, so invariably cheerful and well, with a never-failing fund of

good spirits and energy. It is very possible that one of her chief

attractions for him lay in the fact that she seemed so entirely outside

those great and grave anxieties that obsessed everybody else.

Easter was brought up to understand that any “career” that she

chose was open to her. She should have an equal chance with any of

her brothers; she might be a doctor for a factory inspector, or a

police-woman, or go in for any art or craft she fancied. Literature,

art, music, even the stage, were to be open to her, should she so

wish. But, so far, her sole ambition was centred in the possession of

a husband, a meek husband, and eight meek daughters to move and have

their being at her decree.

It was the swing of the pendulum with a vengeance.

No one told Easter about Chris’s daddy that afternoon. In the evening

she prepared her lessons with her customary energy and intelligence,

and giggled cheerfully from time to time at the recollection of Chris’s

comical appearance as he lay floundering in the ditch.

“That’ll teach him,” said Easter to herself, “whether it’s to be

daughters or not!”

Next morning at breakfast her mother said: “Miss Radley can’t take you

to-day, Easter dear, so it’s no use your going over. They had very bad

news yesterday, and Mrs. Denver has had to go to France. The major is

very ill.”

“Has Chris gone?” Easter asked.

“No, dear; but Miss Radley sent over a note quite early to say he has

got a bad, feverish cold (he got so wet yesterday--it’s a pity he

didn’t come back with you), and we don’t know what it may turn to. So

you must just take a holiday, for I’m due at the hospital supplies at

ten, and shall be away all day.”

“What’s the matter with Major Denver?”

“I fear,” said her mother, anxiously watching the earnest, delicately

tinted face upturned to hers, “I fear he is very badly wounded.”

“Oh!” said Easter, and she looked very grave.

“Be as happy as you can, my precious,” her mother called to her as she

drove away. “I’ll get home as early as possible.”

That was a very long day for Easter.

For one thing, it rained all the morning; for another, her father had

to go a long way off on business connected with special constables, and

couldn’t take her; and Amelia, the usually cheerful housemaid, went

about the house with red eyes and a perpetual sniff, because she had

heard that morning she’d lost a cousin in the “big push on the Somme.”

Amelia was distinctly depressing.

Easter knitted a few rows of her scarf--the scarf that was always begun

by her and finished by somebody else because she got tired of it.

She found she was missing Chris far more poignantly than was at all

pleasant.

After all, even if he didn’t always quite give in to her, he was good

company; and Easter found herself remembering many kind things he had

done. The chocolates he had always shared so generously, the apples so

unequally divided always in her favor. Once when she fell off a wall

and scratched her hands and tore her frock so badly, he hadn’t laughed,

and he was so seldom rough in play, only when unbearably provoked.

Easter was too honest not to admit that even at the time.

It cleared up in the afternoon and she ran over to the Denvers’ house

to see if Chris was up yet and could play.

Emma, the parlormaid, was firm in her refusal to admit Easter.

“Master Chris is that bad, so feverish it might turn to anything, the

doctor says. Miss Radley said no one was to come in, and she haven’t

left Master Chris a single minute herself. It’s dreadful, and us all in

such trouble about the major, too.”

“You haven’t lost him, have you?” Easter asked.

“Good gracious! no, not yet, so far as we knows. But he’s as bad as

bad, and,” she added, “if anything was to happen to Master Chris and

his ma away an’ all--but, there! I can’t bear to think of it. You run

along home, Miss Easter. I’ll tell Miss Radley you came to ask.”

And the door was shut in Easter’s face.

Next day the news was no better. Even Easter’s mother could not keep

from her the universal anxiety as to Major Denver. He had been their

doctor for a year before the war, and in that time had managed to

endear himself to everybody.

It was said he had taken a country practice because he thought the

bracing air would be good for Chris. Every soul in the village felt a

special right to know the latest news of the major, and Miss Radley had

the telegrams pinned on the front door as soon as she got them.

All day long people came up the drive to read these telegrams, and

presently there was a bit of white paper as well, concerning Chris, for

the doctor’s little son lay grievously sick at home, while his father,

they feared, was dying of his wounds in France. A white-capped hospital

nurse had come to help Miss Radley.

Easter was a very lonely little girl. She felt, too, that in some

inexplicable fashion she was shut out from things, that more was

happening than she was allowed to know; and, worst of all, Chris had so

entirely disappeared that she began to fear that he, too, was lost, and

they were afraid to tell her.

At the end of nearly a week she felt she could not bear this

furtiveness and suspense a minute longer, and she determined to go to

Chris’s house and find out for herself just what had happened and was

happening. She would not ring the bell. She would go round to the side

of the house and see if the schoolroom window was open, and get in and

find Miss Radley and force her to tell the truth. If Chris was lost,

then she, Easter, must herself set forth to find him without more delay.

All fell out as she had planned.

The schoolroom window, which opened like a door divided down the

middle, was open, and Miss Radley, with her back to it, sat at the

table, writing.

Easter could move quietly as a cat when it suited her. She came in

without making a sound, and stood just behind Miss Radley, who was so

absorbed she noticed nothing.

“Have you lost Chris, Miss Radley?” Easter asked loudly.

Miss Radley started violently, and Easter came round to her side, and

she noticed that Miss Radley’s usually round, rosy face was pale and

much less round than it used to be.

“Oh, Easter dear, how you startled me! Don’t suggest such a dreadful

thing! We’re awfully anxious, with his mother away and all this other

trouble, but ... we must hope always, always hope--for if anything

happened to Chris....”

“What _has_ happened to Chris?” Easter asked, searching the very soul

of Miss Radley with her large clear gaze.

“He got so wet after he left you that day last week--I can’t think

how--and he got a real bad chill, and now there are all sorts of

complications--and his temperature keeps up so.”

“What are complications?” Easter interrupted.

“You wouldn’t understand.... Oh, Easter, child, don’t stare at me like

that! Aren’t you sorry?”

“I know how Chris got so wet,” Easter said slowly. “I pushed him into

the ditch.”

Miss Radley drew back a little from Easter; then she put out her hand

and laid it on the child’s arm.

“I expect it was only in fun ... you couldn’t know....”

“Can’t I play with him a bit? Is it catching?” Easter’s voice was still

quite loud and matter-of-fact. “It’s rather dull and lonely for me.”

“For _you_!” Miss Radley echoed indignantly. “Don’t you understand?

Don’t you care, you hard child? But you never did care for anybody but

yourself.”

“Does Chris?”

“Yes, indeed he does. He’s always been a dear, kind boy. Easter, you

must go home. I can’t stop to talk to you now. Try to think about other

people a little....”

Miss Radley did not finish her sentence, for Easter had gone from her

as silently as she had come. For a minute the governess sat quite

still. Then she sighed and shivered, and went on with her letter.

Easter fled down the Denvers’ drive and out into the road, but she

didn’t go home. She ran and ran till she could run no more, and

dropping into a walk, turned downhill along a winding lane thickly

bordered by trees so high that they almost met overhead, forming an

arch. The light in this avenue was curiously lurid, for the trees were

beeches, and though rapidly thinning, were still gorgeous in reds and

yellows. The avenue led to a church in the next parish (Easter had run

such a long way), and she had been there quite lately with Chris to

a fruit and flower service in aid of the local hospital. Miss Radley

had taken them both, and now Easter remembered there were very large

vegetable marrows at the base of one of the pillars, and wondered if

they were still there. She and Chris had sat next each other at that

service, and during the sermon he had let her hold his knife. It had a

corkscrew and a thing for taking stones out of horses’ hoofs, as well

as blades, and all were very difficult to open. Chris was good about

lending his things. And he never told of people. What did old Raddles

mean when she called her hard? She did care for Chris, but she wasn’t

going to say so to Raddles. Yet Raddles looked awfully sad. Supposing

they _had_ lost Chris, after all, and were afraid to say? Supposing

she, Easter, got lost, now, to-day? This was a long, lonely, unfamiliar

road, with such a queer light in it. Supposing it were enchanted and

she couldn’t find her way back? Then she would be like all those sons

she had heard about lately. Her heart began to beat very fast. Ah!

somebody was coming up the road. She would ask her way. It would be

dreadful to be lost.

A very tall lady came toward her walking slowly up the hill. She was

dressed in black, with a long thin veil turned back from her face.

She looked restlessly from side to side, as though trying to find

somebody in the shadows. This seemed quite natural to Easter. Timidity

or shyness with strangers was unknown to her. She was glad to see

somebody, and the tall lady’s face was very gentle.

“Have _you_ lost anybody?” Easter asked as they met.

The tall lady stopped, and though she looked straight down at Easter,

the child was uncomfortably conscious that she didn’t really see her.

“I have lost my only son,” said the lady.

“You, too!” cried Easter, and what she could not say to Miss Radley

she found it easy to say now to this pale lady who looked at her so

strangely. “Oh, I _am_ sorry!”

And she took one of the lady’s hands in both her own.

The lady did not draw her hand away; with her eyes still fixed on

Easter’s face with that queer, unseeing look, she said: “Dear child!

And you?”

“Not yet,” said Easter. “Not yet--at least, they say so, but I’m

dreadfully afraid.”

“Don’t be afraid,” said the lady. “Don’t be afraid. That’s what he

always said.”

“Everyone,” said Easter, and her hard little voice grew soft, “everyone

seems losing sons and people. Won’t you never, never find him again?”

Into that lady’s face there leapt a sudden radiance as when a clearly

burning lamp is carried into a dark room. Her eyes were luminous and

bright, and Easter felt that she was really seeing her at last.

“We shall all find them again,” she said almost joyously. “Everyone of

us.”

“Are you sure?” Easter questioned.

“In sure and certain hope,” said the lady.

“In sure and certain hope,” Easter repeated. “I like that. You _are_

sure?”

“Absolutely. Tell me, dear, who is it you are anxious about?”

Hand in hand they had started slowly to mount the hill.

“It’s Chris,” she said. “He plays with me a lot and we do lessons

together ... and they won’t let me see him, and I want to tell him I’m

sorry.”

“But why won’t they let you see him?”

“Because they’re afraid they’ll lose him--I heard _that_, though

Raddles denied it when I asked her.”

“Then he’s ill?”

“I suppose so.”

The lady looked curiously at Easter. There was no doubt whatever that

she was troubled, and yet ... how oddly the child spoke.

As they walked on, hand in hand, the lady said, more to herself than to

Easter: “Does the road wind uphill all the way?”

“No,” said Easter; “when we get to the end of this it’s quite flat.”

When they came to the main road Easter took her hand out of the lady’s.

“I know my way now,” she said. “Good-bye.”

The lady stooped and kissed her. “I should write to Chris if I were

you,” she said. “He’ll probably like a letter very much when he’s a

little better.”

Easter nodded and started to run, with that swift, long-distance,

steady running that had so often worn out Chris; that was his

admiration and his despair. And as she ran she repeated over and over

again: “In sure and certain hope” all the way.

She would write to Chris directly she got in. Her copies were always

neater than his.

But she couldn’t do it the minute she got in, for tea was ready, and

her mother there to have it with her. Her mother looked pleased, too.

Better news had come from France. There was hope that Major Denver

might pull through, after all; and she had seen Miss Radley, and

Chris’s temperature was nearly down to normal.

It was a lovely tea; and directly after it Easter sat down at

her mother’s desk and wrote to Chris. Very large, with beautiful

up-and-down strokes:

“DEAR CHRIS,

“I’m sory I pushed you. Sum of them shall be boys. The ones with the

names you don’t like. Please don’t get lost.

“Your loving

“EASTER.”

She licked the flap of the envelope with copious completeness, and in

one corner of the address, very thick and black, in inch-long printed

letters was the word “EARGUNT.”

TRANSCRIBER’S NOTES:

Italicized text is surrounded by underscores: _italics_.

Obvious typographical errors have been corrected.

Inconsistencies in hyphenation have been standardized.

The Vagaries of Tod and Peter · 第 5 / 5 章