CHAPTER XIV

IN WHICH THE HAT GROWS

On Thursday, September 27th, the third morning after the events of the

crime in the Roman Theatre, Inspector Queen and Ellery rose at an early

hour and dressed hastily. They repaired to a makeshift breakfast under

the protesting eye of Djuna, who had been pulled bodily from his bed

and thrust into the sober habiliments which he affected as major-domo

of the Queen ménage.

While they were munching at anæmic pancakes, the old man asked Djuna to

get Louis Panzer on the telephone.

In a few moments the Inspector was speaking genially into the

mouthpiece. “Good morning, Panzer. Please forgive me for hauling you

out of bed at this ungodly time of the morning.... There’s something

important in the wind and we need your help.”

Panzer murmured a sleepy reassurance.

“Can you come down to the Roman Theatre right away and open it for us?”

went on the old man. “I told you that you wouldn’t be shut down very

long and now it looks as if you’ll be able to cash in on the publicity

the affair has been getting. I’m not sure when we can reopen, you

understand, but it’s barely possible that you’ll be able to put your

show on to-night. Can I count on you?”

“This is excellent!” Panzer’s voice came over the wire in a tremulous

eagerness. “Do you want me to come down to the theatre at once? I’ll be

there in a half-hour—I’m not dressed.”

“That will be fine,” returned Queen. “Of course, Panzer—no one is to

be allowed inside yet. Wait for us on the sidewalk before you use

your keys and don’t notify any one, either. We’ll talk it all over at

the theatre.... Just a moment.”

He clamped the mouthpiece against his chest and looked up inquiringly

at Ellery, who was gesturing frantically. Ellery formed his lips around

the syllables of a name and the old man nodded approvingly. He spoke

into the telephone again.

“There’s one other thing you can do for me at present, Panzer,” he

continued. “Can you get hold of that nice old lady, Mrs. Phillips? I’d

like to have her meet us at the theatre as soon as she can.”

“Certainly, Inspector. If it’s at all possible,” said Panzer. Queen

replaced the receiver on its hook.

“Well, that’s that,” he remarked, rubbing his hands together and

delving into his pocket for the snuff-box. “Ah-h-h! Bless Sir Walter

and all those hardy pioneers who championed the cause of the filthy

weed!” He sneezed joyously. “One minute, Ellery, then we’ll go.”

He picked up the telephone once more and called detective headquarters.

He gave a few cheery orders, banged the instrument back on the table

and hustled Ellery into his coat. Djuna watched them leave with a

mournful expression: he had often pleaded with the Inspector to be

allowed to accompany the Queens on their sporadic excursions into the

byways of New York. The Inspector, who had his own ideas on the subject

of rearing adolescents, invariably refused. And Djuna, who regarded his

patron much as the Stone-Age man regarded his amulets, accepted the

inevitable and hoped for a more auspicious future.

It was a raw, wet day. Ellery and his father turned up their

coat-collars as they walked towards Broadway and the subway. Both

were extraordinarily taciturn, but the keen anticipatory looks on

their faces—so curiously alike and yet so different—portended an

exciting and revealing day.

* * * * *

Broadway and its threaded canyons were deserted in the chill wind of

the morning as the two men walked briskly down 47th Street towards the

Roman Theatre. A drab-coated man lounged on the sidewalk before the

closed glass doors of the lobby; another leaned comfortably against the

high iron fence which cut off the left alley from the street. The dumpy

form of Louis Panzer was visible standing before the central door of

the theatre, in conversation with Flint.

Panzer shook hands excitedly. “Well, well!” he cried. “So the ban is to

be lifted at last!... Exceedingly happy to hear that, Inspector.”

“Oh, it isn’t exactly lifted, Panzer,” smiled the old man. “Have you

the keys? Morning, Flint. Rest up any since Monday night?”

Panzer produced a heavy bunch of keys and unlocked the central door of

the lobby. The four men filed in. The swarthy manager fumbled with the

lock of the inside door and finally managed to swing it open. The dark

interior of the orchestra yawned in their faces.

Ellery shivered. “With the possible exceptions of the Metropolitan

Opera House and Titus’ Tomb, this is the most dismal theatorium I’ve

ever entered. It’s a fitting mausoleum for the dear departed....”

The more prosaic Inspector grunted as he pushed his son into the maw of

the dark orchestra. “Get along with you! You’ll be giving us all the

‘willies.’”

Panzer, who had hurried ahead, turned on the main electric switch. The

auditorium leaped into more familiar outlines by the light of the big

arcs and chandeliers. Ellery’s fanciful comparison was not so fantastic

as his father had made it appear. The long rows of seats were

draped with dirty tarpaulin; murky shadows streaked across the carpets,

already dusty; the bare whitewashed wall at the rear of the empty stage

made an ugly splotch in the sea of red plush.

“Sorry to see that tarpaulin there,” grumbled the Inspector to Panzer.

“Because it will have to be rolled up. We’re going to conduct a little

personal search of the orchestra. Flint, get those two men outside,

please. They may as well do something to earn the City’s money.”

Flint sped away and returned shortly with the two detectives who had

been on guard outside the theatre. Under the Inspector’s direction

they began to haul the huge sheets of rubberized seat-covers to the

sides, disclosing rows of cushioned chairs. Ellery, standing to one

side near the extreme left aisle, withdrew from his pocket the little

book in which he had scribbled notes and drawn a rough map of the

theatre on Monday night. He was studying this and biting his underlip.

Occasionally he looked up as if to verify the lay-out of the theatre.

Queen bustled back to where Panzer was nervously pacing the rear.

“Panzer, we’re going to be mighty busy here for a couple of hours and

I was too short-sighted to bring extra men with me. I wonder if I may

impose upon you.... I have something in mind that requires immediate

attention—it would take only a small part of your time and it would

help me considerably.”

“Of course, Inspector!” returned the little manager. “I’m only too glad

to be of assistance.”

The Inspector coughed. “Please don’t feel that I’m using you

as an errand-boy or anything like that, old man,” he explained

apologetically. “But I need these fellows, who are trained in searches

of this kind—and at the same time I must have some vital data from a

couple of the District Attorney’s men who are working downtown on

another aspect of the case. Would you mind taking a note for me to one

of them—name of Cronin—and bring back the parcel he gives you? I hate

to ask you to do this, Panzer,” he muttered. “But it’s too important to

trust to an ordinary messenger, and—ding it all! I’m in a hole.”

Panzer smiled in his quick birdlike fashion. “Not another word,

Inspector. I’m entirely at your service. I’ve the materials in my

office if you care to write the note now.”

The two men retired to Panzer’s office. Five minutes later they

reëntered the auditorium. Panzer held a sealed envelope in his hand and

hurried out into the street. Queen watched him go, then turned with a

sigh to Ellery, who had perched himself on the arm of the seat in which

Field had been murdered and was still consulting the penciled map.

The Inspector whispered a few words to his son. Ellery smiled and

clapped the old man vigorously on the back.

“What do you say we get a move on, son?” said Queen. “I forgot to ask

Panzer if he had succeeded in reaching this Mrs. Phillips. I guess he

did, though, or he would have said something about it. Where in thunder

is she?”

He beckoned to Flint, who was helping the other two detectives in the

back-breaking task of removing the tarpaulin.

“I’ve one of those popular bending-exercises for you this morning,

Flint. Go up to the balcony and get busy.”

“What am I supposed to be looking for to-day, Inspector?” grinned the

broad-shouldered detective. “Because I hope I have better luck than I

did Monday night.”

“You’re looking for a hat—a nice, shiny top-piece such as the swells

wear, my boy,” announced the Inspector. “But if you should come across

anything else, use your lungs!” Flint trotted up the wide marble

staircase towards the balcony. Queen looked after him, shaking his

head. “I’m afraid the poor lad is doomed to another disappointment,” he

remarked to Ellery. “But I must make absolutely certain that there’s

nothing up there—and that the usher Miller who was guarding the balcony

staircase Monday night was telling the truth. Come along, lazybones.”

Ellery shed his topcoat reluctantly and tucked the little book away

in his pocket. The Inspector wriggled out of his ulster and preceded

his son down the aisle. Working side by side they began to search the

orchestra-pit at the extreme end of the auditorium. Finding nothing

there, they clambered out into the orchestra again and, Ellery taking

the right side and his father the left, began a slow, methodical

combing of the theatre-premises. They lifted the seats; probed

experimentally into the plush cushions with long needles which the

Inspector had produced mysteriously from his breast-pocket; and kneeled

to examine every inch of the carpet by the light of electric torches.

The two detectives who had by now completed the task of rolling up the

tarpaulin began, on the Inspector’s brief command, to work through the

boxes, a man to each side of the theatre.

For a long time the four men proceeded in silence, unbroken except for

the somewhat labored breathing of Inspector Queen. Ellery was working

swiftly and efficiently, the old man more slowly. As they met near the

center after completing the search of a row, they would regard each

other significantly, shake their heads and continue afresh.

About twenty minutes after Panzer’s departure the Inspector and Ellery,

absorbed in their examination, were startled by the ringing of a

telephone bell. In the silence of the theatre the clear trill of the

bell rang out with astonishing sharpness. Father and son looked at each

other blankly for an instant, then the old man laughed and plodded

up the aisle in the direction of Panzer’s office.

He returned shortly, smiling. “It was Panzer,” he announced. “Got down

to Field’s office and found the place closed. No wonder—it’s only a

quarter of nine. But I told him to wait there until Cronin comes. It

can’t be long now.”

Ellery laughed and they set to work again.

Fifteen minutes later, when the two men were almost finished, the front

door opened and a small elderly woman dressed in black stood blinking

in the brilliant arc-lights. The Inspector sprang forward to meet her.

“You’re Mrs. Phillips, aren’t you?” he cried warmly. “It’s mighty nice

of you to come so soon, madam. I think you know Mr. Queen here?”

Ellery came forward, smiling one of his rare smiles and bowing with

genuine gallantry. Mrs. Phillips was representative of a lovable old

womanhood. She was short and of motherly proportions. Her gleaming

white hair and air of kindliness endeared her immediately to Inspector

Queen, who had a sentimental weakness for middle-aged ladies of

presence.

“I certainly do know Mr. Queen,” she said, extending her hand. “He was

very nice to an old woman Monday night.... And I was so afraid you’d

have to wait for me, sir!” she said softly, turning to the Inspector.

“Mr. Panzer sent a messenger for me this morning—I haven’t a telephone,

you see. There was a time, when I was on the stage.... I came just as

soon as I could.”

The Inspector beamed. “For a lady it was remarkably prompt,

_remark_ably prompt, Mrs. Phillips!”

“My father kissed the Blarney Stone several centuries ago, Mrs.

Phillips,” said Ellery gravely. “Don’t believe a word av ’im.... I

suppose it will be _au fait_ if I leave you to tackle the rest of the

orchestra, dad? I’d like to have a little chat with Mrs. Phillips.

Do you think you’re physically able to complete the job alone?”

“Physically able—!” snorted the Inspector. “You plump right down that

aisle and go about your business, son.... I should appreciate your

giving Mr. Queen all the help you can, Mrs. Phillips.”

The white-haired lady smiled and Ellery, taking her arm, led her off

in the direction of the stage. Inspector Queen, looking after them

wistfully, shrugged his shoulders after a moment and turned back to

resume the search. A short time later, when he chanced to straighten

up, he espied Ellery and Mrs. Phillips seated on the stage conversing

earnestly, like two players rehearsing their rôles. Queen proceeded

slowly up and down the rows, weaving in and out among the empty seats,

shaking his head dolefully as he approached the last few rows still

empty-handed. When he looked up again the two chairs on the stage held

no occupants. Ellery and the old lady had disappeared.

Queen came at last to LL32 Left—the seat in which Monte Field had

died. He made a painstaking examination of the cushions, a light of

resignation in his eyes. Muttering to himself he walked slowly across

the carpet at the rear of the theatre and entered Panzer’s office. A

few moments later he reappeared, only to make his way to the cubicle

which was used as an office by the publicity man, Harry Neilson. He

was in this compartment for some time. He came out and visited the

cashiers’ offices. Shutting the door behind him when he had finished,

he wended his way down the steps on the right of the theatre leading

to the general lounge, on the floor below the orchestra. Here he took

his time, delving into every corner, every niche in the wall, every

waste-container—all of which he found to be empty. He speculatively

eyed the large bin standing directly under the water-fountain. He

peered into this receptacle and pottered away, finding nothing.

Thereupon with a sigh he opened the door on which was gilt-lettered,

ladies’ rest room, and went inside. A few moments later he reappeared

to push his way through the swinging-doors marked gentlemen.

When his meticulous search of the lower floor was completed he trudged

up the steps again. In the orchestra he found Louis Panzer waiting,

slightly flushed from his exertions but displaying a triumphant smile.

The little manager was carrying a small parcel wrapped in brown paper.

“So you saw Cronin after all, Panzer?” said the Inspector, scurrying

forward. “This is mighty nice of you, my boy—I appreciate it more than

I can say. Is this the package Cronin gave you?”

“It is. A very nice chap, Cronin. I didn’t have to wait long after I

telephoned you. He came in with two other men named Stoates and Lewin.

He didn’t keep me more than ten minutes altogether. I hope it was

important, Inspector?” Panzer continued, smiling. “I should like to

feel that I’ve been instrumental in clearing up part of the puzzle.”

“Important?” echoed the Inspector, taking the parcel from the manager’s

hand. “You have no idea how important it is. Some day I’ll tell you

more about it.... Will you excuse me a moment, Panzer?”

The little man nodded in a fleeting disappointment as the Inspector

grinned, backing off into a dark corner. Panzer shrugged and

disappeared into his office.

When he came out, hat and coat left behind, the Inspector was stuffing

the parcel into his pocket.

“Did you get what you wanted, sir?” inquired Panzer.

“Oh, yes, yes, indeed!” Queen said, rubbing his hands. “And now—I see

Ellery is still gone—suppose we go into your office for a few minutes

and while away the time until he returns.”

They went into Panzer’s sanctum and sat down. The manager lit a

long Turkish cigarette while the Inspector dipped into his snuff-box.

“If I’m not presuming, Inspector,” said Panzer casually, crossing his

short fat legs and emitting a cloud of smoke, “how are things going?”

Queen shook his head sadly. “Not so well—not so well. We don’t seem to

be getting anywhere with the main angles of the case. In fact, I don’t

mind telling you that unless we get on the track of a certain object we

face failure.... It’s pretty hard on me—I’ve never encountered a more

puzzling investigation.” He wore a worried frown as he snapped the lid

of his snuff-box shut.

“That’s too bad, Inspector,” Panzer clucked in sympathy. “And I was

hoping—Ah, well! We can’t put our personal concerns above the demands

of justice, I suppose! Just what is it you are seeking, Inspector, if

you don’t mind telling an outsider?”

Queen brightened. “Not at all. You’ve done me a good turn this morning

and—By jingo, how stupid of me not to think of this before!” Panzer

leaned forward eagerly. “How long have you been manager of the Roman

Theatre, Panzer?”

The manager raised his eyebrows. “Ever since it was built,” he said.

“Before that I managed the old Electra on 43rd Street—it is also owned

by Gordon Davis,” he explained.

“Oh!” The Inspector seemed to reflect deeply. “Then you would know

this theatre from top to bottom—you would be as familiar with its

construction as the architect, perhaps?”

“I have a rather thorough knowledge of it, yes,” confessed Panzer,

leaning back.

“That’s excellent! Let me give you a little problem, then, Panzer....

Suppose you wished to conceal a—let us say, a tophat—somewhere in

the building, in such a way that not even an exhaustive search of the

premises would bring it to light. What would you do? Where would you

hide it?”

Panzer scowled thoughtfully at his cigarette. “A rather unusual

question, Inspector,” he said at last, “and one which it is not easy

to answer. I know the plans of the theatre very well; I was consulted

about them in a conference with the architect before the theatre

was built. And I can positively state that the original blueprints

did not provide for such medieval devices as concealed passageways,

secret closets or anything of that sort. I could enumerate any number

of places where a man might hide a comparatively small object like

a tophat, but none of them would be proof against a really thorough

search.”

“I see.” The Inspector squinted at his finger-nails in an appearance of

disappointment. “So that doesn’t help. We’ve been over the place from

top to bottom, as you know, and we can’t find a trace of it....”

The door opened and Ellery, a trifle begrimed but wearing a cheerful

smile, entered. The Inspector glanced at him in eager curiosity. Panzer

rose hesitantly with the evident intention of leaving father and son

alone. A flash of intelligence shot between the Queens.

“It’s all right, Panzer—don’t go,” said the Inspector peremptorily.

“We’ve no secrets from you. Sit down, man!”

Panzer sat down.

“Don’t you think, dad,” remarked Ellery, perching on the edge of the

desk and reaching for his pince-nez, “that this would be an opportune

moment to inform Mr. Panzer of to-night’s opening? You remember we

decided while he was gone that the theatre might be thrown open to the

public this evening and a regular performance given....”

“How could I have forgotten—!” said the Inspector without

blinking, although this was the first time he had heard about the

mythical decision. “I think we’re about ready, Panzer, to lift the ban

on the Roman. We find that we can do nothing further here, so there is

no reason for depriving you of your patronage any longer. You may run a

performance to-night—in fact, we are most anxious to see a show put on,

aren’t we, Ellery?”

“‘Anxious’ is hardly the word,” said Ellery, lighting a cigarette. “I

should say we insist upon it.”

“Exactly,” murmured the Inspector severely. “We insist upon it, Panzer.”

The manager had bobbed out of his chair, his face shining. “That’s

simply splendid, gentlemen!” he cried. “I’ll telephone Mr. Davis

immediately to let him know the good news. Of course”—his face

fell—“it’s terribly late to expect any sort of response from the public

for to-night’s performance. Such short notice....”

“You needn’t worry about that, Panzer,” retorted the Inspector. “I’ve

caused your shut-down and I’ll see that the theatre is compensated

for it to-night. I’ll get the newspaper boys on the wire and ask them

to ballyhoo the opening in the next edition. It will mean a lot of

unexpected publicity for you and undoubtedly the free advertising,

combined with the normal curiosity of the public, will give you a

sell-out.”

“That’s sporting of you, Inspector,” said Panzer, rubbing his hands.

“Is there anything else I can do for you at the moment?”

“There’s one item you’ve forgotten, dad,” interposed Ellery. He

turned to the swart little manager. “Will you see that LL32 and LL30

Left are not sold to-night? The Inspector and I would enjoy seeing

this evening’s performance. We’ve not really had that pleasure yet,

you know. And naturally we wish to preserve a stately incognito,

Panzer—dislike the adulation of the crowd and that sort of thing.

You’ll keep it under cover, of course.”

“Anything you say, Mr. Queen. I’ll instruct the cashier to put aside

those tickets,” returned Panzer pleasantly. “And now, Inspector—you

said you would telephone the press, I believe—?”

“Certainly.” Queen took up the telephone and held pithy conversations

with the city editors of a number of metropolitan newspapers. When he

had finished Panzer bade them a hurried good-by to get busy with the

telephone.

Inspector Queen and his son strolled out into the orchestra, where they

found Flint and the two detectives who had been examining the boxes

awaiting them.

“You men hang around the theatre on general principles,” ordered the

Inspector. “Be particularly careful this afternoon.... Any of you find

anything?”

Flint scowled. “I ought to be digging clams in Canarsie,” he said with

a disgruntled air. “I fell down on the job Monday night, Inspector, and

I’m blamed if I could find a thing for you to-day. That place upstairs

is swept as clean as a hound’s tooth. Guess I ought to go back to

pounding a beat.”

Queen slapped the big detective on the shoulder. “What’s the matter

with you? Don’t be acting like a baby, lad. How on earth could you

find anything when there wasn’t anything to find? You fellows get

something?” he demanded, swinging on the other two men.

They shook their heads in a gloomy negation.

A moment later the Inspector and Ellery climbed into a passing taxicab

and settled back for the short drive to headquarters. The old man

carefully closed the glass sliding-window separating the driver’s seat

from the interior of the car.

“Now, my son,” he said grimly, turning on Ellery, who was puffing

dreamily at a cigarette, “please explain to your old daddy that

hocus-pocus in Panzer’s office!”

Ellery’s lips tightened. He stared out of the window before replying.

“Let me start this way,” he said. “You have found nothing in your

search to-day. Nor have your men. And although I scouted about myself,

I was just as unsuccessful. Dad, make up your mind to this one primary

point: The hat which Monte Field wore to the performance of ‘Gunplay’

on Monday night, in which he was seen at the beginning of the second

act, and which presumably the murderer took away after the crime was

committed, _is not in the Roman Theatre now and has not been there

since Monday night_. To proceed.” Queen stared at him with grizzled

brows. “In all likelihood Field’s tophat no longer exists. I would

stake my Falconer against your snuff-box that it has fled this life and

now enjoys a reincarnation as ashes in the City dumps. That’s point

number one.”

“Go on,” commanded the Inspector.

“Point number two is so elementary as to be infantile. Nevertheless,

allow me the privilege of insulting the Queen intelligence.... If

Field’s hat is not in the Roman Theatre now and has not been in the

Roman Theatre since Monday night, it must of necessity have been taken

_out_ of the Roman Theatre some time during the course of that evening!”

He paused to gaze thoughtfully through the window. A traffic-officer

was waving his arms at the juncture of 42nd Street and Broadway.

“We have established therefore,” he continued lightly, “the factual

basis of a point which has been running us ragged for three days: to

wit, did the hat for which we are looking leave the Roman Theatre....

To be dialectic—yes, it did. It left the Roman Theatre the night of

the murder. Now we approach a greater problem—_how_ did it leave

and _when_.” He puffed at his cigarette and regarded the glowing tip.

“We know that no person left the Roman Monday night with two hats or

no hat at all. In no case was there anything incongruous in the attire

of any person leaving the theatre. That is, a man wearing a full-dress

costume did not go out with a fedora. In a similar way, no one wearing

a silk-topper was dressed in ordinary street-clothes. Remember, we

noticed nothing wrong from this angle in _anyone_.... This leads us

inevitably, to my staggering mind, to the third fundamental conclusion:

that Monte Field’s hat left the theatre in the most natural manner in

the world: _id est_, by way of some man’s head, its owner being garbed

in appropriate evening-clothes!”

The Inspector was keenly interested. He thought over Ellery’s statement

for a moment. Then he said seriously, “That’s getting us somewhere,

son. But you say a man left the theatre wearing Monte Field’s hat—an

important and enlightening statement. But please answer this question:

What did he do with his own hat, since no one left with two?”

Ellery smiled. “You now have your hand on the heart of our little

mystery, dad. But let it hold for the moment. We have a number of other

points to mull over. For example, the man who departed wearing Monte

Field’s hat could have been only one of two things: either he was the

actual murderer, or he was an accomplice of the murderer.”

“I see what you’re driving at,” muttered the Inspector. “Go on.”

“If he was the murderer, we have definitely established the sex

and also the fact that our man was wearing evening-clothes that

night—perhaps not a very illuminating point, since there were scores of

such men in the theatre. If he was only an accomplice, we must conclude

that the murderer was one of two possibilities: either a man

dressed in ordinary clothes, whose possession of a tophat as he left

would be patently suspicious; or else a woman, who of course could not

sport a tophat at all!”

The Inspector sank back into the leather cushions. “Talk about your

logic!” he chortled. “My son, I’m almost proud of you—that is, I would

be if you weren’t so disgustingly conceited.... Things standing where

they do, therefore, the reason you pulled your little drama in Panzer’s

office....”

His voice lowered as Ellery leaned forward. They continued to converse

in inaudible tones until the taxicab drew up before the headquarters

building.

No sooner had Inspector Queen, who had proceeded blithely through the

sombre corridors with Ellery striding at his side, entered his tiny

office than Sergeant Velie lumbered to his feet.

“Thought you were lost, Inspector!” he exclaimed. “That Stoates kid

was in here not long ago with a suffering look on his face. Said that

Cronin was tearing his hair at Field’s office—that they still hadn’t

found a thing in the files of an incriminating nature.”

“Go away, go away, Thomas my lad,” gurgled the Inspector softly. “I

can’t bother myself with petty problems like putting a dead man behind

bars. Ellery and I—”

The telephone bell rang. Queen sprang forward and snatched the

instrument from the desk. As he listened the glow left his thin cheeks

and a frown settled once more on his forehead. Ellery watched him with

a strange absorption.

“Inspector?” came the hurried voice of a man. “This is Hagstrom

reporting. Just got a minute—can’t say much. Been tailing Angela

Russo all morning and had a tough time.... Seems to be wise that

I’m following her.... A half hour ago she thought she’d given

me the slip—she hopped into a cab and beat it downtown.... And say,

Inspector—just three minutes ago I saw her enter Benjamin Morgan’s

office!”

Queen barked, “Nail her the instant she comes out!” and slammed the

receiver down. He turned slowly to Ellery and Velie and repeated

Hagstrom’s report. Ellery’s face became a study in frowning

astonishment. Velie appeared unmistakably pleased.

But the old man’s voice was strained as he sat down weakly in his

swivel-chair. Finally he groaned, “What do you know about that!”

The Roman hat mystery · 第 13 / 21 章