AN INTRODUCTION BY CHARLES DICKENS

In the spring of the year 1853, I observed, as conductor of the weekly

journal Household Words, a short poem among the proffered contributions,

very different, as I thought, from the shoal of verses perpetually

setting through the office of such a periodical, and possessing much more

merit. Its authoress was quite unknown to me. She was one Miss Mary

Berwick, whom I had never heard of; and she was to be addressed by

letter, if addressed at all, at a circulating library in the western

district of London. Through this channel, Miss Berwick was informed that

her poem was accepted, and was invited to send another. She complied,

and became a regular and frequent contributor. Many letters passed

between the journal and Miss Berwick, but Miss Berwick herself was never

seen.

How we came gradually to establish, at the office of Household Words,

that we knew all about Miss Berwick, I have never discovered. But we

settled somehow, to our complete satisfaction, that she was governess in

a family; that she went to Italy in that capacity, and returned; and that

she had long been in the same family. We really knew nothing whatever of

her, except that she was remarkably business-like, punctual,

self-reliant, and reliable: so I suppose we insensibly invented the rest.

For myself, my mother was not a more real personage to me, than Miss

Berwick the governess became.

This went on until December, 1854, when the Christmas number, entitled

The Seven Poor Travellers, was sent to press. Happening to be going to

dine that day with an old and dear friend, distinguished in literature as

Barry Cornwall, I took with me an early proof of that number, and

remarked, as I laid it on the drawing-room table, that it contained a

very pretty poem, written by a certain Miss Berwick. Next day brought me

the disclosure that I had so spoken of the poem to the mother of its

writer, in its writer's presence; that I had no such correspondent in

existence as Miss Berwick; and that the name had been assumed by Barry

Cornwall's eldest daughter, Miss Adelaide Anne Procter.

The anecdote I have here noted down, besides serving to explain why the

parents of the late Miss Procter have looked to me for these poor words

of remembrance of their lamented child, strikingly illustrates the

honesty, independence, and quiet dignity, of the lady's character. I had

known her when she was very young; I had been honoured with her father's

friendship when I was myself a young aspirant; and she had said at home,

"If I send him, in my own name, verses that he does not honestly like,

either it will be very painful to him to return them, or he will print

them for papa's sake, and not for their own. So I have made up my mind

to take my chance fairly with the unknown volunteers."

Perhaps it requires an editor's experience of the profoundly unreasonable

grounds on which he is often urged to accept unsuitable articles--such as

having been to school with the writer's husband's brother-in-law, or

having lent an alpenstock in Switzerland to the writer's wife's nephew,

when that interesting stranger had broken his own--fully to appreciate

the delicacy and the self-respect of this resolution.

Some verses by Miss Procter had been published in the Book of Beauty, ten

years before she became Miss Berwick. With the exception of two poems in

the Cornhill Magazine, two in Good Words, and others in a little book

called A Chaplet of Verses (issued in 1862 for the benefit of a Night

Refuge), her published writings first appeared in Household Words, or All

the Year Round. The present edition contains the whole of her Legends

and Lyrics, and originates in the great favour with which they have been

received by the public.

Miss Procter was born in Bedford Square, London, on the 30th of October,

1825. Her love of poetry was conspicuous at so early an age, that I have

before me a tiny album made of small note-paper, into which her favourite

passages were copied for her by her mother's hand before she herself

could write. It looks as if she had carried it about, as another little

girl might have carried a doll. She soon displayed a remarkable memory,

and great quickness of apprehension. When she was quite a young child,

she learned with facility several of the problems of Euclid. As she grew

older, she acquired the French, Italian, and German languages; became a

clever pianoforte player; and showed a true taste and sentiment in

drawing. But, as soon as she had completely vanquished the difficulties

of any one branch of study, it was her way to lose interest in it, and

pass to another. While her mental resources were being trained, it was

not at all suspected in her family that she had any gift of authorship,

or any ambition to become a writer. Her father had no idea of her having

ever attempted to turn a rhyme, until her first little poem saw the light

in print.

When she attained to womanhood, she had read an extraordinary number of

books, and throughout her life she was always largely adding to the

number. In 1853 she went to Turin and its neighbourhood, on a visit to

her aunt, a Roman Catholic lady. As Miss Procter had herself professed

the Roman Catholic Faith two years before, she entered with the greater

ardour on the study of the Piedmontese dialect, and the observation of

the habits and manners of the peasantry. In the former, she soon became

a proficient. On the latter head, I extract from her familiar letters

written home to England at the time, two pleasant pieces of description.

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